That Fortune Part 17

"And what would you do?"

Evelyn saw that she was making no headway, and her ideas, exposed to so practical a man as her father, did seem rather ridiculous. But she struck out boldly with the scheme that she had been evolving.

"I'd found Inst.i.tutions of Research, where there should be no teaching, and students who had demonstrated that they had anything promising in them, in science, literature, languages, history, anything, should have the means and the opportunity to make investigations and do work. See what a hard time inventors and men of genius have; it is pitiful."

"And how much money do you want for this modest scheme of yours?"

"I hadn't thought," said Evelyn, patting her father's hand. And then, at a venture, "I guess about ten millions."

"Whew! Have you any idea how much ten millions are, or how much one million is?"

"Why, ten millions, if you have a hundred, is no more than one million if you have only ten. Doesn't it depend?"

"If it depends upon you, child, I don't think money has any value for you whatever. You are a born financier for getting rid of a surplus. You ought to be Secretary of the Treasury."

Mavick rose, lifted up his daughter, and, kissing her with more than usual tenderness, said, "You'll learn about the world in time," and bade her goodnight.

XVI

Law and love go very well together as occupations, but, when literature is added, the trio is not harmonious. Either of the two might pull together, but the combination of the three is certainly disastrous.

It would be difficult to conceive of a person more obviously up in the air than Philip at this moment. He went through his office duties intelligently and perfunctorily, but his heart was not in the work, and reason as he would his career did not seem to be that way. He was lured too strongly by that siren, the ever-alluring woman who sits upon the rocks and sings so deliciously to youth of the sweets of authorship.

He who listens once to that song hears it always in his ears, through disappointment and success--and the success is often the greatest disappointment--through poverty and hope deferred and heart-sickness for recognition, through the hot time of youth and the creeping incapacity of old age. The song never ceases. Were the longing and the hunger it arouses ever satisfied with anything, money for instance, any more than with fame?

And if the law had a feeble hold on him, how much more uncertain was his grasp on literature. He had thrown his line, he had been encouraged by nibbles, but publishers were too wary to take hold. It seemed to him that he had literally cast his bread upon the waters, and apparently at an ebb tide, and his venture had gone to the fathomless sea. He had put his heart into the story, and, more than that, his hope of something dearer than any public favor. As he went over the story in his mind, scene after scene, and dwelt upon the theme that held the whole in unity, he felt that Evelyn would be touched by the recognition of her part in the inspiration, and that the great public must give some heed to it. Perhaps not the great public--for its liking now ran in quite another direction, but a considerable number of people like Celia, who were struggling with problems of life, and the Alices in country homes who still preserved in their souls a belief in the power of a n.o.ble life, and perhaps some critics who had not rid themselves of the old traditions. If the publishers would only give him a chance!

But if law and literature were to him little more than unsubstantial dreams, the love he cherished was, in the cool examination of reason, preposterous. What! the heiress of so many millions, brought up doubtless in the expectation of the most brilliant worldly alliance, the heiress with the world presently at her feet, would she look at a lawyer's clerk and an unsuccessful scribbler? Oh, the vanity of youth and the conceit of intellect!

Down in his heart Philip thought that she might. And he went on nursing this vain pa.s.sion, knowing as well as any one can know the social code, that Mr. Mavick and Mrs. Mavick would simply laugh in his face at such a preposterous idea. And yet he knew that he had her sympathy in his ambition, that to a certain extent she was interested in him. The girl was too guileless to conceal that. And then suppose he should become famous--well, not exactly famous, but an author who was talked about, and becoming known, and said to be promising? And then he could fancy Mavick weighing this sort of reputation in his office scales against money, and Mrs. Mavick weighing it in her boudoir against social position. He was a fool to think of it. And yet, suppose, suppose the girl should come to love him. It would not be lightly. He knew that, by looking into her deep, clear, beautiful eyes. There were in them determination and tenacity of purpose as well as the capability of pa.s.sion. Heavens and earth, if that girl once loved, there was a force that no opposition could subdue! That was true. But what had he to offer to evoke such a love?

In those days Philip saw much of Celia, who at length had given up teaching, and had come to the city to try her experiment, into which she was willing to embark her small income. She had taken a room in the midst of poverty and misery on the East Side, and was studying the situation.

"I am not certain," she said, "whether I or any one else can do anything, or whether any organization down there can effect much. But I will find out."

"Aren't you lonesome--and disgusted?" asked Philip.

"Disgusted? You might as well be disgusted with one thing as another. I am generally disgusted with the way things go. But, lonely? No, there is too much to do and to learn. And do you know, Philip, that people are more interesting over there, more individual, have more queer sorts of character. I begin to believe, with a lovely philanthropist I know, who had charge of female criminals, that 'wicked women are more interesting than good women.'"

"You have struck a rich mine of interest in New York, then."

"Don't be cynical, Phil. There are different kinds of interest. Stuff!

But I won't explain." And then, abruptly changing the subject, "Seems to me you have something on your mind lately. Is it the novel?"

"Perhaps."

"The publishers haven't decided?"

"I am afraid they have."

"Well, Philip, do you know that I think the best thing that could happen to you would be to have the story rejected."

"It has been rejected several times," said Philip. "That didn't seem to do me any good."

"But finally, so that you would stop thinking about it, stop expecting anything that way, and take up your profession in earnest."

"You are a nice comforter!" retorted Philip, with a sort of smirking grin and a look of keen inspection, as if he saw something new in the character of his adviser. "What has come over you? Suppose I should give you that sort of sympathy in the projects you set your heart on?"

"It does seem hard and mean, doesn't it? I knew you wouldn't like it.

That is, not now. But it is for your lifetime. As for me, I've wanted so many things and I've tried so many things. And do you know, Phil, that I have about come to the conclusion that the best things for us in this world are the things we don't get."

"You are always coming to some new conclusion."

"Yes, I know. But just look at it rationally. Suppose your story is published, cast into the sea of new books, and has a very fair sale.

What will you get out of it? You can reckon how many copies at ten cents a copy it will need to make as much as some writers get for a trivial magazine paper. Recognition? Yes, from a very few people. Notoriety? You would soon find what that is. Suppose you make what is called a 'hit.'

If you did not better that with the next book, you would be called a failure. And you must keep at it, keep giving the public something new all the time, or you will drop out of sight. And then the anxiety and the strain of it, and the temptation, because you must live, to lower your ideal, and go down to what you conceive to be the buying public.

And if your story does not take the popular fancy, where will you be then?"

"Celia, you have become a perfect materialist. You don't allow anything for the joy of creation, for the impulse of a man's mind, for the delight in fighting for a place in the world of letters."

"So it seems to you now. If you have anything that must be said, of course you ought to say it, no matter what comes after. If you are looking round for something you can say in order to get the position you covet, that is another thing. People so deceive themselves about this.

I know literary workers who lead a dog's life and are slaves to their pursuit, simply because they have deceived themselves in this. I want you to be free and independent, to live your own life and do what work you can in the world. There, I've said it, and of course you will go right on. I know you. And maybe I am all wrong. When I see the story I may take the other side and urge you to go on, even if you are as poor as a church-mouse, and have to be under the harrow of poverty for years."

"Then you have some curiosity to see the story?"

"You know I have. And I know I shall like it. It isn't that, Phil; it is what is the happiest career for you."

"Well, I will send it to you when it comes back."

But the unexpected happened. It did not come back. One morning Philip received a letter from the publishers that set his head in a whirl. The story was accepted. The publisher wrote that the verdict of the readers was favorable, and he would venture on it, though he cautioned Mr.

Burnett not to expect a great commercial success. And he added, as to terms, it being a new name, though he hoped one that would become famous, that the copyright of ten per cent. would not begin until after the sale of the first thousand copies.

The latter part of the letter made no impression on Philip. So long as the book was published, and by a respectable firm, he was indifferent as a lord to the ign.o.ble details of royalty. The publisher had recognized the value of the book, and it was accepted on its merits. That was enough. The first thing he did was to enclose the letter to Celia, with the simple remark that he would try to sympathize with her in her disappointment.

Philip would have been a little less jubilant if he had known how the decision of the publishing house was arrived at. It was true that the readers had reported favorably, but had refused to express any opinion on the market value. The ma.n.u.script had therefore been put in the graveyard of ma.n.u.scripts, from which there is commonly no resurrection except in the funeral progress of the ma.n.u.script back to the author.

But the head of the house happened to dine at the house of Mr. Hunt, the senior of Philip's law firm. Some chance allusion was made by a lady to an article in a recent magazine which had pleased her more than anything she had seen lately. Mr. Hunt also had seen it, for his wife had insisted on reading it to him, and he was proud to say that the author was a clerk in his office--a fine fellow, who, he always fancied, had more taste for literature than for law, but he had the stuff in him to succeed in anything. The publisher p.r.i.c.ked up his ears and asked some questions. He found that Mr. Burnett stood well in the most prominent law firm in the city, that ladies of social position recognized his talent, that he dined here and there in a good set, and that he belonged to one of the best clubs. When he went to his office the next morning he sent for the ma.n.u.script, looked it over critically, and then announced to his partners that he thought the thing was worth trying.

In a day or two it was announced in the advertising lists as forthcoming. There it stared Philip in the face and seemed to be the only conspicuous thing in the journal. He had not paid much attention before to the advertis.e.m.e.nts, but now this department seemed the most interesting part of the paper, and he read every announcement, and then came back and read his over and over. There it stood:--"On Sat.u.r.day, The Puritan Nun. An Idyl. By Philip Burnett."

The naming of the book had been almost as difficult as the creation.

His first choice had been "The Lily of the Valley," but Balzac had pre-empted that. And then he had thought of "The Enclosed Garden"

(Hortus Clausus), the t.i.tle of a lovely picture he had seen. That was Biblical, but in the present ignorance of the old scriptures it would be thought either agricultural or sentimental. It is not uncommon that a book owes its notoriety and sale to its t.i.tle, and it is not easy to find a t.i.tle that will attract attention without being too sensational.

The t.i.tle chosen was paradoxical, for while a nun might be a puritan, it was unthinkable that a Puritan should be a nun.

Mr. Brad said he liked it, because it looked well and did not mean anything; he liked all such t.i.tles, the "Pious Pirate," the "Lucid Lunatic," the "Sympathetic Siren," the "Guileless Girl," and so on.

The announcement of publication had the effect of putting Philip in high spirits for the Mavick reception-spirits tempered, however, by the embarra.s.sment natural to a modest man that he would be painfully conspicuous. This first placarding of one's name is a peculiar and mixed sensation. The letters seem shamefully naked, and the owner seems exposed and to have parted with a considerable portion of his innate privacy. His first fancy is that everybody will see it. But this fancy only comes once. With experience he comes to doubt if anybody except himself will see it.