Studies from Court and Cloister Part 26

"Eadfrith, Ethelwald, Billfrith, and Aldred have wrought and adorned this Book of the Gospels for (love of) G.o.d and St. Cuthbert."

Old as it is, neither vellum nor illumination shows the least sign of decay. The writing is exquisitely beautiful, and points to a degree of refinement and cultivation which we do not usually a.s.sociate with a rough life, such as was led by the monks of sea-girt Lindisfarne. There are to be seen wonderful initial letters, geometrical and tesselated designs, like the most delicate and intricate mosaics, and above all, beautifully devout representations of the four evangelists, all evidently drawn by the same loving and reverent hand, and the whole colouring as fresh now as if it had been painted yesterday.

The evangelists, each accompanied by the symbolic animal, usually a.s.signed to him, occupy nearly the whole of their respective pages.

They are taken from Byzantine models, of which, as Westwood points out, nothing remains but the att.i.tudes, the fashion of the dress and the form of the seats. There can be little doubt that these illuminations were copied from a MS. brought into England by the missionaries sent from Rome by St. Gregory in the seventh century.

* Facsimiles of the Miniatures and Ornaments of Anglo-Saxon and Irish Ma.n.u.scripts. P. 35.

Sir Edward Thompson, following Dom Germain Morin,* shows that the Capitula, or tables of sections which accompany each gospel are according to the Neapolitan use, and that Adrian, the companion of the Greek, Theodore, Archbishop of Canterbury in his mission to Britain in 668, was abbot of a monastery in the Island of Nisita, near Naples.

* See his articles in the Revue Benedictine line, Nov. and Dec. 1891, pp. 481 and 529.

Bede tells us that these missionaries were both at Lindisfarne, and Sir Edward Thompson gives it as his opinion that the Neapolitan MS. from which the Durham Book or Lindisfarne Gospel derived its text, had been brought a few years previously from Naples by the Abbot Adrian.*

* English Illuminated Ma.n.u.scripts," Bibliographica," part ii.

The interlineary Saxon gloss was a later addition by the monk, Aldred, and Billfrith, as we have seen, made the sumptuous metal cover. This binding, needless to say, has long since disappeared, and for many years a shabby morocco covering replaced the gorgeous shrine in which the monks of Holy Island had deposited their treasure. About sixty years ago, Bishop Maltby of Durham, at the suggestion of Mr. John Holmes, provided a worthy subst.i.tute, the design for which was copied from one of the ornamented pages in the book itself.

This magnificent ma.n.u.script has been published by the Surtees Society, together with the very inferior Rushworth Gospels, but only one illumination has been reproduced.*

* The Lindisfarne Gospels or Durham Book is described in Planta's Catalogue (Nero, D 4), as "Liber praeclarissimus, elegantissimis characteribus et curiosissimus pro istius seculi arte picturis et delineationibus ornatus." See also Wanley's Catalogue, Codd. MS.

(Anglo-Sax.) p. 250.

Of absolutely authentic history there is little to relate concerning this celebrated ma.n.u.script, but Simeon of Durham, or rather Turgot, whose account he copied (and both men lived in the neighbourhood), is responsible for a story which says that it remained at Holy Island till the ravages of the Danes forced the monks to fly, carrying with them their two greatest treasures, the body of St. Cuthbert, and this volume. But in their flight across the narrow strip of sea which divides the Island from the coast of Northumbria, their boat was thrown so much on one side that the book fell overboard. They arrived safely on the opposite sh.o.r.e, but could not make up their minds to continue their journey till they had done what they could to recover the precious relic. So they waited at the peril of their lives till the tide went out, leaving, as it does to this day, a stretch of bare sand between the Island and the mainland. To the inexpressible joy of the monks, they then found the book lying unharmed on the sand.

Archbishop Eyre, in his Life of St. Cuthbert, following the story as it is contained in the Rites of Durham,* places this incident in the sixth or seventh year of their wanderings.

* Surtees Society.

"And so, the bishop, the abbot, and the rest, being weary of travelling, thought to have stolen away, and carried St. Cuthbert's body into Ireland, for his better safety. And being upon the sea in a ship, by a marvellous miracle three waves of water were turned into blood. The ship that they were in was driven back by the tempest and by the mighty power of G.o.d as it would seem, upon the sh.o.r.e or land. And also the said ship that they were in, by the great storm and strong raging walls of the sea as is aforesaid, was turned on the one side, and the Book of the Holy Evangelists fell out of the ship into the bottom of the sea."

This account says that the monks found the volume about three miles from the sh.o.r.e, and that their landing-place was Whithorn in Galloway, opposite Belfast.

When Lindisfarne became a priory cell to Durham, this famous ma.n.u.script still remained in the city of St. Cuthbert, and in the History of North Durham by Raine, it is mentioned in the year 1637, as "the Book of St.

Cuthbert which had fallen into the sea." We, indeed, notice a brown stain on several of its leaves, which might be accounted for by their having been saturated with salt water, did we but know what would be the effect of a sea-water mark after so long a period. At the time of the dissolution it was still at Durham, and no record of what then befel it has been preserved.*

* Brayley's Graphic and Historical Ill.u.s.trator, 1834; article "The Durham Book," by the Rev. Joseph Stevenson.

Sir Robert Cotton discovered it in the possession of Robert Bowyer, clerk of Parliament under James I.

The resemblance between the artistic and palaeographic peculiarities of the Book of Kells and the Durham Book is accounted for by the fact that Lindisfarne was founded from Iona, which had been given to St. Columba and his Irish companions in the sixth century. The monks, who settled at Holy Island, continued the Scoto-Irish traditions which they had brought with them, and perpetuated them in their ma.n.u.scripts.

A brief notice of one other remarkable MS. may be made. It is to be found in the press Claudius, B 4, and a careful description of it is given by Westwood in his Palaeographia Sacra Pictoria, and in his Miniatures and Ornaments of Anglo-Saxon and Irish MSS. An early tradition declares it to be one of the volumes sent to St. Augustine by Pope Gregory. However that may be, it is known as the Augustine Psalter, and the style of its ornamentation is of Roman origin. This ornamentation consists of initial letters in the Celtic manner; but gold, which was hardly ever used in the Lindisfarne school, and never in Irish MSS., is here seen in profusion, and this detail betrays a foreign influence. It belonged to the Abbey of St. Augustine at Canterbury, and may be a copy executed in that house of one of the books sent from Rome.

The Paraphrase of the Pentateuch and the Book of Joshua, by Elfric, the grammarian, in this collection, is the finest known copy of the work.

It is ornamented with 397 drawings, ill.u.s.trating the text of the early books of the Bible. The largest miniature represents the building of the Tower of Babel.

The Psychomachia of Prudentius is very beautifully written in red and black ink. There are 83 drawings. A replica of this ma.n.u.script, which belonged to the monks of Malmesbury, is now at Cambridge.

Scarcely less interesting historically, than the Lindisfarne Gospels is the Book of the Benefactors of Durham Cathedral. Their names are written in alternate lines of bold and silver, the binding being also originally of gold and silver, to which fact a Latin couplet in verse testifies. As time went on it was carelessly kept by the monks of Durham, but entries were made up to the eve of the dissolution of the monastery. The book has been published by the Surtees Society under its name of Liber Vitae, and edited by the Rev. Joseph Stevenson who also wrote a preface. The meaning of Liber Vitae was that the fact of the benefactor's name being inscribed in this book was coupled with the hope and the prayer that the same name might at last find a place in the Book of Life, in which those are enrolled, who shall be faithful unto death.* Later on it became a sort of memorandum-book, in which together with the names of benefactors, was entered a brief account of the nature of their donations. Copies of charters were also inserted, and other matters of an historical character.

* Preface to the published volume, p. 8.

As far as folio 42, it is written in a beautiful ninth century hand, but from this point onwards, the gold and silver lines are omitted, and it is continued in varied and less elegant writing. This ma.n.u.script remained at Durham till the dissolution, and it is not known what then became of it, nor in what manner it pa.s.sed finally into the Cottonian library. It is thus quaintly described:

"There did lie on the High Altar an excellent fine book, very richly covered with gold and silver, containing the names of all the benefactors towards St. Cuthbert's Church, from the very original foundation thereof, the very letters of the book being for the most part all gilt, as is apparent in the said book till this day. The laying that book on the High Altar did show how highly they esteemed their founders and benefactors; and the quotidian remembrance they had of them in the time of Ma.s.s and divine service. And this did argue not only their grat.i.tude, but also a most divine and charitable affection to the souls of their benefactors as well dead as living, which book is yet extant, declaring the said use in the inscription thereof." *

* The Ancient Rites and Monuments of the Monastical and Cathedral Church of Durham, collected out of ancient ma.n.u.scripts about the time of the Suppression.

These examples may suffice as a glimpse into the nature of this treasure-house, but where so much is rare and costly, it is not easy to make a selection that shall be fairly representative.

With regard to the peculiar designation of the places occupied by the books, Sir Robert Cotton arranged them in fourteen presses, each press being surmounted by a bust of one of the twelve Roman emperors, the two last supporting those of Cleopatra and Faustina. The contents of each press were placed in boxes or portfolios, or were bound up in volumes, each box, portfolio, or volume being designated by a letter of the alphabet, each doc.u.ment having a special number.

After the death of its founder the library remained for some time in sequestration, to the great annoyance of the new baronet, Sir Thomas Cotton, who complained bitterly that he was shut out from his study, the best room in his house. A schedule was at length drawn up, consisting of a large vellum roll still extant in the collection, showing that it contained nothing that did not belong to him, and ultimately he gained admission.

Sir Symond D'Ewes made no secret of his opinion that Sir Thomas was "wholly addicted to the tenacious increasing of his worldly wealth, and altogether unworthy to be master of so inestimable a library." We cannot altogether agree with this verdict, since Sir Thomas avenged himself by lending D'Ewes his father's collection of coins; and it is but fair to add that he appears in general to have been no less liberal, one might almost say careless, in lending than his father.

Rancour may, however, have set in later on, for Dugdale, writing to D'Ewes in 1639 says, "I am in despair to obtain the books of Sir Thomas Cotton which you desire." Richard James, librarian, fell under the same condemnation as his master, for D'Ewes describes him as "a wretched mercenary fellow."

Sir Thomas Cotton died in 1662, and was succeeded by his eldest son, John, who was somewhat of a scholar. Some respectable Latin verses written by him occur among Smith's MSS. at Oxford. He married Dorothy, daughter and coheiress of Edmund Anderson, of Stratton in Bedfordshire, and it appears that during the civil war the library was removed to that place for greater safety. This was the beginning of its wanderings and vicissitudes, which lasted nearly a hundred years.

The first regular catalogue of the Cottonian library was made and printed at Oxford by Dr. Thomas Smith in 1696. This catalogue is defective in many ways, especially as regards State Papers and detached tracts, of which there are no fewer than 170 volumes, which are here severally entered under one head only, although they each contain on an average as many as a hundred separate doc.u.ments on different subjects.

Dugdale, who was allowed to make what use he liked of the library, discovered 80 of these volumes in loose bundles, and had them bound.

But they were still practically useless for want of proper descriptions and indices, till Planta, keeper of the MSS. in the British Museum, published his descriptive catalogue in 1802. Although not without faults, it has never been superseded.

It is to the third baronet that we are mainly indebted for the magnificent project of bequeathing the Cottonian library to the nation.

He died in 1702, before the final steps had been taken in this direction; but his grandson and immediate successor carried out his wishes which had also been those of his father and grandfather.

The statute, drawn up in the year 1700 (12 and 13 William III.) is ent.i.tled, "An Act for the better settling and preserving the library kept in the house at Westminster, called Cotton House, in the name and family of the Cottons for the benefit of the public."

The next step was to have the books carefully inspected, and compared with Smith's catalogue, now found to be inadequate. Many of the ma.n.u.scripts were reported to be in a state of decay, the place where they were kept not being suitable. In 1706, Sir Christopher Wren was commissioned to fit up the study for public use, but he declared that Cotton House was in a ruinous condition; and in consequence of his report, in the following year, another Act of Parliament decreed that to increase the public utility of the library, Cotton House should be purchased of Sir John Cotton for 4500 pounds, and a new building erected for the collection of books. Still, nothing was done, till the house, actually threatening to tumble down, the books were removed to Ess.e.x House, in the Strand, where they remained for twenty-eight years.

In 1730, Ashburnham House, Westminster, was purchased by the nation for the reception of the Cottonian, together with the Royal library. It was here, in 1731, that the terrible fire broke out in which so many valuable ma.n.u.scripts were destroyed.

At about 2 o'clock in the morning of the 23rd October, Dr. Bentley, the librarian, and his family, who lived at Ashburnham House, were roused from sleep by a suffocating smoke which soon afterwards burst into flames. The outbreak was caused by a wooden mantelpiece taking fire, in the room immediately under the two libraries. It was at first hoped that the flames might be extinguished by throwing water upon the woodwork of the room actually on fire, so that they did not begin to remove the books as soon as they should have done. But seeing that this was useless, Mr. Casley, deputy librarian, hastened to rescue the famous Alexandrian MS. in the Royal library, and the books in the Cottonian press named Augustus, as being considered the most valuable.

These are princ.i.p.ally charts, maps, grants, and papal bulls, all relating to early English history. Several of the presses were then removed bodily, but as the fire spread with alarming rapidity, and there was a delay in the arrival of the engines, it was discovered none too soon, that the backs of some of the presses were on fire. Then the books were seized and thrown out of windows, after which they were carried into Westminster School and the Little Cloisters. By permission of the Dean and Chapter they subsequently found a temporary home in a new building that had been erected as a dormitory for the school.

A committee was at once appointed by the House of Commons to inquire into the amount of injury sustained. It was found that a great number of ma.n.u.scripts had suffered from the engine-water, as well as from fire, and the report of the commissioners stated, that out of 958 volumes of MSS. 746 were unharmed, and 98 partially injured.

The press named Otho had suffered the most. In the table drawn up by Casley in his appendix to the Royal library, not one volume in Otho is seen to be intact; 16 are marked defective, 55 as lost, burnt, or defaced so as not to be distinguishable. Vitellius was the next greatest sufferer, 46 volumes being preserved, 28 defective, and 34 seriously damaged. Vespasian, with its fine collection of historical materials for the history of England and Scotland, its dramas in Old English verse, and the famous Coventry Mystery Plays and others happily escaped altogether.* Casley's figures differ slightly from those of the commissioners: out of a total of 958 volumes, he notes 748 as uninjured, 99 as defective, and 111 as lost, burnt, or defaced.

* Narrative of the Fire which happened at Ashburnham House, 23rd October 1731. Report of the committee appointed by the House of Commons.