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The Best Short Stories of 1920 Part 48

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I saw her bend and with a fierce gesture catch up the symbol of death and fling it behind her on the gra.s.s. Afterward, as she stood there with her breast heaving and her lips moving as if with pain, I knew I should not be where I was, watching; I knew that no casual ears of mine should hear the cry that came out of her heart:

"No, No, No! They're still trying to kill him--still trying to kill him--all of them! But they sha'n't! They sha'n't!"

I tell you it shook me and it shamed me. I thought I ought to cough or scuff my feet or something, but it seemed too late for that. Moreover the play had taken another turn that made me forget the moralities, quite, and another actor had come quietly upon the scene.

I can't say whether Joshua, seeing Mary on her way to the Dome, had followed her, or whether he had been strolling that way on his own account. He was there, at all events, watching her from beyond the grave, his head slightly inclined, his hands clasped behind him, and his feet apart on the turf. The color of dusk lent a greenish cast to his bloodless face, and the night wind, coming up free over the naked curve of the Dome and flapping the long black tails of his coat, seemed but to accentuate the dead weight of his att.i.tude.

When a minute had gone by I heard his dry voice.

"So, Mary, you're at it again?"

"But they sha-n-t!" She seemed to take flame. "It's not right to Andrew nor me. They do it just to mock me, and I know it, and oh! I don't care, but they sha'n't, they sha'n't!"

"Mary," said Joshua, all the smoldering anger of the years coming in his voice, "Mary, I think it's time you stopped being a fool. We've all had enough of it, Mary. Andrew is dead."

She turned on him with a swift, ironical challenge.

"You say it _now_? You _know_ now? Perhaps you've just made sure; perhaps you've seen his body washed up on one of the beaches--just to-day? Or then why so tardy, Joshua? If you _knew_, why couldn't you say it in so many words ten years ago--five years ago? _Why_?"

"Because----"

"Yes, because? Because?" There was something incredibly ruthless, tiger-like, about this shadow-dwelling woman. "Say it now, Joshua; that you know of a certainty Andrew went down. I dare you again!"

Joshua said it.

"I know of a certainty Andrew went down that night."

"_How_ do you know? Did you _see him go down_? Tell me that!"

For a moment, for more than a long moment, her question hung unanswered in the air. And as, straining forward, poised, vibrant, she watched him, she saw the hard, dry mask he had made for himself through those years grow flabby and white as dough; she saw the eyes widening and the lips going loose with the memory he had never uttered.

"Yes," he cried in a loud voice. "You bring me to it, do you?" The man was actually shaking. "Yes, then, I saw Andrew go down that night. I heard him call in the dark. I saw his face on the water. I saw his hand reaching up as the wave brought him by--reaching up to me. I could almost touch it--but not quite. If you knew what the sea was that night, and the wind; how lonely, how dark! G.o.d! And here I stand and say it out loud! I couldn't reach his hand--not quite.... I've told you now, Mary, what I swore I'd never tell.... _d.a.m.n you_!"

With that curse he turned unsteadily on his heel and left her. The shadows among the gravestones down hill laid hands on his broken, shambling figure, and he became a shadow. Once the shadow stumbled. And as if that distant, awkward act had aroused Mary from a kind of lethargy, she broke forward a step, reaching out her arms.

"Joshua!" she called to him, "Joshua, Joshua, come back!"

In the last faint light from the sky where stars began to come, her face was wet with tears of pity and repentance; pity for the man who had walled himself in with that memory; repentance for the sin of her blindness.

"Joshua!" she called again, but he did not seem to hear.

It was too much for me. Feeling more shame than I can tell, and with it a new gnawing bitterness of jealousy, I sneaked out of hiding by the "Lillian" stone and down the Dome toward the moors.

"Good Grandmother!" I know I grew redder and redder as I walked. "I hope I don't have to see _her_ again--the old thing!"

But I did, and that before many minutes had elapsed. For fetching back into the village by the ice-house and the back-side track, I was almost in collision with a hurrying shade in the dark under Dow's willows. It was Mary. I shall not forget the queer moment of suspense as she peered into my face, nor the touch of her fingers on my arm, nor the sigh.

"Oh--you're--you're the Means boy."

An embarra.s.sment, pathetic only now in memory, came upon her.

"I--I wonder----" Her confusion grew more painful and her eyes went everywhere in the dark. "You don't happen to have seen any one--any--you haven't seen Mr. Blake, have you?"

"No!" I shook off the hand that still lay, as if forgotten, on my outraged arm. "What you want of _him_? _He's_ no good!"

With that shot for parting I turned and stalked away. Behind me after a moment, I heard her cry of protest, dismal beyond words.

"Why do you say that, boy? What do you mean by that?"

Having meant nothing at all, except that I would have slain him gladly, I kept my bitter peace and held my way to the westward, leaving her to find her way and her soul in the blind, black shadows under the willow-trees.

No one who lived in Urkey Village then will forget the day it was known that Mary Matheson was going to marry Joshua Blake, at last. An isolated village is like an isolated person, placid-looking to dullness, but in reality almost idiotically emotional. More than anything else, when the news had run, it was like the camp-meeting conversion of a simple soul.

First, for the "conviction of sin," there was the calling-up of all the dark, forgotten history, the whispered refurbishing of departed gossip, the ghosts of old angers. Then like the flood of Mercy, the a.s.surance that all was well, having ended well. Everything was forgiven and forgotten, every one was to live happily ever after, and there must be a wedding.

Surely a wedding! The idea that Minister Malden should come quietly to the house and so have it done without pomp or pageantry--it is laughable to think how that notion fared at the hands of an aroused village.

Flowers there were to be, processions, veils, cakes, rice, boots, all the properties dear to the heart of the Roman mob. In the meantime there was to be a vast business of runnings and st.i.tchings, of old women beating eggs and sifting flour, of schoolgirls writing "MARY BLAKE" on forbidden walls with stolen chalk. Dear me!

You might think Mary and Joshua would have rebelled. Curiously, they seemed beyond rebelling. Joshua, especially, was a changed man. His old, hard mask was gone; the looseness of his lips had come to stay, and the wideness of his eyes. One could only think that happiness long-deferred had come under him like a tide of fate on which he could do no more than drift and smile. He smiled at every one, a nervous, deprecatory smile; to every proposal he agreed: "All right! Splendid! Let's have it done--"

And one got the sense somehow of the thought running on: "--right away!

Make haste, if you please. Haste! For G.o.d's sake, haste!"

If he were hailed on the street, especially from behind, his eyes came to the speaker with a jerk, and sometimes his hand went to his heart.

Seeing him so one bright day, and hearing two old men talking behind me, I learned for the first time that the Blake boys' father had died of heart-disease. It is odd that it should have come on Joshua now, quite suddenly, along with his broken mask and his broken secret, his frightened smile, and his, "All right! Splendid!"--("Make haste!")

But so it was. And so we came to the day appointed. We had a dawn as red as blood that morning, and tho it was clear, there was a feeling of oppression in the air--and another oppression of people's spirits. For the bride's party had the "hack," and Mrs. Dow had spoken for the only other polite conveyance, the Galloway barge, and what was to come of all the fine, hasty gowns in case it came on for a gale or rain?

Is it curious that here and there in that hurrying, waiting afternoon a thought would turn back to another day when a storm was making and a tall ship standing down to weather the Head? For if there was a menace of weather to-day, so, too, was there a ship. We seemed to grow conscious of it by degrees, it drew on so slowly out of the broad, blue, windless south. For hours, in the early afternoon, it seemed scarcely to move on the mirroring surface of the sea. Yet it did move, growing nearer and larger, its huge spread of canvas hanging straight as cerecloth on the poles, and its wooden flanks, by and by, showing the scars and rime of a long voyage put behind it.

Yes, it seems to me it would have been odd, as our eyes went out in the rare leisure moments of that afternoon and fell upon that presence, worn and strange and solitary within the immense ring of the horizon, if there had not been somewhere among us some dim stirring of memory, and of wonder. Not too vivid, perhaps; not strong enough perhaps to outlast the ship's disappearance. For at about five o'clock the craft, which had been standing for the Head, wore slowly to port, and laying its course to fetch around the western side of the island, drifted out of our sight beyond the rampart of the bluffs.

Why it should have done that, no man can say. Why, in the face of coming weather, the ship should have abandoned the clear course around the Head and chosen instead to hazard the bars and rips that make a good three miles to sea from Pilot's Point in the west--why this hair-brained maneuver should have been attempted will always remain a mystery.

But at least that ship was gone from our sight, and by so much out of our minds. And this was just as well, perhaps, for our minds had enough to take them up just then with all the things overlooked, chairs to fetch, plants to borrow, girls' giggling errands--and in the very midst of this eleventh-hour hub-bub, the sudden advent of storm.

What a catastrophe that was! What a voiceless wail went up in that hour from all the bureaus and washstands in the length of Urkey Village! And how glad I was! With what a poisonous joy did I give thanks at the window for every wind-driven drop that spoiled by so much the wedding of a woman nearly twice my age!

The lamps on the street were yellow blurs, and the wind was full of little splashings and screechings and blowing of skirts and wraps when I set out alone for Center Church, wishing heartily I might never get there. That I didn't is the only reason this story was ever told. Not many got there that night (of the men, that is), or if they did they were not to stay long, for something bigger than a wedding was afoot.

The first wind I had of it crossed my path at Heman Street, a huge clattering shadow that turned out to be Si Pilot's team swinging at a watery gallop toward the back-side track, and the wagon-body full of men. I saw their faces as they pa.s.sed under the Heman Street lamp, James Burke, Fred Burke, Sandy Snow, half a dozen other surfmen home for the Summer from the Point station, and Captain Cook himself hanging on to Sandy's shoulder as he struggled to get his Sunday blacks wriggled into his old, brown oil-cloths. In a wink they were gone, and I, forgetting the stained lights of Center Church, was gone after them. Nor was I alone. There were a dozen shades pounding with me; at the cow street we were a score. I heard the voices of men I couldn't see.

"Aground? Where to?"

"On the outer bar; south'rd end of the outer bar they tell me."

The voices came and went, whipped by the wind.

"What vessel'd you say? Town craft?"

"No--that ship."

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The Best Short Stories of 1920 Part 48 summary

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