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"Harry, I don't know what you're talking about. But you know what I think? I don't see anything here that's screaming in my face. Guy crawls into the pipe, in the dark maybe he can't see what he's doing, he puts too much juice in his arm and croaks. That's it. Maybe somebody else was with him and smeared the tracks going out. Took his knife, too. Could be a hundred dif-"
"Sometimes they don't scream, Jerry. That's the problem here. It's Sunday. Everybody wants to go home. Play golf. Sell houses. Watch the ballgame. n.o.body cares one way or the other. Just going through the motions. Don't you see that that's what they are counting on?"
"Who is 'they,' Harry?"
"Whoever did this."
He shut up for a minute. He was convincing no one, and that almost included himself. Playing to Edgar's sense of dedication was wrong. He'd be off the job as soon as he put in twenty. He'd then put a business cardsized ad in the union newsletter-"LAPD retired, will cut commission for brother officers"-and make a quarter million a year selling houses to cops or for cops in the San Fernando Valley or the Santa Clarita Valley or the Antelope Valley or whatever valley the bulldozers aimed at next.
"Why go in the pipe?" Bosch said then. "You said he lived up in the Valley. Sepulveda. Why come down here?"
"Harry, who knows? The guy was a junkie. Maybe his wife kicked him out. Maybe he croaked himself up there and his friends dragged his dead a.s.s down here because they didn't want to be bothered with explaining it."
"That's still a crime."
"Yeah, that's a crime, but let me know when you find a DA that'll file it for you."
"His kit looked clean. New. The other tracks on his arm look old. I don't think he was slamming again. Not regularly. Something isn't right."
"Well, I don't know. . . . You know, AIDS and everything, they're supposed to keep a clean kit."
Bosch looked at his partner as if he didn't know him.
"Harry, listen to me, what I'm telling you is that he may have been your foxhole buddy twenty years ago but he was a junkie this year. You'll never be able to explain every action he took. I don't know about the kit or the tracks, but I do know that this does not look like one we should bust our humps on. This is a nine-to-fiver, weekends and holidays excluded."
Bosch gave up-for the moment.
"I'm going up to Sepulveda," he said. "Are you coming. or are you going back to your open house?"
"I'll do my job, Harry," Edgar said softly. "Just because we don't agree on something doesn't mean I'm not gonna do what I'm paid to do. It's never been that way, never will be. But if you don't like the way I do business, we'll go see Ninety-eight tomorrow morning and see about a switch."
Bosch was immediately sorry for the cheap shot, but didn't say so. He said, "Okay. You go on up there, see if anybody's home. I'll meet you after I sign off on the scene."
Edgar walked over to the pipe and took one of the Polaroid photos of Meadows. He slipped it into his coat pocket, then walked down the access road toward his car without saying another word to Bosch.
After Bosch took off his jumpsuit and folded it away in the trunk of his car, he watched Sakai and Osito slide the body roughly onto a stretcher and then into the back of a blue van. He started over, thinking about what would be the best way to get the autopsy done as a priority, meaning by at least the next day instead of four or five days later. He caught up with the coroner's tech as he was opening the driver's door.
"We're outta here, Bosch."
Bosch put his hand on the door, holding it from opening enough for Sakai to climb in.
"Who's doing the cutting today?"
"On this one? n.o.body."
"Come on, Sakai. Who's on?"
"Sally. But he's not going near this one, Bosch."
"Look, I just went through this with my partner. Not you, too, okay?"
"Bosch, you look. You listen. I've been working since six last night and this is the seventh scene I've been to. We got drive-bys, floaters, a s.e.x case. People are dying to meet us, Bosch. There is no rest for the weary, and that means no time for what you think might be a case. Listen to your partner for once. This one is going on the routine schedule. That means we'll get to it by Wednesday, maybe Thursday. I promise Friday at the latest. And tox results is at least a ten-day wait, anyway. You know that. So what's your G.o.ddam hurry?"
"Are. Tox results are are at least a ten-day wait." at least a ten-day wait."
"f.u.c.k off."
"Just tell Sally I need the prelim done today. I'll be by later."
"Christ, Bosch, listen to what I'm telling you. We've got bodies on gurneys stacked in the hall that we already know are one eighty-sevens and need to be cut. Salazar is not going to have time for what looks to me and everybody else around here except you like a hype case. Cut and dried, man. What am I going to say to him that's going to make him do the cut today?"
"Show him the finger. Tell him there were no tracks in the pipe. Think of something. Tell him the DB was a guy who knew needles too well to've OD'd."
Sakai put his head back against the van's side panel and laughed loudly. Then he shook his head as if a child had made a joke.
"And you know what he'll say to me? He'll say that it doesn't matter how long he'd been spiking. They all f.u.c.k up. Bosch, how many sixty-five-year-old junkies do you see around? None of them go the distance. The needle gets them all in the end. Just like this guy in the pipe."
Bosch turned and looked around to make sure none of the uniforms were watching and listening. Then he turned back to Sakai's face.
"Just tell him I'll be by there later," he said quietly. "If he doesn't find anything on the prelim, then fine, you can stick the body at the end of the line in the hall, or you can park it down at the gas station on Lankershim. I won't care then, Larry. But you tell him. It's his decision, not yours."
Bosch dropped his hand from the door and stepped back. Sakai got in the van and slammed the door. He started the engine and looked at Bosch through the window for a long moment before rolling it down.
"Bosch, you're a pain in the a.s.s. Tomorrow morning. It's the best I can do. Today is no way."
"First cut of the day?"
"Just leave us alone today, okay?"
"First cut?"
"Yeah. Yeah. First cut."
"Sure, I'll leave you alone, See you tomorrow, then."
"Not me, man. I'll be sleeping."
Sakai rolled the window back up and the van moved away. Bosch stepped back to let it pa.s.s, and when it was gone he was left staring at the pipe. It was really for the first time then that he noticed the graffiti. Not that he hadn't seen that the exterior of the pipe was literally covered with painted messages, but this time he looked at the individual scrawls. Many were old, faded together-a tableau of letters spelling threats either long forgotten or since made good. There were slogans: Abandon LA. There were names: Ozone, Bomber, Stryker, many others. One of the fresher tags caught his eye. It was just three letters, about twelve feet from the end of the pipe- Sha Sha. The three letters had been painted in one fluid motion. The top of the S was jagged and then contoured, giving the impression of a mouth. A gaping maw. There were no teeth but Bosch could sense them. It was as though the work wasn't completed. Still, it was good work, original and clean. He aimed the Polaroid at it and took a photo.
Bosch walked to the police van, putting the exposure in his pocket. Donovan was stowing his equipment on shelves and the evidence bags in wooden Napa Valley wine boxes.
"Did you find any burned matches in there?"
"Yeah, one fresh one," Donovan said. "Burned to the end. It was about ten feet in. It's there on the chart."
Bosch picked up a clipboard on which there was a piece of paper with a diagram of the pipe showing the body location and where the other material taken from the pipe had been. Bosch noticed that the match was found about fifteen feet from the body. Donovan then showed him the match, sitting at the bottom of its own plastic evidence bag. "I'll let you know if it matches the book in the guy's kit," he said. "If that's what you're thinking."
Bosch said, "What about the uniforms? What'd they find?"
"It's all there," Donovan said, pointing to a wooden bin in which there were still more plastic evidence bags. These contained debris picked up by patrol officers who had searched the area within a fifty-yard radius of the pipe. Each bag contained a description of the location where the object had been found. Bosch took each bag out and examined its contents. Most of it was junk that would have nothing to do with the body in the pipe. There were newspapers, clothing rags, a high-heeled shoe, a white sock with dried blue paint in it. A sniff rag.
Bosch picked up a bag containing the top to a can of spray paint. The next bag contained the spray paint can. The Krylon label said it was Ocean Blue. Bosch hefted the bag and could tell there was still paint in the can. He carried the bag to the pipe, opened it and, touching the nozzle with a pen, sprayed a line of blue next to the letters Sha Sha . He sprayed too much. The paint ran down the curved side of the pipe and dripped onto the gravel. But Bosch could see the colors matched. . He sprayed too much. The paint ran down the curved side of the pipe and dripped onto the gravel. But Bosch could see the colors matched.
He thought about that for a moment. Why would a graffiti tagger throw half a can of paint away? He looked at the writing on the evidence bag. It had been found near the edge of the reservoir. Someone had attempted to throw the can into the lake but came up short. Again he thought, Why? He squatted next to the pipe and looked closely at the letters. He decided that whatever the message or name was, it wasn't finished. Something had happened that made the tagger stop what he was doing and throw the can, the top and his sniff sock over the fence. Was it the police? Bosch took out his notebook and wrote a reminder to call Crowley after midnight to see if any of his people had cruised the reservoir during the A.M. watch.
But what if it wasn't a cop that made the tagger throw the paint over the fence? What if the tagger had seen the body being delivered to the pipe? Bosch thought about what Crowley had said about an anonymous caller reporting the body. A kid, no less. Was it the tagger who called? Bosch took the can back to the SID truck and handed it to Donovan.
"Print this after the kit and the stove," he said. "I think it might belong to a witness."
"Will do," Donovan said.
Bosch drove down out of the hills and took the Barham Boulevard ramp onto the northbound Hollywood Freeway. After coming up through the Cahuenga Pa.s.s he went west on the Ventura Freeway and then north again on the San Diego Freeway. It took about twenty minutes to go the ten miles. It was Sunday and traffic was light. He exited on Roscoe and went east a couple of blocks into Meadows's neighborhood on Langdon.
Sepulveda, like most of the suburban communities within Los Angeles, had both good and bad neighborhoods. Bosch wasn't expecting trimmed lawns and curbs lined with Volvos on Meadows's street, and he wasn't disappointed. The apartments were at least a decade past being attractive. There were bars over the windows of the bottom units and graffiti on every garage door. The sharp smell of the brewery on Roscoe wafted into the neighborhood. The place smelled like a 4 A.M. bar.
Meadows had lived in a U-shaped apartment building that had been built in the 1950s, when the smell of hops wasn't yet in the air, g.a.n.g.b.a.n.gers weren't on the street corner and there was still hope in the neighborhood. There was a pool in the center courtyard but it had long been filled up with sand and dirt. Now the courtyard consisted of a kidney-shaped plot of brown gra.s.s surrounded by dirty concrete. Meadows had lived in an upstairs corner apartment. Bosch could hear the steady drone of the freeway as he climbed the stairs and moved along the walkway that fronted the apartments. The door to 7B was unlocked and it opened into a small living roomdining roomkitchen. Edgar was leaning against a counter, writing in his notebook. He said, "Nice place, huh?"
"Yeah," Bosch said and looked around. "n.o.body home?"
"Nah. I checked with a neighbor next door and she hadn't seen anybody around since the day before yesterday. Said the guy that lived here told her his name was Fields, not Meadows. Cute, huh? She said he lived all by himself. Been here about a year, kept to himself, mostly.
That's all she knew."
"You show her the picture?"
"Yeah, she made him. Didn't like looking at a picture of a dead guy, though."
Bosch walked into a short hallway that led to a bathroom and a bedroom. He said, "You pick the door?"
"Nah-it was unlocked. No s.h.i.t, I knock a couple times and I'm fixing to get my pouch outta the car and finesse the lock when, for the h.e.l.l of it, I try the door."
"And it opens."
"It opens."
"You talk to the landlord?"
"Landlady's not around. Supposed to be, but maybe she went out to eat lunch or score some horse. I think everybody I seen around here is a spiker."
Bosch came back into the living room and looked around. There wasn't much. A couch covered with green vinyl was pushed against one wall, a stuffed chair was against the opposite wall with a small color television on the carpet next to it. There was a Formica-topped table with three chairs around it in the dining room. The fourth chair was by itself against the wall. Bosch looked at an old cigarette-scarred coffee table in front of the couch. On it were an overloaded ashtray and a crossword puzzle book. Playing cards were laid out in an unfinished game of solitaire. There was a TV Guide TV Guide . Bosch had no idea if Meadows smoked but knew that no cigarettes had been found on the body. He made a mental note to check on it later. . Bosch had no idea if Meadows smoked but knew that no cigarettes had been found on the body. He made a mental note to check on it later.
Edgar said, "Harry, this place was turned. Not just the door being open and all, but, I mean, there are other things. The whole place has been searched. They did a halfway decent job, but you can tell. It was rushed. Go check out the bed and the closet, you'll see what I mean. I'm gonna give the landlady another try."
Edgar left and Bosch walked back through the living room to the bedroom. Along the way he noted the smell of urine. In the bedroom, he found a queen-sized bed without a backboard pushed against one wall. There was a greasy discoloration on the white wall at about the level where Meadows would have leaned his head while sitting up in bed. Opposite the bed an old six-drawer dresser was against the wall. A cheap rattan night table with a lamp on it stood next to the bed. Nothing else was in the room, not even a mirror.
Bosch studied the bed first. It was unmade; with pillows and sheets in a pile in the center. Bosch noticed that a corner of one of the sheets was folded between the mattress and the box spring, in the midsection of the left side of the bed. The bed would not have been made that way, obviously. Bosch pulled the corner out from under the mattress and let it hang loosely off the side of the bed. He lifted the mattress as if to search underneath it, then lowered it back into place. The corner of the sheet was back between the mattress and the box spring. Edgar was right.
He next opened the six bureau drawers. What clothes there were-underwear, white and dark socks and several T-shirts-were neatly folded and seemed undisturbed. When he closed the bottom left drawer he noticed that it slid unevenly and would not close all the way. He pulled it all the way out of the bureau. Then he pulled another drawer completely out of the dresser. Then the rest. When he had all the drawers out he checked the underside of each to see if something was or had been taped to it. He found nothing. He put them back in but kept changing their order until each one slid easily into place and closed completely. When he was done the drawers were in a different order. The right order. He was satisfied that someone had pulled the drawers out to search beneath and behind them, and had then put them back in the wrong order.
He went into the walk-in closet. He found only a quarter of the available s.p.a.ce used. On the floor were two pairs of shoes, a pair of black Reebok running shoes that were dirty with sand and gray dust, and a pair of laced work boots that looked as though they had been recently cleaned and oiled. There was more of the gray dust from the shoes in the carpet. He crouched down and pinched some between his fingers. It seemed like concrete dust. He took a small evidence bag from his pocket and put some of the granules into it. Then he put the bag away and stood up. There were five shirts on hangers, a single white b.u.t.ton-down oxford and four long-sleeved black pullovers, like the one Meadows had been wearing. On hangers next to the shirts were two pairs of well-faded jeans and two pairs of black pajamas or karate-style pants. The pockets on all four pairs of pants had been turned inside out. A plastic laundry basket on the floor contained dirty black pants, T-shirts, socks and a pair of boxer shorts.
Bosch walked out of the closet and left the bedroom. He stopped in the hallway bathroom and opened the medicine cabinet. There was a half-used tube of toothpaste, a bottle of aspirin and a single, empty insulin syringe box. When he closed the cabinet, he looked at himself and saw weariness in his eyes. He smoothed his hair.
Harry walked back to the living room and sat on the couch, in front of the unfinished solitaire hand. Edgar came in.
"Meadows rented the place last July first," he said. "The landlady's back. It was supposed to be a month-to-month lease but he paid for eleven months up front. Four bills a month. That's nearly five grand in cash he put down. Said she didn't ask him for references. She just took the money. He lived-"
"She said he paid for eleven months?" Bosch interrupted. "Was it a deal, pay for eleven, get the twelfth free?"
"Nah, I asked her about that and she said no, it was him. That's just the way he wanted to pay. Said he'd move out June first, this year. That's-what-ten days from now? She said he told her he moved out here on some kind of job, she thinks from Phoenix. Said he was some kind of shift supervisor for the tunnel dig on the subway project downtown. She got the impression that's all his job would take, eleven months, and then he'd go back to Phoenix."
Edgar was looking in his notebook, reviewing his conversation with the landlady.
"That's about it. She ID'd him off the Polaroid, too. She also knew him as Fields. Bill Fields. Said he kept odd hours, like he was on a night shift or something. Said she saw him last week coming home one morning, getting dropped off from a beige or tan Jeep. No license number because she wasn't looking. But she said he was all dirty, that's how she knew he was coming home from work."
They were silent for a few moments, both thinking.
Bosch finally said, "J. Edgar, I have a deal for you."
"You got a deal for me? Okay, let me hear it."
"You go home now or back to your open house or whatever. I'll take this from here. I'll go pull the tape at the com center, go back to the office and start the paper going. I'll see if Sakai made next-of-kin notification; I think, if I remember right, that Meadows was from Louisiana. Anyway, I've got the autopsy skedded for tomorrow at eight. I'll take that, too, on my way in.
"Now, your end is tomorrow you finish up last night's TV thing and take it over to the DA. Shouldn't be any problems with it."
"So you're taking the end that's dipped in s.h.i.t and letting me skate. The transvest.i.te-offs-transvest.i.te case is as cut and dried as they come. No pun intended."
"Yeah. There's one thing I'd also want. On your way in from the Valley tomorrow, stop by the VA in Sepulveda and see if you can talk them into letting you see Meadows's file. Might have some names that could help. Like I said before, he was supposedly talking to a shrink in the outpatient care unit and in one of those circle jerks. Maybe one of those guys was spiking with him, knows what happened here. It's a long shot, I know. If they give you a hard time, give me a call and I'll work on a search warrant."
"Sounds like a deal. But I'm worried about you, Harry.
I mean, you and I haven't been partners too long, and I know you probably want to work your way back downtown to Robbery-Homicide, but I don't see the percentage in busting your b.a.l.l.s on this one. Yeah, this place has been turned over, but that isn't the question. The question is why. And on the face of things, nothing really stirs me. It looks to me like somebody dumped Meadows down at the reservoir after he croaked and searched his place to find his stash. If he had one."
"Probably that's the way it was," Bosch said after a few moments. "But a couple things still bother me. I want to puzzle with it a little more until I'm sure."
"Well, like I said, no problem with me. You're giving me the clean end of the stick."
"I think I'm going to look around a little more. You go ahead, and I'll see you tomorrow when I get back in from the cut."
"Okay, partner."
"And Jed?"
"Yeah?"
"It's got nothing to do with getting downtown again."