The Best Short Stories of 1920 Part 46

"I'm perfectly sure," said Peggy Lonsdale, on Sat.u.r.day afternoon, "that you _did_ let yourself have a dull time!" She was exploring the flat before she had taken off her things, and had stopped to sit for a moment on the arm of her mother's chair. "Anyway, mother dear, you didn't have to think of me! That must have been a relief!"

She put down her head and kissed her, and Bessie Lonsdale patted the fragrant young cheek.

"Oh, I thought of you occasionally," she said.

FOOTNOTE:

[15] Copyright, 1920, by Harper & Brothers. Copyright, 1921, by Fleta Campbell Springer.

OUT OF EXILE[16]

#By# WILBUR DANIEL STEELE

From _The Pictorial Review_

Among all the memories of my boyhood in Urkey Island the story of Mary Matheson and the Blake boys comes back to me now, more than any other, with the sense of a thing seen in a gla.s.s darkly. And the darkness of the gla.s.s was my own adolescence.

I know that now, and I'm sorry. I'm ashamed to find myself suspecting that half of Mary Matheson's mature beauty in my eyes may have been romance, and half the romance mystery, and half of that the unsettling discovery that the other s.e.x does not fade at seventeen and wither quite away at twenty, as had been taken somehow for granted. I'm glad there is no possibility of meeting her again as she was at thirty, and so making sure: I shall wish to remember her as the boy of sixteen saw her that night waiting in the dunes above the wreck of the "India ship," with Rolldown Nickerson bleating as he fled from the small, queer casket of polished wood he had flung on the sand, and the bridegroom peering out of the church window, over the moors in Urkey Village.

The thing began when I was too young to make much of it yet, a wonder of less than seven days among all the other bright, fragmentary wonders of a boy's life at six. Mainly I remember that Mary Matheson was a fool; every one in Urkey Village was saying that.

I can't tell how long the Blake boys had been courting her. I came too late to see anything but the climax of that unbrotherly tournament, and only by grace of the hundredth chance of luck did I witness even one act of that.

I was coming home one autumn evening just at dusk, loitering up the cow street from the eastward where the big boys had been playing "Run, Sheep, Run," and I watching from the vantage of Aunt Dee Nickerson's hen-house and getting whacked when I told. And I had come almost to the turning into Drugstore Lane when the sound of a voice fetched me up, all eyes and ears, against the pickets of the Matheson place.

It was the voice of my cousin Duncan, the only father I ever knew. He was constable of Urkey Village, and there was something in the voice as I heard it in the yard that told you why.

"Drop it, Joshua! Drop it, or by heavens----!"

Of Duncan I could see only the back, large and near. But the faces of the others were plain to my peep-hole between the pickets, or as plain as might be in the falling dusk. The sky overhead was still bright, but the blue shadow of the bluff lay all across that part of the town, and it deepened to a still bluer and cooler mystery under the apple-tree canopy sheltering the dooryard. I never see that light to this day, a high gloaming sifted through leaves on turf, without the faintest memory of a shiver. For that was the first I had even known of anger, the still and deadly anger of grown men.

My cousin had spoken to Joshua Blake, and I saw that Joshua held a pistol in his hand, the old, single-ball dueling weapon that had belonged to his father. His face was white, and the pallor seemed to refine still further the blade-like features of the Blake, the aquiline nose, the sloping, patrician forehead, the narrow lip, blue to the pressure of the teeth.

That was Joshua. Andrew, his brother, stood facing him three or four paces away. He was the younger of the two, the less favored, the more sensitive.

He had what no other Blake had had, a suspicion of freckle on his high, flat cheek. And he had what no one else in Urkey had then, a brace of gold teeth, the second and third to the left in the upper jaw, where Lem White's boom had caught him, jibing off the Head. They showed now as the slowly working lip revealed them, glimmering with a moist, dull sheen.

He, too, was white.

His hands were empty, hanging down palms forward. But in his eyes there was no look of the defenseless: only a light of pa.s.sionate contempt.

And between the two, and beyond them, as I looked, stood Mary, framed by the white pillars of the doorway, her hands at her throat and her long eyes dilated with a girl's fright more precious than exultation. So the three remained in tableau while, as if on another planet, the dusk deepened from moment to moment: Gramma Pilot, two yards away, brought supper to her squealing sow; and further off, out on the waning mirror of the harbor, a conch lowed faintly for some schooner's bait.

"Drop it, Joshua!" Duncan's voice came loud and clear.

And this time, following the hush, it seemed to exercise the devil of quietude. I heard Mary's breath between her lips, and saw Andrew wheel sharply to pick a scale from the tree-trunk with a thumb-nail. Joshua's eyes went down to the preposterous metal in his hand; he shivered slightly like a dreamer awakening and thrust it in his pocket. And then, seeing Duncan turning toward the fence and me, I took the better part of valor and ran, and saw no more.

There were serious men in town that night when it was known what a pa.s.s the thing had come to; men that walked and women that talked. It was all Mary's fault. Long ago she ought to have taken one of them and "sent the other packing." That's what Miah White said, sitting behind the stove in our kitchen over the shop; that's what Duncan thought as he paced back and forth, shaking his head. That's what they were all saying or thinking as they sat or wandered about.

Such are the difficulties of serious men. And even while it all went on, Mary Matheson had gone about her choosing in the way that seemed fit to youth. In the warm-lit publicity of Miss Alma Beedie's birthday-party, shaking off so soon the memory of that brief glint of pistol-play under the apple-trees, she took a fantastic vow to marry the one that brought her the wedding-ring--promised with her left hand on Miss Beedie's alb.u.m and her right lifted toward the allegorical print of the Good Shepherd that the one who, first across the Sound to the jeweler's at Gillyport and back again, fetched her the golden-ring--that he should be her husband "for better or for worse, till death us do part, and so forth and so on, Amen!"

And those who were there remembered afterwards that while Joshua stood his ground and laughed and clapped with the best of them, his brother Andrew left the house. They said his face was a sick white, and that he looked back at Mary for an instant from the doorway with a curious, hurt expression in his eyes, as if to say, "Is it only a game to you then?

And if it's only a game, is it worth the candle?" They remembered it afterward, I say; long afterward.

They thought he had gone out for just a moment; that presently he would return to hold up his end of the gay challenge over the cakes and cordial. But to that party Andrew Blake never returned. Their first hint of what was afoot they had when Rolldown Nickerson, the beachcomber, came running in, shining with the wet of the autumn gale that began that night. He wanted Joshua to look out for his brother. Being innocent of what had happened at the party, he thought Andrew had gone out of his head.

"Here I come onto him in the lee of White's wharf putting a compa.s.s into the old man's sail-dory, and I says to him, 'What you up to, Andrew?'

And he says with a kind of laugh, 'Oh, taking a little sail for other parts,' says he--like that. Now, just imagine, Josh, with this here weather coming on--all h.e.l.l bu'sting loose to the north'rd!"

They say that there came a look into Joshua's eyes that none of them had ever seen before. He stood there for a moment, motionless and silent, and Rolldown, deceived by his att.i.tude, was at him again.

"You don't realize, man, or else you'd stop him!"

"Oh, I'll _stop_ him!" It was hardly above a breath.

"I'll _stop_ him!" And throwing his greatcoat over his shoulders, Joshua went out.

You may believe that the house would not hold the party after that.

Whispering, giggling, shivering, the young people trooped down Heman Street to the sh.o.r.e. And there, under the phantom light of a moon hidden by the drift of storm-clouds, they found Andrew gone and all they saw of Joshua was a shadow--a shadow in black frock-clothes--wading away from them over the half-covered flats, deeper and deeper, to where the Adams sloop rode at her moorings, a shade tailing in the wind. They called, but he did not answer, and before they could do anything he had the sail up, and he, too, was gone, into the black heart of the night.

It is lonesome in the dark for a boy of six when the floor heaves and the bed shivers and over his head the shingles make a sound in the wind like the souls of all the lost men in the world. The hours from two till dawn that night I spent under the table in the kitchen, where Miah White and his brother Lem had come to talk with Duncan. And among the three of them, all they could say was "My heavens! My heavens!" I say till dawn; but our kitchen might have given on a city air-shaft for all the dawn we got.

It is hard to give any one who has lived always in the shelter of the land an idea of the day that followed, hour by waiting hour--how folks walked the beaches and did not look at each other in pa.s.sing, and how others, climbing the bluff to have a better sight of the waters beyond the Head, found themselves blinded by the smother at fifty yards and yet still continued to stare.

Of them all, that day, Mary Matheson was the only one who kept still.

And she was as still as an image. Standing half-hidden in the untidy nook behind the grocery, she remained staring out through the harbor mists from dawn till another heavy night came down, and no one can say whether she would have gone home then had not the appalled widow, her mother, slipped down between the houses to take her.

She was at home, at any rate, when Joshua Blake came back.

After all that waiting and watching, no one saw him land on the battered, black beach, for it was in the dead hour of the morning; of the three persons who are said to have met him on his way to Mary's, two were so tardy with their claims that a doubt has been cast on them. I do believe, tho, that Mother Polly Freeman, the west-end midwife, saw him and spoke with him in the light thrown from the drug-store window (where, had I only known enough to be awake, I might have looked down on them from my bed-room and got some fame of my own).

She says she thought at first he was a ghost come up from the bottom of the sea, with his clothes plastered thin to his body, weed in his hair, and his face drawn and creased like fish-flesh taken too soon out of the pickle. Afterward, when he spoke, she thought he was crazy.

"I've got it!" he said, taking hold of her arm. Opening a blue hand he held it out in the light for her to see the ring that had bitten his palm with the grip. "See, I've got it, Mother Poll!" She says it was hardly more than a whisper, like a secret, and that there was a look in his eyes as if he had seen the Devil face to face.

She meant to run when he let her go, but when she saw him striding off toward Mary Matheson's her better wisdom prevailed; following along the lane and taking shelter behind Gramma Pilot's fence, she waited, watched, and listened, to the enduring gain of Urkey's sisterhood.

She used to tell it well, Mother Poll. Remembering her tale now, I think I can see the earth misting under the trees in the calm dawn, and hear Joshua's fist pounding, pounding, on the panels of the door.

It must have been queer for Mother Poll. For while she heard that hollow pounding under the portico, like the pounding of a heart in some deep bosom of horror--all the while she could see Mary herself in an upper window--just her face resting on one cold, still forearm on the sill.