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Tales of the Jazz Age Part 6

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"Do you mean Taylor investigated those checks?"

It was Clark's turn to be surprised.

"Haven't you heard what happened?"

Jim's startled eyes were answer enough.

"Why," announced Clark dramatically, "those four got another bottle of corn, got tight and decided to shock the town--so Nancy and that fella Merritt were married in Rockville at seven o'clock this morning."

A tiny indentation appeared in the metal under the Jelly-bean's fingers.

"Married?"

"Sure enough. Nancy sobered up and rushed back into town, crying and frightened to death--claimed it'd all been a mistake. First Doctor Lamar went wild and was going to kill Merritt, but finally they got it patched up some way, and Nancy and Merritt went to Savannah on the two-thirty train."

Jim closed his eyes and with an effort overcame a sudden sickness.

"It's too bad," said Clark philosophically. "I don't mean the wedding--reckon that's all right, though I don't guess Nancy cared a darn about him. But it's a crime for a nice girl like that to hurt her family that way."

The Jelly-bean let go the car and turned away. Again something was going on inside him, some inexplicable but almost chemical change.

"Where you going?" asked Clark.

The Jelly-bean turned and looked dully back over his shoulder.

"Got to go," he muttered. "Been up too long; feelin' right sick."

"Oh."

The street was hot at three and hotter still at four, the April dust seeming to enmesh the sun and give it forth again as a world-old joke forever played on an eternity of afternoons. But at half past four a first layer of quiet fell and the shades lengthened under the awnings and heavy foliaged trees. In this heat nothing mattered. All life was weather, a waiting through the hot where events had no significance for the cool that was soft and caressing like a woman's hand on a tired forehead. Down in Georgia there is a feeling--perhaps inarticulate--that this is the greatest wisdom of the South--so after a while the Jelly-bean turned into a poolhall on Jackson Street where he was sure to find a congenial crowd who would make all the old jokes--the ones he knew.

THE CAMEL'S BACK

The glazed eye of the tired reader resting for a second on the above t.i.tle will presume it to be merely metaphorical. Stories about the cup and the lip and the bad penny and the new broom rarely have anything, to do with cups or lips or pennies or brooms. This story Is the exception. It has to do with a material, visible and large-as-life camel's back.

Starting from the neck we shall work toward the tail. I want you to meet Mr. Perry Parkhurst, twenty-eight, lawyer, native of Toledo.

Perry has nice teeth, a Harvard diploma, parts his hair in the middle.

You have met him before--in Cleveland, Portland, St. Paul, Indianapolis, Kansas City, and so forth. Baker Brothers, New York, pause on their semi-annual trip through the West to clothe him; Montmorency & Co. dispatch a young man post-haste every three months to see that he has the correct number of little punctures on his shoes. He has a domestic roadster now, will have a French roadster if he lives long enough, and doubtless a Chinese tank if it comes into fashion. He looks like the advertis.e.m.e.nt of the young man rubbing his sunset-colored chest with liniment and goes East every other year to his cla.s.s reunion.

I want you to meet his Love. Her name is Betty Medill, and she would take well in the movies. Her father gives her three hundred a month to dress on, and she has tawny eyes and hair and feather fans of five colors. I shall also introduce her father, Cyrus Medill. Though he is to all appearances flesh and blood, he is, strange to say, commonly known in Toledo as the Aluminum Man. But when he sits in his club window with two or three Iron Men, and the White Pine Man, and the Bra.s.s Man, they look very much as you and I do, only more so, if you know what I mean.

Now during the Christmas holidays of 1919 there took place in Toledo, counting only the people with the italicized _the_, forty-one dinner parties, sixteen dances, six luncheons, male and female, twelve teas, four stag dinners, two weddings, and thirteen bridge parties. It was the c.u.mulative effect of all this that moved Perry Parkhurst on the twenty-ninth day of December to a decision.

This Medill girl would marry him and she wouldn't marry him. She was having such a good time that she hated to take such a definite step.

Meanwhile, their secret engagement had got so long that it seemed as if any day it might break off of its own weight. A little man named Warburton, who knew it all, persuaded Perry to superman her, to get a marriage license and go up to the Medill house and tell her she'd have to marry him at once or call it off forever. So he presented himself, his heart, his license, and his ultimatum, and within five minutes they were in the midst of a violent quarrel, a burst of sporadic open fighting such as occurs near the end of all long wars and engagements.

It brought about one of those ghastly lapses in which two people who are in love pull up sharp, look at each other coolly and think it's all been a mistake. Afterward they usually kiss wholesomely and a.s.sure the other person it was all their fault. Say it all was my fault! Say it was! I want to hear you say it!

But while reconciliation was trembling in the air, while each was, in a measure, stalling it off, so that they might the more voluptuously and sentimentally enjoy it when it came, they were permanently interrupted by a twenty-minute phone call for Betty from a garrulous aunt. At the end of eighteen minutes Perry Parkhurst, urged on by pride and suspicion and injured dignity, put on his long fur coat, picked up his light brown soft hat, and stalked out the door.

"It's all over," he muttered brokenly as he tried to jam his car into first. "It's all over--if I have to choke you for an hour, d.a.m.n you!".

The last to the car, which had been standing some time and was quite cold.

He drove downtown--that is, he got into a snow rut that led him downtown. He sat slouched down very low in his seat, much too dispirited to care where he went.

In front of the Clarendon Hotel he was hailed from the sidewalk by a bad man named Baily, who had big teeth and lived at the hotel and had never been in love.

"Perry," said the bad man softly when the roadster drew up beside him at the curb, "I've got six quarts of the doggonedest still champagne you ever tasted. A third of it's yours, Perry, if you'll come up-stairs and help Martin Macy and me drink it."

"Baily," said Perry tensely, "I'll drink your champagne. I'll drink every drop of it, I don't care if it kills me."

"Shut up, you nut!" said the bad man gently. "They don't put wood alcohol in champagne. This is the stuff that proves the world is more than six thousand years old. It's so ancient that the cork is petrified. You have to pull it with a stone drill."

"Take me up-stairs," said Perry moodily. "If that cork sees my heart it'll fall out from pure mortification."

The room up-stairs was full of those innocent hotel pictures of little girls eating apples and sitting in swings and talking to dogs. The other decorations were neckties and a pink man reading a pink paper devoted to ladies in pink tights.

"When you have to go into the highways and byways----" said the pink man, looking reproachfully at Baily and Perry.

"h.e.l.lo, Martin Macy," said Perry shortly, "where's this stone-age champagne?"

"What's the rush? This isn't an operation, understand. This is a party."

Perry sat down dully and looked disapprovingly at all the neckties.

Baily leisurely opened the door of a wardrobe and brought out six handsome bottles.

"Take off that darn fur coat!" said Martin Macy to Perry. "Or maybe you'd like to have us open all the windows."

"Give me champagne," said Perry.

"Going to the Townsends' circus ball to-night?"

"Am not!"

"'Vited?"

"Uh-huh."

"Why not go?"

"Oh, I'm sick of parties," exclaimed Perry. "I'm sick of 'em. I've been to so many that I'm sick of 'em."

"Maybe you're going to the Howard Tates' party?"

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Tales of the Jazz Age Part 6 summary

You're reading Tales of the Jazz Age. This manga has been translated by Updating. Author(s): F. Scott Fitzgerald. Already has 594 views.

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