Sula - A Novel Part 8

Still, when the day broke in an incredible splash of sun, he gathered his things. In the early part of the afternoon, drenched in sunlight and certain that this would be the last time he would invite them to end their lives neatly and sweetly, he walked over the rickety bridge and on into the Bottom. But it was not heartfelt this time, not loving this time, for he no longer cared whether he helped them or not. His rope was improperly tied; his bell had a tinny unimpa.s.sioned sound. His visitor was dead and would come no more.

Years later people would quarrel about who had been the first to go. Most folks said it was the deweys, but one or two knew better, knew that Dessie and Ivy had been first. Said that Dessie had opened her door first and stood there shielding her eyes from the sun while watching Shadrack coming down the road. She laughed.

Maybe the sun; maybe the clots of green showing in the hills promising so much; maybe the contrast between Shadrack's doomy, gloomy bell glinting in all that sweet sunshine. Maybe just a brief moment, for once, of not feeling fear, of looking at death in the sunshine and being unafraid. She laughed.

Upstairs, Ivy heard her and looked to see what caused the thick music that rocked her neighbor's b.r.e.a.s.t.s. Then Ivy laughed too. Like the scarlet fever that had touched everybody and worn them down to gristle, their laughter infected Carpenter's Road. Soon children were jumping about giggling and men came to the porches to chuckle. By the time Shadrack reached the first house, he was facing a line of delighted faces.

Never before had they laughed. Always they had shut their doors, pulled down the shades and called their children out of the road. It frightened him, this glee, but he stuck to his habit-singing his song, ringing his bell and holding fast to his rope. The deweys with their magnificent teeth ran out from Number 7 and danced a little jig around the befuddled Shadrack, then cut into a wild aping of his walk, his song and his bell-ringing. By now women were holding their stomachs, and the men were slapping their knees. It was Mrs. Jackson, who ate ice, who tripped down off her porch and marched-actually marched-along behind him. The scene was so comic the people walked into the road to make sure they saw it all. In that way the parade started.

Everybody, Dessie, Tar Baby, Patsy, Mr. Buckland Reed, Teapot's Mamma, Valentine, the deweys, Mrs. Jackson, Irene, the proprietor of the Palace of Cosmetology, Reba, the Herrod brothers and flocks of teen-agers got into the mood and, laughing, dancing, calling to one another, formed a pied piper's band behind Shadrack. As the initial group of about twenty people pa.s.sed more houses, they called to the people standing in doors and leaning out of windows to join them; to help them open further this slit in the veil, this respite from anxiety, from dignity, from gravity, from the weight of that very adult pain that had undergirded them all those years before. Called to them to come out and play in the sunshine-as though the sunshine would last, as though there really was hope. The same hope that kept them picking beans for other farmers; kept them from finally leaving as they talked of doing; kept them knee-deep in other people's dirt; kept them excited about other people's wars; kept them solicitous of white people's children; kept them convinced that some magic "government" was going to lift them up, out and away from that dirt, those beans, those wars.

Some, of course, like Helene Wright, would not go. She watched the ruckus with characteristic scorn. Others, who understood the Spirit's touch which made them dance, who understood whole families bending their backs in a field while singing as from one throat, who understood the ecstasy of river baptisms under suns just like this one, did not understand this curious disorder, this headless display and so refused also to go.

Nevertheless, the sun splashed on a larger and larger crowd that strutted, skipped, marched, and shuffled down the road. When they got down to where the sidewalk started, some of them stopped and decided to turn back, too embarra.s.sed to enter the white part of town whooping like banshees. But except for three or four, the fainthearted were put to shame by the more aggressive and abandoned, and the parade danced down Main Street past Woolworth's and the old poultry house, turned right and moved on down the New River Road.

At the mouth of the tunnel excavation, in a fever pitch of excitement and joy, they saw the timber, the bricks, the steel ribs and the tacky wire gate that glittered under ice struck to diamond in the sun. It dazzled them, at first, and they were suddenly quiet. Their hooded eyes swept over the place where their hope had lain since 1927. There was the promise: leaf-dead. The teeth unrepaired, the coal credit cut off, the chest pains unattended, the school shoes unbought, the rush-stuffed mattresses, the broken toilets, the leaning porches, the slurred remarks and the staggering childish malevolence of their employers. All there in blazing sunlit ice rapidly becoming water.

Like antelopes they leaped over the little gate-a wire barricade that was never intended to bar anything but dogs, rabbits and stray children-and led by the tough, the enraged and the young they picked up the lengths of timber and thin steel ribs and smashed the bricks they would never fire in yawning kilns, split the sacks of limestone they had not mixed or even been allowed to haul; tore the wire mesh, tipped over wheelbarrows and rolled forepoles down the bank, where they sailed far out on the icebound river.

Old and young, women and children, lame and hearty, they killed, as best they could, the tunnel they were forbidden to build.

They didn't mean to go in, to actually go down into the lip of the tunnel, but in their need to kill it all, all of it, to wipe from the face of the earth the work of the thin-armed Virginia boys, the bull-necked Greeks and the knife-faced men who waved the leaf-dead promise, they went too deep, too far...

A lot of them died there. The earth, now warm, shifted; the first forepole slipped; loose rock fell from the face of the tunnel and caused a shield to give way. They found themselves in a chamber of water, deprived of the sun that had brought them there. With the first crack and whoosh of water, the clamber to get out was so fierce that others who were trying to help were pulled to their deaths. Pressed up against steel ribs and timber blocks young boys strangled when the oxygen left them to join the water. Outside, others watched in terror as ice split and earth shook beneath their feet. Mrs. Jackson, weighing less than 100 pounds, slid down the bank and met with an open mouth the ice she had craved all her life. Tar Baby, Dessie, Ivy, Valentine, the Herrod boys, some of Ajax's younger brothers and the deweys (at least it was supposed; their bodies were never found)-all died there. Mr. Buckland Reed escaped, so did Patsy and her two boys, as well as some fifteen or twenty who had not gotten close enough to fall, or whose timidity would not let them enter an unfinished tunnel.

And all the while Shadrack stood there. Having forgotten his song and his rope, he just stood there high up on the bank ringing, ringing his bell.

1965.

Things were so much better in 1965. Or so it seemed. You could go downtown and see colored people working in the dime store behind the counters, even handling money with cash-register keys around their necks. And a colored man taught mathematics at the junior high school. The young people had a look about them that everybody said was new but which reminded Nel of the deweys, whom n.o.body had ever found. Maybe, she thought, they had gone off and seeded the land and growed up in these young people in the dime store with the cash-register keys around their necks.

They were so different, these young people. So different from the way she remembered them forty years ago.

Jesus, there were some beautiful boys in 1921! Look like the whole world was bursting at the seams with them. Thirteen, fourteen, fifteen years old. Jesus, they were fine. L. P., Paul Freeman and his brother Jake, Mrs. Scott's twins-and Ajax had a whole flock of younger brothers. They hung out of attic windows, rode on car fenders, delivered the coal, moved into Medallion and moved out, visited cousins, plowed, hoisted, lounged on the church steps, careened on the school playground. The sun heated them and the moon slid down their backs. G.o.d, the world was full full of beautiful boys in 1921. of beautiful boys in 1921.

Nothing like these kids. Everything had changed. Even the wh.o.r.es were better then: tough, fat, laughing women with burns on their cheeks and wit married to their meanness: or widows couched in small houses in the woods with eight children to feed and no man. These modern-day wh.o.r.es were pale and dull before those women. These little clothes-crazy things were always embarra.s.sed. Nasty but shamed. They didn't know what shameless was. They should have known those silvery widows in the woods who would get up from the dinner table and walk into the trees with a customer with as much embarra.s.sment as a calving mare.

Lord, how time flies. She hardly recognized anybody in the town any more. Now there was another old people's home. Look like this town just kept on building homes for old people. Every time they built a road they built a old folks' home. You'd think folks was living longer, but the fact of it was, they was just being put out faster.

Nel hadn't seen the insides of this most recent one yet, but it was her turn in Circle Number 5 to visit some of the old women there. The pastor visited them regularly, but the circle thought private visits were nice too. There were just nine colored women out there, the same nine that had been in the other one. But a lot of white ones. White people didn't fret about putting their old ones away. It took a lot for black people to let them go, and even if somebody was old and alone, others did the dropping by, the floor washing, the cooking. Only when they got crazy and unmanageable were they let go. Unless it was somebody like Sula, who put Eva away out of meanness. It was true that Eva was foolish in the head, but not so bad as to need locking up.

Nel was more than a little curious to see her. She had been really active in church only a year or less, and that was because the children were grown now and took up less time and less s.p.a.ce in her mind. For over twenty-five years since Jude walked out she had pinned herself into a tiny life. She spent a little time trying to marry again, but n.o.body wanted to take her on with three children, and she simply couldn't manage the business of keeping boyfriends. During the war she had had a rather long relationship with a sergeant stationed at the camp twenty miles down river from Medallion, but then he got called away and everything was reduced to a few letters-then nothing. Then there was a bartender at the hotel. But now she was fifty-five and hard put to remember what all that had been about.

It didn't take long, after Jude left, for her to see what the future would be. She had looked at her children and knew in her heart that that would be all. That they were all she would ever know of love. But it was a love that, like a pan of syrup kept too long on the stove, had cooked out, leaving only its odor and a hard, sweet sludge, impossible to sc.r.a.pe off. For the mouths of her children quickly forgot the taste of her nipples, and years ago they had begun to look past her face into the nearest stretch of sky.

In the meantime the Bottom had collapsed. Everybody who had made money during the war moved as close as they could to the valley, and the white people were buying down river, cross river, stretching Medallion like two strings on the banks. n.o.body colored lived much up in the Bottom any more. White people were building towers for television stations up there and there was a rumor about a golf course or something. Anyway, hill land was more valuable now, and those black people who had moved down right after the war and in the fifties couldn't afford to come back even if they wanted to. Except for the few blacks still huddled by the river bend, and some undemolished houses on Carpenter's Road, only rich white folks were building homes in the hills. Just like that, they had changed their minds and instead of keeping the valley floor to themselves, now they wanted a hilltop house with a river view and a ring of elms. The black people, for all their new look, seemed awfully anxious to get to the valley, or leave town, and abandon the hills to whoever was interested. It was sad, because the Bottom had been a real place. These young ones kept talking about the community, but they left the hills to the poor, the old, the stubborn-and the rich white folks. Maybe it hadn't been a community, but it had been a place. Now there weren't any places left, just separate houses with separate televisions and separate telephones and less and less dropping by.

These were the same thoughts she always had when she walked down into the town. One of the last true pedestrians, Nel walked the shoulder road while cars slipped by. Laughed at by her children, she still walked wherever she wanted to go, allowing herself to accept rides only when the weather required it.

Now she went straight through the town and turned left at its farthest end, along a tree-lined walk that turned into a country road farther on and pa.s.sed the cemetery, Beechnut Park.

When she got to Sunnydale, the home for the aged, it was already four o'clock and turning chill. She would be glad to sit down with those old birds and rest her feet.

A red-haired lady at the desk gave her a pa.s.s card and pointed to a door that opened onto a corridor of smaller doors. It looked like what she imagined a college dormitory to be. The lobby was luxurious-modern-but the rooms she peeped into were sterile green cages. There was too much light everywhere; it needed some shadows. The third door, down the hall, had a little name tag over it that read EVA PEACE EVA PEACE. Nel twisted the k.n.o.b and rapped a little on the door at the same time, then listened a moment before she opened it.

At first she couldn't believe it. She seemed so small, sitting at that table in a black-vinyl chair. All the heaviness had gone and the height. Her once beautiful leg had no stocking and the foot was in a slipper. Nel wanted to cry-not for Eva's milk-dull eyes or her floppy lips, but for the once proud foot accustomed for over a half century to a fine well-laced shoe, now stuffed gracelessly into a pink terrycloth slipper.

"Good evening, Miss Peace. I'm Nel Greene come to pay a call on you. You remember me, don't you?"

Eva was ironing and dreaming of stairwells. She had neither iron nor clothes but did not stop her fastidious lining up of pleats or pressing out of wrinkles even when she acknowledged Nel's greeting.

"Howdy. Sit down."

"Thank you." Nel sat on the edge of the little bed.

"You've got a pretty room, a real pretty room, Miss Peace."

"You eat something funny today?"

"Ma'am?"

"Some chop suey? Think back."

"No, ma'am."

"No? Well, you gone be sick later on."

"But I didn't have no chop suey."

"You think I come all the way over here for you to tell me that? I can't make visits too often. You should have some respect for old people."

"But Miss Peace, I'm visiting you you. This is your your room." Nel smiled. room." Nel smiled.

"What you say your name was?"

"Nel Greene."

"Wiley Wright's girl?"

"Uh huh. You do remember. That makes me feel good, Miss Peace. You remember me and my father."

"Tell me how you killed that little boy."

"What? What little boy?"

"The one you threw in the water. I got oranges. How did you get him to go in the water?"

"I didn't throw no little boy in the river. That was Sula."

"You. Sula. What's the difference? You was there. You watched, didn't you? Me, I never would've watched."

"You're confused, Miss Peace. I'm Nel. Sula's dead."

"It's awful cold in the water. Fire is warm. How did you get him in?" Eva wet her forefinger and tested the iron's heat.

"Who told you all these lies? Miss Peace? Who told you? Why are you telling lies on me?"

"I got oranges. I don't drink they old orange juice. They puts something in it."

"Why are you trying to make out like I did it?"

Eva stopped ironing and looked at Nel. For the first time her eyes looked sane.

"You think I'm guilty?" Nel was whispering.

Eva whispered back, "Who would know that better than you?"

"I want to know who you been talking to." Nel forced herself to speak normally.

"Plum. Sweet Plum. He tells me things." Eva laughed a light, tinkly giggle-girlish.

"I'll be going now, Miss Peace." Nel stood.

"You ain't answered me yet."

"I don't know what you're talking about."

"Just alike. Both of you. Never was no difference between you. Want some oranges? It's better for you than chop suey. Sula? I got oranges."

Nel walked hurriedly down the hall, Eva calling after her, "Sula?" Nel couldn't see the other women today. That woman had upset her. She handed her pa.s.s back to the lady, avoiding her look of surprise.

Outside she fastened her coat against the rising wind. The top b.u.t.ton was missing so she covered her throat with her hand. A bright s.p.a.ce opened in her head and memory seeped into it.

Standing on the riverbank in a purple-and-white dress, Sula swinging Chicken Little around and around. His laughter before the hand-slip and the water closing quickly over the place. What had she felt then, watching Sula going around and around and then the little boy swinging out over the water? Sula had cried and cried when she came back from Shadrack's house. But Nel had remained calm.

"Shouldn't we tell?"

"Did he see?"

"I don't know. No."

"Let's go. We can't bring him back."

What did old Eva mean by you watched? you watched? How could she help seeing it? She was right there. But Eva didn't say How could she help seeing it? She was right there. But Eva didn't say see, see, she said she said watched. watched. "I did not watch it. I just saw it." But it was there anyway, as it had always been, the old feeling and the old question. The good feeling she had had when Chicken's hands slipped. She hadn't wondered about that in years. "Why didn't I feel bad when it happened? How come it felt so good to see him fall?" "I did not watch it. I just saw it." But it was there anyway, as it had always been, the old feeling and the old question. The good feeling she had had when Chicken's hands slipped. She hadn't wondered about that in years. "Why didn't I feel bad when it happened? How come it felt so good to see him fall?"

All these years she had been secretly proud of her calm, controlled behavior when Sula was uncontrollable, her compa.s.sion for Sula's frightened and shamed eyes. Now it seemed that what she had thought was maturity, serenity and compa.s.sion was only the tranquillity that follows a joyful stimulation. Just as the water closed peacefully over the turbulence of Chicken Little's body, so had contentment washed over her enjoyment.

She was walking too fast. Not watching where she placed her feet, she got into the weeds by the side of the road. Running almost, she approached Beechnut Park. Just over there was the colored part of the cemetery. She went in. Sula was buried there along with Plum, Hannah and now Pearl. With the same disregard for name changes by marriage that the black people of Medallion always showed, each flat slab had one word carved on it. Together they read like a chant: PEACE PEACE 18951921, 18951921, PEACE PEACE 18901923, 18901923, PEACE PEACE 19101940, 19101940, PEACE PEACE 18921959. 18921959.

They were not dead people. They were words. Not even words. Wishes, longings.

All these years she had been harboring good feelings about Eva; sharing, she believed, her loneliness and unloved state as no one else could or did. She, after all, was the only one who really understood why Eva refused to attend Sula's funeral. The others thought they knew; thought the grandmother's reasons were the same as their own-that to pay respect to someone who had caused them so much pain was beneath them. Nel, who did go, believed Eva's refusal was not due to pride or vengeance but to a plain unwillingness to see the swallowing of her own flesh into the dirt, a determination not to let the eyes see what the heart could not hold.

Now, however, after the way Eva had just treated her, accused her, she wondered if the townspeople hadn't been right the first time. Eva was was mean. Sula had even said so. There was no good reason for her to speak so. Feebleminded or not. Old. Whatever. Eva knew what she was doing. Always had. She had stayed away from Sula's funeral and accused Nel of drowning Chicken Little for spite. The same spite that galloped all over the Bottom. That made every gesture an offense, every off-center smile a threat, so that even the bubbles of relief that broke in the chest of practically everybody when Sula died did not soften their spite and allow them to go to Mr. Hodges' funeral parlor or send flowers from the church or bake a yellow cake. mean. Sula had even said so. There was no good reason for her to speak so. Feebleminded or not. Old. Whatever. Eva knew what she was doing. Always had. She had stayed away from Sula's funeral and accused Nel of drowning Chicken Little for spite. The same spite that galloped all over the Bottom. That made every gesture an offense, every off-center smile a threat, so that even the bubbles of relief that broke in the chest of practically everybody when Sula died did not soften their spite and allow them to go to Mr. Hodges' funeral parlor or send flowers from the church or bake a yellow cake.

She thought about Nathan opening the bedroom door the day she had visited her, and finding the body. He said he knew she was dead right away not because her eyes were open but because her mouth was. It looked to him like a giant yawn that she never got to finish. He had run across the street to Teapot's Mamma, who, when she heard the news, said, "Ho!" like the conductor on the train when it was about to take off except louder, and then did a little dance. None of the women left their quilt patches in disarray to run to the house. n.o.body left the clothes halfway through the wringer to run to the house. Even the men just said "uhn," when they heard. The day pa.s.sed and no one came. The night slipped into another day and the body was still lying in Eva's bed gazing at the ceiling trying to complete a yawn. It was very strange, this stubbornness about Sula. For even when China, the most rambunctious wh.o.r.e in the town, died (whose black son and white son said, when they heard she was dying, "She ain't dead yet?"), even then everybody stopped what they were doing and turned out in numbers to put the fallen sister away.

It was Nel who finally called the hospital, then the mortuary, then the police, who were the ones to come. So the white people took over. They came in a police van and carried the body down the steps past the four pear trees and into the van for all the world as with Hannah. When the police asked questions n.o.body gave them any information. It took them hours to find out the dead woman's first name. The call was for a Miss Peace at 7 Carpenter's Road. So they left with that: a body, a name and an address. The white people had to wash her, dress her, prepare her and finally lower her. It was all done elegantly, for it was discovered that she had a substantial death policy. Nel went to the funeral parlor, but was so shocked by the closed coffin she stayed only a few minutes.

The following day Nel walked to the burying and found herself the only black person there, steeling her mind to the roses and pulleys. It was only when she turned to leave that she saw the cl.u.s.ter of black folk at the lip of the cemetery. Not coming in, not dressed for mourning, but there waiting. Not until the white folks left-the gravediggers, Mr. and Mrs. Hodges, and their young son who a.s.sisted them-did those black people from up in the Bottom enter with hooded hearts and filed eyes to sing "Shall We Gather at the River" over the curved earth that cut them off from the most magnificent hatred they had ever known. Their question clotted the October air, Shall We Gather at the River? The beautiful, the beautiful river? Perhaps Sula answered them even then, for it began to rain, and the women ran in tiny leaps through the gra.s.s for fear their straightened hair would beat them home.

Sadly, heavily, Nel left the colored part of the cemetery. Further along the road Shadrack pa.s.sed her by. A little s.h.a.ggier, a little older, still energetically mad, he looked at the woman hurrying along the road with the sunset in her face.

He stopped. Trying to remember where he had seen her before. The effort of recollection was too much for him and he moved on. He had to haul some trash out at Sunnydale and it would be good and dark before he got home. He hadn't sold fish in a long time now. The river had killed them all. No more silver-gray flashes, no more flat, wide, unhurried look. No more slowing down of gills. No more tremor on the line.

Shadrack and Nel moved in opposite directions, each thinking separate thoughts about the past. The distance between them increased as they both remembered gone things.

Suddenly Nel stopped. Her eye twitched and burned a little.

"Sula?" she whispered, gazing at the tops of trees. "Sula?"

Leaves stirred; mud shifted; there was the smell of overripe green things. A soft ball of fur broke and scattered like dandelion spores in the breeze.

"All that time, all that time, I thought I was missing Jude." And the loss pressed down on her chest and came up into her throat. "We was girls together," she said as though explaining something. "O Lord, Sula," she cried, "girl, girl, girlgirlgirl."

It was a fine cry-loud and long-but it had no bottom and it had no top, just circles and circles of sorrow.

TONI MORRISON.

Sula Toni Morrison is the Robert F. Goheen Professor of Humanities at Princeton University. She has received the National Book Critics Circle Award and the Pulitzer Prize. In 1993 she was awarded the n.o.bel Prize in Literature. She lives in Rockland County, New York, and Princeton, New Jersey.

ALSO BY TONI MORRISON.

FICTION.

Love Paradise Jazz Beloved Tar Baby Song of Solomon The Bluest Eye NONFICTION.