Tales of Men and Ghosts Part 8

It was not that Ronald shirked his filial obligations, but rather because of his heavy sense of them, that Mr. Grew so persistently sought to minimize and lighten them. It was he who insisted, to Ronald, on the immense difficulty of getting from New York to Brooklyn.

"Any way you look at it, it makes a big hole in the day; and there's not much use in the ragged rim left. You say you're dining out next Sunday?

Then I forbid you to come over here for lunch. Do you understand me, sir? You disobey at the risk of your father's malediction! Where did you say you were dining? With the Waltham Bankshires again? Why, that's the second time in three weeks, ain't it? Big blow-out, I suppose? Gold plate and orchids--opera singers in afterward? Well, you'd be in a nice box if there was a fog on the river, and you got hung up half-way over.

That'd be a handsome return for the attention Mrs. Bankshire has shown you--singling out a whipper-snapper like you twice in three weeks!

(What's the daughter's name--Daisy?) No, _sir_--don't you come fooling round here next Sunday, or I'll set the dogs on you. And you wouldn't find me in anyhow, come to think of it. I'm lunching out myself, as it happens--yes sir, _lunching out_. Is there anything especially comic in my lunching out? I don't often do it, you say? Well, that's no reason why I never should. Who with? Why, with--with old Dr. Bleaker: Dr.

Eliphalet Bleaker. No, you wouldn't know about him--he's only an old friend of your mother's and mine."

Gradually Ronald's insistence became less difficult to overcome. With his customary sweetness and tact (as Mr. Grew put it) he began to "take the hint," to give in to "the old gentleman's" growing desire for solitude.

"I'm set in my ways, Ronny, that's about the size of it; I like to go tick-ticking along like a clock. I always did. And when you come bouncing in I never feel sure there's enough for dinner--or that I haven't sent Maria out for the evening. And I don't want the neighbors to see me opening my own door to my son. That's the kind of cringing sn.o.b I am. Don't give me away, will you? I want 'em to think I keep four or five powdered flunkeys in the hall day and night--same as the lobby of one of those Fifth Avenue hotels. And if you pop over when you're not expected, how am I going to keep up the bluff?"

Ronald yielded after the proper amount of resistance--his intuitive sense, in every social transaction, of the proper amount of force to be expended, was one of the qualities his father most admired in him. Mr.

Grew's perceptions in this line were probably more acute than his son suspected. The souls of short thick-set men, with chubby features, mutton-chop whiskers, and pale eyes peering between folds of fat like almond kernels in half-split sh.e.l.ls--souls thus encased do not reveal themselves to the casual scrutiny as delicate emotional instruments.

But in spite of the dense disguise in which he walked Mr. Grew vibrated exquisitely in response to every imaginative appeal; and his son Ronald was perpetually stimulating and feeding his imagination.

Ronald in fact const.i.tuted his father's one escape from the impenetrable element of mediocrity which had always hemmed him in. To a man so enamoured of beauty, and so little qualified to add to its sum total, it was a wonderful privilege to have bestowed on the world such a being.

Ronald's resemblance to Mr. Grew's early conception of what he himself would have liked to look might have put new life into the discredited theory of pre-natal influences. At any rate, if the young man owed his beauty, his distinction and his winning manner to the dreams of one of his parents, it was certainly to those of Mr. Grew, who, while outwardly devoting his life to the manufacture and dissemination of Grew's Secure Suspender Buckle, moved in an enchanted inward world peopled with all the figures of romance. In this high company Mr. Grew cut as brilliant a figure as any of its n.o.ble phantoms; and to see his vision of himself suddenly projected on the outer world in the shape of a brilliant popular conquering son, seemed, in retrospect, to give to that image a belated objective reality. There were even moments when, forgetting his physiognomy, Mr. Grew said to himself that if he'd had "half a chance"

he might have done as well as Ronald; but this only fortified his resolve that Ronald should do infinitely better.

Ronald's ability to do well almost equalled his gift of looking well.

Mr. Grew constantly affirmed to himself that the boy was "not a genius"; but, barring this slight deficiency, he was almost everything that a parent could wish. Even at Harvard he had managed to be several desirable things at once--writing poetry in the college magazine, playing delightfully "by ear," acquitting himself honorably in his studies, and yet holding his own in the fashionable sporting set that formed, as it were, the gateway of the temple of Society. Mr. Grew's idealism did not preclude the frank desire that his son should pa.s.s through that gateway; but the wish was not prompted by material considerations. It was Mr. Grew's notion that, in the rough and hurrying current of a new civilization, the little pools of leisure and enjoyment must nurture delicate growths, material graces as well as moral refinements, likely to be uprooted and swept away by the rush of the main torrent. He based his theory on the fact that he had liked the few "society" people he had met--had found their manners simpler, their voices more agreeable, their views more consonant with his own, than those of the leading citizens of Wingfield. But then he had met very few.

Ronald's sympathies needed no urging in the same direction. He took naturally, dauntlessly, to all the high and exceptional things about which his father's imagination had so long sheepishly and ineffectually hovered--from the start he _was_ what Mr. Grew had dreamed of being.

And so precise, so detailed, was Mr. Grew's vision of his own imaginary career, that as Ronald grew up, and began to travel in a widening orbit, his father had an almost uncanny sense of the extent to which that career was enacting itself before him. At Harvard, Ronald had done exactly what the hypothetical Mason Grew would have done, had not his actual self, at the same age, been working his way up in old Slagden's b.u.t.ton factory--the inst.i.tution which was later to acquire fame, and even notoriety, as the birthplace of Grew's Secure Suspender Buckle.

Afterward, at a period when the actual Grew had pa.s.sed from the factory to the bookkeeper's desk, his invisible double had been reading law at Columbia--precisely again what Ronald did! But it was when the young man left the paths laid out for him by the parental hand, and cast himself boldly on the world, that his adventures began to bear the most astonishing resemblance to those of the unrealized Mason Grew. It was in New York that the scene of this hypothetical being's first exploits had always been laid; and it was in New York that Ronald was to achieve his first triumph. There was nothing small or timid about Mr. Grew's imagination; it had never stopped at anything between Wingfield and the metropolis. And the real Ronald had the same cosmic vision as his parent. He brushed aside with a contemptuous laugh his mother's tearful entreaty that he should stay at Wingfield and continue the dynasty of the Grew Suspender Buckle. Mr. Grew knew that in reality Ronald winced at the Buckle, loathed it, blushed for his connection with it. Yet it was the Buckle that had seen him through Groton, Harvard and the Law School, and had permitted him to enter the office of a distinguished corporation lawyer, instead of being enslaved to some sordid business with quick returns. The Buckle had been Ronald's fairy G.o.dmother--yet his father did not blame him for abhorring and disowning it. Mr. Grew himself often bitterly regretted having bestowed his own name on the instrument of his material success, though, at the time, his doing so had been the natural expression of his romanticism. When he invented the Buckle, and took out his patent, he and his wife both felt that to bestow their name on it was like naming a battle-ship or a peak of the Andes.

Mrs. Grew had never learned to know better; but Mr. Grew had discovered his error before Ronald was out of school. He read it first in a black eye of his boy's. Ronald's symmetry had been marred by the insolent fist of a fourth former whom he had chastised for alluding to his father as "Old Buckles;" and when Mr. Grew heard the epithet he understood in a flash that the Buckle was a thing to blush for. It was too late then to dissociate his name from it, or to efface from the h.o.a.rdings of the entire continent the picture of two gentlemen, one contorting himself in the abject effort to repair a broken brace, while the careless ease of the other's att.i.tude proclaimed his trust in the Secure Suspender Buckle. These records were indelible, but Ronald could at least be spared all direct connection with them; and from that day Mr. Grew resolved that the boy should not return to Wingfield.

"You'll see," he had said to Mrs. Grew, "he'll take right hold in New York. Ronald's got my knack for taking hold," he added, throwing out his chest.

"But the way you took hold was in business," objected Mrs. Grew, who was large and literal.

Mr. Grew's chest collapsed, and he became suddenly conscious of his comic face in its rim of sandy whiskers. "That's not the only way," he said, with a touch of wistfulness which escaped his wife's a.n.a.lysis.

"Well, of course you could have written beautifully," she rejoined with admiring eyes.

"_ Written?_ Me!" Mr. Grew became sardonic.

"Why, those letters--weren't _they_ beautiful, I'd like to know?"

The couple exchanged a glance, innocently allusive and amused on the wife's part, and charged with a sudden tragic significance on the husband's.

"Well, I've got to be going along to the office now," he merely said, dragging himself out of his rocking-chair.

This had happened while Ronald was still at school; and now Mrs. Grew slept in the Wingfield cemetery, under a life-size theological virtue of her own choosing, and Mr. Grew's prognostications as to Ronald's ability to "take right hold" in New York were being more and more brilliantly fulfilled.

II

RONALD obeyed his father's injunction not to come to luncheon on the day of the Bankshires' dinner; but in the middle of the following week Mr.

Grew was surprised by a telegram from his son.

"Want to see you important matter. Expect me to-morrow afternoon."

Mr. Grew received the telegram after breakfast. To peruse it he had lifted his eye from a paragraph of the morning paper describing a fancy-dress dinner which had taken place the night before at the Hamilton Gliddens' for the house-warming of their new Fifth Avenue palace.

"Among the couples who afterward danced in the Poets' Quadrille were Miss Daisy Bankshire, looking more than usually lovely as Laura, and Mr.

Ronald Grew as the young Petrarch."

Petrarch and Laura! Well--if _anything_ meant anything, Mr. Grew supposed he knew what that meant. For weeks past he had noticed how constantly the names of the young people appeared together in the society notes he so insatiably devoured. Even the soulless reporter was getting into the habit of coupling them in his lists. And this Laura and Petrarch business was almost an announcement...

Mr. Grew dropped the telegram, wiped his eye-gla.s.ses, and re-read the paragraph. "Miss Daisy Bankshire ... more than usually lovely..." Yes; she _was_ lovely. He had often seen her photograph in the papers--seen her represented in every conceivable att.i.tude of the mundane game: fondling her prize bull-dog, taking a fence on her thoroughbred, dancing a _gavotte_, all patches and plumes, or fingering a guitar, all tulle and lilies; and once he had caught a glimpse of her at the theatre.

Hearing that Ronald was going to a fashionable first-night with the Bankshires, Mr. Grew had for once overcome his repugnance to following his son's movements, and had secured for himself, under the shadow of the balcony, a stall whence he could observe the Bankshire box without fear of detection. Ronald had never known of his father's presence at the play; and for three blessed hours Mr. Grew had watched his boy's handsome dark head bent above the dense fair hair and white averted shoulder that were all he could catch of Miss Bankshire's beauties.

He recalled the vision now; and with it came, as usual, its ghostly double: the vision of his young self bending above such a white shoulder and such shining hair. Needless to say that the real Mason Grew had never found himself in so enviable a situation. The late Mrs. Grew had no more resembled Miss Daisy Bankshire than he had looked like the happy victorious Ronald. And the mystery was that from their dull faces, their dull endearments, the miracle of Ronald should have sprung. It was almost--fantastically--as if the boy had been a changeling, child of a Latmian night, whom the divine companion of Mr. Grew's early reveries had secretly laid in the cradle of the Wingfield bedroom while Mr. And Mrs. Grew slept the deep sleep of conjugal indifference.

The young Mason Grew had not at first accepted this astral episode as the complete cancelling of his claims on romance. He too had grasped at the high-hung glory; and, with his fatal tendency to reach too far when he reached at all, had singled out the prettiest girl in Wingfield.

When he recalled his stammered confession of love his face still tingled under her cool bright stare. The wonder of his audacity had struck her dumb; and when she recovered her voice it was to fling a taunt at him.

"Don't be too discouraged, you know--have you ever thought of trying Addie Wicks?"

All Wingfield would have understood the gibe: Addie Wicks was the dullest girl in town. And a year later he had married Addie Wicks...

He looked up from the perusal of Ronald's telegram with this memory in his mind. Now at last his dream was coming true! His boy would taste of the joys that had mocked his thwarted youth and his dull gray middle-age. And it was fitting that they should be realized in Ronald's destiny. Ronald was made to take happiness boldly by the hand and lead it home like a bridegroom. He had the carriage, the confidence, the high faith in his fortune, that compel the wilful stars. And, thanks to the Buckle, he would have the exceptional setting, the background of material elegance, that became his conquering person. Since Mr. Grew had retired from business his investments had prospered, and he had been saving up his income for just such a contingency. His own wants were few: he had transferred the Wingfield furniture to Brooklyn, and his sitting-room was a replica of that in which the long years of his married life had been spent. Even the florid carpet on which Ronald's tottering footsteps had been taken was carefully matched when it became too threadbare. And on the marble centre-table, with its chenille-fringed cover and bunch of dyed pampas gra.s.s, lay the ill.u.s.trated Longfellow and the copy of Ingersoll's lectures which represented literature to Mr. Grew when he had led home his bride. In the light of Ronald's romance, Mr. Grew found himself re-living, with a strange tremor of mingled pain and tenderness, all the poor prosaic incidents of his own personal history. Curiously enough, with this new splendor on them they began to emit a small faint ray of their own. His wife's armchair, in its usual place by the fire, recalled her placid unperceiving presence, seated opposite to him during the long drowsy years; and he felt her kindness, her equanimity, where formerly he had only ached at her obtuseness. And from the chair he glanced up at the large discolored photograph on the wall above, with a brittle brown wreath suspended on a corner of the frame. The photograph represented a young man with a poetic necktie and untrammelled hair, leaning negligently against a Gothic chair-back, a roll of music in his hand; and beneath was scrawled a bar of Chopin, with the words: "_ Adieu, Adele_."

The portrait was that of the great pianist, Fortune Dolbrowski; and its presence on the wall of Mr. Grew's sitting-room commemorated the only exquisite hour of his life save that of Ronald's birth. It was some time before the latter memorable event, a few months only after Mr. Grew's marriage, that he had taken his wife to New York to hear the great Dolbrowski. Their evening had been magically beautiful, and even Addie, roused from her habitual inexpressiveness, had quivered into a momentary semblance of life. "I never--I never--" she gasped out helplessly when they had regained their hotel bedroom, and sat staring back entranced at the evening's evocations. Her large immovable face was pink and tremulous, and she sat with her hands on her knees, forgetting to roll up her bonnet-strings and prepare her curl-papers.

"I'd like to _write_ him just how I felt--I wisht I knew how!" she burst out suddenly in a final effervescence of emotion.

Her husband lifted his head and looked at her.

"Would you? I feel that way too," he said with a sheepish laugh. And they continued to stare at each other shyly through a transfiguring mist of sound.

Mr. Grew recalled the scene as he gazed up at the pianist's faded photograph. "Well, I owe her that anyhow--poor Addie!" he said, with a smile at the inconsequences of fate. With Ronald's telegram in his hand he was in a mood to count his mercies.

III

"A CLEAR twenty-five thousand a year: that's what you can tell 'em with my compliments," said Mr. Grew, glancing complacently across the centre-table at his boy's charming face.

It struck him that Ronald's gift for looking his part in life had never so romantically expressed itself. Other young men, at such a moment, would have been red, damp, tight about the collar; but Ronald's cheek was only a shade paler, and the contrast made his dark eyes more expressive.

"A clear twenty-five thousand; yes, sir--that's what I always meant you to have."