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Studies in Wives Part 2

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The long French window giving access to the boudoir was closed, and in the moment that elapsed before it was opened from within Althea Scrope took unconscious note of the room she knew so well, and of everything in it, including the figure of the woman she had come to see.

It was a panelled octagon, the panels painted a pale Wedgwood blue, while just below the ceiling concave medallions were embossed with flower garlands and amorini.

A curious change had been made since Althea had last seen the room. An old six-leaved screen, of gold so faded as to have become almost silver in tint, which had masked the door, now stood exactly opposite the window behind which Althea was standing. It concealed the straight Empire sofa which, as Mr. Panfillen was fond of telling his wife's friends, on the very rare occasions when he found himself in this room with one of them, had formerly stood in the Empress Josephine's boudoir at Malmaison; and, owing to the way it was now placed, the old screen formed a delicate and charming background to Mrs. Panfillen's figure.

Scrope's Egeria stood in the middle of the room waiting for Scrope's wife. She was leaning forward in a curious att.i.tude, as if she were listening, and the lemon-coloured shade of the lamp standing on the table threw a strange gleam on her lavender silk gown, fashioned, as were ever the clothes worn by Joan Panfillen, with a certain austere simplicity and disregard of pa.s.sing fashion.

Althea tapped at the window, and the woman who had sent for her turned round, and, stepping forward, opened the window wide.

"Come in!" she cried. "Come in, Althea--how strange that you had to knock! I've been waiting for you so long."

"I came as quickly as I could--I don't think I can have been five minutes."

Althea stepped through the window, bringing with her a blast of cold, damp air. She looked questioningly at Mrs. Panfillen. She felt, she hardly knew why, trapped. The other's look of anxious, excited scrutiny disturbed her.

Mrs. Panfillen's fair face, usually pale, was flushed.

So had she reddened, suddenly, when Althea had come to tell her of her engagement to Perceval Scrope. So had she looked when standing on the doorstep as Althea and Perceval started for their honeymoon, just after there had taken place a strange little scene--for Scrope, following the example of Thomas Panfillen, who had insisted on what he called saluting the bride, had taken Panfillen's wife into his arms and kissed her.

"Althea"--Joan took the younger woman's hand in hers and held it, closely, as she spoke, "don't be frightened,--but Perceval is here, ill,--and I've sent for you to take him home."

"Ill?" A look of dismay came over Althea's face. "I hope he's not too ill to speak to-night--that would be dreadful--he'd be terribly upset, terribly disappointed!" Even as she spoke she knew she was using words which to the other would seem exaggerated, a little childish.

"I'm sure he'd rather you took him home, I'm sure he'd rather not be found----" Mrs. Panfillen hesitated a moment, and again she said the words "'ill', 'here'," and for the first time Althea saw that there was a look of great pain and strain on Joan's worn, sensitive face.

"Of course not!" said the young wife quickly. "Of course he mustn't be ill here; he must come home, at once."

Althea's pride was protesting hotly against her husband's stopping a moment in a house where he was not wanted--pride and a certain resentment warring together in her heart. How strange London people were! This woman whom folk--the old provincial word rose to her lips--whom folk whispered was over-fond of Perceval--why, no sooner was he ill than her one thought was how to get rid of him quietly and quickly!

Mrs. Panfillen, looking at her, watching with agonised intensity the slow workings of Althea's mind, saw quite clearly what Perceval's wife was feeling, saw it with a bitter sense of what a few moments ago she would have thought inconceivable she could ever feel again--amus.e.m.e.nt.

She went across to the window and opened it. As if in answer to a signal, the little iron gate below swung widely open: "Bolt has gone to get a cab," she said, without turning round; "we thought that it would be simplest. The old cabman knows us all--it will be quicker." She spoke breathlessly, but there was a tone of decision in her voice, a gentle restrained tone, but one which Althea knew well to spell finality.

"But where _is_ Perceval?"

Althea looked round her bewildered. She noticed, for the first time, that flung carelessly across two chairs lay his outdoor coat, his gloves, his stick, his hat. Then he also had come in by the park side of the house?

Mrs. Panfillen went towards her with slow, hesitating steps.

"He is here," she said in a low tone, "behind the screen. He was sitting on the sofa reading me the notes of his speech, and--and he fell back."

She began moving the screen, and as she did so she went on, "I sent for Bolt--she was a nurse once, you know, and she got the brandy which you see there----"

But Althea hardly heard the words; she was gazing, with an oppressed sense of discomfort and fear, at her husband. Yes, Perceval looked ill--very ill,--and he was lying in so peculiar a position! "I suppose when people faint they have to put them like that," thought Althea to herself, but she felt concerned, a little frightened....

Perceval Scrope lay stretched out stiffly on the sofa, his feet resting on a chair which had been placed at the end of the short, frail-looking little couch. His fair, almost lint white, hair was pushed back from his forehead, showing its unusual breadth. The grey eyes were half closed, and he was still wearing, wound about his neck so loosely that it hid his mouth and chin, a silk m.u.f.fler.

Althea had the painful sensation that he did not like her to be there, that it must be acutely disagreeable to him to feel that she saw him in such a condition of helplessness and unease. And yet she went on looking at him, strangely impressed, not so much by the rigidity, as by the intense stillness of his body. Scrope as a rule was never still; when he was speaking, his whole body, each of his limbs, spoke with him.

By the side of the sofa was a small table, on which stood a decanter, unstoppered.

"Has he been like that long?" Althea whispered at length. "He--he looks so strange."

Joan Panfillen came close up to the younger woman; again she put her hand on her companion's arm.

"Althea," she said, "don't you understand? Can't you see the dreadful thing that has happened?"--and as the other looked down into the quivering face turned up to hers, she added with sudden pa.s.sion, "Should I want you to take him away if he were still here?--should I want him to go if there were anything left that I could do for him?"

And then Althea at last understood, and so understanding her mind for once moved quickly, and she saw with mingled terror and revolt what it was that the woman on whose face her eyes were now riveted was requiring of her.

"You sent for me to take him home--dead?"

It was a statement rather than a question. Mrs. Panfillen made a scarcely perceptible movement of a.s.sent. "It is what he would have wished," she whispered, "I am quite sure it is what he would have wished you to do."

"I--I am sorry, but I don't think I can do that."

Althea was speaking to herself rather than to the other woman. She was grappling with a feeling of mortal horror and fear. She had always been afraid of Perceval Scrope, afraid and yet fascinated, and now he, dead, seemed to be even more formidable, more beckoning, than he had been alive.

She turned away and covered her eyes with her hand. "Why did you tell me?" she asked, a little wildly. "If you hadn't told me that he was dead I should never have known. I should even have done the--the dreadful thing you want me to do."

"Bolt thought that--Bolt said you would not know," Mrs. Panfillen spoke with sombre energy. "She wished me to allow her to take him down into the garden to meet you in the darkness----But,--but Althea, that would have been an infamous thing from me to you----" She waited a moment, and then in a very different voice, in her own usual measured and gentle accents, she added, "My dear, forgive me. We will never speak of this again. I was wrong, selfish, to think of subjecting you to such an ordeal. All I ask"--and there came into her tone a sound of shamed pleading--"is that you should allow Tom--Tom and other people--to think that you were here when it happened."

Althea remained silent. Then, uncertainly, she walked across to the window and opened it. The action was symbolic--and so it was understood by the woman watching her so anxiously.

But still Althea said nothing. She stood looking out into the darkness, welcoming the feel of the cold damp air. She gave herself a few brief moments--they seemed very long moments to Joan Panfillen--before she said the irrevocable words, and when she did say them, they sounded m.u.f.fled, and uttered from far away, for Althea as she spoke did not turn round; she feared to look again on that which might unnerve her, render her unfit for what she was about to do.

"Joan," she said, "I will do what you ask. You were right just now--right, I mean, in telling me what Perceval would have wished."

She spoke with nervous, dry haste, and, to her relief, the other woman spared her thanks....

There was a long silence, and then Mrs. Panfillen crept up close to Althea and touched her, making her start violently. "Then I will call Bolt," she said, and made as if to pa.s.s through the window, but Althea stopped her with a quick movement of recoil--"No, no!" she cried, "let me do that!" and she ran down the iron steps; it was good to be out of sight even for a moment of the still presence of the dead--the dead whose mocking spirit seemed to be still terribly alive.

But during the long, difficult minutes that followed, it was Joan Panfillen, not Althea Scrope, who shrank and blenched. It was Althea who put out her young strength to help to lift the dead man, and, under cover of the sheltering mist, to make the leaden feet retrace their steps down the iron stairway, and along the narrow path they had so often leapt up and along with eager haste.

To two of the three women the progress seemed intolerably slow, but to Althea it was all too swift; she dreaded with an awful dread the companioned drive which lay before her.

Perhaps something of what she was feeling was divined by Mrs. Panfillen, for at the very last Scrope's Egeria forgot self, and made, in all sincerity, an offer which on her part was heroic.

"Shall I come with you?" she whispered, averting her eyes from that which lay huddled up by Althea's side, "I will come, willingly; let me come--Althea."

But Althea only shook her head in cold, hurried refusal. She felt that with speech would go a measure of her courage.

Afterwards Althea remembered that there had come a respite,--what had seemed to her at the time an inexplicable delay. A man and a girl had gone slowly by, staring curiously at the two bare-headed women standing out on the pavement, and on whose pale faces there fell the quivering gleam of the old-fashioned cab lamp. Then, when the footfalls of these pa.s.sers-by had become faint, Bolt spoke to the driver, and handed him some money. Althea heard the words as in dream, "Get along as quick as you can to 24, Delahay Street, there's a good man," and then the clink of silver in the stillness, followed by the full sound of the man's wheezy grat.i.tude.

There came a sudden movement and the dread drive began, the horse slipping, the cab swaying and jolting over the frozen ground.

With a gesture which was wholly instinctive, Althea put out her arm,--her firm, rounded, living arm,--and slipped it round the inert, sagging thing which had been till an hour ago Perceval Scrope. And, as she did so, as she pressed him to her, and kept from him the ignominy of physical helplessness, there came a great lightening of her spirit.

Fear, the base fear bred of the imagination, fell away from her. For the first time there came the certainty that her husband was at last satisfied with her; for the first time she was able to do Perceval Scrope dead what she had never been able to do Perceval Scrope alive, a great service--a service which she might have refused to do.

Once or twice, very early in their married life, Perceval had praised her, and his praise had given Althea exquisite pleasure because it was so rare, so seldom lavished; and this long-lost feeling of joy in her husband's approval came back, filling her eyes with tears. Now at last Althea felt as if she and Perceval Scrope were one, fused in that kindly sympathy and understanding which, being the manner of woman she was, Althea supposed to be the very essence of conjugal love.

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Studies in Wives Part 2 summary

You're reading Studies in Wives. This manga has been translated by Updating. Author(s): Marie Belloc Lowndes. Already has 649 views.

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