Tales of the Jazz Age Part 54

"Many men have thought me inhuman."

"But now," continued Merlin excitedly, "I understand. Understanding is allowed to us old people--after nothing much matters. I see now that on a certain night when you danced upon a table-top you were nothing but my romantic yearning for a beautiful and perverse woman."

Her old eyes were far away, her voice no more than the echo of a forgotten dream.

"How I danced that night! I remember."

"You were making an attempt at me. Olive's arms were closing about me and you warned me to be free and keep my measure of youth and irresponsibility. But it seemed like an effect gotten up at the last moment. It came too late."

"You are very old," she said inscrutably. "I did not realize."

"Also I have not forgotten what you did to me when I was thirty-five.

You shook me with that traffic tie-up. It was a magnificent effort.

The beauty and power you radiated! You became personified even to my wife, and she feared you. For weeks I wanted to slip out of the house at dark and forget the stuffiness of life with music and c.o.c.ktails and a girl to make me young. But then--I no longer knew how."

"And now you are so very old."

With a sort of awe she moved back and away from him.

"Yes, leave me!" he cried. "You are old also; the spirit withers with the skin. Have you come here only to tell me something I had best forget: that to be old and poor is perhaps more wretched than to be old and rich; to remind me that _my_ son hurls my gray failure in my face?"

"Give me my book," she commanded harshly. "Be quick, old man!"

Merlin looked at her once more and then patiently obeyed. He picked up the book and handed it to her, shaking his head when she offered him a bill.

"Why go through the farce of paying me? Once you made me wreck these very premises."

"I did," she said in anger, "and I'm glad. Perhaps there had been enough done to ruin _me_."

She gave him a glance, half disdain, half ill-concealed uneasiness, and with a brisk word to her urban grandson moved toward the door.

Then she was gone--out of his shop--out of his life. The door clicked.

With a sigh he turned and walked brokenly back toward the gla.s.s part.i.tion that enclosed the yellowed accounts of many years as well as the mellowed, wrinkled Miss McCracken.

Merlin regarded her parched, cobwebbed face with an odd sort of pity.

She, at any rate, had had less from life than he. No rebellious, romantic spirit popping out unbidden had, in its memorable moments, given her life a zest and a glory.

Then Miss McGracken looked up and spoke to him:

"Still a s.p.u.n.ky old piece, isn't she?"

Merlin started.

"Who?"

"Old Alicia Dare. Mrs. Thomas Allerdyce she is now, of course; has been, these thirty years."

"What? I don't understand you." Merlin sat down suddenly in his swivel chair; his eyes were wide.

"Why, surely, Mr. Grainger, you can't tell me that you've forgotten her, when for ten years she was the most notorious character in New York. Why, one time when she was the correspondent in the Throckmorton divorce case she attracted so much attention on Fifth Avenue that there was a traffic tie-up. Didn't you read about it in the papers."

"I never used to read the papers." His ancient brain was whirring.

"Well, you can't have forgotten the time she came in here and ruined the business. Let me tell you I came near asking Mr. Moonlight Quill for my salary, and clearing out."

"Do you mean, that--that you _saw_ her?"

"Saw her! How could I help it with the racket that went on. Heaven knows Mr. Moonlight Quill didn't like it either but of course _he_ didn't say anything. He was daffy about her and she could twist him around her little finger. The second he opposed one of her whims she'd threaten to tell his wife on him. Served him right. The idea of that man falling for a pretty adventuress! Of course he was never rich enough for _her_ even though the shop paid well in those days."

"But when I saw her." stammered Merlin, "that is, when I _thought_ saw her, she lived with her mother."

"Mother, trash!". said Miss McCracken indignantly. "She had a woman there she called 'Aunty', who was no more related to her than I am.

Oh, she was a bad one--but clever. Right after the Throckmorton divorce case she married Thomas Allerdyce, and made herself secure for life."

"Who was she?" cried Merlin. "For G.o.d's sake what was she--a witch?"

"Why, she was Alicia Dare, the dancer, of course. In those days you couldn't pick up a paper without finding her picture."

Merlin sat very quiet, his brain suddenly fatigued and stilled. He was an old man now indeed, so old that it was impossible for him to dream of ever having been young, so old that the glamour was gone out of the world, pa.s.sing not into the faces of children and into the persistent comforts of warmth and life, but pa.s.sing out of the range of sight and feeling. He was never to smile again or to sit in a long reverie when spring evenings wafted the cries of children in at his window until gradually they became the friends of his boyhood out there, urging him to come and play before the last dark came down. He was too old now even for memories.

That night he sat at supper with his wife and son, who had used him for their blind purposes. Olive said:

"Don't sit there like a death's-head. Say something."

"Let him sit quiet," growled Arthur. "If you encourage him he'll tell us a story we've heard a hundred times before."

Merlin went up-stairs very quietly at nine o'clock. When he was in his room and had closed the door tight he stood by it for a moment, his thin limbs trembling. He knew now that he had always been a fool.

"O Russet Witch!"

But it was too late. He had angered Providence by resisting too many temptations. There was nothing left but heaven, where he would meet only those who, like him, had wasted earth.

UNCLa.s.sIFIED MASTERPIECES

THE LEES OF HAPPINESS

If you should look through the files of old magazines for the first years of the present century you would find, sandwiched in between the stories of Richard Harding Davis and Frank Norris and others long since dead, the work of one Jeffrey Curtain: a novel or two, and perhaps three or four dozen short stories. You could, if you were interested, follow them along until, say, 1908, when they suddenly disappeared.

When you had read them all you would have been quite sure that here were no masterpieces--here were pa.s.sably amusing stories, a bit out of date now, but doubtless the sort that would then have whiled away a dreary half hour in a dental office. The man who did them was of good intelligence, talented, glib, probably young. In the samples of his work you found there would have been nothing to stir you to more than a faint interest in the whims of life--no deep interior laughs, no sense of futility or hint of tragedy.

After reading them you would yawn and put the number back in the files, and perhaps, if you were in some library reading-room, you would decide that by way of variety you would look at a newspaper of the period and see whether the j.a.ps had taken Port Arthur. But if by any chance the newspaper you had chosen was the right one and had crackled open at the theatrical page, your eyes would have been arrested and held, and for at least a minute you would have forgotten Port Arthur as quickly as you forgot Chateau Thierry. For you would, by this fortunate chance, be looking at the portrait of an exquisite woman.