The Amateur Garden Part 7

"This prize-garden business is just all right!" said one of the compet.i.tors to our general secretary. "It gives us good things to say to one another's face instead of bad things at one another's back, it does!"

That is a merit we claim for it; that it operates, in the most inexpensive way that can be, to restore the social bond. Hard poverty minus village neighborship drives the social relation out of the home and starves out of its victims their spiritual powers to interest and entertain one another, or even themselves. If something could keep alive the good aspects of village neighborship without disturbing what is good in that more energetic social a.s.sortment which follows the expansion of the village into the town or city, we should have better and fairer towns and cities and a sounder and safer civilization. But it must be something which will give entirely differing social elements "good things to say to one another's face instead of bad things at one another's back."

We believe our Northampton garden compet.i.tion tends to do this. It brings together in neighborly fellowship those whom the discrepancies of social accomplishments would forever hold asunder and it brings them together without forced equality or awkward condescension, civic partners in that common weal to neglect which is one of the "dangers and temptations of the home."

Two of our committee called one day at a house whose garden seemed to have fallen into its ill condition after a very happy start. Its mistress came to the door wearing a heart-weary look. The weather had been very dry, she said in a melodious French accent, and she had not felt so very well, and so she had not cared to struggle for a garden, much less for a prize.

"But the weather," suggested her visitors, "had been quite as dry for her compet.i.tors, and few of them had made so fair a beginning. To say nothing of prizes, was not the garden itself its own reward?"

She shook her head drearily; she did not know that she should ever care to garden any more.

"Why?" exclaimed one questioner persuasively, "you didn't talk so when I was here last month!"

"No," was the reply, "but since three weeks ago--" and all at once up came the stifled tears, filling her great black eyes and coursing down her cheeks unhindered, "I los' my baby."

The abashed visitors stammered such apologies as they could. "They would not have come on this untimely errand could they have known." They begged forgiveness for their slowness to perceive.

"Yet do not wholly," they presently ventured to urge, "give up your garden. The day may come when the thought that is now so bitter will, as a memory, yield some sweetness as well, and then it may be that the least of bitterness and the most of sweetness will come to you when you are busy among your flowers."

"It may be," she sighed, but with an unconvinced shrug. And still, before the summer was gone, the garden sedately, yet very sweetly, smiled again and even the visitors ventured back.

That was nearly three years ago. Only a few weeks since those two were in the company of an accomplished man who by some chance--being a Frenchman--had met and talked with this mother and her husband.

"We made a sad bungle there," said the visitors.

"Do not think it!" he protested. "They are your devoted friends. They speak of you with the tenderest regard. Moreover, I think they told me that last year--"

"Yes," rejoined one of the visitors, "last year their garden took one of the prizes."

THE MIDWINTER GARDENS OF NEW ORLEANS

If the following pages might choose their own time and place they would meet their reader not in the trolley-car or on the suburban train, but in his own home, comfortably seated. For in order to justify the eulogistic tone of the descriptions which must presently occupy them their first word must be a conciliatory protest against hurry. One reason we Americans garden so little is that we are so perpetually in haste. The art of gardening is primarily a leisurely and gentle one.

And gentility still has some rights. Our Louisiana Creoles know this, and at times maintain it far beyond the pales of their evergreen gardens.

"'Step lively'?" one of them is said to have amazedly retorted in a New York street-car. "No, the lady shall not step lively. At yo' leisure, madame, entrez!" In New Orleans the conductors do not cry "Step lively!"

Right or wrong, the cars there are not absolutely democratic. Gentility really enjoys in them a certain right to be treated gently.

If democracy could know its own tyrants it would know that one of them is haste--the haste, the hurry of the crowd; that hurry whose cracking whip makes every one a compulsory sharer in it. The street-car conductor, poor lad, is not to blame. The fault is ours, many of us being in such a scramble to buy democracy at any price that, as if we were belatedly buying railway tickets, we forget to wait for our change.

Now one of this tyrant's human forms is a man a part of whose tyranny is to call himself a gardener, though he knows he is not one, and the symbol of whose oppression is nothing more or less than that germ enemy of good gardening, the lawn-mower. You, if you know the gardening of our average American home almost anywhere else, would see, yourself, how true this is, were you in New Orleans. But you see it beautifully proved not by the presence but by the absence of the tyranny. The lawn-mower is there, of course; no one is going to propose that the lawn-mower anywhere be abolished. It is one of our modern marvels of convenience, a blessed release of countless human backs from countless hours of crouching, sickle-shaped, over the sickle. It is not the tyrant, but only like so many other instruments of beneficent democratic emanc.i.p.ation, the tyrant's opportunity. A large part of its convenience is expedition, and expedition is the easiest thing in the world to become vulgarized; vulgarized it becomes haste, and haste is the tyrant.

Such arguing would sound absurdly subtle aimed against the uncloaked, barefaced tyranny of the street-car conductor, but the tyranny of the man with the lawn-mower is itself subtle, masked, and requires subtlety to unmask it.

See how it operates. For so we shall be the better prepared for a generous appreciation of those far Southern gardens whose beauty has singled them out for our admiration. We know, of course, that the "formal garden," by reason of its initial and continuing costliness, is, and must remain, the garden of the wealthy few, and that the gardening for the great democracy of our land, the kind that will make the country at large a gardened land, is "informal," freehand, ungeometrical gardening. In this sort, on whatever scale, whether of the capitalist or of the cottager, the supreme feature is the lawn; the lawn-mower puts this feature within the reach of all, and pretty nearly every American householder has, such as it is, his bit of Eden.

But just in that happy moment the Tempter gets in. The garden's mistress or master is beguiled to believe that one may have a garden without the expense of a gardener and at the same time without any gardening knowledge. The stable-boy, or the man-of-all-work, or the cook, or the cottager himself, pushes the lawn-mower, and except for green gra.s.s, or changeable brown and green, their bit of Eden is naked and is not ashamed.

Or if ashamed, certain other beguilements, other masked democratic tyrannies, entering, rea.s.sure it; bliss of publicity, contempt of skill, and joy in machinery and machine results. An itinerant ignoramus comes round with his own lawn-mower, the pushing of which he now makes his sole occupation for the green half of the year, and the entire length, breadth and thickness of whose wisdom is a wisdom not of the lawn but only of the lawn-mower; how to keep its bearings oiled and its knives chewing fine; and the lawn becomes staringly a factory product.

Then tyranny turns the screw again, and in the bliss of publicity and a very reasonable desire to make the small home lot look as large as possible, down come the fences, side and front, and the applauding specialist of the lawn-mower begs that those obstructions may never be set up again, because now the householder can have his lawn mowed so much _quicker_, and he, the pusher, can serve more customers. Were he truly a gardener he might know somewhat of the sweet, sunlit, zephyrous, fragrant outdoor privacies possible to a real garden, and more or less of that benign art which, by skilful shrubbery plantings, can make a small place look much larger--as well as incomparably more interesting--than can any mere abolition of fences, and particularly of the street fence. But he has not so much as one eye of a genuine gardener or he would know that he is not keeping your lawn but only keeping it shaven. He is not even a good garden laborer. You might as well ask him how to know the wild flowers as how to know the lawn pests--dandelion, chickweed, summer-gra.s.s, heal-all, moneywort and the like--with which you must reckon wearily by and by because he only mows them in his blindness and lets them flatten to the ground and scatter their seed like an infantry firing-line. Inquire of him concerning any one of the few orphan shrubs he has permitted you to set where he least dislikes them, and which he has trimmed clear of the sod--put into short skirts--so that he may run his whirling razors under (and now and then against) them at full speed. Will he know the smallest fact about it or yield any echo of your interest in it?

There is a late story of an aged mother, in a darkened room, saying falteringly to the kind son who has brought in some flowers which she caresses with her soft touch, "I was wishing to-day--We used to have them in the yard--before the lawn-mower--" and saying no more. I know it for a fact, that in a certain cemetery the "Sons of the American Revolution" have for years been prevented from setting up their modest marks of commemoration upon the graves of Revolutionary heroes, because they would be in the way of the s.e.xton's lawn-mower.

Now in New Orleans the case is so different that really the amateur gardener elsewhere has not all his rights until he knows why it is so different. Let us, therefore, look into it. In that city one day the present writer accosted an Irishman who stood, pruning-shears in hand, at the foot of Clay's statue, Lafayette Square. It was the first week of January, but beside him bloomed abundantly that lovely drooping jasmine called in the books _jasminum multiflorum_.

"Can you tell me what shrub this is?"

"That, sor, is the _monthly flora!_ Thim as don't know the but-hanical nayum sometimes calls it the stare j.i.s.min, but the but-hanical nayum is the _monthly flora_."

The inquirer spoke his thanks and pa.s.sed on, but an eager footfall overtook him, his elbow felt a touch, and the high t.i.tle came a third time: "The but-hanical nayum is the _monthly flora_."

The querist pa.s.sed on, warmed by a grateful esteem for one who, though doubtless a skilled and frequent tinkler of the lawn-mower within its just limitations, was no mere dragoon of it, but kept a regard for things higher than the bare sod, things of grace in form, in bloom, in odor, and worthy of "but-hanical nayum." No mere chauffeur he, of the little two-wheeled machine whose cult, throughout the most of our land, has all but exterminated ornamental gardening.

In New Orleans, where it has not conquered, there is no crowding for room. A ten-story building is called there a sky-sc.r.a.per. The town has not a dozen in all, and not one of that stature is an apartment or tenement house. Having felled her surrounding forests of cypress and drained the swamps in which they stood, she has at command an open plain capable of housing a population seven times her present three hundred and fifty thousand, if ever she chooses to build skyward as other cities do.

But this explains only why New Orleans _might_ have gardens, not why she chooses to have them, and has them by thousands, when hundreds of other towns that have the room--and the lawns--choose not to have the shrubberies, vines and flowers, or have them without arrangement. Why should New Orleans so exceptionally choose to garden, and garden with such exceptional grace? Her house-lots are extraordinarily numerous in proportion to the numbers of her people, and that is a beginning of the explanation; but it is only a beginning. Individually the most of those lots are no roomier than lots elsewhere. Thousands of them, prettily planted, are extremely small.

The explanation lies mainly in certain peculiar limitations, already hinted, of her--democracy! That is to say, it lies in her fences. Her fences remain, her democracy is different from the Northern variety. The difference may consist only in faults both there and here which we all hope to see democracy itself one day eliminate; but the difference is palpable. The fences mean that the dwellers behind them have never accorded to each other, as neighbors, that liberty-to-take-liberties of which Northern householders and garden-holders, after a quarter-century's disappointing experiment, are a bit weary.

In New Orleans virtually every home, be it ever so proud or poor, has a fence on each of its four sides. As a result the home is bounded by its fences, not by its doors. Unpleasant necessities these barriers are admitted to be, and those who have them are quite right in not liking them in their bare anatomy. So they clothe them with shrubberies and vines and thus on the home's true corporate bound the garden's profile, countenance and character are established in the best way possible; without, that is, any impulse toward embellishment _insulated_ from utility. Compelled by the common frailties of all human nature (even in a democracy) to maintain fortifications, the householder has veiled the militant aspect of his defences in the flowered robes and garlandries of nature's diplomacy and hospitality. Thus rea.s.sured, his own inner hospitality can freely overflow into the fragrant open air and out upon the lawn--a lawn whose dimensions are enlarged to both eye and mind, inasmuch as every step around its edges--around its meandering shrubbery borders--is made affable and entertaining by Flora's versatilities.

[Ill.u.s.tration: "In New Orleans the home is bounded by its fences, not by its doors--so they clothe them with shrubberies and vines."

It is pleasant to notice how entirely the evergreen-vine-covered wall preserves the general air of s.p.a.ciousness. The forest tree at the front and right (evergreen magnolia) is covered with an evergreen vine from the turf to its branches.]

[Ill.u.s.tration: "The lawn ... lies clean-breasted, green-breasted, from one shrub-and-flower-planted side to the other, along and across."

A common garden feature in New Orleans is the division fence with front half of wire, rear half of boards, both planted out with shrubs. The overhanging forest tree is the evergreen magnolia (_M. grandiflora_).]

At the same time, let us note in pa.s.sing, this enlargement is partly because the lawn--not always but very much oftener than where lawns go unenclosed--lies clean-breasted, green-breasted, from one shrub-and-flower-planted side to the other, along and across; free of bush, statue, urn, fountain, sun-dial or pattern-bed, an uninterrupted sward. Even where there are lapses from this delightful excellence they often do not spoil, but only discount, more or less, the beauty of the general scheme, as may be noted--if without offence we may offer it the homage of criticism--in one of the gardens we have photographed [page 176] to ill.u.s.trate these argumentations. There eight distinct enc.u.mbrances narrow the sward without in the least adding to the garden's abounding charm. The smallest effort of the reader's eye will show how largely, in a short half-day's work, the fair scene might be enhanced in lovely dignity simply by the elimination of these slight excesses, or by their withdrawal toward the lawn's margins and into closer company with the tall trees.

In New Orleans, where, even when there are bas.e.m.e.nts, of which there are many, the domains of the cook and butler are somewhere else, a nearly universal feature of every sort of dwelling--the banker's on two or three lots, the laborer's on half a one--is a paved walk along one side of the house, between the house and the lawn, from a front gate to the kitchen. Generally there is but the one front gate, facing the front door, with a short walk leading directly up to this door. In such case the rear walk, beginning at the front door-steps, turns squarely along the house's front, then at its corner turns again as squarely to the rear as a drill-sergeant and follows the dwelling's ground contour with business precision--being a business path. In fact it is only the same path we see in uncrowded town life everywhere in our land.

[Ill.u.s.tration: "There eight distinct enc.u.mbrances narrow the sward....

In a half-day's work, the fair scene might be enhanced in lovely dignity by the elimination of these excesses."

The sky-line of this beautiful garden becomes a part of the garden itself, a fact of frequent occurrence in New Orleans. The happy contrast of rearmost oak and palm is also worthy of notice.]

But down there it shows this peculiarity, that it is altogether likely to be well bordered with blooming shrubs and plants along all that side of it next the lawn. Of course it is a fault that this shrubbery border--and all the more so because it is very apt to be, as in three of our ill.u.s.trations [pages 174,178, 180], a rose border--should, so often as it is, be pinched in between parallel edges. "No pinching" is as good a rule for the garden as for the kindergarten. Manifestly, on the side next the house the edge between the walk and the planted border should run parallel with the base line of the house, for these are business lines and therefore ever so properly lines of prompt.i.tude--of the shortest practicable distance between two points--lines of supply and demand, lines of need. For lines of need, business speed!

But for lines of pleasure, grace and leisure. It is the tactful office of this shrubbery border to veil the business path from the lawn--from the pleasure-ground. Therefore its _outside_, lawn-side edge should be a line of pleasure, hence a line of grace, hence not a straight line (dead line), nor yet a line of but one lethargic curve, but a line of suavity and tranquil ongoing, a leisurely undulating line.

[Ill.u.s.tration: "The rear walk ... follows the dwelling's ground contour with business precision--being a business path."]

Not to have it so is an error, but the error is an inoffensive one easily corrected and the merit is that the dwelling's business path is greenly, bloomingly screened from its pleasure-ground by a lovely natural drapery which at the same time furnishes, as far as the path goes, the house's robes of modesty. Indeed they are furnished farther than the path goes; for no good work gathers momentum more readily than does good gardening, and the householder, having begun so rightly, has now nothing to do to complete the main fabric of his garden but to carry this flow of natural draperies on round the domicile's back and farther side and forward to its front again. Thus may he wonderfully extenuate, even above its reach and where it does not conceal, the house's architectural faults, thus winsomely enhance all its architectural charm; like a sweet human mistress of the place, putting into generous shadow all the ill, and into open sunshine all the best, of a husband's strong character. (See both right and left foreground of ill.u.s.tration on page 178, and right foreground on page 180.)