The Black Echo Part 5

The detective pulled each pocket out and looked at the lint. He turned the socks inside out and checked the inside lining of the pants and shirt. Nothing. He took a scalpel out of the To Be Sharpened pan and cut the st.i.tches out of Meadows's leather belt and pulled it apart. Again nothing. Over his shoulder he heard Salazar saying, "The spleen weighs one hundred ninety grams. The capsule is intact and slightly wrinkled, and the parenchyma is pale purple and trabecular."

Bosch had heard it all hundreds of times before. Most of what a pathologist said into his tape recorder meant nothing to the detective who stood by. It was the bottom line the detective waited for: What killed the person on the cold steel table? How? Who?

"The gallbladder is thin walled," Salazar was saying. "It contains a few cc's of greenish bile with no stones."

Bosch shoved the clothes back into the plastic bag and sealed it. Then he dumped the leather work shoes Meadows had been wearing out of a second plastic bag. He noticed reddish-orange dust fall from inside the shoes. Another indication the body had been dragged into the pipe. The heels had sc.r.a.ped on the dried mud at the bottom of the pipe, drawing the dust inside the shoes.

Salazar said, "The bladder mucosa is intact, and there are only two ounces of pale yellow urine. The external genitalia and v.a.g.i.n.a are unremarkable."

Bosch turned around. Salazar had his hand on the tape recorder speaker. He said, "Coroner's humor. Just wanted to see if you were listening, Harry. You might have to testify to this one day. To back me up."

"I doubt it," Bosch said. "They don't like boring juries to death."

Salazar started the small circular saw that was used to open the skull. It sounded like a dentist's drill. Bosch turned back to the shoes. They were well oiled and cared for. The rubber soles showed only modest wear. Stuck in one of the deep grooves of the tread of the tight shoe was a white stone. Bosch pried it out with the scalpel. It was a small chunk of cement. He thought of the white dust in the rug in Meadows's closet. He wondered if the dust or the chunk from the shoe tread could be matched to the concrete that had guarded the WestLand Bank's vault. But if the shoes were so well cared for, could the chunk have been in the tread for nine months since the vault break-in? It seemed unlikely. Perhaps it was from his work on the subway project. If he actually had such a job. Bosch slipped the chunk of cement into a small plastic envelope and put it in his pocket with the others he had collected throughout the day.

Salazar said, "Examination of the head and cranial contents reveals no trauma or underlying pathological disease conditions or congenital anomalies. Harry, I'm going to do the finger now."

Bosch put the shoes back in their plastic bag and returned to the autopsy table as Salazar placed an X-ray of Meadows's left hand on a light window on the wall.

"See here, these fragments?" he said as he traced small, sharp white spots on the negative. There were three of them near the fractured joint. "If this was an old break, these would, over time, have moved into the joint. There is no scarring discernible on the X-ray but I am going to take a look."

He went to the body and used a scalpel to make a T-incision in the skin on the top of the finger joint. He then folded the skin back and dug around with the scalpel in the pink meat, saying, "No . . . no . . . nothing. This was post, Harry. You think it could have been one of my people?"

"I don't know," Bosch said. "Doesn't look like it. Sakai said he and his sidekick were careful. I know I didn't do it. How come there's no damage to the skin?"

"That is an interesting point. I don't know. Somehow the finger was broken without the exterior being damaged. I can't answer that one. But it shouldn't have been too hard to do. Just grab the finger and yank down. Provided you have the stomach for it. Like so."

Salazar went around the table. He lifted Meadows's right hand and yanked the finger backward. He couldn't get the leverage needed and couldn't break the joint.

"Harder than I thought," he said. "Perhaps the digit was struck with a blunt object of some kind. One that did not blemish the skin."

When Sakai came in with the slides fifteen minutes later, the autopsy was completed and Salazar was sewing Meadows's chest closed with thick, waxed twine. He then used an overhead hose to spray debris off the body and wet down the hair. Sakai bound the legs together and the arms to the body with rope, to prevent them from moving during the different stages of rigor. Bosch noticed that the rope cut across the tattoo on Meadows's arm, across the rat's neck.

Using his thumb and forefinger, Salazar closed Meadows's eyes.

"Take him to the box," he said to Sakai. Then to Bosch, "Let's take a look at these slides. This seemed odd to me because the hole was bigger than your normal scag spike and its location, in the chest, was unusual.

"The puncture is clearly antemortem, possibly perimortem-there was only slight hemorrhaging. But the wound is not scabbed over. So we're talking shortly before, or even during death. Maybe the cause of death, Harry."

Salazar took the slides to a microscope that was on the counter at the back of the room. He chose one of the slides and put it on the viewing plate. He bent over to look and after half a minute finally said, "Interesting."

He then looked briefly at the other slides. When he was done, he put the first slide back on the viewing plate.

"Okay, basically, I removed a one-inch-square section of the chest where this puncture was located. I went into the chest about one and a half inches deep with the cut. The slide is a vertical dissection of the sample, showing the track of the perforation. Do you follow me?"

Bosch nodded.

"Good. It's kind of like slicing an apple open to expose the track of a worm. The slide traces the path of the perforation and any immediate impact or damage. Take a look."

Bosch bent to the eyepiece of the microscope. The slide showed a straight perforation about one inch deep, through the skin and into the muscle, tapering in width like a spike. The muscle's pink color changed to a dark brownish color around the deepest point of the penetration.

"What does it mean?" he asked.

"It means," said Salazar, "that the puncture was through the skin, through the fascia-that's the fibrous fat layer- and then directly into the pectoral muscle. You notice the deepening color of the muscle around the penetration?"

"Yes, I notice."

"Harry, that's because the muscle is burned there."

Bosch looked away from the microscope to Salazar. He thought he could make out the line of a thin smile beneath the pathologist's breathing mask.

"Burned?"

"A stun gun," the pathologist said. "Look for one that fires its electrode dart deep into the skin tissue. About three to four centimeters deep. Though in this case, it is likely the electrode was manually pressed deeper into the chest."

Bosch thought a moment. A stun gun would be virtually impossible to trace. Sakai came back into the room and leaned on the counter by the door, watching. Salazar collected three gla.s.s vials of blood and two containing yellowish liquid from the tool cart. There was also a small steel pan containing a brown lump of material that Bosch recognized from experience in this room as liver.

"Larry, here are the tox samples," Salazar said. Sakai took them and disappeared from the room again.

"You're talking about torture, electric shock," Bosch said.

"I would say it looks so," Salazar said. "Not enough to kill him, the trauma is too small. But possibly enough to get information from him. An electric charge can be very persuasive. I think there is ample history on that. With the electrode positioned in the subject's chest, he could probably feel the juice going right into his heart. He would have been paralyzed. He'd tell them what they wanted and then could only watch while they put a fatal dosage of heroin into his arm."

"Can we prove any of this?"

Salazar looked down at the tile floor and put his finger on his mask, and scratched his lip beneath it. Bosch was dying for a cigarette. He had been in the autopsy room nearly two hours.

"Prove any of it?" Salazar said. "Not medically. Tox tests will be done in a week. For the sake of argument, say they come back heroin overdose. How do we prove that someone else put it in his arm, not himself? Medically, we can't. But we can show that at the time of death or shortly before, there was a traumatic a.s.sault on the body in the form of electric shock. He was being tortured. After death there is the unexplained damage to the first digit of the left hand."

He rubbed the finger over his mask again and then concluded, "I could testify that this was a homicide. The totality of the medical evidence indicates death at the hands of others. But, for the moment, there is no cause. We wait for the tox studies to be completed and then we'll put our heads together again."

Bosch wrote a paraphrase of what Salazar had just said into his notebook. He would have to type it into his own reports.

"Of course," Salazar said, "proving any of this beyond a reasonable doubt to a jury is another matter. I would guess that, Harry, you have to find that bracelet and find out why it was worth torturing and killing a man for."

Bosch closed his notebook and started to pull off the paper gown.

The setting sun burned the sky pink and orange in the same bright hues as surfers' bathing suits. It was beautiful deception, Bosch thought, as he drove north on the Hollywood Freeway to home. Sunsets did that here. Made you forget it was the smog that made their colors so brilliant, that behind every pretty picture there could be an ugly story.

The sun hung like a ball of copper in the driver's-side window. He had the car radio tuned to a jazz station and Coltrane was playing "Soul Eyes." On the seat next to him was a file containing the newspaper clippings from Bremmer. The file was weighted down by a six-pack of Henry's. Bosch got off at Barham and then took Woodrow Wilson up into the hills above Studio City. His home was a wood-framed, one-bedroom cantilever not much bigger than a Beverly Hills garage. It hung out over the edge of the hill and was supported by three steel pylons at its midpoint. It was a scary place to be during earthquakes, daring Mother Nature to tw.a.n.g those beams and send the house down the hill like a sled. But the view was the trade-off. From the back porch Bosch could look northeast across Burbank and Glendale. He could see the purple-hued mountains past Pasadena and Altadena. Sometimes he could see the smoky loom-up and orange blaze of brush fires in the hills. At night the sound of the freeway below softened and the searchlights at Universal City swept the sky. Looking out on the Valley never failed to give Bosch a sense of power which he could not explain to himself. But he did know that it was one reason-the main reason-he bought the place and would never want to leave it.

Bosch had bought it eight years earlier, before the real estate boom got seriously endemic, with a down payment of $50,000. That left a mortgage of $1,400 a month, which he could easily afford because the only things he spent money on were food, booze and jazz.

The down payment money had come from a studio that gave it to him for the rights to use his name in a TV mini-series based on a string of murders of beauty shop owners in Los Angeles. Bosch and his partner during the investigation were portrayed by two midlevel TV actors.

His partner took his fifty grand and his pension and moved to Ensenada. Bosch put his down on a house he wasn't sure could survive the next earthquake but that made him feel as though he were prince of the city.

Despite Bosch's resolve never to move, Jerry Edgar, his current partner and part-time real estate man, told him the house was now worth three times what he had paid for it. Whenever the subject of real estate came up, which was often, Edgar counseled Bosch to sell and trade up. Edgar wanted the listing. Bosch just wanted to stay where he was.

It was dark by the time he reached the hill house. He drank the first beer standing on the back porch, looking out at the blanket of lights below. He had a second bottle while sitting in his watch chair, the file closed on his lap. He hadn't eaten all day and the beer hit him quickly. He felt lethargic and yet jumpy, his body telling him it needed food. He got up and went to the kitchen and made a pressed turkey sandwich that he brought back to the chair with another beer.

When he was finished eating be brushed the sandwich crumbs off the file and opened it up. There had been four Times Times stories on the WestLand bank caper. He read them in the order of publication. The first was just a brief that had run on page 3 of the Metro section. The information had apparently been gathered on the Tuesday the break-in was discovered. At the time, the LAPD and the FBI weren't that interested in talking to the press or letting the public know what had happened. stories on the WestLand bank caper. He read them in the order of publication. The first was just a brief that had run on page 3 of the Metro section. The information had apparently been gathered on the Tuesday the break-in was discovered. At the time, the LAPD and the FBI weren't that interested in talking to the press or letting the public know what had happened.

AUTHORITIES PROBE BANK BREAK-IN.

An undisclosed amount of property was stolen from the WestLand National Bank in downtown during the three-day holiday weekend, authorities said Tuesday.The burglary, being investigated by the FBI and the Los Angeles Police Department, was discovered when managers of the bank located at the corner of Hill Street and Sixth Avenue arrived Tuesday and found the safe-deposit vault had been looted, FBI Special Agent John Rourke said.Rourke said an estimate on the loss of property had not been made. But sources close to the investigation said more than $1 million worth of jewels and other valuables stored in the vault by customers of the bank was taken.Rourke also declined to say how the burglars entered the vault but did say that the alarm system was not working properly. He declined to elaborate.A spokesman for WestLand declined Tuesday to discuss the burglary. Authorities said there were no arrests or suspects.

Bosch wrote the name John Rourke in his notebook and went on to the next newspaper story, which was much longer. It had been published the day after the first and had been bannered across the top of the front page of the Metro section. It had a two-deck headline and was accompanied by a photograph of a man and woman standing in the safe-deposit vault looking down at a manhole-sized opening in the floor. Behind them was a pile of deposit boxes. Most of the small doors on the back wall were open. Bremmer's byline was on the story.

AT LEAST $2 MILLION TAKEN IN BANK.

TUNNEL JOB; BANDITS HAD HOLIDAY.

WEEKEND TO DIG INTO VAULT.

The article expanded on the first story, filling in the detail that the perpetrators had tunneled into the bank, digging an approximately 150-yard line from a city storm main that ran under Hill Street. The story said an explosive device had been used to make the final break through the floor of the vault. According to the FBI, the burglars probably were in the vault through most of the holiday weekend, drilling open the individual safe-deposit boxes. The entry tunnel from the stormwater main to the vault was believed to have been dug during seven to eight weeks before the heist.

Bosch made a note to ask the FBI how the tunnel had been dug. If heavy equipment was used, most banks' alarms, which measured sound as well as earth vibrations, would have picked up the ground movement and sounded. Also, he wondered, why hadn't the explosive device set off alarms?

He looked then at the third article, published the day after the second. This one wasn't written by Bremmer, though it still had been played on the front of Metro. It was a feature on the dozens of people lining up at the bank to see if their safe-deposit boxes were among those pried open and emptied. The FBI was escorting them into the vault and then taking their statements. Bosch scanned the story but saw the same thing over and over again: people angry or upset or both because they had lost items that they had placed in the vault because they believed it was safer than their homes. Near the bottom of the story Harriet Beecham was mentioned. She had been interviewed as she came out of the bank, and she told the reporter she had lost a lifetime's collection of valuables bought while traveling the world with her late husband, Harry. The story said Beecham was dabbing at her eyes with a lace handkerchief.

"I lost the rings he bought me in France, a bracelet of gold and jade from Mexico," Beecham said. "Whoever they were that did this, they took my memories."

Very melodramatic. Bosch wondered if the last quote had been made up by the reporter.

The fourth story in the file had been published a week later. By Bremmer, it was short and had been buried in the back of Metro, behind where they stuffed the Valley news. Bremmer reported that the WestLand investigation was being handled exclusively by the FBI. The LAPD provided initial backup, but as leads dried up, the case was left in the bureau's hands. Special Agent Rourke was quoted again in this story. He said agents were still on the case full-time but no progress had been made or suspects identified. None of the property taken from the vault, he said, had turned up.

Bosch closed the file. The case was too big for the bureau to slough off like a bank stickup. He wondered if Rourke had been telling the truth about the lack of suspects. He wondered if Meadows's name had ever come up. Two decades earlier Meadows had fought and sometimes lived in the tunnels beneath the villages of South Vietnam. Like all the tunnel fighters, he knew demolition work. But that was for bringing a tunnel down. Implosion. Could he have learned how to blow through the concrete-and-steel floor of a bank vault? Then Bosch realized that Meadows would not necessarily have needed to know how. He was sure the WestLand job had taken more than one person.

He got up and got another beer from the refrigerator. But before going back to the watch chair he detoured into the bedroom, where he pulled an old sc.r.a.pbook out of the bottom drawer of the bureau. Back in the chair he drank down half the beer, then opened the book. There were bunches of photographs loose between the pages. He had meant to mount them but had never gotten around to it. He rarely even opened the book. The pages were yellowed and had gone to brown at the edges. They were brittle, much like the memories the photos evoked. He picked up each snapshot and examined it, at some point realizing that he had never mounted them on the pages because he liked the idea of holding each picture in his hands, feeling it.

The photographs were all taken in Vietnam. Like the picture found in Meadows's apartment, these were mostly in black and white. It was cheaper back then, getting black-and-white film developed in Saigon. Bosch was in some of the shots, but most were photos that he had taken with an old Leica his foster father had given him before he left. It was a peace gesture from the old man. He hadn't wanted Harry to go, and they had fought about it. So the camera was given. And accepted. But Bosch was not one to tell stories when he returned, and the snapshots were left spread through the pages of the sc.r.a.pbook, never to be mounted, rarely to be looked at.

If there was a recurring theme of the photographs it was the smiling faces and the tunnels. In almost every shot, there were soldiers standing in defiant poses at the mouth of a hole they had probably just been in and conquered. To the outsider, the photos would appear strange, maybe fascinating. But to Bosch they were scary, like newspaper photos he had seen of people trapped in wrecked cars, waiting to be cut out by the firemen. The photos were of the smiling faces of young men who had dropped down into h.e.l.l and come back to smile into the camera. Out of the blue and into the black is what they called going into a tunnel. Each one was a black echo. Nothing but death in there. But, still, they went.

Bosch turned a cracked page of the alb.u.m and found Billy Meadows staring up at him. The photo had undoubtedly been taken a few minutes after the one Bosch had found at Meadows's apartment. The same group of soldiers. The same trench and tunnel. Echo Sector, Cu Chi District. But Bosch wasn't in this portrait because he had left the frame to snap the photo. His Leica had caught Meadows's vacant stare and stoned smile-his pale skin looked waxy but taut. He had captured the real Meadows, Bosch thought. He put the photo back in the page and turned to the next one. This one was of himself, no one else in the frame. He clearly remembered setting the camera down on a wooden table in a hootch and setting the timer. Then he moved into the frame. The camera had snapped as he was shirtless, the tattoo on his deeply tanned shoulder catching the falling sun through the window. Behind him, but out of focus, was the dark entrance to a tunnel lying uncovered on the straw floor of the hootch. The tunnel was blurred, forbidding darkness, like the ghastly mouth in Edvard Munch's painting The Scream The Scream.

It was a tunnel in the village they called Timbuk2, Bosch knew as he stared at the photo. His last tunnel. He was not smiling in the picture. His eyes were set in dark sockets. And neither was he smiling as he looked at it now. He held the photo in two hands, absentmindedly rubbing his thumbs up and down the borders. He stared at the photograph until fatigue and alcohol pulled him down into sleepy thought. Almost dreamlike. He remembered that last tunnel and he remembered Billy Meadows.

Three of them went in. Two of them came out.

The tunnel had been discovered during a routine sweep at a small village in E Sector. The village had no name on the recon maps, so the soldiers called it Timbuk2. The tunnels were turning up everywhere, so there weren't enough rats to go around. When the tunnel mouth was found under a rice basket in a hootch, the top sergeant didn't want to have to wait for a dust-off to land with fresh rats. He wanted to press on, but he knew he had to check the tunnel out. So the top made a decision like so many others in the war. He sent three of his own men in. Three virgins, scared as s.h.i.t, maybe six weeks in country among them. The top told them not to go far, just set charges and come out. Do it fast, and cover each other's a.s.s. The three green soldiers dutifully went down into the hole. Except a half-hour later, only two came out.

The two who made it out said that the three of them had separated. The tunnel branched into several directions and they split up. They were telling the top this when there was a rumble, and a huge cough of noise and smoke and dust belched from the tunnel mouth. The C-4 charges had detonated. The company loot came in then and said they wouldn't leave the zone without the missing man. The whole company waited a day for the smoke and dust to settle in the tunnel and then two tunnel rats were dropped during a dust-off-Harry Bosch and Billy Meadows. He didn't care if the missing soldier was dead, the lieutenant told them. Get him out. He wasn't going to leave one of his boys in that hole. "Go get 'im and bring 'im out here so we can get 'im a decent burial," the lieutenant said.

Meadows said, "We wouldn't leave any of our own in there, either."

Bosch and Meadows went down the hole then and found that the main entry led to a junction room where baskets of rice were stored and three other pa.s.sageways began. Two of these had collapsed in the C-4 explosions. The third was still open. It was the one the missing soldier had taken. And that was the way they went.

They crawled through the darkness, Meadows in front, using their lights sparingly, until they reached a dead end. Meadows poked around the tunnel's dirt floor until he found the concealed door. He pried it open and they dropped down into another level of the labyrinth. Without saying a word, Meadows pointed one way and crawled off. Bosch knew he would go the other way. Each would be alone now, unless the VC were waiting ahead. Bosch's way was a winding pa.s.sage that was as warm as a steam bath. The tunnel smelled damp and faintly like a latrine. He smelled the missing soldier before he saw him. He was dead, his body putrifying but sitting in the middle of the tunnel with his legs straight out and spread, the toes of his boots pointed upward. His body was propped against a stake planted in the floor of the tunnel. A piece of wire that cut an inch into his neck was wrapped around the stake and held him in place. Afraid of a b.o.o.by trap, Bosch didn't touch him. He played the beam of his flashlight over the neck wound and followed the trail of dried blood down the front of the body. The dead man wore a green T-shirt with his name stenciled in white on the front. Al Crofton, it said beneath the blood. There were flies mired in the crusted blood on his chest, and for a moment Bosch wondered how they found their way so far down. He dipped the light to the dead soldier's crotch and saw that it, too, was black with dried blood. The pants were torn open and Crofton looked as though he had been mauled by a wild animal. Sweat began to sting Bosch's eyes and his breathing became louder, more hurried than he wanted it to be. He was immediately aware of this but was also aware that he could do nothing to stop it. Crofton's left hand was palm up on the ground next to his thigh. Bosch put the light on it and saw the b.l.o.o.d.y set of t.e.s.t.i.c.l.es. He stifled the urge to vomit but could not prevent himself from hyperventilating.

He cupped his hands over his mouth and tried to slow his gasping for air. It didn't work. He was losing it. He was panicking. He was twenty years old and he was scared. The walls of the tunnel were closing tighter on him. He rolled away from the body and dropped the light, its beam still focused on Crofton. Bosch kicked at the clay walls of the tunnel and curled into a fetal position. The sweat in his eyes was replaced by tears. At first they came silently, but soon his sobs racked his entire body and his noise seemed to echo in all directions in the darkness, right to where Charlie sat and waited. Right to h.e.l.l.

Part II

Monday, May 21

Bosch came awake in his watch chair about 4 A.M. He had left the sliding gla.s.s door open to the porch, and the Santa Ana winds were billowing the curtains, ghostlike, out across the room. The warm wind and the dream had made him sweat. Then the wind had dried the moisture on his skin like a salty sh.e.l.l. He stepped out onto the porch and leaned against the wood railing, looking down at the lights of the Valley. The searchlights at Universal were long since retired for the night and there was no traffic sound from the freeway down in the pa.s.s. In the distance, maybe from Glendale, he heard the whupping sound of a helicopter. He searched and found the red light moving low in the basin. It wasn't circling and there was no searchlight. It wasn't a cop. He thought then that he could smell the slight scent of malathion, sharp and bitter, on the red wind.

He went back inside and closed the sliding gla.s.s door. He thought about bed but knew there would be no more sleep this night. It was often this way with Bosch. Sleep would come early in the night but not last. Or it would not come until the arriving sun softly cut the outline of the hills in the morning fog.

He had been to the sleep disorder clinic at the VA in Sepulveda but the shrinks couldn't help him. They told him he was in a cycle. He would have extended periods of deep sleep trances into which torturous dreams invaded. This would be followed by months of insomnia, the mind reacting defensively to the terrors that awaited in sleep. Your mind has repressed the anxiety you feel over your part in the war, the doctor told him. You must a.s.suage these feelings in your waking hours before your sleep time can progress undisturbed. But the doctor didn't understand that what was done was done. There was no going back to repair what had happened. You can't patch a wounded soul with a Band-Aid.

He showered and shaved, afterward studying his face in the mirror and remembering how unkind time had been to Billy Meadows. Bosch's hair was turning to gray but it was full and curly. Other than the circles under his eyes, his face was unlined and handsome. He wiped the remaining shaving cream off and put on his beige summer suit with a light-blue b.u.t.ton-down oxford. On a hanger in the closet he found a maroon tie with little gladiator helmets on it that was not unreasonably wrinkled or stained. He pegged it in place with the 187 tie pin, clipped his gun to his belt and then headed out into the predawn dark. He drove into downtown for an omelet, toast and coffee at the Pantry on Figueroa. Open twenty-four hours a day since before the Depression. A sign boasted that the place had not gone one minute in that time without a customer. Bosch looked around from the counter and saw that at the moment he was personally carrying the record on his shoulders. He was alone.

The coffee and cigarettes got Bosch ready for the day. After, he took the freeway back up to Hollywood, pa.s.sing a frozen sea of cars already fighting to get downtown.

Hollywood Station was on Wilc.o.x just a couple of blocks south of the Boulevard, where most of its business came from. He parked at the curb out front because he was only staying awhile and didn't want to get caught in the back lot traffic jam at the change of watch. As he walked through the small lobby he saw a woman with a blackened eye, who was crying and filling out a report with the desk officer. But down the hall to the left the detective bureau was quiet. The night man must have been out on a call or up in the Bridal Suite, a storage room on the second floor where there were two cots, first come, first served. The detective bureau's hustle and bustle seemed to be frozen in place. No one was there, but the long tables a.s.signed to burglary, auto, juvenile, robbery and homicide were all awash in paperwork and clutter. The detectives came and went. The paper never changed.

Bosch went to the back of the bureau to start a pot of coffee. He glanced through a rear door and down the back hallway where the lockup benches and the jail were located. Halfway down the hall to the holding tank, a young white boy with blond dreadlocks sat handcuffed to a bench. A juvie, maybe seventeen at most, Bosch figured. It was against California law to put them in a holding tank with adults. Which was like saying it might be dangerous for coyotes to be put in a pen with dobermans.

"What you looking at, f.u.c.khead?" the boy called down the hall to Bosch.

Bosch didn't say anything. He dumped a bag of coffee into a paper filter. A uniform stuck his head out of the watch commander's office farther down the hall.

"I told you," the uniform yelled at the kid. "Once more and I'm going to go up a notch on the cuffs. Half hour and you won't feel your hands. Then how you going to wipe your a.s.s in the john?"

"I guess I'll have to use your f.u.c.kin' face."

The uniform stepped into the hall and headed toward the kid, his hard black shoes making long, mean strides. Bosch shoved the filter bowl into the coffee machine and hit the brewing cycle switch. He walked away from the hallway door and over to the homicide table. He didn't want to see what happened with the kid. He dragged his chair away from his spot at the table and over to one of the community typewriters. The pertinent forms he needed were in slots on a rack on the wall above the machine. He rolled a blank crime scene report into the typewriter. Then he took his notebook out of his pocket and opened to the first page.

Two hours of typing and smoking and drinking bad coffee later, a bluish cloud hung near the ceiling lights over the homicide table and Bosch had completed the myriad forms that accompany a homicide investigation. He got up and made copies on the Xerox in the back hall. He noticed the dreadlock kid was gone. Then he got a new blue binder out of the office supplies closet-after finessing the door with his LAPD ID card-and hooked one set of the typed reports onto the three rings. The other set he hid in an old blue binder he kept in a file drawer and that was labeled with the name of an old unsolved case. When he was done, he reread his work. He liked the order the paperwork gave the case. On many previous cases he had made it a practice to reread the murder book each morning. It helped him draw out theories. The smell of the binder's new plastic reminded him of other cases and invigorated him. He was in the hunt again. The reports he had typed and placed in the murder book were not complete, though. On the Investigating Officer's Chronological Report he had left out several parts of his Sunday afternoon and evening. He neglected to type in the connection he had made between Meadows and the WestLand bank burglary. He also left out the visits to the p.a.w.nshop and to see Bremmer at the Times Times. There were no typed summaries of these interviews either. It was only Monday, day two. He wanted to wait until he had been to the FBI before committing any of that information to the official record. He wanted to know, exactly, what was going on first. It was a precaution he took on every case. He left the bureau before any of the other detectives had arrived for the day.

By nine Bosch had driven to Westwood and was on the seventeenth floor of the Federal Building on Wilshire Boulevard. The FBI waiting room was austere, the usual plastic-covered couches and scarred coffee table with old copies of the FBI Bulletin FBI Bulletin fanned across its fake wood-grain veneer. Bosch didn't bother to sit down or read. He stood before the sheer white curtains that covered the floor-to-ceiling windows and looked out at the panorama. The northern exposure offered a view that stretched from the Pacific eastward around the rim of the Santa Monica Mountains to Hollywood. The curtains served as a layer of fog over the smog. He stood with his nose almost touching the soft gauze fabric and looked down, across Wilshire, at the Veterans Administration Cemetery. Its white stones sprouted in the manicured gra.s.s like row after row of baby teeth. Near the cemetery's entrance a funeral was in progress, with a full honor guard at attention. But there wasn't much of a crowd of mourners. Farther north, at the top of a rise where there were no tomb-stones, Bosch could see several workers removing sod and using a backhoe to dig up a long slice of the earth. He checked their progress from time to time as he scanned the view, but he could not figure out what they were doing. The clearing was far too long and wide for a grave. fanned across its fake wood-grain veneer. Bosch didn't bother to sit down or read. He stood before the sheer white curtains that covered the floor-to-ceiling windows and looked out at the panorama. The northern exposure offered a view that stretched from the Pacific eastward around the rim of the Santa Monica Mountains to Hollywood. The curtains served as a layer of fog over the smog. He stood with his nose almost touching the soft gauze fabric and looked down, across Wilshire, at the Veterans Administration Cemetery. Its white stones sprouted in the manicured gra.s.s like row after row of baby teeth. Near the cemetery's entrance a funeral was in progress, with a full honor guard at attention. But there wasn't much of a crowd of mourners. Farther north, at the top of a rise where there were no tomb-stones, Bosch could see several workers removing sod and using a backhoe to dig up a long slice of the earth. He checked their progress from time to time as he scanned the view, but he could not figure out what they were doing. The clearing was far too long and wide for a grave.

By ten-thirty the soldier's funeral was done but the cemetery workers were still toiling on the hill. And Bosch was still waiting at the curtain. A voice finally hit him from behind.