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Opera gla.s.ses were levelled. Comment grew, swelled to a stir of surprise.
The curtain had dropped for the interval between scenes; our box became for the moment the centre of interest, and the lights were high. Even the orchestra was resting.
Then it was given me to see how in a great audience Panic may leap without cause from Opportunity.
The stir grew, spread. Fascinated, I gazed down at the disturbance. I knew that a frightened smile still curved my lips. I felt my eyes glow, luminous and dilated. My heart almost stopped beating, gripped by triumph and horror. Afterwards I realised that I had not availed myself of the screen Milly offered; I hadn't lifted the fan to shield my face; I had not stirred to hide myself.
"Bob!" whispered the General. "Quick! Don't you see?"
Robert Van Dam sprang to his feet, offering, as I thought, to exchange places with me. Once more I started up, and chairs were moved to give me pa.s.sage.
While again I stood under the glare of the lights, and while for the second time the movement in the box drew attention thither, somebody below half rose to look at me. Two or three--a dozen--followed. As I dropped into my seat at the back of the box, and cast the scarf again about my head, twenty, thirty people were struggling out of their chairs.
From my shelter I watched as, farther and farther away, the heads began to turn. From places where I had not been visible I heard the murmur swelling, the scuffle of people rising. I had disappeared from sight, the first to rise had dropped back into their seats as if ashamed, but others increased the uneasy tumult of low, tense sounds.
My brain worked quickly. I understood the shuddering thrill that pa.s.sed over the audience. It was as if all my life I had seen such vast a.s.semblies, and knew the laws that rule their souls. Even before it came I guessed it was coming; a voice--it was a man's--crying out:--
"What is it? Is it--fire?"
And from away across the house came the answering call--not a question this time, not hesitant, but quick and sharp:--"Fire!"
What should I do? Why was not John or Mr. Hynes there to tell me? Wild thoughts darted through my mind. Should I stand once more? Show myself?
Should I cry: "It was I, only I! They were looking at me. There is no fire!"
Crazy, crazy thought! For the thing was over as soon as it began.
Those who had started the confusion and who understood its cause, began shouting:--
"Sit down! Sit down!"
From the topmost gallery a tremendous great voice came bellowing down:--
"What--_fool_--said--that?"
There was a little laugh, a hiss or two rebuked the disorder; then the baton signalled the orchestra, and the music recommenced, smoothly and in perfect time; the conductor had never turned his head. The curtain went up; the incident was closed.
I drew a long, sighing breath of relief as one, then another, then all together, as if by a single impulse, the people sat down in their places.
It had been but an instant. The painted stage, the glittering court ladies, Isabella on her throne, the suppliant Colombo, were as if nothing had happened.
"First-rate orchestra," muttered Robert Van Dam.
The General turned in her chair and looked at me. She did not speak, but I could see that she was excited; it seems to me now that her eyes were very bright, and that her strong, square-chinned face looked curiously satisfied.
"Let's go," I gasped; "I want to go home."
Choking with sobs, though not unhappy, I felt as if I wished to run, to fly; but, as I tottered out of the box, I could scarcely stand. Mr. Van Dam helped me, the General and Milly following. In the corridor we were joined by Peggy and the florid young man whom I had seen with her.
"Why--why, you're not going? You are not going?" Peggy cried. She breathed quickly, and her teeth and eyes alike seemed to twinkle. "Can--can't Mr.
Bellmer or I--do something?"
"Nothing at all," said the General in brisk staccato, fastening my wraps with an air of proprietorship; "n.o.body's in voice to-night, do you think?
Miss Winship doesn't care to stay."
Before we reached the lobby, John came from somewhere, hurrying towards us. I was walking between Mr. Bellmer and Robert Van Dam, but with scarcely a look at them he tucked my hand under his arm, just as he would have done in the old days at the State University. At the door Mr. Van Dam looked for a cab.
"I'll take her home," said John grimly.
"I'll go with you; I must see her safe with Mrs. Baker," the General replied, understanding at once. "Mr. Bellmer, tell Mother, please, that Bob and I have gone with Miss Winship. Or--Bob, you won't be needed; you explain to Mother."
The two men hurried away upon their errand, though I fancied they went reluctantly. Peggy had not come down.
All the way home John's brows were black, and he looked straight ahead of him. As we pa.s.sed under the glow of electric lamps, Milly smiled bravely at me across the carriage, respect and awe mingling with her sympathy. The General sat at my side erect; her eyes glittered, and she looked oddly pleased--not like a woman who had been at the focus of a scene, and had been dragged away from the Opera before it was over, but like a General indeed, planning great campaigns.
As for me, I felt that I must laugh--cry. Did ever such a ridiculous thing, such a wonderful, glorious thing, such a perfectly awful thing, happen to any other girl that ever lived?
I was living the scene again--seeing the ma.s.s of heads, the sea of upturned faces. Again I was gazing into the one face that had been distinct, the eyes that had drawn mine in all that blur and confusion, that had looked back at me, as if in answer to my voiceless call for help, with strength and good cheer. Even in the moment of my utmost terror, I had been sustained by that message from Ned Hynes. How did I chance to see him just at that crisis, when I didn't know of his presence? And why didn't he come to us afterwards, as John did?
Mrs. Baker and Ethel saw us leave the box, and were at home with Uncle almost as soon as we.
"Are you safe, Nelly?" Aunt cried, rushing at me; then, with the sharpness of tense nerves, she rebuked the Judge: "Ba-ake, you hissed her!"
"Nay, my dear; in the interests of music, I frowned upon disorder." He added, with waving of his antennae eyebrows: "It was Helen's first opera."
We all laughed hysterically, and then Mrs. Van Dam and John went away.
Could--_could_ Mr. Hynes have gone to the Opera just because he had heard that I would be there?
CHAPTER V.
A PLAGUE OF REPORTERS.
Sat.u.r.day evening, Jan. 18.
Since Monday I have left the house but once. The Judge has given me a microscope so that I may study at home instead of going to Barnard; and to please him I make a pretence of cutting sections from the plants in Aunt's conservatory; but oh, it's so dull, so dull! Or would be but for my happy thoughts. It isn't interest in apical cell or primary meristem that makes me fret to return to Prof. Darmstetter!
It's all on account of reporters that I am shut up like a state secret or a crown jewel. From daylight until dark, men with pencils and notebooks, cardboard-bearing artists and people with hand cameras have watched the house; and it's so tiresome.
The siege had already begun when Mrs. Baker came to my room the morning after the Opera, but I knew nothing about it. I couldn't understand why she scolded with such vehemence upon finding me writing in this little book instead of lying in bed; why she exclaimed so nervously over my escape and the horrors of jumping from windows, or sliding down ropes, or of being hurried along in fire panics until I was crushed to death.
"Why, you talk as if there had _been_ a fire," I cried, kissing her.
Millions of fires have flamed and roared and sunk and died again; but never before has there been a Me!
The dear fussy little woman said that John had been telephoning inquiries.
I could see that she wished to keep me in my room, and finally, at some laboured excuse for withholding the morning papers, I understood that she and John were hiding something; she is so transparent!
"You must be calm, Nelly, dear; you mustn't excite yourself," she chirped anxiously.