The Art of Interior Decoration Part 12

To be fascinating, a person must not be too rigidly one type. There must be moments of relaxation, of light and shade in mood, or one is not charmed even by great beauty. So your perfect room must not be kept too rigidly in one style. To have attraction it must have variety in both line and colour, and reflect the taste of generations of home lovers. The contents of dusty garrets may add piquancy to modern decorations, giving a touch of the unusual which is very charming.

CHAPTER XXV

PAINTED FURNITURE

Painted furniture is, at present, the vogue, so if you own a piece made by the Adam brothers of England, decorated by the hand of Angelica Kauffman, or Pergolesi, from Greek designs, now is the moment to "star" it.

Different in decoration, but equal in charm, is the seventeenth and eighteenth century painted lacquers of Italy, France, China and j.a.pan.

In those days great masters laboured at cabinetmaking and decorating, while distinguished artists carved the woodwork of rooms, and painted the ceilings and walls of even private dwellings.

To-day we have reproductions (good and bad) of the veteran types, and some commendable inventions, more or less cla.s.sic in line, and original in colouring and style of decoration. At times, one wishes there was less evident effort to be original. We long for the repose of cla.s.sic colour schemes and cla.s.sic line. In art, the line and the combination of colours which have continued most popular throughout the ages, are very apt to be those with which one can live longest and not tire. For this reason, a frank copy of an antique piece of painted furniture is generally more satisfactory than a modern original.

If you are using dull coloured carpets and hangings, have your modern reproductions antiqued. If you prefer gay, cheering tones, let the painted furniture be bright. These schemes are equally interesting in different ways. It is stupid to decry new things, since every grey antique had its frivolous, vivid youth.

One American decorator has succeeded in making the stolid, uncompromising squareness of mission furniture take on a certain lightness and charm by painting it black and discreetly lining it with yellow and red. Yellow velour is used for the seat pads and heavy hangings, thin yellow silk curtains are hung at the windows, and the black woodwork is set off by j.a.panese gold paper. In a large house, or in a summer home where there are young people coming and going, a room decorated in this fashion is both gay and charming and makes a pleasant contrast to darker rooms. Then, too, yellow is a lovely setting for all flowers, the effect being to intensify their beauty, as when flooded by sunshine.

Another clever treatment of the mission type, which we include under the heading Painted Furniture, is to have it stained a rich dark brown, instead of the usual dark green. Give your dealer time to order your furniture unfinished from the factory, and have stained to your own liking; or, should you by any chance be planning to use mission in one of those cottages so often built in Maine, for summer occupancy, where the walls are of unplastered, unstained, dove-tailed boards, and the floors are unstained and covered with matting rugs, try using this furniture in its _natural_ colour--unfinished. The effect is delightfully harmonious and artistic and quite j.a.panese in feeling.

In such a cottage, the living-room has a raftered ceiling, the sidewalls, woodwork, settles by the fireplaces, open bookcases and floor, are all stained dark walnut. The floor colour is very dark, the sidewalls, woodwork and book shelves are a trifle lighter, and the ceiling boards still lighter between the almost black, heavy rafters.

The mission furniture is dark brown, the hangings and cushions are of mahogany-coloured corduroy, and the floor is strewn with skins of animals. There are no pictures, the idea being to avoid jarring notes in another key. Instead, copper and bra.s.s bowls contribute a note of variety, as well as large jars filled with great branches of flowers, gathered in the nearby woods. The chimney is exposed. It and the large open fireplace are of rough, dark mottled brick.

A room of this character would be utterly spoiled by introducing white as ornaments, table covers, window curtains or picture-mats; it is a colour scheme of dull wood-browns, old reds and greens in various tones. If you want your friends' photographs about you in such a room, congregate them on one or two shelves above your books.

CHAPTER XXVI

TREATMENT OF AN INEXPENSIVE BEDROOM

The experience of the author is that the most attractive, inexpensive furniture is that made by the Leavens factory in Boston. This furniture is so popular with all interior decorators that it needs no further advertising. Order for each single iron bed two _foot boards_, instead of a head and a footboard. This the factory will supply upon demand. Then have your bed painted one of the colours you have chosen as in the colour scheme for your room. Say, the prevailing note of your chintz. Have two rolls made, to use at the head and foot (which are now of equal height) and cover these and the bed with chintz, or, if preferred, with sun-proof material in one of the other colours in your chintz. By this treatment your cheap iron bed of ungainly proportions, has attained the quality of an interesting, as well as unique, "day-bed."

PLATE XXII

Two designs for day-beds which are done in colours to suit the scheme of any room.

These beds are fitted with box springs and a luxurious mattress of feathers or down, covered with silk or chintz, coverlet and cushions of similar material, in colours harmonising with beds.

If desired, these lounges can be made higher from the floor.

[Ill.u.s.tration: _Two Styles of Day-beds_]

The most attractive cheap bureau is one ordered "in the plain" from the factory, and painted like the bed. If you would entirely remove the factory look, have the mirror taken off the bureau and hang it on the wall over what, by your operation, has become a chest of drawers.

If you want a long mirror in your rooms, the cheapest variety is mirror gla.s.s, fastened to the back of doors with picture moulding to match woodwork. This is also the cheapest variety of over-mantel mirrors. We have seen it used with great success, let into walls of narrow halls and bedrooms and framed with a dull-gold moulding in the style of room.

For chairs, use the straight wooden ones which are made to match the bureau, and paint them like the bed and bureau.

For comfortable arm-chairs, wicker ones with chintz-covered pads for seat and back are best for the price, and these can also be painted.

Cheap tables, which match the bureau, when painted will do nicely as a small writing-table or a night-table for water, clock, book, etc.

If the floors are new and of hard wood, wax them and use a square of plain velvet carpet in a dark tone of your dominant colour. Or if economy is your aim, use attractive rag rugs which are very cheap and will wash.

If your floors are old and you intend using a large velvet square, paint the edges of the floor white, or some pale shade to match the colour of the walls. Or, use filling all over the floor. If you cannot afford either and must use small rugs, stain or paint your floors a dark colour, to be practical, and use only necessary rugs; that is, one before bed, bureau and fireplace.

Sofas are always expensive. That is one reason for advising that beds be treated like "day-beds."

Wall papers, at ten cents a roll, come in charming colours and designs, and with a few cheap French coloured prints, framed in pa.s.separtout, your room is attractive at once.

If your prints are black and white use broad pa.s.separtout in same colour as the wall paper, only a tone deeper. If you use favourite photographs, suppress all margins and frame with narrow black pa.s.separtout.

For curtains use one of the sixty-or seventy-cent chintzes which come in attractive designs and colours, or what is still cheaper, sun-proof material, fifty inches wide (from $1.10 to $1.50 a yard), and split it in half for curtains, edging them with a narrow fringe of a contrasting colour which appears in the chintz of chair-pads.

Another variety of cheap curtains is heavy cream scrim with straps (for looping back) and valance of chintz. These come cheaper than all chintz curtains and are very effective, suggesting the now popular and expensive combination of plain toned taffetas combined with chintz.

Use for sash curtains plain scrim or marquesette.

Let your lamps be made of inexpensive one-toned pottery vases, choosing for these still another colour which appears in the chintz.

The lamp shades can be made of a pretty near-silk, in a plain colour, with a fringe made up of one, two or three of the colours in the chintz.

If you happen to have your heart set on deep rose walls and your bedroom furniture is mahogany, find a chintz with rose and French blue, and then cover your arm-chair pads and bed with chintz, but make your curtains of blue sun-proof material, having a narrow fringe of rose, and use a deep rose carpet, or rugs, or if preferred, a dull brown carpet to harmonise with the furniture. A plain red Wilton carpet will dye an artistic deep mulberry brown. They are often bought in the red and dyed to get this shade of brown.

For attractive cheap dining-room furniture, buy simple shapes, unfinished, and have the table, sideboard and chairs painted dark or light, as you prefer.

In your dining-room and halls, if the house is old and floors bad, and economy necessary, use a solid dark linoleum, either deep blue or red, and have it _waxed_, as an economical measure as well as to improve its appearance.

In a small home, where no great formality is observed, well chosen doilies may be used on all occasions, instead of table cloths. By this expedient you suppress one large item on the laundry bill, the care of the doilies in such cases falling to the waitress.

To make comfortable, convenient and therefore livable, a part of a house, formerly an attic, or an extension with small rooms and low ceilings, seems to be the special province of a certain type of mind, which works best when there is a tax on the imagination.

When reclaiming attic rooms, one of the problems is how to get wall s.p.a.ce, especially if there are dormer windows and very slanting ceilings. One way, is to place a dressing table _in_ the dormer, under windows, covering the sides of the dormer recess with mirror gla.s.s, edged with narrow moulding. The dressing-table is not stationary, therefore it can be easily moved by a maid, when the rooms are cleaned.

CHAPTER XXVII

TREATMENT OF A GUEST ROOM

(Where economy is not an item of importance)

Here we can indulge our tastes for beautiful quality of materials and fine workmanship, as well as good line and colour, so we describe a room which has elegant distinction and atmosphere, yet is not a so-called period room--rather a modern room, in the sense that it combines beautiful lines and exquisite colouring with every modern development for genuine comfort and convenience.