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The Art of Disappearing Part 31

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"I think we have Livingstone and his enterprise in the proper sort of hole," Arthur answered. "The question is how to use our advantage?"

The young men turned to Birmingham with deference.

"The most thorough way," said the Mayor, after complimenting Arthur on his astonishing success, "would be to hale Claire before the courts for fraud, and subpoena all our distinguished enemies. That course has some disagreeable consequences, however."

"I think we had better keep out of court," Arthur said quickly.

His companions looked surprised at his hesitation. He did not understand it himself. For Edith Conyngham he felt only disgust, and for Sister Claire an amused contempt; but sparkling Colette, so clever, bright, and amiable, so charmingly conscienceless, so gracefully wicked, inspired him with pity almost. He could not crush the pretty reptile, or thrust her into prison.

"Of course I want publicity," he hastened to add, "the very widest, to reach as far as London, and strike the Minister. How can that be got, and keep away from the courts?"

"An investigating committee is what you are thinking of," said the Mayor. "I can call such a body together at the Fifth Avenue Hotel, our most distinguished citizens. They could receive the confession of this woman, and report to the public on her character."

"That's the plan," Arthur interrupted with joy. "That _must_ be carried out. I'll see that Claire appears before that committee and confesses her frauds. But mark this: on that committee you should have the agents of Livingstone: Bradford, Bitterkin ... I owe him one for his meanness to the Senator ... Smallish in particular, and McMeeter for the fun of the thing."

"Wild horses wouldn't drag them to it," Grahame thought.

"I have something better than wild horses, the proofs of their conspiracy, of their league with this woman," and Arthur pointed to the locked drawers of the office. "How will our minister to England like to have his name connected with this scandal openly. Now, if these people refuse to serve, by heavens, I'll take the whole case to court, and give it an exposure as wide as the earth. If they're agreeable, I'll keep away from the courts, and the rougher part of the scandal."

"There's your weapon," said the Mayor, "the alternative of committee or court. I'll see to that part of the business. Do you get the escaped nun ready for her confession, and I'll guarantee the committee, let us say inside of ten days. Your part, Grahame, will be to write up a story for the morning papers, covering dramatically the details of this very remarkable episode."

They sat long discussing the various features of the scheme.

Next morning Curran and Arthur sat down to talk over the terms of surrender in the detective's house. Colette still kept her bed, distracted with grief, and wild with apprehension over the sensational articles in the morning papers. Curran saw little hope for himself and his wife in the stern face of Dillon.

"At the start I would like to hear your explanation," Arthur began coldly. "You were in my employ and in hers."

"In hers only to hinder what evil I could, and to protect her from herself," the detective answered steadily and frankly. "I make no excuse, because there isn't any to make. But if I didn't live up to my contract with you, I can say honestly that I never betrayed your interest. You can guess the helplessness of a man in my fix. I have no influence over Colette. She played her game against my wish and prayer.

Most particular did I warn her against annoying you and yours. I was going to break up her designs on young Everard, when you did it yourself. I hope you----"

In his nervous apprehension for Colette's fate the strong-willed man broke down. He remained silent, struggling for his vanishing self-control.

"I understand, and I excuse you. The position was nasty. I have always trusted you without knowing why exactly," and he reflected a moment on that interesting fact. "You did me unforgettable service in saving Louis Everard."

"How glad I am you remember that service," Curran gasped, like one who grasping at a straw finds it a plank. "I foresaw this moment when I said to you that night, 'I shall not be bashful about reminding you of it and asking a reward at the right time.' I ask it now. For the boy's sake be merciful with her. Don't hand her over to the courts. Deal with her yourself, and I'll help you."

For the boy's sake, for that service so aptly rendered, for the joy it brought and the grief it averted, he could forget justice and crown Colette with diamonds! Curran trembled with eagerness and suspense. He loved her,--this wretch, witch, fiend of a woman!

"The question is, can I deal with her myself? She is intractable."

"You ought to know by this time that she will do anything for you ...

and still more when she has to choose between your wish and jail."

"I shall require a good deal of her, not for my own sake, but to undo the evil work----"

"How I have tried to keep her out of that evil work," Curran cried fiercely. "We are bad enough as it is without playing traitors to our own, and throwing mud on holy things. There can be no luck in it, and she knows it. When one gets as low as she has, it's time for the funeral. h.e.l.l is more respectable."

Arthur did not understand this feeling in Curran. The man's degradation seemed so complete to him that not even sacrilege could intensify it; yet clearly the hardened sinner saw some depths below his own which excited his horror and loathing.

"If you think I can deal with her, I shall not invoke the aid of the law."

The detective thanked him in a breaking voice. He had enjoyed a very bad night speculating on the probable course of events. Colette came in shortly, and greeted Arthur as brazenly as usual, but with extreme sadness, which became her well; so sweet, so delicate, so fragile, that he felt pleased to have forgiven her so early in the struggle. He had persecuted her, treated her with violence, and printed her history for the scornful pleasure of the world; he had come to offer her the alternative of public shame or public trial and jail; yet she had a patient smile for him, a dignified submission that touched him. After all, he thought with emotion, she is of the same nature with myself; a poor castaway from conventional life playing one part or another by caprice, for gain or sport or notoriety; only the devil has entered into her, while I have been lucky enough to cast my lot with the exorcists of the race. He almost regretted his duty.

"I have taken possession of your office and papers, Colette," said he with the dignity of the master. "I dismissed the office-boy with his wages, and notified the owner that you would need the rooms no more after the end of the month."

"Thanks," she murmured with downcast eyes.

"I am ready now to lay before you the conditions----"

"Are you going to send me to jail?"

"I leave that to you," he answered softly. "You must withdraw your book from circulation. You must get an injunction from the courts to restrain the publishers, if they won't stop printing at your request, and you must bring suit against them for your share of the profits. I want them to be exposed. My lawyer is at your service for such work."

"This for the beginning?" she said in despair.

"You must write for me a confession next, describing your career, and the parts which you played in this city; also naming your accomplices, your supporters, and what money they put up for your enterprise."

"You will find all that in my papers."

"Is Mr. Livingstone's name among your papers?"

"He was the ringleader. Of course."

"Finally you must appear before a committee of gentlemen at the Fifth Avenue Hotel, and show how you disguised yourself for the three parts of Edith Conyngham, Sister Claire, and the Brand of the gospel-hall."

She burst out crying then, looking from one man to the other with the tears streaming down her lovely face. Curran squirmed in anguish. Arthur studied her with interest. Who could tell when she was not acting?

"Ah, you wretch! I am bad. Sometimes I can't bear myself. But you are worse, utterly without heart. You think I don't feel my position."

Her sobbing touched him by its pathos and its cleverness.

"You are beyond feeling, but you _must_ talk about feeling," was his hard reply. "Probably I shall make you feel before the end of this adventure."

"As if you hadn't done it already," she fairly bawled like a hurt child.

"For months I have not left the house without seeing everywhere the dogs that tore Jezebel."

"You might also have seen that poor child whom you nearly drove to death," he retorted, "and the mother whose heart you might have broken."

"Poor child!" she sneered, and burst out laughing while the tears still lingered on her cheek. "He was a milksop, not a man. I thought he was a man, or I never would have offered him pleasure. And you want me to make a show of myself before...."

"Your old friends and well-wishers, McMeeter, Bradford and Co."

"Never, never, never," she screamed, and fell to weeping again. "I'll die first."

"You won't be asked to die, madam. You'll go to jail the minute I leave this house, and stand trial on fifty different charges. I'll keep you in jail for the rest of your life. If by any trick you escape me, I'll deliver you to the dogs."

"Can he do this?" she said scornfully to Curran, who nodded.

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The Art of Disappearing Part 31 summary

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