The Best Psychic Stories Part 9

III

You are haunted--whether your way lie through the brown gloom of London winter, or the azure splendor of an equatorial day--whether your steps be tracked in snows, or in the burning black sand of a tropic beach--whether you rest beneath the swart shade of Northern pines, or under spidery umbrages of palm--you are haunted ever and everywhere by a certain gentle presence. There is nothing fearsome in this haunting--the gentlest face, the kindliest voice--oddly familiar and distinct, though feeble as the hum of a bee.

But it tantalizes--this haunting--like those sudden surprises of sensation _within_ us, though seemingly not _of_ us, which some dreamers have sought to interpret as inherited remembrances, recollections of preexistence. Vainly you ask yourself, "Whose voice? Whose face?" It is neither young nor old, the Face; it has a vapory indefinableness that leaves it a riddle; its diaphaneity reveals no particular tint; perhaps you may not even be quite sure whether it has a beard. But its expression is always gracious, pa.s.sionless, smiling--like the smiling of unknown friends in dreams, with infinite indulgence for any folly, even a dream-folly. Except in that you cannot permanently banish it, the presence offers no positive resistance to your will; it accepts each caprice with obedience; it meets your every whim with angelic patience.

It is never critical, never makes plaint even by a look, never proves irksome; yet you cannot ignore it, because of a certain queer power it possesses to make something stir and quiver in your heart--like an old vague sweet regret--something buried alive which will not die. And so often does this happen that desire to solve the riddle becomes a pain; that you finally find yourself making supplication to the Presence; addressing to it questions which it will never answer directly, but only by a smile or by words having no relation to the asking--words enigmatic, which make mysterious agitation in old forsaken fields of memory, even as a wind betimes, over wide wastes of marsh, sets all the gra.s.ses whispering about nothing. But you will question on, untiringly, through the nights and days of years:

"Who are you? What are you? What is this weird relation that you bear to me? All you say to me I feel that I have heard before, but where? But when? By what name am I to call you, since you will answer to none that I remember? Surely you do not live; yet I know the sleeping-places of all my dead, and yours I do not know! Neither are you any dream--for dreams distort and change; and you, you are ever the same. Nor are you any hallucination; for all my senses are still vivid and strong. This only I know beyond doubt--that you are of the Past; you belong to memory--but to the memory of what dead suns?"

Then, some day or night, unexpectedly, there comes to you at least, with a soft swift tingling shock as of fingers invisible, the knowledge that the Face is not the memory of any one face; but a multiple image formed of the traits of many dear faces, superimposed by remembrance, and interblended by affection into one ghostly personality--infinitely sympathetic, phantasmally beautiful--a Composite of recollections! And the Voice is the echo of no one voice, but the echoing of many voices, molten into a single utterance, a single impossible tone, thin through remoteness of time, but inexpressibly caressing.

IV

Thou most gentle Composite!--thou nameless and exquisite Unreality, thrilled into semblance of being from out the sum of all lost sympathies!--thou Ghost of all dear vanished things, with thy vain appeal of eyes that looked for my coming, and vague faint pleading of voices against oblivion, and thin electric touch of buried hands--must thou pa.s.s away forever with my pa.s.sing, even as the Shadow that I cast, O thou Shadowing of Souls?

I am not sure. For there comes to me this dream--that if aught in human life hold power to pa.s.s, like a swerved sunray through interstellar s.p.a.ces, into the infinite mystery, to send one sweet strong vibration through immemorial Time, might not some luminous future be peopled with such as thou? And in so far as that which makes for us the subtlest charm of being can lend one choral note to the Symphony of the Unknowable Purpose--in so much might there not endure also to greet thee, another Composite One--embodying, indeed, the comeliness of many lives, yet keeping likewise some visible memory of all that may have been gracious in this thy friend?

THE EYES OF THE PANTHER[7]

BY AMBROSE BIERCE

[Footnote 7: From "_In the Midst of Life_" (Boni & Liveright).]

I

ONE DOES NOT ALWAYS MARRY WHEN INSANE

A man and a woman--nature had done the grouping--sat on a rustic seat, in the late afternoon. The man was middle-aged, slender, swarthy, with the expression of a poet and the complexion of a pirate--a man at whom one would look again. The woman was young, blonde, graceful, with something in her figure and movements suggesting the word "lithe." She was habited in a gray gown with odd brown markings in the texture. She may have been beautiful; one could not readily say, for her eyes denied attention to all else. They were gray-green, long and narrow, with an expression defying a.n.a.lysis. One could only know that they were disquieting. Cleopatra may have had such eyes.

The man and the woman talked.

"Yes," said the woman, "I love you, G.o.d knows! But marry you, no. I cannot, will not."

"Irene, you have said that many times, yet always have denied me a reason. I've a right to know, to understand, to feel and prove my fort.i.tude if I have it. Give me a reason."

"For loving you?"

The woman was smiling through her tears and her pallor. That did not stir any sense of humor in the man.

"No; there is no reason for that. A reason for not marrying me. I've a right to know. I must know. I will know!"

He had risen and was standing before her with clenched hands, on his face a frown--it might have been called a scowl. He looked as if he might attempt to learn by strangling her. She smiled no more--merely sat looking up into his face with a fixed, set regard that was utterly without emotion or sentiment. Yet it had something in it that tamed his resentment and made him shiver.

"You are determined to have my reason?" she asked in a tone that was entirely mechanical--a tone that might have been her look made audible.

"If you please--if I'm not asking too much."

Apparently this lord of creation was yielding some part of his dominion over his co-creature.

"Very well, you shall know: I am insane."

The man started, then looked incredulous and was conscious that he ought to be amused. But, again, the sense of humor failed him in his need and despite his disbelief he was profoundly disturbed by that which he did not believe. Between our convictions and our feelings there is no good understanding.

"That is what the physicians would say," the woman continued, "if they knew. I might myself prefer to call it a case of 'possession.' Sit down and hear what I have to say."

The man silently resumed his seat beside her on the rustic bench by the wayside. Over against them on the eastern side of the valley the hills were already sunset-flushed and the stillness all about was of that peculiar quality that foretells the twilight. Something of its mysterious and significant solemnity had imparted itself to the man's mood. In the spiritual, as in the material world, are signs and presages of night. Rarely meeting her look, and whenever he did so conscious of the indefinable dread with which, despite their feline beauty, her eyes always affected him, Jenner Brading listened in silence to the story told by Irene Marlowe. In deference to the reader's possible prejudice against the artless method of an unpracticed historian the author ventures to subst.i.tute his own version for hers.

II

A ROOM MAY BE TOO NARROW FOR THREE, THOUGH ONE IS OUTSIDE

In a little log house containing a single room sparely and rudely furnished, crouching on the floor against one of the walls, was a woman, clasping to her breast a child. Outside, a dense unbroken forest extended for many miles in every direction. This was at night and the room was black dark; no human eye could have discerned the woman and the child. Yet they were observed, narrowly, vigilantly, with never even a momentary slackening of attention; and that is the pivotal fact upon which this narrative turns.

Charles Marlowe was of the cla.s.s, now extinct in this country, of woodmen pioneers--men who found their most acceptable surroundings in sylvan solitudes that stretched along the eastern slope of the Mississippi Valley, from the Great Lakes to the Gulf of Mexico. For more than a hundred years these men pushed ever westward, generation after generation, with rifle and ax, reclaiming from Nature and her savage children here and there an isolated acreage for the plow, no sooner reclaimed than surrendered to their less venturesome but more thrifty successors. At last they burst through the edge of the forest into the open country and vanished as if they had fallen over a cliff. The woodman pioneer is no more; the pioneer of the plains--he whose easy task it was to subdue for occupancy two-thirds of the country in a single generation--is another and inferior creation. With Charles Marlowe in the wilderness, sharing the dangers, hardships and privations of that strange unprofitable life, were his wife and child, to whom, in the manner of his cla.s.s in which the domestic virtues were a religion, he was pa.s.sionately attached. The woman was still young enough to be comely, new enough to the awful isolation of her lot to be cheerful. By withholding the large capacity for happiness which the simple satisfactions of the forest life could not have filled, Heaven had dealt honorably with her. In her light household tasks, her child, her husband and her few foolish books, she found abundant provision for her needs.

One morning in midsummer Marlowe took down his rifle from the wooden hooks on the wall and signified his intention of getting game.

"We've meat enough," said the wife; "please don't go out to-day. I dreamed last night, O, such a dreadful thing! I cannot recollect it, but I'm almost sure that it will come to pa.s.s if you go out."

It is painful to confess that Marlowe received this solemn statement with less of gravity than was due to the mysterious nature of the calamity foreshadowed. In truth, he laughed.

"Try to remember," he said. "Maybe you dreamed that Baby had lost the power of speech."

The conjecture was obviously suggested by the fact that Baby, clinging to the fringe of his hunting-coat with all her ten pudgy thumbs, was at that moment uttering her sense of the situation in a series of exultant goo-goos inspired by sight of her father's racc.o.o.n-skin cap.

The woman yielded: lacking the gift of humor she could not hold out against his kindly badinage. So, with a kiss for the mother and a kiss for the child, he left the house and closed the door upon his happiness forever.

At nightfall he had not returned. The woman prepared supper and waited.

Then she put Baby to bed and sang softly to her until she slept. By this time the fire on the hearth, at which she had cooked supper, had burned out and the room was lighted by a single candle. This she afterward placed in the open window as a sign and welcome to the hunter if he should approach from that side. She had thoughtfully closed and barred the door against such wild animals as might prefer it to an open window--of the habits of beasts of prey in entering a house uninvited she was not advised, though with true female prevision she may have considered the possibility of their entrance by way of the chimney. As the night wore on she became not less anxious, but more drowsy, and at last rested her arms upon the bed by the child and her head upon the arms. The candle in the window burned down to the socket, sputtered and flared a moment and went out un.o.bserved; for the woman slept and dreamed.

In her dreams she sat beside the cradle of a second child. The first one was dead. The father was dead. The home in the forest was lost and the dwelling in which she lived was unfamiliar. There were heavy oaken doors, always closed, and outside the windows, fastened into the thick stone walls, were iron bars, obviously (so she thought) a provision against Indians. All this she noted with an infinite self-pity, but without surprise--an emotion unknown in dreams. The child in the cradle was invisible under its coverlet which something impelled her to remove.

She did so, disclosing the face of a wild animal! In the shock of this dreadful revelation the dreamer awoke, trembling in the darkness of her cabin in the wood.

As a sense of her actual surroundings came slowly back to her she felt for the child that was not a dream, and a.s.sured herself by its breathing that all was well with it; nor could she forbear to pa.s.s a hand lightly across its face. Then, moved by some impulse for which she probably could not have accounted, she rose and took the sleeping babe in her arms, holding it close against her breast. The head of the child's cot was against the wall to which the woman now turned her back as she stood. Lifting her eyes she saw two bright objects starring the darkness with a reddish-green glow. She took them to be two coals on the hearth, but with her returning sense of direction came the disquieting consciousness that they were not in that quarter of the room, moreover were too high, being nearly at the level of the eyes--of her own eyes.

For these were the eyes of a panther.

The beast was at the open window directly opposite and not five paces away. Nothing but those terrible eyes was visible, but in the dreadful tumult of her feelings as the situation disclosed itself to her understanding she somehow knew that the animal was standing on its hinder feet, supporting itself with its paws on the window-ledge. That signified a malign interest--not the mere gratification of an indolent curiosity. The consciousness of the att.i.tude was an added horror, accentuating the menace of those awful eyes, in whose steadfast fire her strength and courage were alike consumed. Under their silent questioning she shuddered and turned sick. Her knees failed her, and by degrees, instinctively striving to avoid a sudden movement that might bring the beast upon her, she sank to the floor, crouched against the wall and tried to shield the babe with her trembling body without withdrawing her gaze from the luminous...o...b.. that were killing her. No thought of her husband came to her in her agony--no hope nor suggestion of rescue or escape. Her capacity for thought and feeling had narrowed to the dimensions of a single emotion--fear of the animal's spring, of the impact of its body, the buffeting of its great arms, the feel of its teeth in her throat, the mangling of her babe. Motionless now and in absolute silence, she awaited her doom, the moments growing to hours, to years, to ages; and still those devilish eyes maintained their watch.