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"Give us a song, Archie, let her go," urged Thorpe impatiently.
"All right," replied the man very meekly.
Another silence fell. It got to be a little awful. The poor woodsman, pilloried before the regards of this polite circle, out of his element, suffering cruelly, nevertheless made no sign nor movement one way or the other. At last when the situation had almost reached the breaking point of hysteria, he began.
His voice ordinarily was rather a good tenor. Now he pitched it too high; and went on straining at the high notes to the very end. Instead of offering one of the typical woods chanteys, he conceived that before so grand an audience he should give something fancy. He therefore struck into a sentimental song of the cheap music-hall type. There were nine verses, and he drawled through them all, hanging whiningly on the nasal notes in the fashion of the untrained singer. Instead of being a performance typical of the strange woods genius, it was merely an atrocious bit of cheap sentimentalism, badly rendered.
The audience listened politely. When the song was finished it murmured faint thanks.
"Oh, give us 'Jack Haggerty,' Archie," urged Thorpe.
But the woodsman rose, nodded his head awkwardly, and made his escape.
He entered the men's camp, swearing, and for the remainder of the day made none but blasphemous remarks.
The beagles, however, were a complete success. They tumbled about, and lolled their tongues, and laughed up out of a tangle of themselves in a fascinating manner. Altogether the visit to Camp One was a success, the more so in that on the way back, for the first time, Thorpe found that chance--and Mrs. Cary--had allotted Hilda to his care.
A hundred yards down the trail they encountered Phil. The dwarf stopped short, looked attentively at the girl, and then softly approached. When quite near to her he again stopped, gazing at her with his soul in his liquid eyes.
"You are more beautiful than the sea at night," he said directly.
The others laughed. "There's sincerity for you, Miss Hilda," said young Mr. Morton.
"Who is he?" asked the girl after they had moved
"Our ch.o.r.e-boy," answered Thorpe with great brevity, for he was thinking of something much more important.
After the rest of the party had gone ahead, leaving them sauntering more slowly down the trail, he gave it voice.
"Why don't you come to the pine grove any more?" he asked bluntly.
"Why?" countered Hilda in the manner of women.
"I want to see you there. I want to talk with you. I can't talk with all that crowd around."
"I'll come to-morrow," she said--then with a little mischievous laugh, "if that'll make you talk."
"You must think I'm awfully stupid," agreed Thorpe bitterly.
"Ah, no! Ah, no!" she protested softly. "You must not say that."
She was looking at him very tenderly, if he had only known it, but he did not, for his face was set in discontented lines straight before him.
"It is true," he replied.
They walked on in silence, while gradually the dangerous fascination of the woods crept down on them. Just before sunset a hush falls on nature.
The wind has died, the birds have not yet begun their evening songs, the light itself seems to have left off sparkling and to lie still across the landscape. Such a hush now lay on their spirits. Over the way a creeper was droning sleepily a little chant,--the only voice in the wilderness. In the heart of the man, too, a little voice raised itself alone.
"Sweetheart, sweetheart, sweetheart!" it breathed over and over again.
After a while he said it gently in a half voice.
"No, no, hush!" said the girl, and she laid the soft, warm fingers of one hand across his lips, and looked at him from a height of superior soft-eyed tenderness as a woman might look at a child. "You must not. It is not right."
Then he kissed the fingers very gently before they were withdrawn, and she said nothing at all in rebuke, but looked straight before her with troubled eyes.
The voices of evening began to raise their jubilant notes. From a tree nearby the olive thrush sang like clockwork; over beyond carolled eagerly a black-throat, a myrtle warbler, a dozen song sparrows, and a hundred vireos and creepers. Down deep in the blackness of the ancient woods a hermit thrush uttered his solemn bell note, like the tolling of the spirit of peace. And in Thorpe's heart a thousand tumultuous voices that had suddenly roused to clamor, died into nothingness at the music of her softly protesting voice.
Chapter XLII
Thorpe returned to Camp One shortly after dark. He found there Scotty Parsons, who had come up to take charge of the crew engaged in clearing French Creek. The man brought him a number of letters sent on by Collins, among which was one from Wallace Carpenter.
After commending the camping party to his companion's care, and giving minute directions as to how and where to meet it, the young fellow went on to say that affairs were going badly on the Board.
"Some interest that I haven't been able to make out yet has been hammering our stocks down day after day," he wrote. "I don't understand it, for the stocks are good--they rest on a solid foundation of value and intrinsically are worth more than is bid for them right now. Some powerful concern is beating them down for a purpose of its own. Sooner or later they will let up, and then we'll get things back in good shape.
I am amply protected now, thanks to you, and am not at all afraid of losing my holdings. The only difficulty is that I am unable to predict exactly when the other fellows will decide that they have accomplished whatever they are about, and let up. It may not be before next year. In that case I couldn't help you out on those notes when they come due. So put in your best licks, old man. You may have to pony up for a little while, though of course sooner or later I can put it all back. Then, you bet your life, I keep out of it. Lumbering's good enough for yours truly.
"By the way, you might shine up to Hilda Farrand and join the rest of the fortune-hunters. She's got it to throw to the birds, and in her own right. Seriously, old fellow, don't put yourself into a false position through ignorance. Not that there is any danger to a hardened old woodsman like you."
Thorpe went to the group of pines by the pole trail the following afternoon because he had said he would, but with a new att.i.tude of mind. He had come into contact with the artificiality of conventional relations, and it stiffened him. No wonder she had made him keep silence the afternoon before! She had done it gently and nicely, to be sure, but that was part of her good-breeding. Hilda found him formal, reserved, polite; and marvelled at it. In her was no coquetry. She was as straightforward and sincere as the look of her eyes.
They sat down on a log. Hilda turned to him with her graceful air of confidence.
"Now talk to me," said she.
"Certainly," replied Thorpe in a practical tone of voice, "what do you want me to talk about?"
She shot a swift, troubled glance at him, concluded herself mistaken, and said:
"Tell me about what you do up here--your life--all about it."
"Well--" replied Thorpe formally, "we haven't much to interest a girl like you. It is a question of saw logs with us"--and he went on in his dryest, most technical manner to detail the process of manufacture. It might as well have been bricks.
The girl did not understand. She was hurt. As surely as the sun tangled in the distant pine frond, she had seen in his eyes a great pa.s.sion. Now it was coldly withdrawn.
"What has happened to you?" she asked finally out of her great sincerity.
"Me? Nothing," replied Thorpe.
A forced silence fell upon him. Hilda seemed gradually to lose herself in reverie. After a time she said softly.
"Don't you love this woods?"
"It's an excellent bunch of pine," replied Thorpe bluntly. "It'll cut three million at least."
"Oh!" she cried drawing back, her hands pressed against the log either side of her, her eyes wide.