The Branding Iron Part 1

The Branding Iron.

by Katharine Newlin Burt.

CHAPTER I

JOAN READS BY FIRELIGHT

There is no silence so fearful, so breathless, so searching as the night silence of a wild country buried five feet deep in snow. For thirty miles or so, north, south, east, and west of the small, half-smothered speck of gold in Pierre Landis's cabin window, there lay, on a certain December night, this silence, bathed in moonlight.

The cold was intense: below the bench where Pierre's homestead lay, there rose from the twisted, rapid river, a cloud of steam, above which the h.o.a.r-frosted tops of cottonwood trees were perfectly distinct, trunk, branch, and twig, against a sky the color of iris petals. The stars flared brilliantly, hardly dimmed by the full moon, and over the vast surface of the snow minute crystals kept up a steady shining of their own. The range of sharp, wind-sc.r.a.ped mountains, uplifted fourteen thousand feet, rode across the country, northeast, southwest, dazzling in white armor, spears up to the sky, a sight, seen suddenly, to take the breath, like the crashing march of archangels militant.

In the center of this ring of silent crystal, Pierre Landis's logs shut in a little square of warm and ruddy human darkness. Joan, his wife, made the heart of this defiant s.p.a.ce--Joan, the one mind living in this ghostly area of night. She had put out the lamp, for Pierre, starting townward two days before, had warned her with a certain threatening sharpness not to waste oil, and she lay on the hearth, her rough head almost in the ashes, reading a book by the unsteady light of the flames. She followed the printed lines with a strong, dark forefinger and her lips framed the words with slow, whispering motions. It was a long, strong woman's body stretched there across the floor, heavily if not sluggishly built, dressed rudely in warm stuffs and clumsy boots, and it was a heavy face, too, unlit from within, but built on lines of perfect animal beauty. The head and throat had the ma.s.sive look of a marble fragment stained to one even tone and dug up from Attic earth. And she was reading thus heavily and slowly, by firelight in the midst of this tremendous Northern night, Keats's version of Boccaccio's "Tale of Isabella and the Pot of Basil."

The story for some reason interested her. She felt that she could understand the love of young Lorenzo and of Isabella, the hatred of those two brothers and Isabella's horrible tenderness for that young murdered head. There were even things in her own life that she compared with these; in fact, at every phrase, she stopped, and, staring ahead, crudely and ignorantly visualized, after her own experience, what she had just read; and, in doing so, she pictured her own life.

Her love and Pierre's--her life before Pierre came--to put herself in Isabella's place, she felt back to the days before her love, when she had lived in a desolation of bleak poverty, up and away along Lone River in her father's shack. This log house of Pierre's was a castle by contrast. John Carver and his daughter had shared one room between them; Joan's bed curtained off with gunny-sacking in a corner. She slept on hides and rolled herself up in old dingy patchwork quilts and worn blankets. On winter mornings she would wake covered with the snow that had sifted in between the ill-matched logs. There had been a stove, one leg gone and subst.i.tuted for by a huge cobblestone; there had been two chairs, a long box, a table, shelves--all rudely made by John; there had been guns and traps and snowshoes, hides, skins, the wings of birds, a couple of fishing-rods--John made his living by legal and illegal trapping and killing. He had looked like a trapped or hunted creature himself, small, furtive, very dark, with long fingers always working over his mouth, a great crooked nose--a hideous man, surely a hideous father. He hardly ever spoke, but sometimes, coming home from the town which he visited several times a year, but to which he had never taken Joan, he would sit down over the stove and go over heavily, for Joan's benefit, the story of his crime and his escape.

Joan always told herself that she would not listen, whatever he said she would stop her ears, but always the story fascinated her, held her, eyes widened on the figure by the stove. He had sat huddled in his chair, gnomelike, his face contorting with the emotions of the story, his own brilliant eyes fixed on the round, red mouth of the stove. The reflection of this scarlet circle was hideously noticeable in his pupils.

"A man's a right to kill his woman if she ain't honest with him," so the story began; "if he finds out she's ben trickin' of him, playin'

him off fer another man. That was yer mother, gel; she was a bad woman." There followed a coa.r.s.e and vivid description of her badness and the manner of it. "That kinder thing no man can let pa.s.s by in his wife. I found her"--again the rude details of his discovery--"an' I found him, an' I let him go fer the white-livered coward he was, but her I killed. I shot her dead after she'd said her prayers an' asked G.o.d's mercy on her soul. Then I walked off, but they kotched me an' I was tried. They didn't swing me. Out in them parts they knowed I was in my rights; so the boys held, but 'twas a life sentence. They tuk me by rail down to Dawson an' I give 'em the slip, handcuffs an' all.

Perhaps 'twas only a half-hearted chase they made fer me. Some of them fellers mebbe had wives of their own." He always stopped to laugh at this point. "An' I cut off up country till I come to a smithy at the edge of a town. I hung round fer a spell till the smith hed gone off an' I got into his place an' rid me of the handcuffs. 'Twas a job, but I wasn't kotched at it an' I made myself free." Followed the story of his wanderings and his hardships and his coming to Lone River and setting out his traps. "In them days there weren't no law ag'in'

trappin' beaver. A man could make a honest livin'. Now they've tuk an'

made laws ag'in' a man's bread an' b.u.t.ter. I ask ye, if 't ain't wrong on a Tuesday to trap yer beaver, why, 't ain't wrong the follerin'

Tuesday. I don't see it, jes becos some fellers back there has made a law ag'in' it to suit theirselves. Anyway, the market fer beaver hides is still prime. Mebbe I'll leave you a fortin, gel. I've saved you from badness, anyhow. I risked a lot to go back an' git you, but I done it. You was playin' out in front of yer aunt's house an' I come fer you. You was a three-year-old an' a big youngster. Says I, 'What's yer name?' Says you, 'Joan Carver'; an' I knowed you by yer likeness to _her_. By G.o.d! I swore I'd save ye. I tuk you off with me, though you put up a fight an' I hed to use you rough to silence you. 'There ain't a-goin' to be no man in yer life, Joan Carver,' says I; 'you an'

yer big eyes is a-goin' to be fer me, to do my work an' to look after my comforts. No pretty boys fer you an' no husbands either to go a-shootin' of you down fer yer sins.'" He shivered and shook his head.

"No, here you stays with yer father an' grows up a good gel. There ain't a-goin' to be no man in _yer_ life, Joan."

But youth was stronger than the man's half-crazy will, and when she was seventeen, Joan ran away.

She found her way easily enough to the town, for she was wise in the tracks of a wild country, and John's trail townwards, though so rarely used, was to her eyes plain enough; and very coolly she walked into the hotel, past the group of loungers around the stove, and asked at the desk, where Mrs. Upper sat, if she could get a job. Mrs. Upper and the loungers stared, for there were few women in this frontier country and those few were well known. This great, strong girl, heavily graceful in her heavily awkward clothes, bareheaded, shod like a man, her face and throat purely cla.s.sic, her eyes gray and wide and as secret in expression as an untamed beast's--no one had ever seen the like of her before.

"What's yer name?" asked Mrs. Upper suspiciously. It was Mormon Day in the town; there were celebrations and her house was full; she needed extra hands, but where this wild creature was concerned she was doubtful.

"Joan. I'm John Carver's daughter," answered the girl.

At once comprehension dawned; heads were nodded, then craned for a better look. Yes, the town, the whole country even, had heard of John Carver's imprisoned daughter. Sober and drunk, he had boasted of her and of how there was to be "no man" in her life. It was like dangling ripe fruit above the mouths of hungry boys to make such a boast in such a land. But they were lazy. It was a country of lazy, slow-thinking, slow-moving, and slow-talking adventurers--you will notice this ponderous, inevitable quality of rolling stones--and though men talked with humor not too fine of "travelin' up Lone River for John's gel,"

not a man had got there. Perhaps the men knew John Carver for a coward, that most dangerous animal to meet in his own lair.

Now here stood the "gel," the mysterious secret goal of desire, a splendid creature, virginal, savage, as certainly designed for man as Eve. The men's eyes fastened upon her, moved and dropped.

"Your father sent you down here fer a job?" asked Mrs. Upper incredulously.

"No. I come." Joan's grave gaze was unchanging. "I'm tired of it up there. I ain't a-goin' back. I'm most eighteen now an' I kinder want a change."

She had not meant to be funny, but a gust of laughter rattled the room. She shrank back. It was more terrifying to her than any cruelty she had fancied meeting her in the town. These were the men her father had forbidden, these loud-laughing, crinkled faces. She had turned to brave them, a great surge of color in her brows.

"Don't mind the boys, dear," spoke Mrs. Upper. "They will laff, joke or none. We ain't none of us blamin' you. It's a wonder you ain't run off long afore now. I can give you a job an' welcome, but you'll be green an' unhandy. Well, sir, we kin learn ye. You kin turn yer hand to chamber-work an' mebbe help at the table. Maud will show you. But, Joan, what will dad do to you? He'll be takin' after you hot-foot, I reckon, an' be fer gettin' you back home as soon as he can."

Joan did not change her look.

"I'll not be goin' back with him," she said.

Her slow, deep voice, chest notes of a musical vibration, stirred the room. The men were hers and gruffly said so. A sudden warmth enveloped her from heart to foot. She followed Mrs. Upper to the initiation in her service, clothed for the first time in human sympathies.

CHAPTER II

PIERRE LAYS HIS HAND ON A HEART

Maud Upper was the first girl of her own age that Joan had ever seen.

Joan went in terror of her and Maud knew this and enjoyed her ascendancy over an untamed creature twice her size. There was the crack of a lion-tamer's whip in the tone of her instructions. That was after a day or two. At first Maud had been horribly afraid of Joan. "A wild thing like her, livin' off there in the hills with that man, why, ma, there's no tellin' what she might be doin' to me."

"She won't hurt ye," laughed Mrs. Upper, who had lived in the wilds herself, having been a frontierman's wife before the days even of this frontier town and having married the hotel-keeper as a second venture.

She knew that civilization--this rude place being civilization to Joan--would cow the girl and she knew that Maud's self-a.s.sertive buoyancy would frighten the soul of her. Maud was large-hipped, high-bosomed, with a small, round waist much compressed. She carried her head, with its waved brown hair, very high, and shot blue glances down along a short, broad nose. Her mouth was thin and determined, her color high. She had a curiously shallow, weak voice that sounded breathless. She taught Joan impatiently and laughed loudly but not unkindly at her ways.

"Gee, she's awkward, ain't she?" she would say to the men; "trail like a bull moose!"

The men grinned, but their eyes followed Joan's movements. As a matter of fact, she was not awkward. Through her clumsy clothes, the heaviness of her early youth, in spite of all the fetters of her ignorance, her wonderful long bones and her wonderful strength a.s.serted themselves. And she never hurried. At first this apparent sluggishness infuriated Maud. "Get a gait on ye, Joan Carver!" she would scream above the din of the rough meals, but soon she found that Joan's slow movements accomplished a tremendous amount of work in an amazingly short time. There was no pause in the girl's activity. She poured out her strength as a python pours his, noiselessly, evenly, steadily, no haste, no waste. And the men's eyes brooded upon her.

If Joan had stayed long at Mrs. Upper's, she would have begun inevitably to model herself on Maud, who was, in her eyes, a marvelous thing of beauty. But, just a week after her arrival, there came to the inn Pierre Landis and for Joan began the strange and terrible history of love.

In the lives of most women, of the vast majority, the clatter and clash of housewifery prelude and postlude the spring song of their years. And the rattle of dishes, of busy knives and forks, the quick tapping of Maud's attendant feet, the sound of young and ravenous jaws at work: these sounds were in Joan's bewildered ears, and the sights which they accompanied in her bewildered eyes, just before she heard Pierre's voice, just before she saw his face.

It was dinner hour at the hotel, an hour most dreadful to Joan because of the hurry, the strangeness, and the crowd, because of the responsibility of her work, but chiefly because at that hour she expected the appearance of her father. Her eyes were often on the door. It opened to admit the young men, the riders and ranchers who hung up their hats, swaggered with a little jingle of spurs to their chairs; clean-faced, clean-handed, wet-haired, murmuring low-voiced courtesies,--"Pa.s.s me the gravy, please," "I wouldn't be carin' fer any, thank you,"--and lifting to the faces of waiting girls now and again their strange, young, brooding eyes, bold, laughing, and afraid, hungry, pathetic, arrogant, as the eyes of young men are, tameless and untamable, but full of the pathos of the untamed. Joan's heart shook a little under their looks, but when Pierre lifted his eyes to her, her heart stood still. She had not seen them following her progress around the room. He had come in late, and finding no place at the long, central table sat apart at a smaller one under a high, uncurtained window. By the time she met his eyes they were charged with light; smoky-blue eyes they were, the iris heavily ringed with black, the pupils dilated a little. For the first time it occurred to Joan, looking down with a still heart into his eyes, that a man might be beautiful. The blood came up from her heart to her face. Her eyes struggled away from his.

"What's yer name, gel?" murmured Pierre.

"Joan Carver."

"You run away from home?" He too had heard of her.

"Yes."

"Will your father be takin' you back?"

"I won't be goin' with him."

She was about to pa.s.s on. Pierre cast a swift look about the table--bent heads and busy hands, eyes cast down, ears, he knew, alert. It was a land of few women and of many men. He must leave in the morning early and for months he would not be back. He put out a long, hard hand, caught Joan's wrist and gave it a queer, urgent shake, the gesture of an impatient and beseeching child.

"Will you be comin' home with me, gel?" asked Pierre hurriedly.

She looked at him, her lips apart, and she shook her head.