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Besides, Isaac had made the discovery that too much sun was injurious to tulips, and that this flower grew quicker, and had a better colouring, with the temperate warmth of morning, than with the powerful heat of the midday sun. He therefore felt almost grateful to Cornelius van Baerle for having given him a screen gratis.

Maybe this was not quite in accordance with the true state of things in general, and of Isaac Boxtel's feelings in particular. It is certainly astonishing what rich comfort great minds, in the midst of momentous catastrophes, will derive from the consolations of philosophy.

But alas! What was the agony of the unfortunate Boxtel on seeing the windows of the new story set out with bulbs and seedlings of tulips for the border, and tulips in pots; in short, with everything pertaining to the pursuits of a tulip-monomaniac!

There were bundles of labels, cupboards, and drawers with compartments, and wire guards for the cupboards, to allow free access to the air whilst keeping out slugs, mice, dormice, and rats, all of them very curious fanciers of tulips at two thousand francs a bulb.

Boxtel was quite amazed when he saw all this apparatus, but he was not as yet aware of the full extent of his misfortune. Van Baerle was known to be fond of everything that pleases the eye. He studied Nature in all her aspects for the benefit of his paintings, which were as minutely finished as those of Gerard Dow, his master, and of Mieris, his friend. Was it not possible, that, having to paint the interior of a tulip-grower's, he had collected in his new studio all the accessories of decoration?

Yet, although thus consoling himself with illusory suppositions, Boxtel was not able to resist the burning curiosity which was devouring him. In the evening, therefore, he placed a ladder against the part.i.tion wall between their gardens, and, looking into that of his neighbour Van Baerle, he convinced himself that the soil of a large square bed, which had formerly been occupied by different plants, was removed, and the ground disposed in beds of loam mixed with river mud (a combination which is particularly favourable to the tulip), and the whole surrounded by a border of turf to keep the soil in its place. Besides this, sufficient shade to temper the noonday heat; aspect south-southwest; water in abundant supply, and at hand; in short, every requirement to insure not only success but also progress. There could not be a doubt that Van Baerle had become a tulip-grower.

Boxtel at once pictured to himself this learned man, with a capital of four hundred thousand and a yearly income of ten thousand guilders, devoting all his intellectual and financial resources to the cultivation of the tulip. He foresaw his neighbour's success, and he felt such a pang at the mere idea of this success that his hands dropped powerless, his knees trembled, and he fell in despair from the ladder.

And thus it was not for the sake of painted tulips, but for real ones, that Van Baerle took from him half a degree of warmth. And thus Van Baerle was to have the most admirably fitted aspect, and, besides, a large, airy, and well ventilated chamber where to preserve his bulbs and seedlings; while he, Boxtel, had been obliged to give up for this purpose his bedroom, and, lest his sleeping in the same apartment might injure his bulbs and seedlings, had taken up his abode in a miserable garret.

Boxtel, then, was to have next door to him a rival and successful compet.i.tor; and his rival, instead of being some unknown, obscure gardener, was the G.o.dson of Mynheer Cornelius de Witt, that is to say, a celebrity.

Boxtel, as the reader may see, was not possessed of the spirit of Porus, who, on being conquered by Alexander, consoled himself with the celebrity of his conqueror.

And now if Van Baerle produced a new tulip, and named it the John de Witt, after having named one the Cornelius? It was indeed enough to choke one with rage.

Thus Boxtel, with jealous foreboding, became the prophet of his own misfortune. And, after having made this melancholy discovery, he pa.s.sed the most wretched night imaginable.

Chapter 6.

The Hatred of a Tulip-fancier.

From that moment Boxtel's interest in tulips was no longer a stimulus to his exertions, but a deadening anxiety. Henceforth all his thoughts ran only upon the injury which his neighbour would cause him, and thus his favourite occupation was changed into a constant source of misery to him.

Van Baerle, as may easily be imagined, had no sooner begun to apply his natural ingenuity to his new fancy, than he succeeded in growing the finest tulips. Indeed; he knew better than any one else at Haarlem or Leyden -- the two towns which boast the best soil and the most congenial climate -- how to vary the colours, to modify the shape, and to produce new species.

He belonged to that natural, humorous school who took for their motto in the seventeenth century the aphorism uttered by one of their number in 1653, -- "To despise flowers is to offend G.o.d."

From that premise the school of tulip-fanciers, the most exclusive of all schools, worked out the following syllogism in the same year: -- "To despise flowers is to offend G.o.d.

"The more beautiful the flower is, the more does one offend G.o.d in despising it.

"The tulip is the most beautiful of all flowers.

"Therefore, he who despises the tulip offends G.o.d beyond measure."

By reasoning of this kind, it can be seen that the four or five thousand tulip-growers of Holland, France, and Portugal, leaving out those of Ceylon and China and the Indies, might, if so disposed, put the whole world under the ban, and condemn as schismatics and heretics and deserving of death the several hundred millions of mankind whose hopes of salvation were not centred upon the tulip.

We cannot doubt that in such a cause Boxtel, though he was Van Baerle's deadly foe, would have marched under the same banner with him.

Mynheer van Baerle and his tulips, therefore, were in the mouth of everybody; so much so, that Boxtel's name disappeared for ever from the list of the notable tulip-growers in Holland, and those of Dort were now represented by Cornelius van Baerle, the modest and inoffensive savant.

Engaging, heart and soul, in his pursuits of sowing, planting, and gathering, Van Baerle, caressed by the whole fraternity of tulip-growers in Europe, entertained nor the least suspicion that there was at his very door a pretender whose throne he had usurped.

He went on in his career, and consequently in his triumphs; and in the course of two years he covered his borders with such marvellous productions as no mortal man, following in the tracks of the Creator, except perhaps Shakespeare and Rubens, have equalled in point of numbers.

And also, if Dante had wished for a new type to be added to his characters of the Inferno, he might have chosen Boxtel during the period of Van Baerle's successes. Whilst Cornelius was weeding, manuring, watering his beds, whilst, kneeling on the turf border, he a.n.a.lysed every vein of the flowering tulips, and meditated on the modifications which might be effected by crosses of colour or otherwise, Boxtel, concealed behind a small sycamore which he had trained at the top of the part.i.tion wall in the shape of a fan, watched, with his eyes starting from their sockets and with foaming mouth, every step and every gesture of his neighbour; and whenever he thought he saw him look happy, or descried a smile on his lips, or a flash of contentment glistening in his eyes, he poured out towards him such a volley of maledictions and furious threats as to make it indeed a matter of wonder that this venomous breath of envy and hatred did not carry a blight on the innocent flowers which had excited it.

When the evil spirit has once taken hold of the heart of man, it urges him on, without letting him stop. Thus Boxtel soon was no longer content with seeing Van Baerle. He wanted to see his flowers, too; he had the feelings of an artist, the master-piece of a rival engrossed his interest.

He therefore bought a telescope, which enabled him to watch as accurately as did the owner himself every progressive development of the flower, from the moment when, in the first year, its pale seed-leaf begins to peep from the ground, to that glorious one, when, after five years, its petals at last reveal the hidden treasures of its chalice. How often had the miserable, jealous man to observe in Van Baerle's beds tulips which dazzled him by their beauty, and almost choked him by their perfection!

And then, after the first blush of the admiration which he could not help feeling, he began to be tortured by the pangs of envy, by that slow fever which creeps over the heart and changes it into a nest of vipers, each devouring the other and ever born anew. How often did Boxtel, in the midst of tortures which no pen is able fully to describe, -- how often did he feel an inclination to jump down into the garden during the night, to destroy the plants, to tear the bulbs with his teeth, and to sacrifice to his wrath the owner himself, if he should venture to stand up for the defence of his tulips!

But to kill a tulip was a horrible crime in the eyes of a genuine tulip-fancier; as to killing a man, it would not have mattered so very much.

Yet Van Baerle made such progress in the n.o.ble science of growing tulips, which he seemed to master with the true instinct of genius, that Boxtel at last was maddened to such a degree as to think of throwing stones and sticks into the flower-stands of his neighbour. But, remembering that he would be sure to be found out, and that he would not only be punished by law, but also dishonoured for ever in the face of all the tulip-growers of Europe, he had recourse to stratagem, and, to gratify his hatred, tried to devise a plan by means of which he might gain his ends without being compromised himself.

He considered a long time, and at last his meditations were crowned with success.

One evening he tied two cats together by their hind legs with a string about six feet in length, and threw them from the wall into the midst of that n.o.ble, that princely, that royal bed, which contained not only the "Cornelius de Witt," but also the "Beauty of Brabant," milk-white, edged with purple and pink, the "Marble of Rotterdam," colour of flax, blossoms feathered red and flesh colour, the "Wonder of Haarlem," the "Colombin obscur," and the "Columbin clair terni."

The frightened cats, having alighted on the ground, first tried to fly each in a different direction, until the string by which they were tied together was tightly stretched across the bed; then, however, feeling that they were not able to get off, they began to pull to and fro, and to wheel about with hideous caterwaulings, mowing down with their string the flowers among which they were struggling, until, after a furious strife of about a quarter of an hour, the string broke and the combatants vanished.

Boxtel, hidden behind his sycamore, could not see anything, as it was pitch-dark; but the piercing cries of the cats told the whole tale, and his heart overflowing with gall now throbbed with triumphant joy.

Boxtel was so eager to ascertain the extent of the injury, that he remained at his post until morning to feast his eyes on the sad state in which the two cats had left the flower-beds of his neighbour. The mists of the morning chilled his frame, but he did not feel the cold, the hope of revenge keeping his blood at fever heat. The chagrin of his rival was to pay for all the inconvenience which he incurred himself.

At the earliest dawn the door of the white house opened, and Van Baerle made his appearance, approaching the flower-beds with the smile of a man who has pa.s.sed the night comfortably in his bed, and has had happy dreams.

All at once he perceived furrows and little mounds of earth on the beds which only the evening before had been as smooth as a mirror, all at once he perceived the symmetrical rows of his tulips to be completely disordered, like the pikes of a battalion in the midst of which a sh.e.l.l has fallen.

He ran up to them with blanched cheek.

Boxtel trembled with joy. Fifteen or twenty tulips, torn and crushed, were lying about, some of them bent, others completely broken and already withering, the sap oozing from their bleeding bulbs: how gladly would Van Baerle have redeemed that precious sap with his own blood!

But what were his surprise and his delight! what was the disappointment of his rival! Not one of the four tulips which the latter had meant to destroy was injured at all. They raised proudly their n.o.ble heads above the corpses of their slain companions. This was enough to console Van Baerle, and enough to fan the rage of the horticultural murderer, who tore his hair at the sight of the effects of the crime which he had committed in vain.

Van Baerle could not imagine the cause of the mishap, which, fortunately, was of far less consequence than it might have been. On making inquiries, he learned that the whole night had been disturbed by terrible caterwaulings. He besides found traces of the cats, their footmarks and hairs left behind on the battle-field; to guard, therefore, in future against a similar outrage, he gave orders that henceforth one of the under gardeners should sleep in the garden in a sentry-box near the flower-beds.

Boxtel heard him give the order, and saw the sentry-box put up that very day; but he deemed himself lucky in not having been suspected, and, being more than ever incensed against the successful horticulturist, he resolved to bide his time.

Just then the Tulip Society of Haarlem offered a prize for the discovery (we dare not say the manufacture) of a large black tulip without a spot of colour, a thing which had not yet been accomplished, and was considered impossible, as at that time there did not exist a flower of that species approaching even to a dark nut brown. It was, therefore, generally said that the founders of the prize might just as well have offered two millions as a hundred thousand guilders, since no one would be able to gain it.

The tulip-growing world, however, was thrown by it into a state of most active commotion. Some fanciers caught at the idea without believing it practicable, but such is the power of imagination among florists, that although considering the undertaking as certain to fail, all their thoughts were engrossed by that great black tulip, which was looked upon to be as chimerical as the black swan of Horace or the white raven of French tradition.

Van Baerle was one of the tulip-growers who were struck with the idea; Boxtel thought of it in the light of a speculation. Van Baerle, as soon as the idea had once taken root in his clear and ingenious mind, began slowly the necessary planting and cross-breeding to reduce the tulips which he had grown already from red to brown, and from brown to dark brown.

By the next year he had obtained flowers of a perfect nut-brown, and Boxtel espied them in the border, whereas he had himself as yet only succeeded in producing the light brown.

It might perhaps be interesting to explain to the gentle reader the beautiful chain of theories which go to prove that the tulip borrows its colors from the elements; perhaps we should give him pleasure if we were to maintain and establish that nothing is impossible for a florist who avails himself with judgment and discretion and patience of the sun's heat; the clear water, the juices of the earth, and the cool breezes. But this is not a treatise upon tulips in general; it is the story of one particular tulip which we have undertaken to write, and to that we limit ourselves, however alluring the subject which is so closely allied to ours.

Boxtel, once more worsted by the superiority of his hated rival, was now completely disgusted with tulip-growing, and, being driven half mad, devoted himself entirely to observation.

The house of his rival was quite open to view; a garden exposed to the sun; cabinets with gla.s.s walls, shelves, cupboards, boxes, and ticketed pigeon-holes, which could easily be surveyed by the telescope. Boxtel allowed his bulbs to rot in the pits, his seedlings to dry up in their cases, and his tulips to wither in the borders and henceforward occupied himself with nothing else but the doings at Van Baerle's. He breathed through the stalks of Van Baerle's tulips, quenched his thirst with the water he sprinkled upon them, and feasted on the fine soft earth which his neighbour scattered upon his cherished bulbs.

But the most curious part of the operations was not performed in the garden.

It might be one o'clock in the morning when Van Baerle went up to his laboratory, into the glazed cabinet whither Boxtel's telescope had such an easy access; and here, as soon as the lamp illuminated the walls and windows, Boxtel saw the inventive genius of his rival at work.

He beheld him sifting his seeds, and soaking them in liquids which were destined to modify or to deepen their colours. He knew what Cornelius meant when heating certain grains, then moistening them, then combining them with others by a sort of grafting, -- a minute and marvellously delicate manipulation, -- and when he shut up in darkness those which were expected to furnish the black colour, exposed to the sun or to the lamp those which were to produce red, and placed between the endless reflections of two water-mirrors those intended for white, the pure representation of the limpid element.

This innocent magic, the fruit at the same time of child-like musings and of manly genius -- this patient untiring labour, of which Boxtel knew himself to be incapable -- made him, gnawed as he was with envy, centre all his life, all his thoughts, and all his hopes in his telescope.

For, strange to say, the love and interest of horticulture had not deadened in Isaac his fierce envy and thirst of revenge. Sometimes, whilst covering Van Baerle with his telescope, he deluded himself into a belief that he was levelling a never-failing musket at him; and then he would seek with his finger for the trigger to fire the shot which was to have killed his neighbour. But it is time that we should connect with this epoch of the operations of the one, and the espionage of the other, the visit which Cornelius de Witt came to pay to his native town.

Chapter 7.

The Happy Man makes Acquaintance with Misfortune.

Cornelius de Witt, after having attended to his family affairs, reached the house of his G.o.dson, Cornelius van Baerle, one evening in the month of January, 1672.

De Witt, although being very little of a horticulturist or of an artist, went over the whole mansion, from the studio to the green-house, inspecting everything, from the pictures down to the tulips. He thanked his G.o.dson for having joined him on the deck of the admiral's ship "The Seven Provinces," during the battle of Southwold Bay, and for having given his name to a magnificent tulip; and whilst he thus, with the kindness and affability of a father to a son, visited Van Baerle's treasures, the crowd gathered with curiosity, and even respect, before the door of the happy man.

All this hubbub excited the attention of Boxtel, who was just taking his meal by his fireside. He inquired what it meant, and, on being informed of the cause of all this stir, climbed up to his post of observation, where in spite of the cold, he took his stand, with the telescope to his eye.

This telescope had not been of great service to him since the autumn of 1671. The tulips, like true daughters of the East, averse to cold, do not abide in the open ground in winter. They need the shelter of the house, the soft bed on the shelves, and the congenial warmth of the stove. Van Baerle, therefore, pa.s.sed the whole winter in his laboratory, in the midst of his books and pictures. He went only rarely to the room where he kept his bulbs, unless it were to allow some occasional rays of the sun to enter, by opening one of the movable sashes of the gla.s.s front.

On the evening of which we are speaking, after the two Corneliuses had visited together all the apartments of the house, whilst a train of domestics followed their steps, De Witt said in a low voice to Van Baerle, -- "My dear son, send these people away, and let us be alone for some minutes."

The younger Cornelius, bowing a.s.sent, said aloud, -- "Would you now, sir, please to see my dry-room?"

The dry-room, this pantheon, this sanctum sanctorum of the tulip-fancier, was, as Delphi of old, interdicted to the profane uninitiated.

Never had any of his servants been bold enough to set his foot there. Cornelius admitted only the inoffensive broom of an old Frisian housekeeper, who had been his nurse, and who from the time when he had devoted himself to the culture of tulips ventured no longer to put onions in his stews, for fear of pulling to pieces and mincing the idol of her foster child.

At the mere mention of the dry-room, therefore, the servants who were carrying the lights respectfully fell back. Cornelius, taking the candlestick from the hands of the foremost, conducted his G.o.dfather into that room, which was no other than that very cabinet with a gla.s.s front into which Boxtel was continually prying with his telescope.

The envious spy was watching more intently than ever.

First of all he saw the walls and windows lit up.

Then two dark figures appeared.

One of them, tall, majestic, stern, sat down near the table on which Van Baerle had placed the taper.

In this figure, Boxtel recognised the pale features of Cornelius de Witt, whose long hair, parted in front, fell over his shoulders.

De Witt, after having said some few words to Cornelius, the meaning of which the prying neighbour could not read in the movement of his lips, took from his breast pocket a white parcel, carefully sealed, which Boxtel, judging from the manner in which Cornelius received it, and placed it in one of the presses, supposed to contain papers of the greatest importance.

His first thought was that this precious deposit enclosed some newly imported bulbs from Bengal or Ceylon; but he soon reflected that Cornelius de Witt was very little addicted to tulip-growing, and that he only occupied himself with the affairs of man, a pursuit by far less peaceful and agreeable than that of the florist. He therefore came to the conclusion that the parcel contained simply some papers, and that these papers were relating to politics.

But why should papers of political import be intrusted to Van Baerle, who not only was, but also boasted of being, an entire stranger to the science of government, which, in his opinion, was more occult than alchemy itself?

It was undoubtedly a deposit which Cornelius de Witt, already threatened by the unpopularity with which his countrymen were going to honour him, was placing in the hands of his G.o.dson; a contrivance so much the more cleverly devised, as it certainly was not at all likely that it should be searched for at the house of one who had always stood aloof from every sort of intrigue.

And, besides, if the parcel had been made up of bulbs, Boxtel knew his neighbour too well not to expect that Van Baerle would not have lost one moment in satisfying his curiosity and feasting his eyes on the present which he had received.

But, on the contrary, Cornelius had received the parcel from the hands of his G.o.dfather with every mark of respect, and put it by with the same respectful manner in a drawer, stowing it away so that it should not take up too much of the room which was reserved to his bulbs.

The parcel thus being secreted, Cornelius de Witt got up, pressed the hand of his G.o.dson, and turned towards the door, Van Baerle seizing the candlestick, and lighting him on his way down to the street, which was still crowded with people who wished to see their great fellow citizen getting into his coach.

Boxtel had not been mistaken in his supposition. The deposit intrusted to Van Baerle, and carefully locked up by him, was nothing more nor less than John de Witt's correspondence with the Marquis de Louvois, the war minister of the King of France; only the G.o.dfather forbore giving to his G.o.dson the least intimation concerning the political importance of the secret, merely desiring him not to deliver the parcel to any one but to himself, or to whomsoever he should send to claim it in his name.

And Van Baerle, as we have seen, locked it up with his most precious bulbs, to think no more of it, after his G.o.dfather had left him; very unlike Boxtel, who looked upon this parcel as a clever pilot does on the distant and scarcely perceptible cloud which is increasing on its way and which is fraught with a storm.

Little dreaming of the jealous hatred of his neighbour, Van Baerle had proceeded step by step towards gaining the prize offered by the Horticultural Society of Haarlem. He had progressed from hazel-nut shade to that of roasted coffee, and on the very day when the frightful events took place at the Hague which we have related in the preceding chapters, we find him, about one o'clock in the day, gathering from the border the young suckers raised from tulips of the colour of roasted coffee; and which, being expected to flower for the first time in the spring of 1675, would undoubtedly produce the large black tulip required by the Haarlem Society.

On the 20th of August, 1672, at one o'clock, Cornelius was therefore in his dry-room, with his feet resting on the foot-bar of the table, and his elbows on the cover, looking with intense delight on three suckers which he had just detached from the mother bulb, pure, perfect, and entire, and from which was to grow that wonderful produce of horticulture which would render the name of Cornelius van Baerle for ever ill.u.s.trious.

"I shall find the black tulip," said Cornelius to himself, whilst detaching the suckers. "I shall obtain the hundred thousand guilders offered by the Society. I shall distribute them among the poor of Dort; and thus the hatred which every rich man has to encounter in times of civil wars will be soothed down, and I shall be able, without fearing any harm either from Republicans or Orangists, to keep as heretofore my borders in splendid condition. I need no more be afraid lest on the day of a riot the shopkeepers of the town and the sailors of the port should come and tear out my bulbs, to boil them as onions for their families, as they have sometimes quietly threatened when they happened to remember my having paid two or three hundred guilders for one bulb. It is therefore settled I shall give the hundred thousand guilders of the Haarlem prize to-the poor. And yet ---- "

Here Cornelius stopped and heaved a sigh. "And yet," he continued, "it would have been so very delightful to spend the hundred thousand guilders on the enlargement of my tulip-bed or even on a journey to the East, the country of beautiful flowers. But, alas! these are no thoughts for the present times, when muskets, standards, proclamations, and beating of drums are the order of the day."

Van Baerle raised his eyes to heaven and sighed again. Then turning his glance towards his bulbs, -- objects of much greater importance to him than all those muskets, standards, drums, and proclamations, which he conceived only to be fit to disturb the minds of honest people, -- he said: -- "These are, indeed, beautiful bulbs; how smooth they are, how well formed; there is that air of melancholy about them which promises to produce a flower of the colour of ebony. On their skin you cannot even distinguish the circulating veins with the naked eye. Certainly, certainly, not a light spot will disfigure the tulip which I have called into existence. And by what name shall we call this offspring of my sleepless nights, of my labour and my thought? Tulipa nigra Barlaensis?

"Yes Barlaensis: a fine name. All the tulip-fanciers -- that is to say, all the intelligent people of Europe -- will feel a thrill of excitement when the rumour spreads to the four quarters of the globe: The grand black tulip is found! 'How is it called?' the fanciers will ask. -- 'Tulipa nigra Barlaensis!' -- 'Why Barlaensis?' -- 'After its grower, Van Baerle,' will be the answer. -- 'And who is this Van Baerle?' -- 'It is the same who has already produced five new tulips: the Jane, the John de Witt, the Cornelius de Witt, etc.' Well, that is what I call my ambition. It will cause tears to no one. And people will talk of my Tulipa nigra Barlaensis when perhaps my G.o.dfather, this sublime politician, is only known from the tulip to which I have given his name.

"Oh! these darling bulbs!

"When my tulip has flowered," Baerle continued in his soliloquy, "and when tranquillity is restored in Holland, I shall give to the poor only fifty thousand guilders, which, after all, is a goodly sum for a man who is under no obligation whatever. Then, with the remaining fifty thousand guilders, I shall make experiments. With them I shall succeed in imparting scent to the tulip. Ah! if I succeed in giving it the odour of the rose or the carnation, or, what would be still better, a completely new scent; if I restored to this queen of flowers its natural distinctive perfume, which she has lost in pa.s.sing from her Eastern to her European throne, and which she must have in the Indian peninsula at Goa, Bombay, and Madras, and especially in that island which in olden times, as is a.s.serted, was the terrestrial paradise, and which is called Ceylon, -- oh, what glory! I must say, I would then rather be Cornelius van Baerle than Alexander, Caesar, or Maximilian.

"Oh the admirable bulbs!"

Thus Cornelius indulged in the delights of contemplation, and was carried away by the sweetest dreams.

Suddenly the bell of his cabinet was rung much more violently than usual.

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The Black Tulip Part 5 summary

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