The Brimming Cup Part 11

CHAPTER VII

THE NIGHT-BLOOMING CEREUS

_An Evening in the Life of Mrs. Neale Crittenden_

April 20.

Nowadays she so seldom spoke or acted without knowing perfectly well what she was about, that Marise startled herself almost as much as her callers by turning over that leaf in the photograph alb.u.m quickly and saying with abruptness, "No, never mind about that one. It's nothing interesting."

Of course this brought out from Paul and little Mark, hanging over her shoulder and knee, the to-be-expected shouts of, "Oh, let's see it! What is it?"

Marise perceived that they scented something fine and exciting such as Mother was always trying to keep from them, like one man choking another over the edge of a cliff, or a woman lying on her back with the blood all running from her throat. Whenever pictures like that were in any of the magazines that came into the house, Marise took them away from the little boys, although she knew helplessly that this naturally made them extremely keen not to miss any chance to catch a glimpse of such a one.

She could see that they thought it queer, there being anything so exciting in this old alb.u.m of dull snapshots and geographical picture-postcards of places and churches and ruins and things that Father and Mother had seen, so long ago. But you never could tell. The way Mother had spoken, the sound of her voice, the way she had flapped down the page quick, the little boys' practised ears and eyes had identified all that to a certainty with the actions that accompanied pictures she didn't want them to see. So, of course, they clamored, "Oh _yes_, Mother, just one look!"

Elly as usual said nothing, looking up into Mother's face. Marise was extremely annoyed. She was glad that Elly was the only one who was looking at her, because, of course, dear old Mr. Welles' un.o.bservant eyes didn't count. She was glad that Mr. Marsh kept his gaze downward on the photograph marked "Rome from the Pincian Gardens," although through the top of his dark, close-cropped head she could fairly feel the racing, inquiring speculations whirling about. Nor had she any right to resent that. She supposed people had a right to what went on in their own heads, so long as they kept it to themselves. And it had been unexpectedly delicate and fine, the way he had come to understand, without a syllable spoken on either side, that that piercing look of his made her uneasy; and how he had promised her, wordlessly always, to bend it on her no more.

_Why_ in the world had it made her uneasy, and why, a thousand times why, had she felt this sudden unwillingness to look at the perfectly commonplace photograph, in this company? Something had burst up from the subconscious and flashed its way into action, moving her tongue to speak and her hand to action before she had the faintest idea it was there ...

like an action of youth! And see what a silly position it had put her in!

The little boys had succeeded with the inspired tactlessness of children in emphasizing and exaggerating what she had wished could be pa.s.sed over unnoticed, a gesture of hers as inexplicable to her as to them. Oh well, the best thing, of course, was to carry it off matter-of-factly, turn the leaf back, and _let_ them see it. And then refute them by insisting on the literal truth of what she had said.

"There!" she said carelessly; "look at it then."

The little boys bent their eager faces over it. Paul read out the t.i.tle as he had been doing for the other photographs, "'View of the Campagna from the top of the cable-railway at Rocca di Papa. Rome in the distance.'"

She had to sustain, for an instant, an astonished and disconcerted look from all those eyes. It made her quite genuinely break into a laugh. It was really a joke on them. She said to the little boys mischievously, "What did Mother say? Do you find it very interesting?"

Paul and Mark stared hard at the very dull photograph of a cliff and a plain and not even a single person or donkey in it, and gave up the riddle. Mother certainly _had_ spoken to them in that hide-it-away-from-the-children voice, and yet there was nothing there.

Marise knew that they felt somehow that Mother had unfairly slipped out between their fingers, as grown-ups are always doing. Well, it wasn't fair. She hated taking advantage of them like that. It was a sort of sin against their awakening capacity to put two and two together and make a human total, and understand what went on about them.

But it hadn't been against _their_ capacity to put two and two together that she had instinctively thrown up that warding-off arm, which hadn't at all warded off attention, but rather drawn it hard and scrutinizing, in spite of those down-dropped sharp eyes. Well, there was no sum he could do with only two, and slight probability he would ever get the other two to put with it ... whatever the other two might be.

Mr. Welles' pleasant old voice said, "It's a very pretty picture, I'm sure. They certainly have very fine views about the Eternal City. I envy you your acquaintance with all those historic spots. What is the next one?"

Dear old Mr. Welles! What a restful presence! How unutterably sweet and uncomplicated life could be with a good big dose of simplicity holding everything in a clear solution, so that it never occurred to you that what things seemed was very different from what they were.

"Ready to turn over, dears?" she asked the little boys. This time she was in her usual control of the machine, regulated what she did from the first motion to the last, made her voice casual but not elaborately so, and put one arm around Mark's slim little shoulder with just the right degree of uninterest in those old and faded photographs.

Very deep down, at the edge of consciousness, something asked her, "Why did you try to hide that photograph?"

She could not answer this question. She didn't know why, any more than the little boys did. And it wouldn't do now, with the need to be mistress-of-the-house till a call ended, to stop to try to think it out.

Later on, tonight, after the children were in bed, when she was brushing her hair ... oh, probably she'd find as you so often did, when you went after the cause of some unexpected little feeling, that it came from a meaningless fortuitous a.s.sociation of ideas, like Elly's hatred of grape-jelly because she had once taken some bitter medicine in it.

"'View of the Roman Aqueduct, taken from the tramway line to Tivoli,'"

read out Paul.

"Very pretty view," said Mr. Welles.

Mr. Marsh's silences were as abysmal as his speech was Niagara-like on occasion. He said nothing.

Elly stirred and looked toward the doorway. Toucle stood there, her shoe-b.u.t.ton eyes not blinking in the lamp-light although she probably had been sitting on the steps of the kitchen, looking out into the darkness, in the long, motionless vigil which made up Toucle's evenings.

As they all turned their faces towards her, she said, "The cereus is going to bloom tonight," and disappeared.

Marise welcomed this diversion. Ever since that absurd little gesture about the photograph, she had felt thickening about her ... what? What you call "depression" (whatever that meant), the dull hooded apparition that came blackly and laid its leaden hand on your heart. This news was just the thing. It would change what was threatening to stand stagnant and charge it with fresh running currents. She got up briskly to her feet.

"Come on, children," she said. "I'll let you sit up beyond bed-time tonight. Scatter quick, and put on your things. We'll all go down the road to the Powers house and see the cereus in bloom."

The children ducked quickly out of the room, thudding along softly in their felt slippers. Scramblings, chatterings, and stamping sounded back from the front hall, as they put on their boots and wraps.

"Wouldn't you like to come, too?" she asked the men, rescuing them from the rather high-and-dry position in which this unexpected incident had left them. It was plainly, from their faces, as inexplicable as unexpected. She explained, drawing a long, plain, black silk scarf closely about her head and shoulders, "Why, yes, do come. It's an occasion as uniquely Ashleyian as pelota is Basque. You, Mr. Marsh, with your exhaustive inquiries into the habits and manners of Vermont mountaineers, your data won't be complete unless you've seen Nelly Powers' night-blooming cereus in its one hour of glory. Seriously, I a.s.sure you, you won't encounter anything like it, anywhere else."

As Marsh looked at her, she noted with an inward amus.e.m.e.nt that her words had lighted a smouldering glow of carefully repressed exasperation in his eyes. It made her feel quite gay and young to be teasing somebody again. She was only paying him back in his own coin. He himself was always telling everybody about his deep interest in the curious quaint ways of these mountaineers. And if he didn't have a deep interest in their curious quaint ways, what else could he give as a reason for staying on in the valley?

The men turned away to get their hats. She settled the folds of her heavy black silk mantilla more closely about her head, glancing at herself in the mirror. She smiled back with sympathy at the smiling face she saw there. It was not so often since the war that she saw her own face lighted with mirth.

Gravely, something deep on the edge of the unconscious called up to her, "You are talking and feeling like a coquette."

She was indignant at this, up in arms to defend human freedom. "Oh, what a hateful, little-villagey, prudish, nasty-minded idea!" she cried to herself. "Who would have thought that narrowness and priggishness could rub off on a person's mind like that! Mrs. Bayweather could have thought that! Mercy! As if one civilized being can't indulge in a light touch or two in human intercourse with another!"

The two men were ready now and all the party of six jostled each other cheerfully as they went out of the front door. Paul had secured the hand of old Mr. Welles and led him along with an air of proprietary affection.

"Don't you turn out the lamp, or lock the door, or _any_thing?" asked the old man, now.

"Oh no, we won't be gone long. It's not more than half a mile to the Powers'. There's not a soul in the valley who would think of going in and rummaging ... let alone taking anything. And we never have tramps.

We are too far from the railroad," said Marise.

"_Well!_" exclaimed the other, looking back as they went down the path, "it certainly looks queer to me, the door standing open into this black night, and the light shining in that empty room."

Elly looked back too. She slipped her hand out of her mother's and ran towards the house. She darted up to the door and stood there, poised like a swallow, looking in.

"What does she want?" asked Mr. Welles with the nave conviction of the elderly bachelor that the mother must know everything in the child's mind.

"I don't know," admitted Marise. "n.o.body ever knows exactly what is in Elly's mind when she does things. Maybe she is looking to see that her kitten is safe."

The little girl ran back to them.

"What did you want, dear?" asked her mother.

"I just wanted to look at it again," said Elly. "I _like_ it, like that, all quiet, with n.o.body in it. The furniture looks as though it were having a good rest from us."

"Oh, listen to the frogs!" screamed Mark, out of the darkness where he had run to join Toucle.

Elly and Paul sprang forward to join their little brother.