Strictly Business: More Stories of the Four Million Part 4

"What is the picture like, Mr. Morgan?" asks Silver. "It must be as big as the side of the Flatiron Building."

"I'm afraid your art education is on the b.u.m, Mr. Silver," says Morgan.

"The picture is 27 inches by 42; and it is called 'Love's Idle Hour.' It represents a number of cloak models doing the two-step on the bank of a purple river. The cablegram said it might have been brought to this country. My collection will never be complete without that picture.

Well, so long, gents; us financiers must keep early hours."

Mr. Morgan and Klein went away together in a cab. Me and Silver talked about how simple and unsuspecting great people was; and Silver said what a shame it would be to try to rob a man like Mr. Morgan; and I said I thought it would be rather imprudent, myself. Klein proposes a stroll after dinner; and me and him and Silver walks down toward Seventh Avenue to see the sights. Klein sees a pair of cuff links that instigate his admiration in a p.a.w.nshop window, and we all go in while he buys 'em.

After we got back to the hotel and Klein had gone, Silver jumps at me and waves his hands.

"Did you see it?" says he. "Did you see it, Billy?"

"What?" I asks.

"Why, that picture that Morgan wants. It's hanging in that p.a.w.nshop, behind the desk. I didn't say anything because Klein was there. It's the article sure as you live. The girls are as natural as paint can make them, all measuring 36 and 25 and 42 skirts, if they had any skirts, and they're doing a buck-and-wing on the bank of a river with the blues.

What did Mr. Morgan say he'd give for it? Oh, don't make me tell you.

They can't know what it is in that p.a.w.nshop."

When the p.a.w.nshop opened the next morning me and Silver was standing there as anxious as if we wanted to soak our Sunday suit to buy a drink.

We sauntered inside, and began to look at watch-chains.

"That's a violent specimen of a chromo you've got up there," remarked Silver, casual, to the p.a.w.nbroker. "But I kind of enthuse over the girl with the shoulder-blades and red bunting. Would an offer of $2.25 for it cause you to knock over any fragile articles of your stock in hurrying it off the nail?"

The p.a.w.nbroker smiles and goes on showing us plate watch-chains.

"That picture," says he, "was pledged a year ago by an Italian gentleman. I loaned him $500 on it. It is called 'Love's Idle Hour,' and it is by Leonardo de Vinchy. Two days ago the legal time expired, and it became an unredeemed pledge. Here is a style of chain that is worn a great deal now."

At the end of half an hour me and Silver paid the p.a.w.nbroker $2,000 and walked out with the picture. Silver got into a cab with it and started for Morgan's office. I goes to the hotel and waits for him. In two hours Silver comes back.

"Did you see Mr. Morgan?" I asks. "How much did he pay you for it?"

Silver sits down and fools with a ta.s.sel on the table cover.

"I never exactly saw Mr. Morgan," he says, "because Mr. Morgan's been in Europe for a month. But what's worrying me, Billy, is this: The department stores have all got that same picture on sale, framed, for $3.48. And they charge $3.50 for the frame alone--that's what I can't understand."

IV

THE DAY RESURGENT

I can see the artist bite the end of his pencil and frown when it comes to drawing his Easter picture; for his legitimate pictorial conceptions of figures pertinent to the festival are but four in number.

First comes Easter, pagan G.o.ddess of spring. Here his fancy may have free play. A beautiful maiden with decorative hair and the proper number of toes will fill the bill. Miss Clarice St. Vavasour, the well-known model, will pose for it in the "Lethergogallagher," or whatever it was that Trilby called it.

Second--the melancholy lady with upturned eyes in a framework of lilies.

This is magazine-covery, but reliable.

Third--Miss Manhattan in the Fifth Avenue Easter Sunday parade.

Fourth--Maggie Murphy with a new red feather in her old straw hat, happy and self-conscious, in the Grand Street turnout.

Of course, the rabbits do not count. Nor the Easter eggs, since the higher criticism has hard-boiled them.

The limited field of its pictorial possibilities proves that Easter, of all our festival days, is the most vague and shifting in our conception.

It belongs to all religions, although the pagans invented it. Going back still further to the first spring, we can see Eve choosing with pride a new green leaf from the tree _ficus carica_.

Now, the object of this critical and learned preamble is to set forth the theorem that Easter is neither a date, a season, a festival, a holiday nor an occasion. What it is you shall find out if you follow in the footsteps of Danny McCree.

Easter Sunday dawned as it should, bright and early, in its place on the calendar between Sat.u.r.day and Monday. At 5.24 the sun rose, and at 10.30 Danny followed its example. He went into the kitchen and washed his face at the sink. His mother was frying bacon. She looked at his hard, smooth, knowing countenance as he juggled with the round cake of soap, and thought of his father when she first saw him stopping a hot grounder between second and third twenty-two years before on a vacant lot in Harlem, where the La Paloma apartment house now stands. In the front room of the flat Danny's father sat by an open window smoking his pipe, with his dishevelled gray hair tossed about by the breeze. He still clung to his pipe, although his sight had been taken from him two years before by a precocious blast of giant powder that went off without permission. Very few blind men care for smoking, for the reason that they cannot see the smoke. Now, could you enjoy having the news read to you from an evening newspaper unless you could see the colors of the headlines?

"'Tis Easter Day," said Mrs. McCree.

"Scramble mine," said Danny.

After breakfast he dressed himself in the Sabbath morning costume of the Ca.n.a.l Street importing house dray chauffeur--frock coat, striped trousers, patent leathers, gilded trace chain across front of vest, and wing collar, rolled-brim derby and b.u.t.terfly bow from Schonstein's (between Fourteenth Street and Tony's fruit stand) Sat.u.r.day night sale.

"You'll be goin' out this day, of course, Danny," said old man McCree, a little wistfully. "'Tis a kind of holiday, they say. Well, it's fine spring weather. I can feel it in the air."

"Why should I not be going out?" demanded Danny in his grumpiest chest tones. "Should I stay in? Am I as good as a horse? One day of rest my team has a week. Who earns the money for the rent and the breakfast you've just eat, I'd like to know? Answer me that!"

"All right, lad," said the old man. "I'm not complainin'. While me two eyes was good there was nothin' better to my mind than a Sunday out.

There's a smell of turf and burnin' brush comin' in the windy. I have me tobaccy. A good fine day and rist to ye, lad. Times I wish your mother had larned to read, so I might hear the rest about the hippopotamus--but let that be."

"Now, what is this foolishness he talks of hippopotamuses?" asked Danny of his mother, as he pa.s.sed through the kitchen. "Have you been taking him to the Zoo? And for what?"

"I have not," said Mrs. McCree. "He sets by the windy all day. 'Tis little recreation a blind man among the poor gets at all. I'm thinkin'

they wander in their minds at times. One day he talks of grease without stoppin' for the most of an hour. I looks to see if there's lard burnin'

in the fryin' pan. There is not. He says I do not understand. 'Tis weary days, Sundays, and holidays and all, for a blind man, Danny. There was no better nor stronger than him when he had his two eyes. 'Tis a fine day, son. Injoy yeself ag'inst the morning. There will be cold supper at six."

"Have you heard any talk of a hippopotamus?" asked Danny of Mike, the janitor, as he went out the door downstairs.

"I have not," said Mike, pulling his shirtsleeves higher. "But 'tis the only subject in the animal, natural and illegal lists of outrages that I've not been complained to about these two days. See the landlord. Or else move out if ye like. Have ye hippopotamuses in the lease? No, then?"

"It was the old man who spoke of it," said Danny. "Likely there's nothing in it."

Danny walked up the street to the Avenue and then struck northward into the heart of the district where Easter--modern Easter, in new, bright raiment--leads the pascal march. Out of towering brown churches came the blithe music of anthems from the choirs. The broad sidewalks were moving parterres of living flowers--so it seemed when your eye looked upon the Easter girl.

Gentlemen, frock-coated, silk-hatted, gardeniaed, sustained the background of the tradition. Children carried lilies in their hands. The windows of the brownstone mansions were packed with the most opulent creations of Flora, the sister of the Lady of the Lilies.

Around a corner, white-gloved, pink-gilled and tightly b.u.t.toned, walked Corrigan, the cop, shield to the curb. Danny knew him.

"Why, Corrigan," he asked, "is Easter? I know it comes the first time you're full after the moon rises on the seventeenth of March--but why?

Is it a proper and religious ceremony, or does the Governor appoint it out of politics?"

"'Tis an annual celebration," said Corrigan, with the judicial air of the Third Deputy Police Commissioner, "peculiar to New York. It extends up to Harlem. Sometimes they has the reserves out at One Hundred and Twenty-fifth Street. In my opinion 'tis not political."