The Beloved Woman Part 40

He was just what he had always been: self-possessed, finished, splendidly sure in voice and manner. He was rich, he was popular, he was a dictator in his quiet way. And she knew even if the shock of his wife's sudden going had pushed his thought of her into the background, that in a few months he would be hovering about her again, conventionally freed for conventional devotion.

She saw all this, and for the first time to-day she saw other things, too. That he was forty, and looked it. That there was just the faintest suggestion of thinning in his smooth hair, where Wolf's magnificent mane was the thickest. That it was just a little bloodless, this decorous mourning that had so instantly engulfed him, who had actually told her, another man's wife, a few weeks before, that his own wife was dying, and so would free him for the woman he loved at last!

In short, Norma mused, watching him as he fell into moody silence, he had not scrupled to break the spirit of his bond to Alice, he had not hesitated to tell Norma that he loved her when only Norma, and possibly Alice, might suffer from his disloyalty. But when the sacred letter was touched, the sacred outside of the vessel that must be kept clean before the world, then Chris was instantly the impeccable, the irreproachable man of his caste again. It was all part of the superficial smallness of that world where arbitrary form ruled, where to send a wedding invitation printed and not engraved, or to misp.r.o.nounce the name of a visiting Italian tenor or Russian dancer, would mark the n.o.blest woman in the world as hopelessly "not belonging."

"One of the things you do that really you oughtn't to, Norma," he resumed, presently, in quiet distaste, "is a.s.sume that there is some mysterious difference between, say, the Craigies, and well--your husband. The Craigies are enormously wealthy, of course. That means that they have always had fine service, music, travel, the best of everything in educational ways, friendship with the best people--and those things _are_ an advantage, generation after generation. It's absurd to deny that Annie's children, for example, haven't any real and tremendous advantages over--well, some child of a perfectly respectable family that manages nicely on ten thousand a year. But that Annie's pleasures are not as real, or that there must necessarily be something dangerous--something detestable--in the life of the best people, is ridiculous!"

"That's just what I do a.s.sert," she answered, bravely. "It may not be so for you, for you were born to it! But when you've lived, as I have, in a different sort of life, with people to whom meals, and the rent, and their jobs, really matter--this sort of thing doesn't seem _real_. You feel like bursting out laughing and saying, 'Oh, get out! What's the difference if I _don't_ make calls, and broaden my vowels, and wear just this and that, and say just this and that!' It all seems so _tame_."

"Not at all," Chris said, really roused. "Take Betty Doane, now, the Craigies' cousin. There's nothing conventional about her. There's a girl who dresses like a man all summer, who ran away from school and tramped into Hungary dressed as a gipsy, who slapped Joe Brinckerhoff's face for him last winter, and who says that when she loves a man she's going off with him--no matter who he is, or whether he's married or not, or whether she is!"

"I'll tell you what she sounds like to me, Chris, a little saucy girl of about eight trying to see how naughty she can be! Why, that," said Norma, eagerly, "that's not _real_. That isn't like house-hunting when you know you can't pay more than thirty dollars' rent, or surprising your husband with a new thermos bottle that he didn't think he could afford!"

"Ah, well, if you _like_ slums, of course!" Chris said, coldly. "But nothing can prevent your inheriting an enormous sum of money, Norma," he said, ending the conversation, "and in six months you'll feel very differently!"

"There is just one chance in ten--one chance in a hundred--that I might!" she said to herself, going upstairs, after Chris and Acton, who presently returned to the dining-room, had begun an undertoned conversation. And with a sudden flood of radiance and happiness at her heart, she sat down at her desk, and wrote to Wolf.

The note said:

WOLF DEAR:

I have been thinking very seriously, during these serious days, and I am writing you more earnestly than I ever wrote any one in my life. I want you to forgive me all my foolishness, and let me come back to you. I have missed you so bitterly, and thought how good and how sensible you were, and how you took care of us all years ago, and gave Rose and me skates that Christmas that you didn't have your bicycle mended, and how we all sat up and cried the night Aunt Kate was sick, and you made us chocolate by the rule on the box. I have been very silly, and I thought I cared--and perhaps I _did_ care--for somebody else; or at least I cared for what he stood for, but I am over that now, and I feel so much older, and as if I needed you so. I shall have a tremendous lot of money, and we'll just have to decide what to do with it, but I think I know now that there won't be any particular pleasure in spending it. We'll always love the old car, and----But it just occurs to me that we _could_ send poor Kitty Barry to the hospital, and perhaps ship them all off somewhere where they'd get better. Aunt Kate would like that.

But won't you come up, Wolf, and see me? I'll meet you anywhere, and we can talk, on Monday or Tuesday. Will you write me or wire me? I can't wait to see you!

She cried over the letter, and over the signature that she was his loving Nono, but she mailed it with a dancing heart. The road had been dark and troubled for awhile, but it was all clear now! The wrong had been--the whole wretched trouble had been--in her thinking that she could toss aside the solemn oath that she had taken on the bewildering day of her marriage almost a year ago.

Never since old, old days of childhood, when she and Wolf and Rose had wiped the dishes and raked the yard, and walked a mile to the twenty-five-cent seats at the circus, had Norma been so sure of herself, and so happy. She felt herself promoted, lifted above the old feelings and the old ways, and dedicated to the work before her. And one by one the shadows lifted, and the illusions blew away, and she could see her way clear for the first time in more than three years. It was all simple, all right, all just as she would have had it. She would never be a petted and wealthy little Leslie, she would never be a leader, like Mrs. von Behrens, and she would never stand before the world as the woman chosen by the incomparable Chris. Yet she was the last Melrose, and she knew now how she could prove herself the proudest of them all, how she could do these kinspeople of hers a greater favour than any they had ever dreamed of doing her. And in the richness of renouncing Norma knew herself to be for the first time truly rich.

Chris saw the difference in her next day, felt the new dignity, the sudden transition from girl to woman, but he had no inkling of its cause. Leslie saw it, and Annie, but Norma gave them no clue. At luncheon Annie, who had joined them for the meal, proposed that Leslie and Norma and the Liggetts come to her for a quiet family dinner, but Norma begged off; she really must see Aunt Kate, and would seize this opportunity to go home for a night. But leaving the table Norma asked Chris if she might talk business to him for a few minutes.

They sat in the old library, Chris sunk in a great leather chair, smoking cigarettes, Norma opposite, her white hands clasped on the blackness of her simple gown, and her eyes moving occasionally from their quiet study of the fire to rest on Chris's face.

"Chris," she said, "I've thought this all out, now, and I'm not really asking your advice, I'm telling you what I am going to do! I'm going to California with Wolf in a week or two--that's the first thing!"

He stared at her blankly, and as the minutes of silence between them lengthened Norma noticed his lips compress themselves into a thin, colourless line. But she returned his look bravely, and in her eyes there was something that told the man she was determined in her decision.

"I don't quite follow you, Norma," he said at last with difficulty. "You mean that all the plans and hopes we shared and discussed----" He faltered a moment and then made another effort: "Now that whatever obstacles there were have been removed, and you and I are free to fulfill our destinies, am I to understand that--that you are going back to your husband?"

"Exactly." The girl's answer was firm and determined.

The colour fled from Chris's face, and a cold light came into his eye; his jaw stiffened.

"You must use your own judgment, Norma," he answered, with a displeased shrug.

"I'll leave with you, or send you, my power of attorney," the girl went on, "and you and Hendrick as executors must do whatever you think right and just--just deposit the money in the bank!"

"I see," Chris said, noncommittally.

"And there's another thing," Norma went on, with heightened colour. "I don't want either Leslie or Aunt Annie ever to know--what you and I know!"

Chris looked at her, frowning slightly.

"That's impossible, of course," he said. "What are they going to think?"

"They'll think nothing," Norma said, confidently, but with anxious eyes fixed on his face, "because they'll know nothing. There'll be no change, nothing to make them suspect anything."

"But--great G.o.d! You don't seem to understand, Norma. Proofs of your birth, of your rightful heritage, your ident.i.ty, the fact that you are Theodore's child, must be shown them, of course. You have inherited by Aunt Marianna's will the bulk of her personal fortune, but besides this, as Theodore's child, you inherit the Melrose estate, and Leslie must turn this all over to you, and make such rest.i.tution as she is able, of all income from it which she has received since Judge Lee and I turned it over to her on her eighteenth birthday."

"No, that's just what she is _not_ to do! I will get exactly what is mentioned in the will--as Norma Sheridan, bonds and the Melrose Building, and so on," Norma broke in, eagerly. "And that's enough, goodness knows, and a thousand times more than Wolf and I ever expected to have. Aunt Annie and Leslie are reconciled to that. But for the rest, I refuse to accept it. I don't want it. I've never been so unhappy in my life as I've been in this house, for all the money and the good times and the beautiful clothes. And if that much didn't make me happy, why should ten times more? Isn't it far, far better--all round----"

"You are talking absurdities," said Chris. "Do you think that Hendrick and I could consent to this? Do you suppose----"

"Hendrick doesn't know it, Chris. It is only you and I and Aunt Kate--that's all! And if I do this, and swear you and Aunt Kate to secrecy, who is responsible, except me?"

Chris shook his head. "Aunt Marianna wished you righted--wished you to take your place as Theodore's daughter. It is her wish, and it is only our duty----"

"But think a minute, Chris, think a minute," Norma said, eagerly, leaning forward in her chair, so that her locked hands almost touched his knees. "_Was_ it her wish? She wanted me to _know_--that's certain!

And I do know. But do you really think she wanted Leslie to be shamed and crushed, and to take away the money Leslie has had all her life, to shock Aunt Annie, and stir that old miserable matter up with Hendrick?

Chris, you _can't_ think that! The one thing she would have wished and prayed would have been that somehow the matter would have been righted without hurting any one. Chris, _think_ before you tear the whole family up by the roots. What harm is there in this way? I have plenty of money--and I go away. The others go on just as they always have, and in a little way--in just a hundredth part--I pay back dear old Aunt Marianna for all the worrying and planning she did, to make up to me for what should have been mine, and was Leslie's. Please--_please_, help me to do this, Chris. I can't be happy any other way. Aunt Kate will approve--you don't know how much she will approve, and it will repay her, too, just a little, to feel that it's all known now, and that it has turned out this way. And she will destroy every last line and shred of letters and papers, and the photographs she said she had, and it will all be over--for ever and for ever!"

"You put a terrible responsibility upon me," Chris said, slowly.

"No--I take it myself!" Norma answered. He had gotten to his feet, and was standing at the hearth, and now she rose, too, and looked eagerly up at him. "It isn't anything like the responsibility of facing the world with the whole horrible story!"

Chris was silent, thinking. Presently he turned upon her the old smile that she had always found irresistible, and put his two hands on her shoulders.

"You are a wonderful woman, Norma!" he said, slowly. "What woman in the world, but you, would do that? Yes, I'll do it--for Leslie's sake, and Acton's sake, and because I believe Alice would think it as wonderful in you as I do. But think," Chris said, "think just a few days, Norma. You and I--you and I might go a long way, my dear!"

If he had said it even at this hour yesterday, he might have shaken her, for the voice was the voice of the old Chris, and she had been even then puzzled and confused to see the wisest way. But now everything was changed; he could not reach her now, even when he put his arm about her, and said that this was one of their rare last chances to be alone together, and asked if it must be good-bye.

She looked up at him gravely and unashamedly.

"Yes, it must be good-bye--dear Chris!" she said, with a little emotion.

"Although I hope we will see each other often, if ever Wolf and I come back. Engineers live in Canada and Panama and India and Alaska, you know, and we never will know we are coming until we get here! And I'm not going to try to thank you, Chris, for what you did for an ignorant, silly, strange little girl; you've been a big brother to me all these last years! And something more, of course," Norma added, bravely, "and I won't say--I can't say--that if it hadn't been for Wolf, and all the changes this year--changes in me, too--I wouldn't have loved you all my life. But there's no place that you could take me, as Wolf Sheridan's divorced wife, that would seem worth while to me, when I got there--not if it was in the peerage!"

"There's just one thing that I want to say, too, Norma," Chris said, suddenly, when she had finished. "I'm not good enough for you; I know it. I see myself as I am, sometimes, I suppose. I think you're going to be happy--and G.o.d knows I hope so; perhaps it _is_ a realer life, your husband's: and perhaps a man who works for his wife with his hands and his head has got something on us other fellows after all! I've often wished----But that doesn't matter now. But I want you to know I'll always remember you as the finest woman I ever knew--just the best there is! And if ever I've hurt you, forgive me, won't you, Norma?--and--and let me kiss you good-bye!"

She raised her face to his confidently, and her eyes were misty when she went upstairs, because she had seen that his were wet. But there was no more unhappiness; indeed an overwhelming sense that everything was right--that every life had shifted back into normal and manageable and infinitely better lines, went with her as she walked slowly out into the sunshine, and wandered in the general direction of Aunt Kate's. As she left the old Melrose home, the big limousine was standing at the door, and presently Annie and Leslie would sweep out in their flowing veils and c.r.a.pes, and whirl off to the Von Behrens mansion. But Norma Sheridan was content to walk to the omnibus, and to take the jolting front seat, and to look down in all brotherly love and companionship at the moving and shifting crowds that were glorying in the warm spring weather.

To be busy--to be needed--to be loved--she said to herself. That was the sweet of life, and it could not be taken from the policeman at the crossing or the humblest little shop-girl who scampered under his big arm, or bought by the bored women in limousines who, furred and flowered and feathered, were moving from the matinee to the tea table. Caroline Craigie, Aunt Annie, Leslie; she had seen the material advantages of life fail them all.

CHAPTER x.x.xV

Aunt Kate was out when Norma reached the apartment, but she knew that the key was always on the top of the door frame, and entered the familiar old rooms without any trouble. But she saw in a dismayed flash that Aunt Kate was not coming back, for that night at least. The kitchen window had been left four inches open, to accommodate the cat, milk and bones were laid in waiting, and a note in the bottle notified the milkman "no milk until to-morrow." There was also a note in pencil, on the bottom of an egg-box, for the nurses who rented two rooms, should either one of them chance to come in and be hungry, she was to eat "the pudding and the chicken stew, and get herself a good supper."