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The Best British Short Stories of 1922 Part 35

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Indeed, it was curiously instructive how John Jamieson laid down a causeway of gleaming stepping-stones, so that Deasey might cross lightly over the turgid waters of his victims' souls. At the words, accompanied by John Jamieson--"A certain dark page of your past history--help yourself, me boy!--has been inadvertently revealed to me, but is for ever sacred in me breast!"--it was strange to see how, from the underworld of the man's mind, there would trip out the company of misshapen hobgoblins and gnomes which had been locked away in darkness, maybe, this many a year.

"Well--how would I get the time to clane the childer and to wash their heads, and I working all the day at curing stinkin' hides! 'Twas Herself should have got it, and Herself alone!"...

Or--

"No, I never done it, for all me own mother sworn I did. I only give the man a little push--that way!--and he fell over on the side, and busted all his veins!"

Or--

"Well, an' wouldn't you draw two pinsions yourself, Mr. Deasey, if you'd a wife with two han's like a sieve for yellow gold!"

But there were some confessions, haltingly patchy and inadequate, but hauntingly suggestive, which Deasey could neither piece out on the spot, nor yet unravel in the small hours of the night. There was one of this nature which troubled his rest long:

"Well, the way of it was, you see, he put it up the chimbley, but when the chimbley-sweepers come he transferred it in his weskit to my place, and I dropped it down the well. They found it when they let the bucket down, but I wasn't his accomplice at all, 'twas only connivance with me!"

When he had spoken of the chimney and the well Deasey concluded at once it was a foully murdered corpse. But then, again, you could not well conceal a corpse in someone's waistcoat; and gold coins would melt or be mislaid amongst the loose bricks of a sooty chimney. Deasey had craved for corpses, but nothing so grim as that had risen to his whisky-bait until he tried the same old game on Mrs. Geraghty. What subtle instinct was it that had prompted him to add to the first unvarying words: "But all that is now past and over, and safe beneath the mouldering clay!"

At these last words, the Widow Geraghty knew well, the barrier was down that fences off one human soul from another; all the same, she shook her trembling head when Deasey drew the cork. At her refusal Deasey was struck with the most respectful compa.s.sion; until that hour he had never known one single lacerated soul decline this consolation.

"And to look at me!" she wept forthwith, "would you think I could shed a drop of ruddy gore?"

"No, ma'am," returned Deasey. "To look at you, ye'd think ma'am ye could never kill a fly!"

And respectfully he pa.s.sed the peppermints.

"Sometimes," the widow muttered, "I hears it, and it bawling in me dreams o' night. And the two bright eyes of it, and the little clay cold feet!" Deasey knew what was coming now, and he twitched in every vein. And she so white-haired and so regular at church: and the black bonnet on the head of her, an' all! "It was the only little one she had," went on the widow, bowed almost to the bar by shame, "and it always perched up on her knee, and taking food from her mouth, and she nursing it agin her face. But I had bad teeth in me head, and I couldn't get my rest, with the jaws aching, and all the whiles it screeching with the croup. 'Twould madden you!"

"All the same," Deasey whispered, "maybe it wasn't your fault: 'twas maybe your man egged you on to do the shameful deed----"

"It was so," said the widow. "'Let you get up and cut its throat,' says he, 'and then we will be shut of the domned screechin' thing.'" "Then you got the knife, ma'am," prompted Deasey. "It was the bread-knife,"

she answered, "with the ugly notches in the blade,--and I stole in the back way to her place in the dead hours of the night--and I had me ap.r.o.n handy for to quench the cries; and when I c'ot it be the throat didn't it look up at me with the two bright, innocent eyes!"

"And what'd you do with the body?" he asked.

"I dug a grave in the shine of the moon," she answered. "And I put it in by the two little cold grey feet----"

This touch of the grey feet laid a spell on Deasey's hankering morbidity.

"_What turned the feet grey_?" he whispered.

"Nature, I s'pose!" replied the white-haired widow. She drew her shawl about her shrinking form before she turned away.

"'Twas never found out, from that hour to this, who done it!" muttered the Widow Geraghty, "but, may the Divvle skelp me if I touch one drop of chucken-tea again!"

THE BIRTH OF A MASTERPIECE

By LUCAS MALET

(From The _Story-Teller_)

1922

Looking back on it from this distance of time--it began in the early and ended in the middle eighties--I see the charm of ingenuous youth stamped on the episode, the touching glamour of limitless faith and expectation. We were, the whole little band of us, so deliciously self-sufficient, so magnificently critical of established reputations in contemporary letters and art. We sniffed and snorted, noses in air, at popular idols, while ourselves weighted down with a cargo of guileless enthusiasm only asking opportunity to dump itself at an idol's feet. We ached to burn incense before the altar of some divinity; but it must be a divinity of our own discovering, our own choosing. We scorned to acclaim ready-made, second-hand goods. Then we encountered Pogson--Heber Pogson. Our fate, and even more, perhaps, his fate, was henceforth sealed.

He was a large, sleek, pink creature, slow and rare of movement, from much sitting bulky, not to say squashy, in figure, mild-eyed, slyly jovial and--for no other word, to my mind, so closely fits his att.i.tude--resigned. A positive glutton of books, he read as instinctively, almost as unconsciously, as other men breathe. But he not only absorbed. He gave forth and that copiously, with taste, with discrimination, now and again with startlingly eloquent flights and witty sallies. His memory was prodigious. The variety and vivacity of his conversation, the immense range of subjects he brilliantly laboured, when in the vein, remain with me as simply marvellous. With us he mostly was in the vein. And, vanity apart, we must have composed a delightful audience, generously censer-swinging. No man of even average feeling but would be moved by such fresh, such spontaneous admiration! Thus, if our divinity melodiously piped, we did very radiantly dance to his piping.

Oh! Heber Pogson enjoyed it. Never tell me he didn't revel in those highly articulate evenings of monologue, gasconade, heated yet brotherly argument, lasting on to midnight and after, every bit as much as we did! Anyhow at first. Later he may have had twinges, been sensible of strain; though never, I still believe, a very severe one.

In any case, Nature showed herself his friend--his saviour, if also, in some sort, his executioner. When the strain tended to become distressing, for him personally, very simply and cleverly, she found a way out.

A background of dark legend only brought the steady glow of his--and our--present felicity into richer relief. We gathered hints of, caught in pa.s.sing smiling allusion to, straitened and impecunious early years.

He had endured a harsh enough apprenticeship to the profession of letters in its least satisfactory, because most ephemeral, form--namely journalism, and provincial journalism at that. This must have painfully cribbed and confined his free-ranging spirit. We were filled by reverent sympathy for the trials and deprivations of his past. But at the period when the members--numbering a dozen, more or less--of our devoted band trooped up from Chelsea and down from the Hampstead heights to worship in the studio-library of the Church Street, Kensington, house, Pogson was lapped in a material well-being altogether sufficient. He treated us, his youthful friends and disciples, to very excellent food and drink; partaking of these himself, moreover, with evident readiness and relish. Those little "help-yourselves," stand-up suppers in the big, quiet, comfortably warmed and shaded room revealed in him no ascetic tendency, though, I hasten to add, no tendency to unbecoming excess. Such hospitality testified to the soundness of Pogson's existing financial position; as did his repeated a.s.sertions that now, at last--praise heaven--he had leisure to do worthy and abiding work, work through which he could freely express his personality, express in terms of art his judgments upon, and appreciations of, the human scene.

We listened breathless, nodding exuberant approval. For weren't we ourselves, each and all of us, mightily in love with art and with the human scene? And hadn't we, listening thus breathlessly to our amazing master, the enchanting a.s.surance that we were on the track of a masterpiece? Not impossibly a whole gallery of masterpieces, since Heber Pogson had barely touched middle age as yet. For him there still was time. Fiction, we gathered to be the selected medium. He not only meant to write, but was actually now engaged in writing, a novel during those withdrawn and sacred morning hours when we were denied admittance to his presence. We previsaged something tremendous, poetic yet fearlessly modern, fixed on the bedrock of realism, a drama and a vision wide, high, deep, spectacular yet subtle as life itself. Let his confreres, French and Russian--not to mention those merely British born--look to their laurels, when Heber Pogson blossomed into print!

And--preciously inspiring thought--he was our Pogson. He inalienably belonged to us; since hadn't we detected the quality of his genius when the veil was still upon its face? Oh! we knew, bless you; we knew. We'd the right to sniff and snort, noses in air, at contemporary reputations because we were snugly awaiting the disclosure of a talent which would p.r.i.c.k them into nothingness like so many bubbles, pop them like so many inflated paper bags, knock them one and all into the proverbial c.o.c.ked hat!

Unfortunately youth, with a fine illogic, though having all the time there is before it, easily waxes impatient. In our eagerness for his public recognition, his apotheosis, we did, I am afraid, hustle our great man a little. Instead of being satisfied with his nocturnal coruscations--they brilliant as ever, let it be noted--we just a fraction resented the slowness of his progress, began ever so gently to shove that honoured bulky form behind and pull at it in front. We wanted the tangible result of those many sacred and secret morning hours during which his novel was in process of being formed and fashioned, gloriously built up. Wouldn't he tell us the t.i.tle, enlighten us as to the theme, the scheme, thus allaying the hunger pangs of our pious curiosity by crumbs--ever so small and few--dropped from his richly furnished table? With exquisite good-humour, he fenced and feinted. Almost roguishly he would laugh us off and launch the conversation into other channels, holding us--after the first few vexatiously outwitted seconds--at once enthralled and delicately rebuked.

But at last--in the late spring, as far as I remember, of the second year of our devotion--there came a meeting at which things got pressed somehow to a head. Contrary to custom feminine influence made itself felt.

And here I pause and blush. For it strikes me as so intimately characteristic of our whole relation--in that earlier stage, at least--that I should have written all this on the subject of Heber Pogson without making one solitary mention of his wife. She existed.

Was permanently in evidences--or wasn't it, rather, in eclipse?--as a shadowy parasitic ent.i.ty perambulating the hinterland of his domestic life. She must have been by some years his junior--a tall, thin, flat-chested woman, having heavy, yellowish brown hair, a complexion to match, and pale, nervous eyes. Her clothes hung on her as on a clothes-peg. She affected vivid greens--as was the mistaken habit of Victorian ladies possessing the colouring falsely called "auburn"--but clouded their excessive verdure to neutrality by semi-transparent over-draperies of black. Harry Lessingham, in a crudely unchivalrous mood, once described her as "without form and void," adding that she "had a mouth like a fish." These statements I considered unduly harsh, yet admitted her almost miraculously negative. She mattered less, when one was in the room with her, than anything human and feminine which I, so far, had ever run across. And I was at least normally susceptible, I'm very sure of that.

As a matter of course, on our arrival at the blest house in Church Street, we one and all respectfully greeted her, pa.s.sed, to put it vulgarly, the time of day with her. But there intercourse ceased. At some subsequent instant she faded out--whether into s.p.a.ce or into some adjacent connubial chamber, I had no notion. I only realized, when the act was accomplished, that we now were without her, that she had vanished, leaving behind her no faintest moral or emotional trace.

But, on the occasion in question, she did not vanish. We fed her at supper. And still she remained--in the interests of social propriety, as we imagined, since for once the Pogson symposium included a stranger, an eminently attractive lady guest.

Harry Lessingham had begged to bring his sister with him. He told me of this beforehand, and I rejoiced. Lessingham had long been dear to me as a brother; while that Arabella should only be dear to me as a sister was, just then, I own, among the things I wished least. I craved, therefore, to have her share our happy worship. She had a pretty turn for literature herself. I coveted to see her dazzled, exalted, impressed--it would be a fascinating spectacle. Before I slept that night, or rather next morning, I recognized her coming as a disastrous mistake. For she had received insufficient instruction in ritual, in the suitable forms of approach to so august a presence as that of our host. She played round him, flickering, darting, like lightning round a cathedral tower, metal tipped. Where we, in our young male modesty, had but gently drawn or furtively shoved, she tickled the soft, sedentary creature's ribs as with a rapier point. And--to us agitated watchers--the amazing thing was, that Pogson didn't seem to mind. He neither rebuked her nor laughed her off; but purred, veritably purred, under her alternate teasing and petting like some big, sleek cat.

At last, with a cajoling but really alarming audacity, she went for him straight.

"Of course, dear Mr. Pogson, Harry has told me all about your wonderful novel," she said. "I am so interested, so thrilled--and so grateful to you for letting me join your audience to-night. But I want quite frightfully to know more. Speaking not only for myself, but for all who are present, may I implore a further revelation? Pray don't send us empty away in respect of the wonderful book. It would be so lovely while we sit here at your feet."...

She, in fact, sat by his side, her chair placed decidedly close to his.

"If you would read us a chapter.... A chapter is impossible?"...

Her charming, pliant mouth; her charming dancing eyes; her caressing voice--I won't swear even her caressing hands didn't, for a brief s.p.a.ce, take part--all wooed him to surrender.

"Well, a page then, a paragraph? Ah! don't be obdurate. The merest sentence? Surely we may claim as much as that? Picture our pride, our happiness."

She enclosed us all in a circular and sympathetic glance, which ended, as it had started, by meeting his mild eyes, lingering appealingly upon his large, pink countenance.

Pogson succ.u.mbed. No, he wouldn't read; but, since she so amiably desired it....

"More than anything in all my life!" with the most convincing and virginal sincerity.

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The Best British Short Stories of 1922 Part 35 summary

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