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The Art of Disappearing Part 9

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"I won't do either," said the man.

"And I stand by you in that refusal," said the emphatic gentleman. "It's an outrage that we must submit to the domination of foreigners."

"It's the order of the company," said the conductor. "First thing we know a wild Irishman comes along, he goes for that orange ribbon, there's a fight, the women are frightened, and perhaps the car is smashed."

"An' besides," said the deliberate driver as he tied up his reins and took off his gloves, "it's a darn sight easier an' cheaper for us to put you off than to keep an Irishman from tryin' to murder you."

The uncontaminated citizen and two ladies fled to the street, while the driver and the conductor stood over the offending pa.s.senger.

"Goin' to take off the ribbon?" asked the conductor.

"You will be guilty of a cowardly surrender of principle if you do,"

said the emphatic gentleman.

"May I suggest," said Arthur blandly, "that you wear it in his stead?"

"I am not interested either way," returned the emphatic one, with a snap of the terrible jaws, "but maintain that for the sake of principle----"

A long speech was cut off at that moment by a war-cry from a simple lad who had just entered the car, spied the ribbon, and launched himself like a catapult upon the Orange champion. A lively scramble followed, but the scene speedily resolved itself into its proper elements. The procession had pa.s.sed, the car moved on its way, and the pa.s.sengers through the rear door saw the simple lad grinding the ribbon in the dust with triumphant heel, while its late wearer flew toward the horizon pursued by an imaginary mob. Louis sat down and glared at the emphatic man.

"Who is he?" said Arthur with interest, drawing his breath with joy over the delights of this day.

"He's a child-stealer," said Louis with distinctness. "He kidnaps Catholic children and finds them Protestant homes where their faith is stolen from them. He's the most hated man in the city."

The man accepted this scornful description of himself in silence. Except for the emphasis which nature had given to his features, he was a presentable person. Flying side-whiskers made his mouth appear grotesquely wide, and the play of strong feelings had produced vicious wrinkles on his spare face. He appeared to be a man of energy, vivacity and vulgarity, reminding one of a dinner of pork and cabbage. He was soon forgotten in the excitement of a delightful day, whose glories came to a brilliant end in that banquet which introduced the nephew of Senator Dillon into political life.

Standing before the guests, he found himself no longer that silent and disdainful Horace Endicott, who on such an occasion would have cooly stuttered and stammered through fifty sentences of dull congratulation and plat.i.tude. Feeling aroused him, illumined him, on the instant, almost without wish of his own, at the contrast between two pictures which traced themselves on his imagination as he rose in his place: the wrecked man who had fled from Sonia Westfield, what would he have been to-night but for the friendly hands outstretched to save him? Behold him in honor, in health, in hope, sure of love and some kind of happiness, standing before the people who had rescued him. The thousand impressions of the past six months sparkled into life; the sublime, pathetic, and amusing scenes of that day rose up like stars in his fancy; and against his lips, like water against a dam, rushed vigorous sentences from the great deeps opened in his soul by grief and change, and then leaped over in a beautiful, glittering flood. He wondered vaguely at his vehemence and fluency, at the silence in the hall, that these great people should listen to him at all. They heard him with astonishment, the leaders with interest, the Senator with tears; and Monsignor looked once towards the gallery where Anne Dillon sat literally frozen with terror and pride.

The long and sincere applause which followed the speech warned him that he had impressed a rather callous crowd of notables, and an exaltation seized him. The guests lost no time in congratulating him, and every tongue wagged in his favor.

"You have the gift of eloquence," said Sullivan.

"It will be a pleasure to hear you again," said Vandervelt, the literary and social light of the Tammany circle.

"You have cleared your own road," Birmingham the financier remarked, and he stayed long to praise the young orator.

"There's nothin' too good for you after to-night," cried the Senator brokenly. "I simply can't--cannot talk about it."

"Your uncle," said Doyle Grahame, the young journalist who was bent on marrying Mona Everard, "as usual closes the delicate sparring of his peers with a knockdown blow; there's nothing too good for you."

"It's embarra.s.sing."

"I wish I had your embarra.s.sment. Shall I translate the praises of these great men for you? Sullivan meant, I must have the use of your eloquence; the lion Vandervelt, when you speak in my favor; Birmingham, please stump for me when I run for office; and the Senator, I will make you governor. You may use your uncle; the others hope to use you."

"I am willing to be of service," said Arthur severely.

"A good-nature thrown away, unless you are asked to serve. They have all congratulated you on your speech. Let me congratulate you on your uncle.

They marvel at your eloquence; I, at your luck. Give me such an uncle rather than the gift of poesy. Do not neglect oratory, but cultivate thy uncle, boy."

Arthur laughed, Monsignor came up then, and heaped him with praise.

"Were you blessed with fluency in--your earlier years?" he said.

"Therein lies the surprise, and the joke. I never had an accomplishment except for making an uproar in a crowd. It seems ridiculous to show signs of the orator now, without desire, ambition, study, or preparation."

"Your California experiences," said the priest casually, "may have something to do with it. But let me warn you," and he looked about to make sure no one heard, "that early distinction in your case may attract the attention you wish to escape."

"I feel that it will help me," Arthur answered. "Who that knew Horace Endicott would look for him in a popular Tammany orator? The mantle of an Irish Cicero would disguise even a Livingstone."

The surprise and pleasure of the leaders were cold beside the wild delight of the Dillon clan when the news went around that Arthur had overshadowed the great speakers of the banquet. His speech was read in every gathering, its sarcastic description of the offensive Livingstone filled the Celts with joy, and threw Anne and Judy into an ecstasy.

"Faith, Mare Livingstone'll see green on St. Patrick's Day for the rest of his life," said Judy. "It' ud be a proper punishment if the bread he ate, an' everythin' he touched on that day, shud turn greener than ould Ireland, the land he insulted."

"There's curse enough on him," Anne replied sharply, ever careful to take Arthur's side, as she thought, "and I won't have you spoiling Arthur's luck be cursing any wan. I'm too glad to have an orator in the family. I can now put my orator against Mary Everard's priest, and be as proud as she is."

"The pride was born in ye," said Judy. "You won't have to earn it.

Indade, ye'll have a new flirt to yer tail, an' a new toss to yer head, every day from now to his next speech."

"Why shouldn't I? I'm his mother," with emphasis.

CHAPTER IX.

THE VILLA AT CONEY ISLAND.

The awkwardness of his relations with Anne Dillon wore away speedily, until he began to think as well as speak of her as his mother; for she proved with time to be a humorous and delightful mother. Her love for rich colors and gay scenes, her ability to play gracefully the awkward part which he had chosen for her, her affectionate and discreet reserve, her delicate tact and fine wit, and her half-humorous determination to invade society, showed her as a woman of parts. He indulged her fancies, in particular her dream of entering the charmed circle of New York society. How this success should be won, and what was the circle, he did not know, nor care. The pleasure for him lay in her bliss as she exhausted one pleasure after another, and ever sought for higher things: Micksheen at the cat show attended by the liveried mulatto; the opera and the dog show, with bonnets and costumes to match the occasion; then her own carriage, used so discreetly as not to lose the respect of the parish; and finally the renting of the third pew from the front in the middle aisle of the cathedral, a step forward in the social world. How he had enjoyed these events in her upward progress! As a closing event for the first year of his new life, he suggested a villa by the sea for the summer, with Mona and Louis as guests for the season, with as many others as pleased her convenience. The light which broke over her face at this suggestion came not from within, but direct from heaven!

She sent him modestly to a country of the Philistines known as Coney Island, where he found the common herd enjoying a dish called chowder amid much spontaneity and dirt, and mingling their uproarious bathing with foaming beer; a picture framed in white sand and sounding sea, more than pleasant to the jaded taste of an Endicott. The roar of the surf drowned the mean uproar of discordant man. The details of life there were too cheap to be looked at closely; but at a distance the surface had sufficient color and movement. He found an exception to this judgment. La Belle Colette danced with artistic power, though in surroundings unsuited to her skill. He called it genius. In an open pavilion, whose roughness the white sand and the white-green surf helped to condone, on a tawdry stage, she appeared, a slight, pale, winsome beauty, clad in green and white gauze, looking like a sprite of the near-by sea. The witchery of her dancing showed rare art, which was lost altogether on the simple crowd. She danced carelessly, as if mocking the rustics, and made her exit without applause.

"Where did you get your artiste, August?" he said to a waiter.

"You saw how well she dances, hey? Poor Colette! The best creature in the world ... opens more wine than five, and gives too much away. But for the drink she might dance at the opera."

Arthur went often to see her dance, with pity for the talent thrown away, and brought his mother under protest from that cautious lady, who would have nothing to do with so common a place. The villa stood in respectable, even aristocratic, quiet at the far end of the island, and Anne regarded it almost with reverence, moving about as if in a temple.

He found, however, that she had made it a stage for a continuous drama, in which she played the leading part, and the Dillon clan with all its ramifications played minor characters and the audience. Her motives and her methods he could not fathom and did not try; the house filled rapidly, that was enough; the round of dinners, suppers, receptions, dances, and whatnots had the regularity of the tides. Everybody came down from Judy's remotest cousin up to His Grace the archbishop. Even Edith Conyngham, apparently too timid to leave the shadow of Sister Magdalen, stole into a back room with Judy, and haunted the beach for a few days. For Judy's sake he turned aside to entertain her, and with the perversity which seems to follow certain actions he told her the pathetic incident of the dancer. Why he should have chosen this poor nun to hear this tale, embellished as if to torture her, he could never make out. Often in after years, when events had given the story significance, he sought for his own motives in vain. It might have been the gray hair, the rusty dress, the depressed manner, so painful a contrast to the sea-green sprite, all youth, and grace, and beauty, which provoked him.

"I shall pray for the poor thing," said rusty Edith, fingering her beads, and then she made to grasp his hand, which he thrust into his pockets.

"Not a second time," he told Louis. "I'd rather get the claw of a boiled lobster."

The young men did not like Miss Conyngham, but Louis pitied her sad state.

The leading characters on Anne's stage, at least the persons whom she permitted occasionally to fill its center, were the anxious lovers Mona and Doyle Grahame. He was a poet to his finger-tips, dark-haired, ruddy, manly, with clear wit, and the tenderest and bravest of dark eyes; and she, red-tressed, lovely, candid, simple, loved him with her whole heart while submitting to the decree of a sour father who forbade the banns.

Friends like Anne gave them the opportunity to woo, and the Dillon clan stood as one to blind the father as to what was going on. The sight of this beauty and faith and love feeding on mutual confidence beside the sunlit surf and the moonlight waters gave Arthur profound sadness, steeped his heart in bitterness. Such scenes had been the prelude to his tragedy. Despair looked out of his eyes and frightened Louis.

"Why should you mind it so, after a year?" the lad pleaded.

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The Art of Disappearing Part 9 summary

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