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Tales of the Wilderness Part 20

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Mintz was silent, then suddenly said in a low tone: "Look here! We have some brandy. Shall we have a drink?"

"No, thank you. I want to sleep. Good night."

"I want to talk!"

Ivanov extinguished the candle, through custom finding his bread and milk in the dark, and hastily consumed it without sitting down. Mintz stood a moment by the door; then went out, slamming it behind him.

Lydia Constantinovna now had her feet on the carpet and her head was bowed. Her eyes under their long lashes were blank and limpid, like lakes amid reeds. Her hands were clasped round her knees.

"How was Sergius?" she enquired, without raising her head.

"Boorish, he has gone to bed," answered Mintz.

He was about to sit beside her, but she rose, arranged her hair mechanically, and smiled faintly and tenderly--not at Mintz, but into the empty s.p.a.ce.

"To bed? Well, it is time. Good rest!" she said softly. "Ah, how the perfume torments me. I feel giddy."

She went to the other end of the room, Mintz following her, and halted on the threshold. In the stillness of the night the pattering rain could be heard distinctly. Lydia Constantinovna leaned against the white door, throwing back her head, and began to speak; avoiding Mintz's eyes, she endeavoured to express herself simply and clearly, but the words seemed dry as they fell from her lips:

"I am very tired, Mintz, I am going to bed at once. You go too.

Goodbye until tomorrow. We shall not meet again to-night. Do you understand, Mintz? It is my wish."

Mintz stood still, his legs wide apart, his arms akimbo, his head hanging. Then with a sad, submissive smile he answered in an unexpectedly mild tone: "Very well, then, All right, I understand you. It is quite all right."

Lydia Constantinovna stretched out her hand, speaking in the unaffected, friendly way she had desired earlier: "I know you are a malicious, bored, lonely cynic, like ... like an old homeless dog ...

But you are kind and intelligent.... You know I will never leave you-- we are so.... But now I am going in to him ... just for the last time."

Mintz kissed her hand without speaking, then his tall, bony, somewhat stooping figure disappeared down the corridor.

V

Lydia Constantinovna's bedroom was cold and gloomy. As formerly, it contained a huge four-poster, a chest of drawers, a dressing table and a wardrobe. The rain beat fiercely against the window panes running down in tiny gla.s.s globules.

Lydia lighted two candles, and placed them beside the tarnished mirror. Some toilette belongings, relics of her childhood, lay on the chest-of-drawers, and the contents of the baggage she had brought with her the previous day were scattered about the room. The candles burnt dimly, their yellow tongues flickering unsteadily over the tarnished mirror.

She changed her garments and put on a loose green neglige, then re- arranged her hair into plaits, forming them into a coronet which made her head appear very small and graceful.

From force of habit she opened a bottle of perfume, moistened the palms of her hands and rubbed them over her neck and bosom. At once she felt giddy, even the cold, dampish sheets on her bed seemed to smell of chipre.

Lydia sat down on the edge of her bed in her green neglige, listening to the sounds around her. Outside, there was a continuous howling and barking of dogs, now and then she could distinguish the croaking of half-awakened crows in the park.

The clock struck eleven, then half-past, someone pa.s.sed along the corridor, Aganka cleared up in the dining-room, Mintz walked to and fro in the drawing-room, then all became quiet.

Lydia Constantinovna went to the window and gazed out for a long time. Then, quietly, she left her bedroom and crept down to Ivanov's study. All around her it was dark, cold and silent as she pa.s.sed through the empty, s.p.a.cious rooms. A forgotten candle still burnt wanly in the drawing-room, and a rat ran out from under the table.

She was again plunged in darkness when she entered Ivanov's study, and she was greeted by a smell of horse trappings and joiners' glue.

Ivanov was asleep on the sofa. He lay on his back, his arms extended; the outlines of his body could just be discerned. Lydia sat down quietly beside him and laid her hand on his breast. Ivanov sighed, drew in his arms and raised his head quickly from the pillow:

"Who is there?"

"It is I, Sergius--me--Lida," answered Lydia Constantinovna in a rapid whisper. "I know you do not wish to speak to me. I am bored ...

I returned here in a happy mood, not even thinking of you, and now all at once I feel wretched.... Oh, those perfumes! How they torment me...." She pa.s.sed her hand over her face, then was silent. Ivanov sat up.

"What is the matter Lida? What do you want?" he asked drowsily, and he lighted a cigarette. The light shone on them as they sat half- dressed on the sofa. Ivanov had a rugged, lumbering look.

"What do I want?" Lydia Constantinovna murmured. "Age creeps on me, Sergius, and a lonely old age is terrible ... I feel so weary.... I came here happy enough, now I am miserable. I can think of nothing but the time you and I spent here together ... I am always playing" A Summer's Night in Berezovka "--do you remember? I used to play it to you in those days.... Well, so there you see.... Age creeps on and I am longing for a home.... To-day they had the Twelfth Gospel Service.... Surely we still have a word for each other?" Her face clouded in sudden doubt. "You have been with Arina then?" she questioned sharply.

Ivanov did not answer immediately.

"I have grieved and worried greatly, Lida," he said at last, "but that does not matter. These four years I have lived alone, and have placed the past behind me. It is gone for ever. These four years I have struggled against death, and struggled for my daily bread. You know nothing of all this, we are as strangers.... Yes, I have been with Arina. Soon I shall have a son. I do not know if I am broken or merely tired, but for the moment I feel all right. I am going to bring Arina here, she will be my wife and keep house for me. And I shall live.... I am keeping step with some elemental Force . . . I shall have a son.... It will be a totally different life for me, Lida."

"And for me Moscow--as ever--wine, theatres, cafes, Mintz, an eternal hurly-burly ... I am sick of it!"

"I cannot help you, Lida. I too am sick of all that, but now I am at peace. We must all work out our own salvation."

Ivanov spoke very quietly and simply. Lydia Constantinovna sat bowed and motionless, as if fearing to move, clasping her knees with both hands. When Ivanov ceased speaking she rose noiselessly and went towards the door. She stood on the threshold a brief moment then, went out. The candle still burnt fitfully in the drawing-room. The house was wrapt in silence.

THE BIELOKONSKY ESTATE

Ivan Koloturov, President of the Bielokonsky Committee of the Poor, had ploughed his tiny holding for twenty years. He always rose before dawn and worked--dug, harrowed, threshed, planed, repaired--with his huge, strong, pock-marked hands; he could only use his muscular strength.

On rising in the morning, he prepared his hash of potatoes and bread, and went out of the hut to work--on the land, with cattle, with wood, stone and iron. He was honest, careful, and laborious. While still a lad of five he had, while driving from the station, helped a stranger in a mechanic's overalls to a seat; the man had told him all were equal in the sight of G.o.d, that the land belonged to the peasants, that the proprieters had stolen it from them, and that a time would come when he would have to "do things."

Ivan Koloturov did not understand what he would have to do, but when the fierce wave of the Revolution broke over the country and swept into the Steppe, he was the first to rise to "do things." Now he felt disillusioned. He had wanted to do everything honestly, but he was only able to work with his hands and muscles.

They elected him to the County Committee. He was accustomed to rise before dawn and set to work immediately. Now he was not permitted to do anything before ten o'clock. At ten he went to the Committee where, with the greatest difficulty, he put his name to papers--but this was not work: papers came in and went out independently of him.

He did not understand their purport, he only signed them.

He wanted to do something! In the spring he went home to the plough.

He had been elected in the Autumn, President of the Committee of the Poor, and he established himself in Prince Prozorovsky's domain, putting on his soldier brother's great coat and carrying a revolver in his belt.

He went home in the evening. His wife met him sullenly, jerking her elbows as she prepared some mash. The children were sitting on the stove, some little pigs grunted in a corner. There was a strong smell of burning wood.

"You won't care to eat with us now after the Barin's meal," nagged the old woman. "You are a Barin yourself now. Ha, ha!"

Ivan remained silent, sitting down on a bench beneath the Ikon.

"So you mix with rascals now," she persisted, "yes, that is what they are, Ivan Koloturov. Discontented rascals!"

"Peace, fool! You don't understand. Be quiet, I say!"

"You are ashamed of me, so you are hiding."

"We will live there together--soon."

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Tales of the Wilderness Part 20 summary

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