The Bonesetter's Daughter Part 20

"Us. You and me. Do we need to talk about something more than just your mother's mind falling apart?"

"Why do you say that?"

"You seem-I don't know-distant, maybe even a little angry."

"I'm tense. Last week I saw how she really is, and it frightened me. She's a danger to herself. She's far worse than I thought. And I realize the disease is further along than I first thought. She's probably had it six or seven years already. I don't know why I never noticed-"

"So your going to live there has nothing to do with us?"

"No," Ruth said firmly. And then in a softer voice, "I don't know." And after a long silence, she added, "I remember you asked me once what I was going to do about my my mother. And it struck me. Yes, what am / going to do? I felt it was all up to me. I've tried to handle it the best I can, and this is it. Maybe my moving out does have to do with us, but now, if there's anything wrong with us, it's secondary to what's wrong with my mom. That's all I can handle right now." mother. And it struck me. Yes, what am / going to do? I felt it was all up to me. I've tried to handle it the best I can, and this is it. Maybe my moving out does have to do with us, but now, if there's anything wrong with us, it's secondary to what's wrong with my mom. That's all I can handle right now."

Art looked uncertain. "Well, when you feel you're ready to talk..." He drifted off, so miserable, it seemed to Ruth, she was almost tempted to a.s.sure him that nothing was really wrong.

LuLing was also suspicious as to why Ruth needed to live with her.

"Someone asked me to write a children's book, with ill.u.s.trations of animals," Ruth said. She was now accustomed to telling lies without feeling guilty. "I was hoping you'd do the drawings, and if you did, it would be easier if we worked together here, less noisy that way."

"How many animal? What kind?" LuLing was as excited as a child going to the zoo.

"Anything we want. You get to decide what to draw, Chinese style."

"All right." Her mother looked pleased at the prospect of being vital to her daughter's success. Ruth sighed, relieved yet sad. Why hadn't she ever asked her mother to make drawings before? She should have done it when her mother's hand and mind were still steady. It broke her heart to see her mother trying so hard, being so conscientious, so determined to be valuable. Making her mother happy would have been easy all along. LuLing simply wanted to be essential, as a mother should be.

Each day, she went to her desk and spent fifteen minutes grinding her inkstick. Luckily, many of the drawings she did were of subjects she had drawn many times for scroll paintings-fish, horse, cat, monkey, duck- and she executed them and the characters from a neuromotor memory of the strokes. The results were shaky yet recognizable renditions of what she once had done perfectly. But the moment LuLing attempted the unfamiliar, her hand flailed in synchrony with her confusion, and Ruth became as distressed as her mother, though she tried not to show it. Every time LuLing finished a drawing, Ruth praised it, took it away, then suggested a new animal to draw.

"Hippo?" LuLing puzzled over the word. "How you say in Chinese?"

"Never mind," Ruth said. "How about an elephant? Do an elephant, you know, the one with a long nose and big ears."

But LuLing was still frowning. "Why you give up? Something hard maybe worth more than easy. Hippo, what look like? Horn right here?" She tapped the top of her head.

"That's a rhinoceros. That's good too. Do a rhinoceros, then."

"Not hippo?"

"Don't worry about it."

"I not worry! You worry! I see this. Look your face. You not hiding from me. I know. I your mother! Okay-okay, you don't worry hippo anymore. I worry for you. Later I remember, then tell you, you be happy. Okay now? Don't cry anymore."

Her mother was good at being quiet when Ruth was working. "Study hard," she would whisper. But if Ruth was watching television, LuLing, as she always had, figured she was not doing anything important. Her mother then gabbed about GaoLing, rehashing her sister's greatest insults to her over the years. "She want me to go love-boat cruise to Hawaii. I ask her, Where I have this kind money? My Social Security only seven hundred fifty dollar. She tell me, You too cheap! I tell her, This not cheap, this poor. poor. I not rich widow. Hnh! She forget she once want marry my husband. Tell me when he die, I not rich widow. Hnh! She forget she once want marry my husband. Tell me when he die, lucky lucky she choose other brother...." she choose other brother...."

Sometimes Ruth listened with interest, trying to determine how much of the story LuLing changed in each retelling, feeling rea.s.sured when she repeated the same story. But other times Ruth was simply irritated by having to listen, and this irritation made her feel strangely satisfied, as if everything was the same, nothing was wrong.

"That girl downstair eat popcorn almost every night! Burn it, fire alarm go off. She don't know, I can smell! Stink! Popcorn all she eat! No wonder skinny. Then she tell me, this not work right, that not right. Always complaining, threat me 'lawsuit in in-jury, code vio-la-tion'..."

At night, as Ruth lay in her old bed, she felt she had come back to her adolescence in the guise of an adult. She was the same person and yet she was not. Or perhaps she was two versions of herself, Ruth1969 and Ruth and Ruth1999, one more innocent and the other more perceptive, one needier, the other more self-sufficient, both of them fearful. She was her mother's child, and mother to the child her mother had become. So many combinations, like Chinese names and characters, the same elements, seemingly simple, reconfigured in different ways. This was the bed from her childhood, and still within were those youthful moments before dreams, when she ached and wondered alone: What's going to happen? And just as in childhood, she listened to her breathing and was frightened by the idea that her mother's might one day stop. When she was conscious of it, each inhalation was an effort. Expiration was simply a release. Ruth was afraid to let go. one more innocent and the other more perceptive, one needier, the other more self-sufficient, both of them fearful. She was her mother's child, and mother to the child her mother had become. So many combinations, like Chinese names and characters, the same elements, seemingly simple, reconfigured in different ways. This was the bed from her childhood, and still within were those youthful moments before dreams, when she ached and wondered alone: What's going to happen? And just as in childhood, she listened to her breathing and was frightened by the idea that her mother's might one day stop. When she was conscious of it, each inhalation was an effort. Expiration was simply a release. Ruth was afraid to let go.

Several times a week, LuLing and Ruth would talk to ghosts. Ruth pulled out the old sand tray stored on top of the refrigerator and offered to write to Precious Auntie. Her mother reacted politely, the way people do when offered a box of chocolates: "Oh!... Well, maybe just little." LuLing wanted to know if the children's book was going to make Ruth famous. Ruth had Precious Auntie say that LuLing would be.

LuLing also asked for updates on the stock market. "Dow Jones go up or down?" she asked one day.

Ruth drew an upward arrow.

"Sell Intel, buy Intel?"

Ruth knew her mother watched the stock market mostly just for fun. She had not found any letters, junk mail or otherwise, from brokerage firms. Buy on sale, Buy on sale, she decided to write. she decided to write.

LuLing nodded. "Oh, wait till down. Precious Auntie very smart."

One night, as Ruth held the chopstick in her hand, ready to divine more answers, she heard LuLing say: "Why you and Artie argue?"

"We're not arguing."

"Then why you not live together? This because me? My fault?"

"Of course not." Ruth said this a bit too loudly.

"I think maybe so." She gave Ruth her all-knowing look. "Long time 'go, you first meet him, I tell you, Why you live together first? You do this, he never marry you. You remember? Oh, now you thinking, Ah, Mother right. Live together, now I just leftover, easy throw away. Don't be embarra.s.s. You be honest."

Her mother had said those things, Ruth recalled with chagrin. She busied her hands, brushing off stray grains of sand from the edges of the tray. She was both surprised by the things her mother remembered and touched by her concern. What LuLing had said about Art was not exactly right, yet she had pierced the heart of it, the fact that Ruth felt like a leftover, last in line to get a helping of whatever was being served.

Something was terribly wrong between Art and her. She had sensed that more strongly during their trial separation-wasn't that what this was? She saw more clearly the habits of emotion, her trying to accommodate herself to him even when he didn't need her to. At one time she had thought that adjustment was what every couple, married or not, did, willingly or out of grudging necessity. But had Art also accommodated to her? If so, she didn't know how. And now that they had been apart, she felt unweighted, untethered. This was what she had predicted she might feel when she lost her mother. Now she wanted to hang on to her mother as if she were her life preserver.

"What bothers me is that I don't feel lonelier without Art," she told Wendy over the phone. "I feel more myself."

"Do you miss the girls?"

"Not that much, at least not their noise and energy. Do you think my feelings are deadened or something?"

"I think you're worn out."

Twice a week, Ruth and her mother went to Vallejo Street for dinner. On those days, Ruth had to finish her work early and shop for groceries. Since she did not want to leave her mother alone, she took her along to the store. While they shopped, LuLing commented on the cost of every item, questioning whether Ruth should wait until it was cheaper. Once Ruth arrived home-and yes, she reminded herself, the flat on Vallejo Street was still her home-she seated LuLing in front of the television, then sorted through mail addressed to her and Art as a couple. She saw how little of that there was, while most of the repair bills were in her name. At the end of the night, she was frazzled, saddened, and relieved to go back to her mother's house, to her little bed.

One night, while she was in the kitchen cutting vegetables, Art sidled up to her and patted her bottom. "Why don't you get GaoLing to babysit your mom? Then you can stay over for a conjugal visit."

She flushed. She wanted to lean against him, wrap her arms around him, and yet the act of doing so was as scary as leaping off a cliff.

He kissed her neck. "Or you can take a break right now and we can sneak into the bathroom for a quickie."

She laughed nervously. "They'll all know what we're doing."

"No they won't." Art was breathing in her ear.

"My mother knows everything, she sees everything."

With that, Art stopped, and Ruth was disappointed.

During the second month of their living apart, Ruth told Art, "If you really want to have dinner together, maybe you should come over to my mother's for a change, instead of my schlepping over here all the time for dinner. It's exhausting to do that all the time."

So Art and the girls started to go twice a week to LuLing's house. "Ruth," Dory whined one night as she watched her making a salad, "when are you coming home? Dad is like really boring and Fia is all the time like, 'Dad, there's nothing to do, there's nothing good to eat.'"

Ruth was pleased that they missed her. "I don't know, honey. Waipo needs me."

"We need you too."

Ruth felt her heart squeeze. "I know, but Waipo's sick. I have to stay with her."

"Then can I come and stay here with you?"

Ruth laughed. "I'd like that, but you'll have to ask your dad."

Two weekends later, Fia and Dory came with an inflatable mattress. They stayed in Ruth's room. "Girls only," Dory insisted, so Art had to go home. In the evening, Ruth and the girls watched television and drew mehndi tattoos on each other's hands. The next weekend, Art asked if it was boys' night yet.

"I think that can be arranged," Ruth said coyly.

Art brought his toothbrush, a change of clothes, and a portable boom-box with a Michael Feinstein CD, Gershwin music. At night, he squeezed into the twin bed with Ruth. But she did not feel amorous with LuLing in the next room. That was the explanation she gave Art.

"Let's just cuddle, then," he suggested. Ruth was glad he did not press her for further explanations. She nestled against his chest. Deep into the night, she listened to his sonorous breathing and the foghorns. For the first time in a long while, she felt safe.

Mr. Tang called Ruth at the end of two months. "Are you sure there aren't any more pages?"

"Afraid not. I've been cleaning out my mother's house, drawer by drawer, room by room. I even discovered she put a thousand dollars under a floorboard. If there was anything else, I'm sure I would have found it."

"Then I've finished." Mr. Tang sounded sad. "There were a few pages with some writing on them, the same sentences over and over, saying she was worried that she was already forgetting too many things. The script on those was pretty shaky. I think they were more recent. It may upset you. I'm just telling you now, so you know."

Ruth thanked him.

"May I come over now to deliver my work to you?" he asked formally. "Would that be all right?"

"Is it too much trouble?"

"It would be an honor. To be honest, I would dearly like to meet your mother. After all this time of reading her words, day and night, I feel I know her like an old friend and miss her already."

Ruth warned him: "She won't be the same woman who wrote those pages."

"Perhaps... but somehow I think she will be."

"Would you like to come for dinner tonight?"

Ruth joked with her mother that an admirer was coming to see her and she should put on her pretty clothes.

"No! No one coming."

Ruth nodded and smiled.

"Who?"

Ruth answered vaguely. "An old friend of an old friend of yours in China."

LuLing pondered hard. "Ah, yes. I remember now."

Ruth helped her bathe and dress. She tied a scarf around her neck, combed her hair, added a touch of lipstick. "You're beautiful," Ruth said, and it was true.

LuLing looked at herself in the mirror. "Buddha-full. Too bad GaoLing not pretty like me." Ruth laughed. Her mother had never expressed vanity about her looks, but with the dementia, the modesty censors must not have been working. Dementia was like a truth serum.

At seven exactly, Mr. Tang arrived with LuLing's pages and his translation. He was a slender man with white hair, deep smile lines, a very kind face. He brought LuLing a bag of oranges.

"No need to be so polite," she said automatically as she inspected the fruit for soft spots. She scolded Ruth in Chinese: "Take his coat. Ask him to sit down. Give him something to drink."

"No need to trouble yourself," Mr. Tang said.

"Oh, your Chinese is the Beijing dialect, very elegant," LuLing said. She became girlish and shy, which amused Ruth. And Mr. Tang in turn poured on the charm, pulling out LuLing's chair to seat her, serving her tea first, filling her cup when it was half empty. She and Mr. Tang continued to speak in Chinese, and to Ruth's ear, her mother began to sound more logical, less confused.

"Where in China are you from?" LuLing asked.

"Tianjin. Later I went to school at Yenching University."

"Oh, my first husband went there, a very smart boy. Pan Kai Jing. Did you know him?"

"I've heard of him," Ruth heard Mr. Tang answer. "He studied geology, didn't he?"

"That's right! He worked on many important things. Have you ever heard of Peking Man?"

"Of course, Peking Man is world-famous."

LuLing looked wistful. "He died watching over those old bones."

"He was a great hero. Others admired his bravery, but you must have suffered."

Ruth listened with fascination. It was as if Mr. Tang had known her mother years before. He easily guided her to the old memories, to those that were still safeguarded from destruction. And then she heard her mother say, "My daughter Luyi also worked with us. She was at the same school where I lived after Precious Auntie died."

Ruth turned, startled then touched that her mother included her in the past.

"Yes, I was sorry to hear about your mother. She was a great lady. Very smart."

LuLing tilted her head and seemed to be struggling with sadness. "She was the daughter of a bonesetter."

Mr. Tang nodded. "A very famous doctor."

At the end of the evening, Mr. Tang thanked LuLing elaborately for some delightful hours of remembering the old times. "May I have the honor of visiting you again soon?"

LuLing t.i.ttered. She raised her eyebrows and looked at Ruth.

"You're welcome to come anytime," Ruth said.