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The Best Short Stories of 1915 Part 4

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"Not a word." There was a pause.

"Well, listen here, now. Go right back there and don't say a word about it. Wouldn't it be foolish if you went down to the police and he didn't come at all? And if he does come I can manage him. And if I can't I'll call you. Does that satisfy you?" And he sent Murray out, grumbling.

As the door closed he felt that the last refuge had been abandoned. He was to wrestle with destiny alone. He had no doubt that Kennedy would make good his vow, and he felt a sort of curiosity as to how it would be done. Would it be with hands, or with a gun, or some other weapon? He hoped it would be the gun. The idea of coming to hand-grips with the boy filled him with a strange terror.

The thought that within ten minutes or a half-hour or an hour he would be dead did not come home to him. It was the physical act that frightened him. He felt as if he were terribly alone and a cold wind were blowing about him and penetrating every pore of his body. There was a contraction around his breast-bone and a shiver in his shoulders.

His idea of death was that he would pitch headlong, as from a high tower, into a bottomless dark s.p.a.ce.

He went over to the window again and looked out toward the barn. From a c.h.i.n.k in one of the shutters there was a thread of yellow candle-light.

He knew there were men there playing cards to pa.s.s the time.

Then terror came on him. The noise in the kitchen was subdued. Most of the mourners had gone home, and those who were staying the night were drowsy and were dozing over the fire. He felt he wanted to rush among them and to cry to them to protect him, and to cower behind them and to close them around him in a solid circle. He felt that eyes were upon him, looking at his back from the bed, and he was afraid to turn around because he might look into the eyes.

She had always respected him, he remembered, and he did not want to lose her respect now; and the fear that he would lose it set his shoulders back and steadied the grip of his feet on the floor.

And then there flashed before him the thought of people who kill, of lines of soldiery rushing on trenches, of a stealthy, cowering man who slips through a jail door at dawn, and of a figure he had read of in books--a sinister figure with an ax and a red cloak.

As he looked down the yard he saw a figure turn in the gate and come toward the house. It seemed to walk slowly and heavily, as if tired. He knew it was Kennedy. He opened the kitchen door and slipped outside.

The figure coming up the pathway seemed to swim toward him. Then it would blur and disappear and then appear again vaguely. The beating of his heart was like the regular sound of a ticking clock. s.p.a.ce narrowed until he felt he could not breathe. He went forward a few paces. The light from the bedroom window streamed forward in a broad, yellow beam.

He stepped into it as into a river.

"She's dead," he heard himself saying. "She's dead." And then he knew that Kennedy was standing in front of him.

The flap of the boy's hat threw a heavy shadow over his face, his shoulders were braced, and his right hand, the farmer could see, was thrust deeply into his coat pocket.

"Aye, she's dead," Michael James repeated. "You knew that, didn't you?"

It was all he could think of saying. "You'll come in and see her, won't you?" He had forgotten what Kennedy had come for. He was dazed. He didn't know what to say.

Kennedy moved a little. The light from the window struck him full in the face, and Michael James realized with a shock that it was as grim and thin-lipped as he had pictured it. A prayer rose in his throat, and then fear seemed to leave him all at once. He raised his head. The right hand had left the pocket now. And then suddenly he saw that Kennedy was looking into the room, and he knew he could see, through the little panes of gla.s.s, the huge bedstead and the body on it. And he felt a desire to throw himself between Kennedy and it, as he might jump between a child and a threatening danger.

He turned away his head, instinctively--why, he could not understand, but he felt that he should not look at Kennedy's face.

Over in the barn voices rose suddenly. They were disputing over the cards. There was some one complaining feverishly and some one arguing truculently, and another voice striving to make peace. They died away in a dull hum, and Michael James heard the boy sobbing.

"You mustn't do that," he said. "You mustn't do that." And he patted him on the shoulders. He felt as if something unspeakably tense had relaxed and as if life were swinging back into balance. His voice shook and he continued patting. "You'll come in now, and I'll leave you alone there."

He took him under the arm.

He felt the pity he had for the body on the bed envelop Kennedy, too, and a sense of peace came over him. It was as though a son of his had been hurt and had come to him for comfort, and he was going to comfort him. In some vague way he thought of Easter-time.

He stopped at the door for a moment.

"It's all right, laddie," he said. "It's all right," and he lifted the latch.

As they went in he felt somehow as if high walls had crumbled and the three of them had stepped into the light of day.

CHAUTONVILLE[3]

BY WILL LEVINGTON COMFORT

From _The Ma.s.ses_

[3] Copyright, 1915, by The Ma.s.ses. Copyright, 1916, by Will Levington Comfort.

They said that the Russian line was a hundred miles long. I know nothing about that, but I know that it extended as far as the eye could reach to the east and west, and that this had been so for many weeks. But _time_, as it is known in the outer world, had stopped for us. It was now November, and we had been without mails since late in August. Three days of hideous cold had come without warning, and before the snows, so that there was a foot of iron frost in the ground. This had to be bitten through in all our trench-making, and though we were on the southern slopes of the Carpathians, timber was scarce. At each of our recent meetings with the Austrian enemy, we had expected to feel the new strike--the different resistance of German reinforcement.

A queer sense had come to us from the Austrians. I had thought of it many times and others had spoken the same: that it didn't matter greatly to them. They gave us fierce fighting, but always when we were exhausted and insane with our dead--they fell away before us.

This had happened so often that we came to expect it, our chief puzzle being just how long they would hold out in each battle. Especially when our brigade was engaged, and we had entered into an intensity that was all the human could endure, I would almost stop breathing in the expectancy of the release of tension before us. When it did not come, I invariably found afterward that I was out of perspective with the mainline, on account of the fierceness of our immediate struggle. We were but one snapping loop of the fighting--too localized to affect the main front. The Austrians gave all in a piece, when they drew back.

Days were the same, a steady suffering. I did not know before what men could stand. We had weeks of life that formerly I would have considered fatal to adventure with through one night or day--exposure, fatigue, famine--and over all the pa.s.sion for home, that slow lasting fire. I began to understand how the field-mice winter--how the northern birds live through, and what a storm, on top of a storm, means to all creatures of the north country that are forced to take what comes, when the earth tilts up into the bleak and icy gray. We forget this as men, until a war comes.

But all measuring of the world had ceased for our eyes. A man must have emotions for this, and we thought our emotions dead. I wonder if it can be understood--this being shaken down to the end, this facing of life and death without a personal relation?... Crawling out of the blanket in the morning, I have met the cold--such a shock throughout, that it centered like a long pin driven in the heart. I have seen my friends go, right and left on the field--those who helped tend the fire the night before--and met their end and my own peril without a quickened pulse. Of course, I knew something was changed for me, because I had not been this way. I had even lost the love of courage--that quality of field-work that used to raise my hair, so high and pure did it seem to my eyes.... But the night came, when I heard a little man mumbling over the fire to the effect that he hated it all--that the Little Father was making monkeys of us all--and a thrill shot over me, so that I knew I was alive. Yes, there was something to that.

"Sh-shh--" said I. Two others drew near, as if a bottle had been opened.

And Firthus, my closest friend, gripped my arm, leaving a blue welt where his thumb had pressed.

"It's as bad to say 'sh-sh--' as to say what he said," Firthus whispered.

Yes, even in the coldness, there was a thrill to that. Perhaps we thrill at the first breath of that which is to come and change us over.

... For three days they had given our part of the line a different and extraordinary resistance, so that for three nights we camped in the same place. A valley was before us, and the infantry had tried to cross again and again, always meeting at a certain place in the hollows an enfilading fire from the forward low hills. We could not get enough men across to charge the emplacements.... We were mid-west of the west wing, it was said; and word came the third day that we were holding up the whole line; that the east was ready to drive through, in fact, was bending forward; that the west was marking time on our account--and here we were keeping the whole Russian invasion from spending the holidays in Budapest.

On that third day I was dispatching from brigade-headquarters to the trenches. The General and his staff stood in a shepherd's house in the midst of a circle of rocks. Waiting there I began to understand that they were having difficulty in forcing the men forward in the later charges. The lines could see their dead of former advances, black and countless upon the valley snow. This was not good for the trenches.

... Now I realized that they were talking of Chautonville, the singer, the master of our folk-songs. We had heard of him along the line--how he had come running home to us out of Germany at the last moment in July--literally pelted forth, changed from an idol into an enemy and losing a priceless engagement-series on the Continent. He had not been the least bewildered, as the story went, rather enjoying it all....

They had monopolized him at the central headquarters, so that we had not heard him sing, but the gossip of it fired the whole line--a baritone voice like a thick starry dusk, having to do with magnolias and the south, and singing of the Russia that was to mean the world.

Somehow he had made us gossip to that extent. So I was interested now to hear the name of Chautonville, and that he was coming.

He was to sing us forward again. There was a pang in that, as I craned forward to look at the valley. It was not for our entertainment, but to make us forget our dead, to make us charge the valley again over our dead--it being planned that a remnant might make the crossing and charge the emplacements.... He came--a short barrel of a man and fat. They had kept him well at the Center. He was valuable in the hospitals, it was said.

The least soldierly kind of a man I had seen in many days, save the Brigadier--so white and fat was Chautonville, the top of his head small, his legs short and thick, hands fat and white and tapering, a huge neck and chin with folds of white fat under it--a sort of a perfect bird dressed for present to the Emperor. Chautonville was big-eyed with all this--large, innocent brown eyes--innocent to me, but it was the superb health of the creature, his softness, clearness of skin and eye, that gave the impression to us, so lean and stringy.

For his eyes were not innocent--something in them spoiled that. We were worn to buckskin and ivory, while here was a parlor kind of health--so clean in his linen, white folds of linen, about his collar and wrists. His chest was a marvel to look at--here in the field after weeks in the Carpathians. We were all range and angles, but this was a round barrel of a man, as thick as broad, his lips plump and soft, while we for weeks had licked a dry faded line, our faces strange with bone and teeth.

"What is it?" he asked the General.

I thought of a little doctor, called by others after consultation--an extra bit of dexterity required, this being the high-priced man. There was that indoor look of a barber about him, too.

The General explained that a new charge was to be ordered--that three had failed--that the men (while not exactly rebellious) faltered before the valley a fourth time this day--that the failures were costly in men--in short, that the inspiration of Chautonville was required now to sing them and the reserves across.... The Austrians would quickly give way, if the valley were pa.s.sed.... Then the thousands would flood up the slopes and--Budapest and holidays.

"You want me to sing to them for courage--as it were?" Chautonville questioned.

I had marked his voice. I saw now that he needed all the thickness of throat and bust--that he used it all. I hoped they would not send me away with a message....

"You want me to walk up and down the trenches?"

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The Best Short Stories of 1915 Part 4 summary

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