The Adults Part 6

"Say anything," he said. "I don't really care."

"Okay," I said. I paused. If I did not look left at Mark, the curb we sat on could have been any curb, in any neighborhood, anywhere. We could have been any two people. So I began.

"Once in the third grade, I wrote a story about a bee detective in search of stolen money from a restaurant," I said. "The story ended with the bee going home to find the money under his bed. He forgot he stole it. My teacher kept asking me, 'How did the bee forget that he stole the money? I just can't believe a bee would do that!'"

Mark laughed. For a moment, I believed I had fixed everything. Mark seemed interested. He didn't look at me but handed me another cigarette. I rolled it between my palms.

"The worst part was," I said, continuing, "it wasn't even my story. It was the plot to some stupid movie we watched in Spanish cla.s.s. The whole thing happened in Spanish."

But when he didn't respond, it was clear I hadn't fixed anything. His father was dead. Buried. Bloodless. And Mark had not looked at me once during our conversation. This only felt like my fault. I was becoming too irrelevant to inspire awe, like Jesus Christ resurrecting in front of a bunch of Eskimos, less relevant every time my mother and father walked past me in the kitchen, my father with boxes in his arms, my mother with the phone, and me in the doorway looking down at myself, thinking, Are those even my feet?

I thought about reaching out to put my arm on his back, the way I had reached out to touch Mr. Basketball. But I couldn't. I spent the first half of my conscious life never being touched by anybody, except for pediatricians with toxic eyes who put stethoscopes under my shirts and against my chest, explaining that my heart beat too slowly for someone my age. "She has more in common with the dead than the living," one of them joked, to which my mother said, "We've always known this about her."

I put the cigarette in my mouth so Mark would come close to my face and feel my breath when he lit it up for me. I needed him to feel that I was still alive. But he didn't even glance over. He didn't even light my cigarette.

My mother suddenly interrupted. "What are you doing out here? Are you smoking?"

"I'm just being outside," I said coolly. She still had the blue cheese on her lip, which had dried into a crust, but the heat from the house had melted some of her eye shadow and made her appear to be crying purple blood.

The cigarette hung from my lips.

Mark stood up, paused like he was deciding something important. Then, he walked into his house. There, on his stoop, watching him walk away from me for a second time, I just couldn't take it. I was going to vomit. I opened my mouth wide and let the cigarette fall onto the stairs. It rolled down two steps, until it hit a tiny puddle left over from last night's rain.

My mother smiled a little, considered this a small victory. She had gotten me to stop smoking. She won. My life as a smoker was over. Every moment felt like a new kind of death.

"It's time to leave," she said.

"Why?" I asked. "Where's Dad?"

"He's staying. Come on, Emily."

"He's staying?"

We didn't speak on the way home. It was too difficult to know what to say. I hopped over cracks in the dirt like a five-year-old, using my youth as a form of communication with my mother, hoping it would remind her of another time when I was sure we were happier, when my father loved her and she loved my father, when everybody who was dead or pregnant was supposed to be, when I braided my pigtails without complaint and counted worms in the woods without ever getting bored, when my mother and I held hands and weren't embarra.s.sed about how much we loved each other, neither of us compelled to scream how okay everything would be.

I thought about hugging my mother, but for some reason, the intimacy seemed rude, like a forced confession.

"You have blue cheese on your lip," I finally said to her as she opened our front door. "You've had it on your lip through the entire party."

She didn't respond. She didn't even say, "Emily, that wasn't a party." She didn't even wipe it off.

When we got inside the house, I said it again just to make sure she heard me. I was her daughter after all, and I couldn't let my mother walk around with blue cheese on her lip for the rest of her life.

"Mom!" I screamed. "You have blue cheese on your lip!"

"I know, Emily," my mother said. "I heard you."

My mother covered her face with her hands. Body language, Ms. Nailer told us, was a way of getting your point across without having to say anything. It was the easiest way to fight, without being accused of looking for a fight. Sometimes, I thought my mother exclusively communicated in body language. I remember walking through my front door after school with b.l.o.o.d.y knees from the playground, and my mother would just have gotten home. She wouldn't be surprised that I was bleeding. I was a child. That was what children did. They fell down and then bled. That was the only thing you could expect from a child. And yet, my mother's face would tighten, even though it was her job as the adult to wipe the blood off and tell me it would be okay, better than okay, but her lips would purse and her breath would shorten and she would be angry. That was what upset her the most. That was what upset me the most. How could she be mad at me for bleeding? How could you be mad at a tiny thing who only had questions? Why do I bleed and fish don't, Mom? Is that supposed to make me feel better about eating them?

"You had it on your lip throughout the whole party!" I shouted. I couldn't stop. "By the bookshelf, by the bar, even when you were talking to that ugly man."

"I know I know I know I know!" she shouted, louder with each recitation.

My mother took my father's antique Norwegian pewter bowl in her hands. She held it in the air like a trophy and threw it on the ground. So she had known about the affair. She kicked the broken pieces across the floor.

And the pregnancy.

She grabbed his dictionaries from the shelf and chucked them through the window, because who cared about a window? Who cared about my father's paintings, I thought, as my mother dumped his real Matisse print in the sink and ran water on it. Who cared whose baby it was, who cared if it lived, who cared about the blue cheese? What did it even matter if it was on your face? That was the saddest part about it.

My mother took his miniature ivory elephants and threw them against the wall. She smashed vases and ripped plants from the soil, tore curtains from the rods. She was destroying our house. And when my father walked in the door to see her dumping his Cocoa Puffs on the ground, he did the most surprising thing. He paused. He went to speak. He walked over to the Matisse print in the sink and said nothing. He dropped the mail and walked toward her. The cereal crunched under his feet. My mother didn't yell, she didn't move away. I wanted to scream, Don't touch her! but my voice was lodged in my throat like a gumball. He wrapped his arms around her. She laid her head against his shoulder, and for the first time in my life, I watched my mother cry. She sobbed hard into the pocket of his suit jacket, while my father repeated, "I'm so sorry." They held each other for what seemed like hours until my mother silently broke from the embrace.

I sat at the kitchen counter and drew my name backward with the juice of a stray tomato slice cut for the reception. Y-L-I-M-E. n.o.body wiped my name for four days.

9.

Mark returned to school in November and everybody wanted to either eat lunch with him or touch his hair. The suicide had given our daily routines an urgent and excited motion for which everyone was privately thankful. One of the Other Girls ran up to him in the cafeteria so fast she spilled her green beans on the floor when she halted, and told him that as soon as she heard the news she cried and changed her dog's name from Q-Tip to Mr. Resnick. In high school, everyone was always saying the wrong thing and then laughing too hard afterward.

"He's gotten super popular," Janice told me in the lunch line. There was always a crowd around him, offering Doritos and halves of their turkey sandwiches. "He's like a celebrity now. One of those celebrities that are, like, famous for no reason, or by accident, or for something horrible, like Selena who got famous from dying, or Magic Johnson for contracting HIV."

Things were changing for me too.

I had begun to feel haunted. My hair extended past my shoulders, my face sagged, and I didn't know if it was me that I felt like or someone I didn't even know or if those were the same exact thing. People I didn't know approached me in the hall, asking what it felt like to watch a man die, telling me that in some ancient religion a person who witnessed a man's death carried around the spirit of that man for the rest of her life, and could I draw an accurate picture of the corpse? They wanted to know: could I sleep at night? Why didn't I try to stop him? If I didn't even try to stop him, would that make me a murderer according to the United States criminal justice system-a debate topic Leroy Hannah posed to our social studies teacher.

The Other Girls followed me down the hall, asking, Why didn't you wake us up? What'd it look like? Did you scream? Did you touch it? And at first, these questions bothered me, but over time their curiosity proved harmless. At least they were interested. At least they wanted to talk about the suicide like it was something real that happened, unlike my father, who closed the discussion forever one night at dinner by saying, "It's their own private business."

"It was terrible," I said, closing my locker. "He was so still."

"Jesus," Brittany said.

"That's so sad."

Some of the girls mistook the suicide as their own tragedy, an excuse to no longer do homework for the month. "I just can't think," Martha said to Ms. Nailer, "knowing things like this happen."

"I just can't believe it," another one said.

"To think we were almost right there . . ."

"My mother's friend killed herself once after a b.o.o.b job."

"That's dumb. Aren't big b.r.e.a.s.t.s supposed to be a reason to live?"

Janice explained how her brother Ed was never inspired by his big b.r.e.a.s.t.s. Janice and I used to make fun of Ed for being fat when we were younger, before he was paralyzed; it seemed like a good enough reason at the time. I cringed at Janice's mentioning of this, even though I had once offered him my bra and left a pamphlet on increasing breast cancer awareness in front of his door.

The Other Girls started waiting for Mark at his locker every day right before lunch. Mark and I never looked at each other. We stood at his locker while Mark looked at one of the Other Girls' perfect faces. Then we walked to Ms. Nailer's cla.s.s.

"Nail-her," Mark finally said. "I'm going to nail-her, get it?"

We nodded our heads, even though I hated him when he acted like Richard, which was happening more and more frequently. But it felt wrong to hold his failings against him. So I nodded my head as though I knew why Mark wanted to f.u.c.k an older woman when I was standing right in front of him. I nodded my head because if we were forced to understand anything then it was that all men and women, young or old, were created equal under G.o.d, indivisible, with liberty and justice for all.

But, still.

"She's so old," I said.

"I heard Ms. Nailer slept with Socrates," one of the girls said, and everybody laughed except Martha, who said, "What's a Socrates?"

"Don't be stupid, Martha."

"They're an ancient people."

Mark took the lead. I was glad when Mark walked ahead of me, as my whole life became embarra.s.sing around him now. I was embarra.s.sed when he sat at lunch with us, watching me eat a sandwich. After all of this, I was still here, just eating a sandwich!

We pa.s.sed a sign for the Ebony Club, which had sent the whole school into a recent uproar. Freddy Lawrence, the president, put up fliers around the school to advertise a meeting where black students could discuss being black in a predominantly white school. Everybody is invited, it said. Even White and Jewish People. Jewish students walked by the signs, offended, exclaiming, "What, are we not white? Are we not black?"

Martha walked by and said, "I don't get it: Is being Jewish opposite to being white? Is it?"

One of the girls said we should start a white people club.

"Our whole life is a white people club," one of them said.

"Sometimes, I wish we had a black friend."

"Guys," one of them said. "I'm black."

"s.h.i.t."

"Sometimes we forget."

"It's not like you're, like, black, you know. I mean, you wear Skechers."

"And you want to be a pastry chef."

"And you take French."

One of the girls pointed to another group of girls by staircase B and said, "Look at those other girls. Just look at them. They're so freaking tarded." Martha flinched because she had a brother with Down syndrome and none of us knew how to appreciate imperfection. One of the girls asked, "Is Down syndrome when the cells divide too fast?"

The one who never made eye contact anymore said, "No, tard, that's what my mom has. Cancer." Another one asked, "Like, is she dying?" and none of us knew.

After lunch, a teacher always guided the special education students into the cafeteria. They were given napkins and 409 to wipe down the tables.

"It's so weird," I said as we watched them divide and pick tables. "It's like slave labor or something."

Janice approached a faculty member and said, "This is slave labor. I bet you aren't even paying them."

"Paying who?" the teacher asked.

"The r.e.t.a.r.ds!"

The teacher shook her head. "They like to have tasks."

"Yeah, that's what the plantation owners said too."

If I was pleased by anything during this portion of my life, it was my fantastic handwriting. I jotted down notes about the Great Depression before dinner while my father talked aimlessly about beef Stroganoff. I made neat lists about government-created labor, like it wasn't until all the suffering was over that you could appreciate something as an organized system of profit and loss. I got my best grades freshman year and n.o.body understood this-why now, they asked, why are you acting stable when your house is being disa.s.sembled, it's a sign of a contrary nature, of bad things to come. I heard my mother whisper this over the phone to a psychiatrist she had been trying to get me to visit.

Tragedy was making me a better and a worse person all at once. I said h.e.l.lo to the mailman for the first time. I had ignored him my whole life for reasons unknown to both of us. I suppose it was because the mailman was terrifying to me the way Santa Claus had been a bit terrifying, old hairy men who had private access to my life, both of them regarding my house as just another destination on the map, which, I guess, is exactly what it was, and we were just people who needed something, and every day they checked us off lists, like things, like wine and gouda cheese and Emily Marie Vidal. Because that was who I was. "I'm Emily Marie Vidal," I sometimes repeated in front of the mirror, developing a strange compulsion to remind myself. "Weird." Every day, I was still myself, and yet constantly unrecognizable. And sometimes after school when I had nothing to do, I would draw pictures on the driveway in chalk of what I thought my brothers and sisters would look like. Then, one day when the mailman arrived, I picked up my hand and thought, I could be a different person, we could all be different people. "h.e.l.lo!" I waved to the mailman. "h.e.l.lo!"

But sometimes the mailman didn't wave back. Or he didn't hear me. Or he got so used to not seeing me, I started to look just like the lamppost. I started to feel just like the lamppost, flat and not like a real person at all, unlike Mark's new girlfriend Alice, who walked out of his house after school, ruffled and flushed and proud of her decisions. She was a happy girl who had been touched by a boy. She was never afraid. She was the last person in our cla.s.s to change from shorts to jeans when winter came. I stared at her legs in algebra cla.s.s and waited to see the slow rise of p.r.i.c.kles on her skin that the cold weather brought, but her legs remained smooth like gla.s.s. Alice was smooth like gla.s.s and never regretful of her decisions, but on my lawn, she could not look me in the eye. "What's the math homework?" she asked.

"Page fifty-four, problems one through ten," I told her.

"Thanks," she said, and walked away.

And I began to understand the truth: I would always be alone like this. I had understood the idea in theory, and noticed the absence of siblings at family functions, but when the neighborhood quieted down after the suicide, and the rain fell hard and washed away my drawn family, I felt truly alone for the first time in my life. "Can you guys believe this? Dad is leaving. I can't believe this," I said aloud to the blurred stick figures.

10.

We were cutting open fetal pigs in biology when the alarms went off. Two days before Christmas break and the school went into lockdown. Lockdown meant that wherever you were, you had to close the door, lock it, and not leave until Dr. Killigan came onto the loudspeaker saying you could. It was our first real lockdown and it was the most thrilling thing that had happened all semester, even though we had practice ones before and I had joked to Janice how absurd it was to practice being locked in a room. "How hard is it? You just sit there. Being locked in."

"Where's Ms. Nailer?" Martha asked.

Ms. Nailer was in the bathroom when the alarms went off. She told us she was taking this new medicine for her skin condition that made her pee all the time.

"I'm right here, cla.s.s!" Leroy Hannah said in a high-pitched voice that resembled Mother Goose's more than Ms. Nailer's. He was in the front of the room, wearing Ms. Nailer's Dior gla.s.ses and her green cardigan.

We closed the door, turned the lock.

"Why is this happening?" Martha asked.

"Must be a h.o.m.o in the building," Richard said.

"Don't be so gay, Richard."

"It's sooo hot in here."

"I know. Don't touch me."

"Rabbits are weird," Richard said, tapping on the wired cage. "How they p.o.o.p little pellets."