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The Art of Disappearing Part 41

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"I never heard the name," said Anne coldly. "Nor do I see by what right you come here and ask questions."

"Pardon my abruptness," said the detective. "I am searching for a young man who disappeared some years ago, and his friends are still hunting for him, still anxious, so that they follow the most absurd clues. I am forced to ask this question of all sorts of people, only to get the answer which you have given. I trust you will pardon me for my presumption for the sake of people who are suffering."

His speech warned her that she had heard her son's name for the first time, that she stood on the verge of exposure; and her heart failed her, she felt that her voice would break if she ventured to speak, her knees give way if she resented this man's manner by leaving the room. Yet the weakness was only for a moment, and when it pa.s.sed a wild curiosity to hear something of that past which had been a sealed book to her, to know the real personality of Arthur Dillon, burned her like a flame, and steadied her nerves. For two years she had been resenting his secrecy, not understanding his reasons. He was guarding against the very situation of this moment.

"Horace Endicott," she repeated with interest. "There is no one of that name in my little circle, and I have never heard the name before. Who was he? And how did he come to be lost?"

And she rose to indicate that his reply must be brief.

Curran told with eloquence of the disappearance and the long search, and gave a history of Endicott's life in nice detail, pleased with the unaffected interest of this severe but elegant woman. As he spoke his eye took in every mark of feeling, every gesture, every expression. Her self-command, if she knew Horace Endicott, remained perfect; if she knew him not, her manner seemed natural.

"G.o.d pity his poor people," was her fervent comment as she took her seat again. "I was angry with you at first, sir," looking at his card, "and of a mind to send you away for what looked like impertinence. But it's I would be only too glad to give you help if I could. I never even heard the young man's name. And it puzzles me, why you should come to me."

"For this reason, Mrs. Dillon," he said with sincere disgust. "The people who are hunting for Horace Endicott think that Arthur Dillon is the man; or to put it in another way, that you were deceived when you welcomed back your son from California. Horace Endicott and not Arthur Dillon returned."

"My G.o.d!" cried she, and sat staring at him; then rose up and began to move towards the door backwards, keeping an eye upon him. Her thought showed clear to the detective: she had been entertaining a lunatic. He laughed.

"Don't go," he said. "I know what you imagine, but I'm no lunatic. I don't believe that your son is an impostor. He is a friend of mine, and I know that he is Arthur Dillon. But a man in my business must do as he is ordered by his employers. I am a detective."

For a minute she hesitated with hand outstretched to the bell-rope. Her mind acted with speed; she had nothing to fear, the man was friendly, his purpose had failed, whatever it was, the more he talked the more she would learn, and it might be in her power to avert danger by policy. She went back to her seat, having left it only to act her part. Taking the hint provided by Curran, she pretended belief in his insanity, and pa.s.sed to indignation at this attempt upon her happiness, her motherhood. This rage became real, when she reflected that the Aladdin palace of her life was really threatened by Curran's employers. To her the prosperity and luxury of the past five years had always been dream-like in its fabric, woven of the mists of morning, a fairy enchantment, which might vanish in an hour and leave poor Cinderella sitting on a pumpkin by the roadside, the sport of enemies, the burden of friends. How near she had been to this public humiliation! What wretches, these people who employed the detective!

"My dear boy was absent ten years," she said, "and I suffered agony all that time. What hearts must some people have to wish to put me through another time like that! Couldn't any wan see that I accepted him as my son? that all the neighbors accepted him? What could a man want to deceive a poor mother so? I had nothing to give him but the love of a mother, and men care little for that, wild boys care nothing for it. He brought me a fortune, and has made my life beautiful ever since he came back. I had nothing to give him. Who is at the bottom of this thing?"

The detective explained the existence and motives of a deserted, poverty-stricken wife and child.

"I knew a woman would be at the bottom of it," she exclaimed viciously, feeling against Sonia a hatred which she knew to be unjust. "Well, isn't she able to recognize her own husband? If I could tell my son after ten years, when he had grown to be a man, can't she tell her own husband after a few years? Could it be that my boy played Horace Endicott in Boston and married that woman, and then came back to me?"

"Oh, my dear Mrs. Dillon," cried the detective in alarm, "do not excite yourself over so trifling a thing. Your son is your son no matter what our theories may be. This Endicott was born and brought up in the vicinity of Boston, and came from a very old family. Your suspicion is baseless. Forget the whole matter I beg of you."

"Have you a picture of the young man?"

He handed her the inevitable photograph reluctantly, quite sure that she would have hysterics before he left, so sincere was her excitement. Anne studied the portrait with keen interest, it may be imagined, astonished to find it so different from Arthur Dillon. Had she blundered as well as the detective? Between this portrait and any of the recent photographs of Arthur there seemed no apparent resemblance in any feature. She had been exciting herself for nothing.

"Wonderful are the ways of men," was her comment. "How any one ..." her brogue had left her ... "could take Arthur Dillon for this man, even supposing he was disguised now, is strange and shameful. What is to be the end of it?"

"Just this, dear madam," said Curran, delighted at her returning calmness. "I shall tell them what you have said, what every one says, and they'll drop the inquiry as they have dropped about one hundred others. If they are persistent, I shall add that you are ready to go into any court in the land and swear positively that you know your own son."

"Into twenty courts," she replied with fervor, and the tears, real tears came into her eyes; then, at sight of Aladdin's palace as firm as ever on its frail foundations, the tears rolled down her cheeks.

"Precisely. And now if you would be kind enough to keep this matter from the ears of Mr. Dillon ... he's a great friend of mine ... I admire him ... I was with him in the little expedition to Ireland, you know ... and it was to save him pain that I came to you first ... if it could be kept quiet----"

"I want it kept quiet," she said with decision, "but at the same time Arthur must know of these cruel suspicions. Oh, how my heart beats when I think of it! Without him ten years, and then to have strangers plan to take him from me altogether ... forever ... forever ... oh!"

Curran perspired freely at the prospect of violent hysterics. No man could deal more rudely with the weak and helpless with right on his side, or if his plans demanded it. Before a situation like this he felt lost and foolish.

"Certainly he must know in time. I shall tell him myself, as soon as I make my report of the failure of this clue to my employers. I would take it as a very great favor if you would permit me to tell him. It must come very bitter to a mother to tell her son that he is suspected of not being her son. Let me spare you that anguish."

Anne played with him delightfully, knowing that she had him at her mercy, not forgetting however that the sport was with tigers. Persuaded to wait a few days while Curran made his report, in return he promised to inform her of the finding of poor Endicott at the proper moment. The detective bowed himself out, the lady smiled. A fair day's work! She had learned the name and the history of the young man known as Arthur Dillon in a most delightful way. The doubt attached to this conclusion did not disturb her. Wonderful, that Arthur Dillon should look so little like the portrait of Horace Endicott! More wonderful still that she, knowing Arthur was not her son, had come to think of him, to feel towards him, and to act accordingly, as her son! Her rage over this attempt upon the truth and the fact of their relationship grew to proportions.

CHAPTER x.x.x.

UNDER THE EYES OF HATE.

Edith's inference from the interviews with the Monsignor and Anne did justice to her acuteness. The priest alone knew the true personality of Arthur. From Anne all but the fact of his disappearance had been kept, probably to guard against just such attempts as Curran's. The detective reminded her that her theory stood only because of her method of selection from his investigations. Nine facts opposed and one favored her contention: therefore nine were shelved, leaving one to support the edifice of her instincts or her suspicions. She stuck out her tongue at him.

"It shows how you are failing when nine out of ten facts, gathered in a whole day's work, are worthless. Isn't that one fact, that the priest knew Horace Endicott, worth all your foolish reasonings? Who discovered it? Now, will you coax Sonia Endicott down here to have a look at this Arthur Dillon? Before we start for California?"

He admitted humbly that the lady would not accept his invitation, without stern evidence of a valuable clue. The detectives had given her many a useless journey.

"She'll be at the Everett House to-morrow early in the morning," said Edith proudly. "Want to know why, stupid? I sent her a message that her game had been treed at last ... by me."

He waved his hands in despair.

"Then you'll do the talking, Madam Mischief."

"And you'll never say a word, even when asked. What! would I let you mesmerize her at the start by telling her how little you think of my idea and my plans? She would think as little of them as you do, when you got through. No! I shall tell her, I shall plan for her, I shall lead her to the point of feeling where that long experience with Horace Endicott will become of some use in piercing the disguise of Arthur Dillon. You would convince her she was not to see Horace Endicott, and of course she would see only Arthur Dillon. I'll convince her she is to see her runaway husband, and then if she doesn't I'll confess defeat."

"There's a good deal in your method," he admitted in a hopeless way.

"We are in for it now," she went on, scorning the compliment. "By this time Arthur Dillon knows, if he did not before, that I am up to mischief. He may fall on us any minute. He will not suffer this interference: not because he cares two cents one way or the other, but because he will not have us frightening his relatives and friends, telling every one that he is two. Keep out of his way so that he shall have to come here, and to send word first that he is coming. I'll arrange a scene for him with his Sonia. It may be sublime, and again it may be a fizzle. One way or the other, if Sonia says so, we'll fly to the west out of his way. The dear, dear boy!"

"He'll _dear_ you after that scene!"

"Now, do you make what attempts you may to find out where he keeps his money, he must have piles of it, and search his papers, his safe...."

"He has nothing of the kind ... everything about him is as open as the day ... it's an impertinence to bother him so ... well, he can manage you, I think ... no need for me to interfere or get irritated."

Then she had a tantrum, which galled the soul of Curran, except that it ended as usual in her soft whimpering, her childish murmuring, her sweet complaint against the world, and her falling asleep in his arms. Thus was he regularly conquered and led captive.

They went next day at noon to visit Sonia Endicott at the Everett House, where she had established herself with her little boy and his nurse. Her reception of the Currans, while supercilious in expression, was really sincere. They represented her hope in that long search of five years, which only a vigorous hate had kept going. Marked with the characteristics of the cat, velvety to eye and touch, insolent and elusive in her glance, undisciplined, she could act a part for a time.

To Horace Endicott she had played the role of a child of light, an elf, a G.o.ddess, for which nature had dressed her with golden hair, melting eyes of celestial blue, and exquisite form.

The years had brought out the animal in her. She found it more and more difficult to repress the spite, rage, hatred, against Horace and fate, which consumed her within, and violated the external beauty with unholy touches, wrinkles, grimaces, tricks of sneering, distortions of rage.

Her dreams of hatred had only one scene: a tiger in her own form rending the body of the man who had discovered and punished her with a power like omnipotence; rending him but not killing him, leaving his heart to beat and his face unmarked, that he might feel his agony and show it.

"If _you_ had sent me the telegram," she remarked to Curran, "I would not have come. But this dear Colette, she is to be my good angel and lead me to success, aren't you, little devil? Ever since she took up the matter I have had my beautiful dreams once more, oh, such thrilling dreams! Like the novels of Eugene Sue, just splendid. Well, why don't you speak?"

He pointed to Edith with a gesture of submission. She was hugging the little boy before the nurse took him away, teasing him into baby talk, kissing him decorously but lavishly, as if she could not get enough of him.

"He's not to speak until asked," she cried.

"And then only say what she thinks," he added.

"La! are you fighting over it already? That's not a good sign."

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The Art of Disappearing Part 41 summary

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