The Art of Lawn Tennis Part 18

His service is a well placed speedy slice that he mixes up well.

It is not a great delivery but very effective. His ground strokes, taken on the rising bounces, are flat drives, accurate and varied as to direction but lacking punch. He does not hit hard enough. He is a brilliant volleyer, cutting off at sharp angles the hardest drives. His overhead is erratic. At times he is deadly overhead but is p.r.o.ne to lapses into uncertainty. He is remarkably quick and speedy of foot. His sense of antic.i.p.ation is magnificent. His generalship good, though not brilliant. It is lack of punch, the inability to put the ball away, that keeps Pat O'Hara Wood from the first flight in singles.

Clever, blessed with a keen sense of humour, a sterling sportsman and delightful opponent, Pat O'Hara Wood is a big a.s.set to tennis and a man who is needed in the game.

J. C. HAWKES

The youngest of the Australasian players and a boy of great promise is Jack Hawkes. He is only 22 and young in the game for his age.

Let me state now I do not approve of Hawkes' style. His footwork is wrong, hopelessly wrong and I fear that unless he corrects it, it may keep him from attaining the place his natural abilities promise. "Austral," the famous critic, describes him as "having the genius of the game."

Jack Hawkes has an exaggerated American twist service that, since he is a left-hander, places an unnecessary strain on his heart muscles. It carries terrific twist but little speed and does not Pay him for the amount of energy he expends.

His forehand drive is excellent, fast, deep, and well placed, yet in making this he steps away from the ball, again wasting energy.

His backhand is a poke and very unreliable. To save it he runs around everything possible, again causing unnecessary exertion.

His volleying is brilliant while his overhead is magnificent.

Hawkes' waste of energy has cost him many a match, yet for all the inherent defects in his game he is so clever in using what he has, his tactics are so good for so young a player that I believe he will be one of the leading players of the world in a few years. Under the watchful eyes of Norman Brookes I foresee Hawkes changing his footwork to at least a reasonable copy of the old master.

J. O. ANDERSON

This young player is again a promise rather than a star. He is a big, rangy, hard-hitting type like Gerald Patterson. He is crude, at times careless and unfortunately handicapped in 1920 and 1921 by a severe illness that only allowed him to resume play in the middle of the latter year. His ground strokes are flat drives fore and backhand. His forehand is a particularly fine shot. He hits it with a short sharp snap of his arm that imparts great speed and yet hides the direction. His backhand is defensive. His volleying clever, accurate but soft. His overhand severe and reliable. His service flat, fast and dangerous.

He needs finesse, experience and season, with which he may well become one of the greatest players as the fundamental potentialities are there.

NORMAN PEACH

The steady baseline game of England has its exponent in Australia in Norman Peach. He has a beautiful driving game, with adequate but not severe service, that one finds so much in England. At times Peach will advance to the net but his volleying and overhead are secondary to his baseline game. He is not a great tennis player but is certainly one of high standard of play. He is just below the first flight in Australia.

R. V. Thomas is one of the finest doubles players in the world as is amply attested by his win of the world's t.i.tle in 1919 with Pat O'Hara Wood and their two successive wins of the Australian Championship in 1919-20. Thomas with his hard-hitting off the ground, and his brilliant volleying is a fine foil for Pat Wood's steady accuracy.

Just a word about one veteran, a good friend of mine, who is again playing fine tennis, Rodney L. Heath, hero of the famous Davis Cup match in 1911 when he defeated W. A. Larned, is again in the game.

Heath with his long beautiful groundstrokes, forehand, or backhand, his incisive crisp volleys and fine, generalship based on young experience, is a notable figure in the tennis world.

The mantle of Wilding and Brookes must fall on the shoulders of a really great player. Who it will be is hard to say at present. No outstanding figure looms on the horizon at the time of writing.

South Africa

The 1920 South African Davis Cup team players, following their disastrous defeat by Holland, journeyed to England for the Championship and following tournaments, and I had the opportunity of studying three players of great promise. The remaining two were excellent, but hardly as exceptional as the former.

Charles Winslow, the leading player in the team, has a remarkable versatile game. He uses a high, bounding service of good speed, which at times he follows to the net. His best ground stroke is a severe chop, not unlike Wallace F. Johnson. He has a good drive both forehand and backhand, which he only uses when pressed or in attempting to pa.s.s a net man. He volleys very well, and covers the net quickly. His overhead is very severe, steady, and reliable. He is a fine natural player just below the top flight.

He is an excellent strategist, and mixes his shots very well. He has exceptionally fast footwork, and repeatedly runs around his backhand to chop diagonally across the court in a manner very similar to Johnson.

B. I. C. Norton, the South African champion, a youngster of twenty, is a phenomenal player of extreme brilliancy. He has everything in stroke equipment, drives, slices, volleys, and a fine service and overhead. Unfortunately Norton regards his tennis largely as a joke. His judgment is therefore faulty, and he is apt to loaf on the court. He tries the most impossible shots that sometimes go in; and in the main, his court generalship is none too good.

He is an irrepressible boy, and his merry smile and chatter make him a tremendous favourite with the gallery. He has a very strong personality that should carry him a long way.

Louis Raymond, the left-handed star of the South Africans, has an excellent ground game coupled with a good service and fair volleying and overhead. His game is not remarkable. He is a hard-working, deserving player who attains success by industry rather than natural talent. His judgment is sound and methods of play orthodox, except for a tendency to run around his backhand.

C. R. Blackbeard, the youngest member of the team, and G. H.

Dodd, its captain, are both very excellent players of the second flight. Blackbeard is very young, not yet twenty, and may develop into a star. At present he chops too much, and is very erratic.

There are many other players whom I would a.n.a.lyse if I had the time or s.p.a.ce; but in these days of paper shortage and ink scarcity, conservation is the keynote of the times.

Let me turn for a few moments to the women whose fame in the tennis world is the equal of the men I have been a.n.a.lysing.

CHAPTER XVII. FAMOUS WOMEN PLAYERS

Women's Tennis

The great boom that featured the whole tennis season of 1921 in America found one of its most remarkable manifestations in the increased amount of play, higher standard of compet.i.tion and remarkable growth of public interest in women's tennis.

England has led, and still leads, the world in women's tennis.

The general standard of play is on a higher scale and there is more tournament play in England than elsewhere. France, with Mlle. Suzanne Lenglen, Mme. Billout (Mlle. Brocadies) and Mme.

Golding, forces England closely for European supremacy, but until recent years America, except for individuals, has been unable to reach the standard of women's tennis found abroad.

Miss May Sutton, now Mrs. Thomas H. Bundy, placed American colours in the field by her wonderful performances in winning the World's Championship at Wimbledon more than a decade ago, but after her retirement America was forced to content itself with local honors.

Neither Miss Mary Browne nor Miss Hazel Hotchkiss, now Mrs.

George Wightman, followed Mrs. May Sutton Bundy in her European invasion, so the relative ability of our champions and Mrs.

Lambert-Chambers of England or Mlle. Brocadies of France could not be judged. Mrs. Molla Bjurstedt Mallory followed Miss Browne as the outstanding figure in American tennis when the wonderful Norsewoman took the championship in 1915. Miss Browne, then holder of the t.i.tle, did not compete, so their relative ability could not be decided. Throughout the period from 1900 to 1919 the woman's championship event had been held annually in June. The result was that the blue ribbon event was over so early in the season that the incentive for play during July and August died a natural death.

Finally in 1920, at the request of the Women's Committee, particularly on the advice of Mrs. George Wightman, the national champion, and Miss Florence Ballin of New York, under whose able guidance the entire schedule was drawn up, the United States Lawn Tennis a.s.sociation moved the Women's Championship to September.

Miss Ballin, following the successful system used in the men's events, organized a schedule that paralleled the big fixtures on the men's schedule and placed in operation "a circuit," as it is called, that provided for tournaments weekly from May to September. Miss Ballin, together with Mrs. Wightman, organised junior tournaments for girls under 18, along the lines used for the boys' events. The response was immediate. Entry lists, which in the old days were in "the teens," jumped to the thirties or forties, in the regular events. Young girls who, up to now, had not played tournaments, fearing they lacked the necessary cla.s.s, rushed to play in the Junior girls' events. From this latter cla.s.s came such a promising young star of today as Miss Martha Bayard, who bids fair to be national champion at some not distant date.

It was a tremendous task of organization that Miss Ballin and her a.s.sistants undertook, but they did it in a most efficient manner.

Mrs. Molla Bjurstedt Mallory lent her invaluable a.s.sistance by playing in as many tournaments as possible. She was a magnet that drew the other players in her wake with an irresistible force.

1920 saw Mrs. Mallory's first invasion of Europe since her American triumphs. Misfortune was her portion. She was ill before sailing and, never at her best on shipboard, a bad voyage completed the wreck of her condition. She had little time for practice in England and it was a player far below her best who went down to crushing de feat at the hands of Mrs.

Lambert-Chambers in the semi- final round of the World's Championship at Wimbledon.

Defeated but not discouraged, Mrs. Mallory returned to America and, again reaching her true form, won the championship with ease. She made up her mind the day of her defeat in England that 1921 would again find her on European courts.

The season of 1921 in America opened in a blaze of tournaments throughout the entire country. Mrs. Mallory showed early in the year she was at her best by winning the Indoor Championship of the United States from one of the most representative fields ever gathered together for this event.

Early May found Mrs. Mallory on the seas bound for France and England. The story of her magnificent, if losing, struggle in both countries is told elsewhere in this book, but she sailed for home recognised abroad as one of the great players of the world, a thing which many of the foreign critics had not acknowledged the previous year.

The trip of the American team to France, and particularly the presence of Mrs. Mallory, coupled with the efforts of the Committee for Devastated France, finally induced Mile. Suzanne Lenglen, the famous French World's Champion, to consent to come to America. The announcement of her decision started a boom in the game that has been unequalled. Out in California, Mrs. May Sutton Bundy and Miss Mary Kendall Browne, our former champions, heard the challenge and, laying aside the duties of everyday life, buckled on the armour of the courts and journeyed East to do battle with the French wonder girl. Mrs. Mallory, filled with a desire to avenge her defeat in France, sailed for home in time to play in the American championship.

What a marvelous tournament this proved to be! In very truth it was a World's Championship. Mrs. May Sutton Bundy, former world's champion, back again after fifteen years with all her old charm of manner, much of her speed of shot and foot, and even more cunning and experience; Miss Mary K. Browne, brilliant, fascinating, clever Mary, with all her old-time personality and game that three times had carried her to the highest honors in American tennis; Mrs. Mallory, keen, determined and resourceful, defending the t.i.tle she had held so long and well; the young players, rising in the game, struggling to attain the heights, and finally looming over all the figure of the famous French champion of champions, Suzanne Lenglen, considered by many competent critics the greatest woman tennis player of all time.

The stage was set for the sensational, and for once it occurred.

The G.o.d of Luck took a hand in the blind draw and this resulted in all the stars, with the exception of Miss Mary Browne, falling in one half. Mile. Suzanne Lenglen was drawn against Miss Eleanor Goss, while Mrs. Mallory met Mrs. Marion Zinderstein Jessop, her famous rival, in the first round, with the winners of these matches to play each other in the second.