Tales from Blackwood Volume I Part 8

On the succeeding day I introduced him to my mother. The elegant freedom of his address, and the spirit and originality of his conversation, made an immediate and favourable impression upon my beloved parent; and she afterwards acknowledged to me that, independently of his n.o.ble exterior, and his powerful claim upon her grat.i.tude, she had never been so strongly prepossessed. It was on this occasion that he named himself Colonna. Since his refusal to reveal his name on the first day of our acquaintance, I had never repeated the inquiry. Subsequently, however, I discovered that this appellation had been a.s.sumed under circ.u.mstances of a disastrous and compulsory nature. After his interview with my mother, I accompanied him to his abode, where I was gratified with a view of the paintings and sketches which he had executed in Venice. His figures were fresh and masterly; his colouring had all the brilliant glow of the Venetian painters; while his bold and beautiful designs betrayed, as I had antic.i.p.ated, the accurate drawing of the Tuscan school. His studies were from the antique, and from Italian life: naked figures, or with little drapery; female heads abounding with expression and loveliness; arms and legs, backs and busts; naked boys, bathing, running, and wrestling. He intimated that he had never yet painted for emolument, nor for the gratification of others; and added, carelessly, "what farther concerns me shall be revealed to you in our hours of leisure by the lake of Garda."

On the appointed morning we quitted Venice. Our bark issued from the grand ca.n.a.l at an early hour, glided silently over the smooth surface of the laguna, and approached the entrance of the Brenta. The sun was rising in veiled and purple majesty through the soft mists of a summer morning, and the towers and churches of Venice appeared floating in thin vapour. Colonna ascended the deck, and, folding his arms, gazed with evident emotion on the "City of Palaces," until it disappeared behind a bank of fog. His chest heaved with some powerful sympathy, and, for a moment, tears suffused his eyes and veiled their brightness. His manner implied, I thought, some painful recollections, or a presentiment that he should never behold Venice again. To me our departure was a source of relief and enjoyment. In the winter season Venice is a cheerful and desirable abode, because the population is dense, and the local peculiarities contribute greatly to promote public and private festivity: but, during the heats of summer and the exhalations of autumn, no place is more offensive and pestilential.

At Padua we separated from my mother, who proceeded with her domestics by the direct road to Peschiera, while Colonna and I made a deviation to Vicenza, whither we journeyed on foot; a mode of travelling the most favourable to colloquial enjoyment, and to an accurate and comprehensive view of the country. We found the numerous edifices of Palladio in Vicenza and its vicinity in many respects unworthy of that n.o.ble architect; many of them are indeed remodelled fronts of old houses, in which the pure taste of the artist was warped by the want of capability in the original elevations. The palaces built after his designs are deficient in extent and variety, and may be termed experimental models, rather than effective ill.u.s.trations, of his chaste and cla.s.sical conceptions. In his triumphal arch at the entrance of the Campo Marzo we found much to admire, and not less in his beautiful bridge which spans the Bacchiglione. How bold, and light, and elegant the arch, like the daring leap of a youthful amazon! And how cheerful the open bal.u.s.trade, through which the clear and sparkling waters are seen rolling their rapid course to the adjacent city!

It is in Venice that the fine genius of Palladio develops all its supremacy. The Cornaro palace on the grand ca.n.a.l, and the unfinished convent of La Carita, are splendid efforts of pure taste in design and decoration; and as perfect in execution and finish as if cast in a mould. His churches too, especially that glorious edifice, Al Redentore--how simple in design, and yet how beautifully effective and harmonious in proportion and outline!

We proceeded on the following morning to Verona, which excited a stronger interest than Vicenza by its cla.s.sical a.s.sociations and striking position on the river Adige, a lively daughter of the Alps.

Rushing from her mountain bed, she urges her rapid and devious course through the city, dividing it into two portions, connected by the bridge of Scaliger. This fine edifice rises on bold arches, wider, and more heroic, and more scientific, than that of the Rialto, the wonder of Venice, which is indeed no bridge, but a huge and inconvenient staircase.

Pursuing as we journeyed onward the subject of architecture, I commented on the insignificant appearance of the temples of Pantheism, when compared with the majestic cathedrals for which the Christian world is indebted to the barbarians of the middle ages.

"The Greeks and Romans," observed Colonna, "erected a temple to each individual of their numerous deities. These buildings were consequently of limited extent, and their columns of corresponding proportions. The citizens sacrificed singly to the G.o.ds, or attended public festivals, comprehending large ma.s.ses of the people; in which event the officiating priest or priestess entered the temple, and the a.s.sembled votaries were grouped without. In our churches, on the contrary, the population of a city is often congregated for hours; and how magnificently adapted for this object is the vast and solemn interior of a Gothic cathedral, in which the voice of the priest reverberates like thunder, and the chorus of the people rises like a mountain-gust, praising the great Father of all, and rousing the affrighted conscience of the infidel; while the mighty organ, the tyrant of music, rages like a hurricane, and rolls his deep floods of sound in sublime accompaniment! How grand were the conceptions of the rational barbarians, to whom Europe is indebted for these vast and n.o.ble structures! And how immeasurably they surpa.s.s, for all meditative and devotional objects, the modern application of Greek and Roman temples, on an enlarged scale, to the purposes of Christian worship! Had any necessity existed to borrow designs from these sources, we should rather have modelled our churches from their theatres, the plan of which is admirably fitted for oratorical purposes, and for the accommodation of numbers."

We accomplished the last portion of our journey during a night of superlative beauty. A brilliant and nearly full moon glided with us through long avenues of lofty elms, linked together by the cl.u.s.tering tendrils of vines, festooned from tree to tree, and at this season prodigal of foliage. The coruscations of distant lightning shot through the clear darkness of Italian night; the moon and evening star, and Sirius and Orion, soared above us in pure ether, and seemed to approach our sphere like guardian spirits. The cool breezes which usher in the dawn now began to whisper through the foliage; a light vapour arose in the east; and the soft radiance of the first sunbeams faintly illumined the horizon as we arrived at our destination. Here the romantic lake of Garda lay expanded before us; its broad surface ruffled by the mountain breeze, and gleaming like silver in the moonlight. The waves were heaving in broken and foaming ma.s.ses, and reverberated along the rocky sh.o.r.es, finely ill.u.s.trating the accuracy of Virgil's descriptive line:

"Fluctibus et fremitu a.s.surgens marino."

I retired immediately to rest, not having slept for the preceding twenty-four hours; while Colonna preferred a morning walk, and wandered out to view the environs. In the course of the day we completed our domestic arrangements. My friend occupied a saloon on the north side of the villa, which commanded an extensive prospect, a light favourable for painting, and private egress into the open country; an accommodation which he requested, that his rambling and irregular habits might occasion no inconvenience to the other inmates of the mansion.

After a few days had been devoted to excursions upon and around the lake, and over the picturesque hills as far as Brescia, we commenced a more useful and methodical distribution of our time. Colonna began and completed the sketch of a Madonna for my mother, that he might work upon it at his leisure; and we read together the Greek poets and historians: nor did I forget to avail myself of my friend's proffered a.s.sistance to improve my knowledge of drawing and design. Under his masterly guidance I persevered in drawing geometrical figures until I could trace them with quickness, freedom, and accuracy. He then annoyed me for a brief interval with skeletons and anatomical subjects, directing my attention to the articulation of the joints and the insertion of the muscles; after which I proceeded to copy his fine studies of human limbs, both round and muscular, and in the various att.i.tudes of action and repose. Finally, I began to sketch from living models, and was pursuing my object with ardour and success, when a tragical event severed me for a considerable period from my beloved tutor and friend.

It had been arranged between us that each should, in his habits, be perfectly uncontrolled, and independent of the other. Our excursions were alternately separate, and in company, and Colonna was often absent from the villa for one or more days and nights, without exciting observation or surprise.

He delighted in ranging over the green pastures of Lombardy, hedged in by lofty trees, festooned with vines, and irrigated by transparent streams innumerable. The young Tuscan had never before seen nature in a garb so lovely and inviting; he wandered through the picturesque villages which margin or overhang the lake of Garda, sojourned with the peasantry, and sketched their figures and costume. From these rambles he would often return at sunset over the lake in a small bark, crowned like a youthful Bacchus with vine leaves and ivy, and singing wild Dithirambics to his guitar, while the surrounding villagers, by whom he was idolised, followed him in their boats with shouts of joy and festivity.

During the cool nights which, in this hilly region, temper the sickly heat of an Italian summer, we often wandered along the breezy sh.o.r.es of our cla.s.sic Benacus, or sought refreshment in its dark blue waters.

Colonna was an adept in the delightful exercise of swimming, and his instructions soon imparted to me requisite skill and self-possession.

We plunged from the marble terraces of the villa into the delicious element, cleaving its moonlit waves, and sporting over its wide surface like water-G.o.ds.

The Madonna for my mother was finished in August. The artist had selected the incident of the flight into Egypt, and the mother of Jesus was reposing in deep shade, under the giant arms and dense foliage of a maple tree. In the middle distance, a few ilex and cypress trees were effectively and naturally distributed. The background was mountain scenery; and from a lofty cliff a river was precipitated, in a bold and picturesque fall. The waters rebounded from the gulf below in silver spray, and flowed through a verdant level into a tranquil and beautiful lake. The most romantic features of the wilderness around the lake of Garda were faithfully and beautifully introduced; and the brilliant rays of a sun approaching the horizon, threw a flood of gold over rock, and wood, and water. The Madonna was a young and lovely woman, giving nourishment to her first-born son, and bending over her pleasing task with delighted attention. The head of the Virgin was after a sketch from life, but developed and elevated in character, and invested with a breathing tenderness, a hallowed innocence and purity of expression, which at once thrilled and saddened the beholder. The boy was a model of infantine beauty; he supported himself with one little hand on his mother's breast, which was partially veiled with red drapery, and he had raised his cherub head and glossy curls from the sweet fount of life, to look with bright and earnest gaze upon the glowing landscape.

The luxuriant brown hair of the Madonna was confined in a net, from which a few locks had strayed over her brow and cheek; and her blue mantle flowed with modest grace over her fine person, revealing, through its light and well-distributed folds, the graceful and easy position of the limbs. The eyes of both were radiantly bright, and in the large, well-opened orbs of the infant Saviour, the painter had introduced a something never seen in life--a premature and pathetic seriousness, awfully indicative of his high and hallowed destiny.

Above the stately plane-tree were soaring three angels of more than Grecian beauty; and their features, in which a sacred innocence of look was blended with feminine grace and softness, reminded me powerfully of that exquisite design in Raffaelle's pictorial Bible--the "three angels before Abraham's threshold."

In the middle-distance the a.s.s was grazing, and Joseph, whose features the artist had borrowed from the well-chiselled head of an old peasant, stood leaning on his staff, like a faithful servant who has succeeded in rescuing from imminent peril the treasure intrusted to him. The picture was upright and on a large scale; the Madonna and Bambino were painted the size of life, and the rich colouring of the heads and draperies was finely relieved by the local tints and highly finished bark and leaf.a.ge of the plane-tree, behind which the immense landscape receded in wide and brilliant perspective.

My mother was inexpressibly delighted with this valuable token of his regard, and her affection for the highly-gifted painter became truly maternal.

About this period I remarked a mysterious change in the looks and habits of Colonna. His prompt and flowing language gave place to a moody and oppressive silence; his deportment was occasionally more abrupt and impa.s.sioned; and his eloquent features betrayed some hidden source of grief and perplexity. The increased duration and frequency of his rambles from the villa excited at length my attention and remonstrance. In justification, he pleaded, as before, that he was a man of itinerant habits, and too mercurial in temperament to remain long in any place. This explanation had now, however, ceased to be satisfactory. Our intercourse was obviously less cordial and incessant. He had of late rarely sought my society in his excursions, and this circ.u.mstance, in connection with his altered look and manner, made me suspect some change in his feelings towards me. I determined to solve a mystery so painful and embarra.s.sing, and succeeded ere long in obtaining his confession, during a still and beautiful night, a large portion of which we pa.s.sed together in a myrtle arbour, which crowned a cool eminence in the villa gardens. We had pa.s.sed some hours in this delicious solitude, enjoying the pure night-breeze, and admiring the soft and silver tints diffused by an Italian moon over the lake and landscape. Our spirits were elevated by wine, and song, and conversation; and our hearts communed together, and expanded into more than usual freedom and confidence. I described to him the fair objects of several fleeting attachments, and acknowledged that my experience of female excellence had never yet realised the expectations I had formed. "I antic.i.p.ated from you, however," I continued, "some ill.u.s.trations of that wayward thing, the human heart.

A youth so ardent in feeling, and so adorned by nature and education, must necessarily have had no limited experience of the tender pa.s.sion; and surely some of the beautiful heads in your portfolio have been sketched from life, and _con amore_."

"I do not willingly," he replied, "enter upon acknowledgments of this nature. They tend to excite feelings of envy, and sometimes expose the warmest friendship to a severe test. We have now, however, enjoyed abundant opportunity to study the lights, and shades, and inmost recesses of our respective characters, and as you have made me your father-confessor, I shall no longer hesitate to repose in you a responsive and unbounded confidence. Know, then, that I love, with all the enthusiasm of a first pa.s.sion, the most beautiful woman of her time--that she is the only daughter of the proudest senator in Venice--that she is no stranger to your family, and now resides within a league of us. Her name is Laura Foscari; and she is, alas! the destined and unwilling bride of the opulent Ercole Barozzo, governor of Candia."

At this unexpected intelligence, I almost started on my feet with astonishment. My consternation was too great for utterance, and I listened with breathless and eager attention.

"We became acquainted," he continued, "by a singular accident. I had long admired her as the most lovely woman in Venice. Her head has all the beauty of a fine antique, lighted up by dark eyes of radiant l.u.s.tre, and heightened by a smile of magic power and sweetness. I have more than once sketched her unrivalled features when she was kneeling at church, and her fine eyes were upraised in devotional rapture. In public places, and at ma.s.s, I had frequently seen her, and our eyes had so often met, that she could not but learn from mine how fervently I admired her. My endeavours to obtain an introduction as an artist to her father and brothers had been unsuccessful, and at length I was indebted to a fortunate incident for an opportunity of conversing with her un.o.bserved. One evening, near the close of the last Carnival, I saw her enter with her friends the place of St Mark, near the new church of San Geminiano. She wore only a half-mask, and her graceful mien and fine person could not be disguised. My mask and domino were similar to those of her youngest brother, who resembled me also somewhat in person. The imperfect light and the confusion of the a.s.sembled crowd separated her from her party; and while endeavouring to rejoin them, she approached me, mistook me for her brother, put her arm within mine, and with charming vivacity, whispered in my ear some comments on the motley groups around us. You will readily conjecture that I promptly availed myself of the brief and golden opportunity. I glanced rapidly around, and finding that we were un.o.bserved, I partially raised my mask. She had so often observed me gazing upon her with undisguised and rapturous admiration, that she recognised me at once, and tacitly acknowledged it by a blush which suffused every visible feature with crimson. In glowing and beautiful confusion she attempted to withdraw her arm, but I retained it firmly, and in low but emphatic tones, I told her that I had long loved her with sincerity and ardour; that I could fairly boast of constancy and discretion, of education and refinement; that no man so well understood her value, or would encounter and endure so much to win her affections. All this and more I poured into her ear with rapid and glowing diction, and with the impa.s.sioned gesture which is natural to me. Timid and irresolute, she accompanied me some paces, paused, and in trembling emotion again attempted to withdraw her arm, but was still urged forward by my impetuosity. At length, by a sudden effort, she escaped; but, as she quitted, whispered with bewitching hesitation and timidity--'_To-morrow morning, at Santi Giovanni e Paolo._' Soon as these words fell on my delighted ear, I plunged into the crowd of masks, in token of my discretion and prompt obedience to her will. The emotion excited by this early and unexpected proof of sympathy was so rapturous and overwhelming, that I abandoned myself to all the extravagance of sudden bliss. I flew on wings of ecstasy along the streets, bounded over the stairs of the Rialto, and reached my abode in a state of mind bordering on delirium. During that interminable but delicious night I neither sought nor wished for repose. I felt as if I had never known sleep--as if I should never sleep again; and, when my waking dreams occasionally yielded to brief and agitated slumber, my excited feelings called up a flitting train of images not less vivid and enchanting.

"Long before the commencement of the early ma.s.s, I had reached the church indicated by the beauteous Laura. I was the first to enter it, and I waited her arrival with an impatience which no words can describe. Never had the celebration of the ma.s.s appeared to me so wearisome and monotonous; and, in hopes to subdue in some measure the wild agitation which chafed me, I withdrew the curtain which veiled t.i.tian's divine picture of Pietro Martire, in which the saint lies wounded and dying before his a.s.sa.s.sin. The companion of the prostrate Pietro is endeavouring to escape a similar fate; and two angels, whose features are not Italian but Greek, are soaring amidst the foliage, environed with a heavenly l.u.s.tre, which throws its bright effulgence over the foreground of the immense landscape. What a masterpiece! How full of animation and contrast! What rich and lively local tints in the slender and graceful stems of the lofty chestnuts, which are painted the size of nature! And how naturally the glorious landscape fades into the blue and distant mountains! The half-naked murderer has all the ferocity of a mountain bandit, in figure, att.i.tude, and menace; while the wounded saint exhibits in his pale and collapsed features the dying agony of a good man, blended with a consciousness that he has achieved the rewarding glories of martyrdom.

"But no masterpiece could allay the glowing tumults of my soul, and again I paced the church with feverish impatience. At length the peerless Laura entered, and, alas, poor t.i.tian! the charms of thy creative pencil withered as she approached--the vivid splendours of thy colouring faded before the paramount beauties of nature! She was attired in the picturesque garb and head-dress of Venice; her veil was raised; and her fine countenance, radiant with beauty and intelligence, imparted life, dignity, and l.u.s.tre to every surrounding object.

"She was accompanied by her mother, and after prostration before the altar, they retired to their devotions in the body of the church.

I stood in a position which enabled me to observe every look and gesture, and it did not escape me that Laura, while kneeling, cast a look of supplication towards heaven, and sighed deeply. She soon became conscious of my presence; and rising, she took a chair, and fixed upon me a look so deeply penetrative, so fraught with tender meaning, and yet so timidly, so truly modest, that every chord of feeling in my frame was thrilled with sudden transport. To uninterested observers her deportment was tranquil, but ere long I could discern tokens of deep and anxious thought clouding her lovely face. Her lips quivered as if in sympathy with some inward feeling of doubt and apprehension, which at length subsided, and her angelic features were suddenly irradiated with a tender and enchanting smile.

She then read for some time in her book, and marked a place in it with a card, to which, by an expressive glance, she directed my attention.

The ma.s.s was concluded, the congregation quitted the church, and I availed myself of the crowded portal to approach and take the card, which she conveyed to me unperceived. I hastened from the spot, and seized the first opportunity to read these words--'_Two hours after midnight, at the postern near the ca.n.a.l._' The card said no more; but, to a lover, it spoke volumes.

"These magic words, and the enchantress who had penned them, absorbed every thought and feeling throughout the never-ending day. In the evening, I pa.s.sed and repa.s.sed the Foscari palace, until the shape and position of every door and window were engraven on my memory. I provided myself with weapons, ordered my gondolier to hold himself in readiness, and at midnight I proceeded to the Piazza near Maria Formosa. Enveloped in my mantle, I traversed the pavement with feverish impetuosity for two hours, which appeared like ages. The course of nature seemed to stagnate, and the constellations to pause in their career, as if in mockery of my feelings. I walked with increased rapidity, and even vaulted into the air with childish eagerness as if to grasp the heavenly bodies, and accelerate their lingering progress. At length the last quarter struck. I hastened through the silent and deserted streets, and strode over the bridges with a bound as vehement as if I would have spurned them from under me. I soon arrived at the appointed postern, and waited, all eye and ear, in a contiguous angle of the wall. Ere long the door was gently opened, and I heard the music of an angel's voice, bidding me enter with noiseless steps, and beware of rousing her brothers, whose violence would endanger my life. In obedient silence I followed her up a dark staircase into a saloon adjoining the grand ca.n.a.l, and dimly lighted by a single lamp. The enchanting Laura was attired in a white robe of elegant simplicity, well fitted to display the perfect symmetry and luxuriant fulness of her incomparable shape. Her head was uncovered, and her waving tresses floated in rich profusion over her shoulders and bosom. Thus unadorned, her beauty was so dazzling and celestial, that I could have knelt and worshipped her as the Aphrodite of the Adriatic Paphos. I gazed upon her until I became giddy with admiration and rapture. Yielding to an irresistible impulse, I lost all discretion--folded the lovely creature in my embrace--and impressed a fervent kiss upon her coral lips.

"'Unhand me, daring youth!' she exclaimed, her fine features flashing with indignant eloquence as she repulsed me. 'Remember that I am Foscari's daughter, and do me the justice to believe, that I have not unadvisedly received you at an hour so unseemly. I was impelled to this step not only by the regard due to your personal safety, but by my implicit confidence in the honour of a cavalier. Think not, rash youth! that a Foscari would condescend, like Bianca Capello, to an obscure stranger. I know that you are not what you would seem. I know that 'Colonna the painter' is but the outward sh.e.l.l which hides the pearl and pride of the Florentine n.o.bility. I have a friend in Venice who is in confidential intercourse by letter with your aunt Veronica, and from her I heard in secresy that the study of painting was not your primary object in Venice, but a.s.sumed only to mask some more important purpose.'

"Mortified by the indiscretion of my aunt, and sensible of the fatal consequences it might involve, I soon recovered some degree of self-control, and apologised to the still offended Laura for the inconsiderate freedom in which I had indulged. I then disclosed to her some particulars of my previous history, and expressed, in ardent and grateful terms my sense of the flattering distinction conferred upon me by the loveliest woman in Venice.

"'Ah, Montalto!' she replied, with glowing cheeks, and a look of enchanting tenderness, 'you know not the dreadful risk to which my wish to become better acquainted with your merits exposes me. I am watched with jealous and unceasing vigilance by an ambitious father, whose sole object is the aggrandis.e.m.e.nt of his sons; and to the accomplishment of this purpose he will not hesitate to sacrifice an only and affectionate daughter. Destined to become the unwilling bride of heartless opulence, or to the living sepulture of a convent, and formed, by an affectionate mother, for every social and domestic relation, there have been moments when I wished it had pleased Heaven to cast my lot in free and humble mediocrity. My affections were then unappropriated----'

"She paused in blushing and beautiful embarra.s.sment, but soon resumed:--'It would be affectation to deny that they are no longer so.

I must have been more than woman to have remarked, without some responsive feeling, the obvious regard----' Here she paused anew, the rose of sweet confusion dyed her cheek more deeply than before, and after a momentary struggle, she continued, with averted looks: 'The heroic cast and expression of your features, and the unembarra.s.sed ease and elegance of your deportment, bore the genuine stamp of n.o.bility by descent and education. The instinctive discrimination peculiar to woman is often more accurate in its conclusions than the boasted experience of man. Appearances taught me to suspect, that your homely garb and professional pursuit were a delusion; and I heard with more pleasure than surprise that my conjecture was well-founded.'

"Such, my Angelo! was the ingenuous and flattering avowal of the transcendent Laura Foscari, the pride of Venice, and paragon of her s.e.x. No words can portray the boundless grat.i.tude and affection with which she inspired me; nor will I attempt to describe the enchanting grace and varied intelligence of her conversation during the brief and delightful hour I remained with her. Too soon the breezes which announce the dawn shook the windows of the saloon; a luminous streak bordered the eastern sky; and Laura, starting suddenly from her chair, bade me begone.

"Thus terminated my first interview with this high-minded and incomparable woman. To-morrow, should no obstacle intervene, I will resume my narrative, and, at the same time, impart to you some particulars of my family and early life."

We then returned to the villa, and separated for the night.

CHAPTER III.

If the opening of Colonna's confession had excited surprise and emotion, the incidents detailed in his interesting narrative were a fertile source of anxiety and dismay. The veil of mystery was indeed raised, but the scene disclosed was haunted by menacing appearances; and I looked forward to the future with indescribable solicitude. The vehemence of Colonna's pa.s.sions was alarming, and his impetuosity would too probably betray him into formidable peril. After mature consideration, however, I determined to rest my hopes of a happy termination to these difficulties upon his clear intellect, and his n.o.ble and generous heart. I mentally renewed my vow of everlasting friendship, and pledged myself to a.s.sist and defend him to the uttermost, under all circ.u.mstances of difficulty and peril.

On the following day we were surprised by an unwelcome visit from the brothers and destined husband of Laura. She had previously accompanied her mother more than once in a morning visit to our villa; but I had never surmised sympathy, nor even acquaintance, between her and Colonna, so skilfully did they preserve appearances. When he spoke of her, it was invariably in the language of an artist. He admired the rare and absolute symmetry of her face and form, in which she surpa.s.sed every woman he had seen. He even remarked, with well-a.s.sumed professional enthusiasm, how much it was to be regretted that her rank and education precluded the possibility of her benefiting the arts as a model. He deemed the proportions of her figure as admirable as those of the Grecian Venus at Florence; and her head, arms, and hands as greatly superior. On farther retrospection, I recollected to have observed a richer glow on the cheek of Laura, whenever the lute of Colonna vibrated from the villa-gardens; or, when his thrilling and seductive voice sang some tender aria to the guitar.

The younger Foscari was fascinated by the appearance and conversation of Colonna, and expressed a wish to see his paintings. The party proceeded to his saloon, and readily acknowledged his fine taste, and evident promise of high excellence. Barozzo alone, a man of large stature, of haughty deportment, and of a repulsive and sinister aspect, a.s.sumed the critic; and betrayed, by his uncouth remarks, an utter ignorance of fine art. Colonna, however, with admirable self-possession, preserved the una.s.suming deportment of a young artist, ambitious of patronage; spoke of the extreme difficulty of attaining excellence in his profession, and gravely complimented Barozzo upon the accuracy of his judgment. The haughty senator was gratified and won by an admission so flattering to his pride; and condescended to request that Colonna would paint the portraits of his bride and himself. The young painter bit his lip as he bowed his acknowledgments; but expressed his high sense of the honour conferred, and his conviction that the portraits, if successful, would powerfully recommend him to the n.o.bles of Venice, and prove a certain avenue to fame and fortune. It was agreed that, on an early day, Colonna should proceed with the requisite materials to the villa Foscari, and commence the portrait of Laura; after which, the cavaliers mounted their horses, and returned home.

To prevent a similar interruption on the succeeding day from any other quarter, I agreed with Colonna to rise with the sun, and proceed over the lake into the mountains, with provisions for the day. We met at early dawn; and the birds were caroling their morning hymn, as, with expanded sail, our bark bounded lightly across the lake. Ere long we saw the G.o.d of day peeping with golden brow above the ridge of Monte Baldo; then, majestically advancing over the mountains near Verona, he poured a flood of bright and glowing beauty over the immense landscape. The water was partially concealed by the vapours of morning, and mists of purple hue floated like regal canopies above the cliffs, while a light breeze, rippling the centre of the lake, dispersed its tranquil slumber, and roused it into life and beauty.

The peninsula of Sirmio lay basking in sunny radiance before us; and the mountains beyond displayed the grandeur of their immeasurable outline, varied by prominent and rugged ma.s.ses, which were piled up in chaos like Ossa on Pelion. The eastern sky was robed in vapours of rosy tint; light clouds of pearly l.u.s.tre floated in tranquil beauty through the heavens; and the Alpine eagles were careering in joyous and sweeping circles amid the pure ether.

Certainly the lake of Garda displays a rare combination of the beautiful and sublime. The sh.o.r.es abound in the wild and majestic, in variety and beauty of local tints, and picturesque vicissitudes of light and shade; while the olive-crowned Sirmio, like the island-realm of a Calypso, reposes in regal pride upon the waters, and seems to hold in va.s.salage the opposite sh.o.r.es and amphitheatre of mountains.

There have been some days in my existence which will ever be dear to my memory, and this was one of them. It was a cool and delicious morning in the beginning of October; my senses were refreshed with sleep; I was awake to the calm and holy influences of nature; and I antic.i.p.ated the promised narrative of Colonna's early life with a lively interest, which imparted new zest to every feeling, and new beauty to the glowing landscape. It was still early when we landed under the cliff, and availed ourselves of the dewy freshness of the morning to ascend a rugged path, which conducted us to a sequestered grove of beech and chestnut. From a crevice in the base of a rock, feathered with flowering creepers, issued a limpid spring, which, after dispensing coolness and verdure to the grove, rolled onward with mild and soothing murmurs to the lower levels. Plunging our wine-flasks into the pure element where it burst into life from the parent rock, we extended ourselves on the soft gra.s.s, and dismissed our boatmen, with orders to return at sunset. I then reminded Colonna of his promise to reveal to me some particulars of his early fortunes; and after a pause, during which his features were slightly convulsed, as if by painful recollections, he thus began:

"I am the sole survivor of one of the most ill.u.s.trious families in Florence. My father was Leone di Montalto; and my mother was of the persecuted and n.o.ble race of the Albizi. They are both deceased; and I remain a solitary mourner, their first and only child. My mother died the day after my birth, and my father grieved for her long and sincerely; but the lapse of years, and frequent absences from Florence in the naval service of the state, healed his wounded spirit; and in an evil hour he became deeply enamoured of Isabella, third daughter of Cosmo de' Medici, the tyrant of unhappy Florence. She was the wife of Paul Orsini, the Roman, who, without any formal repudiation, had abandoned her, and resided entirely in Rome. This extraordinary woman was distinguished throughout Italy for personal beauty and rare intellectual accomplishment. Her conversation not only sparkled with wit, grace, and vivacity, but was full of knowledge and originality; and her great natural powers had been so highly cultivated, that she conversed with fluency in French, Spanish, and even in Latin. She performed with skill on various instruments--sang like a Siren, and was an admirable improvisatrice. Thus highly gifted and adorned by nature and education, she was the idol of Cosmo, and ruled his court like a presiding G.o.ddess. Her time and her affections being unoccupied, she did not discourage the attentions of my father, who was one of the most elegant and accomplished men of his time, and blended the grace of a courtier with the free and gallant bearing of a distinguished commander. The dormant sensibilities of Isabella were soon awakened by the enthusiastic fervour of his attachment; and their secret intelligence had subsisted some time, when it was discovered by the jealous and vindictive Cosmo. My unfortunate parent was immediately arrested and imprisoned, but effected his escape, fled to Venice, and from thence to the Levant. His estates were confiscated under the pretext of treasonable practices; and I found a refuge and a home under the roof of my widowed aunt, Veronica Della Torre.

"The heartless and meretricious Isabella relinquished my father without a sigh, or a struggle to save him, and consoled herself with court-pageantry, and a succession of new lovers, many of whom were sacrificed by her cunning and ruthless father. As a selfish voluptuary, and the destroyer of his country's liberty, Cosmo has been compared with Augustus; but in gratuitous and deliberate cruelty, he far surpa.s.ses his prototype.

"I was indebted to neglect and accident for the best of all x.x.xX educations. My father loved and cherished me; but his domestic calamity, his frequent absences from Florence, and, subsequently, his pursuit of Isabella, interfered with the customary course of education, and saved me from the despotism of a regular tutor, and from the debasing tyranny, the selfish and vulgar profligacy, of those inst.i.tutions of monkery called public academies.

"It was surely the intention of Providence that the faculties of early life should not be strained by labours hostile to the healthful growth of mind and body, and that the heart, the senses, and the principles should alone be tutored in the first ten years of life. And yet how egregiously has the folly of the creature perverted the benevolent purpose of the Creator! With thoughtless, heartless indifference he commits his tender offspring to the crushing tyranny of pedants and task-masters, who rack and stupify the imperfect brain by vain attempts to convey dead languages through a dead medium, and inflict upon their helpless pupils the occult mysteries of grammar, which is the philosophy of language, and intelligible only to ripened faculties. Ask the youth who has toiled in prostration of spirit through the joyless years of school existence in the preparatory seminaries of Italy--bid him look back upon his tedious pilgrimage, and weigh the scanty knowledge he has won against the abundant miseries he has endured from the harsh discipline of monkish tutors, and the selfish brutality of senior cla.s.s-fellows! His pride may prompt him to deny, but in honesty and fairness he must admit, that the established system of education is radically vicious; that his attainments are meagre and superficial; that his knowledge of the world is selfishness and cunning; and that, to rise above the herd of slaves and dunces, he must give himself a second and widely different education; more liberal, comprehensive, and practical.

"It was my happier fate to enjoy, until the age of ten, unbounded liberty. I a.s.sociated with boys of my own age, selecting for frequent intercourse those most distinguished by strength of body, resource of mind, and a lofty and determined spirit. I disdained to be outdone in feats of bodily activity, and persevered with inflexible ardour until I surpa.s.sed all my compet.i.tors in running, wrestling, and swimming, and in every species of juvenile and daring exploit.