Strictly Business: More Stories of the Four Million Part 18

When I got my key at the desk the clerk said to me courteously: "If that man Caswell has annoyed you, and if you would like to make a complaint, we will have him ejected. He is a nuisance, a loafer, and without any known means of support, although he seems to have some money most the time. But we don't seem to be able to hit upon any means of throwing him out legally."

"Why, no," said I, after some reflection; "I don't see my way clear to making a complaint. But I would like to place myself on record as a.s.serting that I do not care for his company. Your town," I continued, "seems to be a quiet one. What manner of entertainment, adventure, or excitement have you to offer to the stranger within your gates?"

"Well, sir," said the clerk, "there will be a show here next Thursday.

It is--I'll look it up and have the announcement sent up to your room with the ice water. Good night."

After I went up to my room I looked out the window. It was only about ten o'clock, but I looked upon a silent town. The drizzle continued, spangled with dim lights, as far apart as currants in a cake sold at the Ladies' Exchange.

"A quiet place," I said to myself, as my first shoe struck the ceiling of the occupant of the room beneath mine. "Nothing of the life here that gives color and variety to the cities in the East and West. Just a good, ordinary, humdrum, business town."

Nashville occupies a foremost place among the manufacturing centres of the country. It is the fifth boot and shoe market in the United States, the largest candy and cracker manufacturing city in the South, and does an enormous wholesale drygoods, grocery, and drug business.

I must tell you how I came to be in Nashville, and I a.s.sure you the digression brings as much tedium to me as it does to you. I was traveling elsewhere on my own business, but I had a commission from a Northern literary magazine to stop over there and establish a personal connection between the publication and one of its contributors, Azalea Adair.

Adair (there was no clue to the personality except the handwriting) had sent in some essays (lost art!) and poems that had made the editors swear approvingly over their one o'clock luncheon. So they had commissioned me to round up said Adair and corner by contract his or her output at two cents a word before some other publisher offered her ten or twenty.

At nine o'clock the next morning, after my chicken livers _en brochette_ (try them if you can find that hotel), I strayed out into the drizzle, which was still on for an unlimited run. At the first corner I came upon Uncle Caesar. He was a stalwart Negro, older than the pyramids, with gray wool and a face that reminded me of Brutus, and a second afterwards of the late King Cettiwayo. He wore the most remarkable coat that I ever had seen or expect to see. It reached to his ankles and had once been a Confederate gray in colors. But rain and sun and age had so variegated it that Joseph's coat, beside it, would have faded to a pale monochrome. I must linger with that coat, for it has to do with the story--the story that is so long in coming, because you can hardly expect anything to happen in Nashville.

Once it must have been the military coat of an officer. The cape of it had vanished, but all adown its front it had been frogged and ta.s.seled magnificently. But now the frogs and ta.s.sles were gone. In their stead had been patiently st.i.tched (I surmised by some surviving "black mammy") new frogs made of cunningly twisted common hempen twine. This twine was frayed and disheveled. It must have been added to the coat as a subst.i.tute for vanished splendors, with tasteless but painstaking devotion, for it followed faithfully the curves of the long-missing frogs. And, to complete the comedy and pathos of the garment, all its b.u.t.tons were gone save one. The second b.u.t.ton from the top alone remained. The coat was fastened by other twine strings tied through the b.u.t.tonholes and other holes rudely pierced in the opposite side. There was never such a weird garment so fantastically bedecked and of so many mottled hues. The lone b.u.t.ton was the size of a half-dollar, made of yellow horn and sewed on with coa.r.s.e twine.

This Negro stood by a carriage so old that Ham himself might have started a hack line with it after he left the ark with the two animals. .h.i.tched to it. As I approached he threw open the door, drew out a feather duster, waved it without using it, and said in deep, rumbling tones:

"Step right in, suh; ain't a speck of dust in it--jus' got back from a funeral, suh."

I inferred that on such gala occasions carriages were given an extra cleaning. I looked up and down the street and perceived that there was little choice among the vehicles for hire that lined the curb. I looked in my memorandum book for the address of Azalea Adair.

"I want to go to 861 Jessamine Street," I said, and was about to step into the hack. But for an instant the thick, long, gorilla-like arm of the old Negro barred me. On his ma.s.sive and saturnine face a look of sudden suspicion and enmity flashed for a moment. Then, with quickly returning conviction, he asked blandishingly: "What are you gwine there for, boss?"

"What is it to you?" I asked, a little sharply.

"Nothin', suh, jus' nothin'. Only it's a lonesome kind of part of town and few folks ever has business out there. Step right in. The seats is clean--jes' got back from a funeral, suh."

A mile and a half it must have been to our journey's end. I could hear nothing but the fearful rattle of the ancient hack over the uneven brick paving; I could smell nothing but the drizzle, now further flavored with coal smoke and something like a mixture of tar and oleander blossoms.

All I could see through the streaming windows were two rows of dim houses.

The city has an area of 10 square miles; 181 miles of streets, of which 137 miles are paved; a system of water-works that cost $2,000,000, with 77 miles of mains.

Eight-sixty-one Jessamine Street was a decayed mansion. Thirty yards back from the street it stood, outmerged in a splendid grove of trees and untrimmed shrubbery. A row of box bushes overflowed and almost hid the paling fence from sight; the gate was kept closed by a rope noose that encircled the gate post and the first paling of the gate. But when you got inside you saw that 861 was a sh.e.l.l, a shadow, a ghost of former grandeur and excellence. But in the story, I have not yet got inside.

When the hack had ceased from rattling and the weary quadrupeds came to a rest I handed my jehu his fifty cents with an additional quarter, feeling a glow of conscious generosity, as I did so. He refused it.

"It's two dollars, suh," he said.

"How's that?" I asked. "I plainly heard you call out at the hotel: 'Fifty cents to any part of the town.'"

"It's two dollars, suh," he repeated obstinately. "It's a long ways from the hotel."

"It is within the city limits and well within them." I argued. "Don't think that you have picked up a greenhorn Yankee. Do you see those hills over there?" I went on, pointing toward the east (I could not see them, myself, for the drizzle); "well, I was born and raised on their other side. You old fool n.i.g.g.e.r, can't you tell people from other people when you see 'em?"

The grim face of King Cettiwayo softened. "Is you from the South, suh?

I reckon it was them shoes of yourn fooled me. They is somethin' sharp in the toes for a Southern gen'l'man to wear."

"Then the charge is fifty cents, I suppose?" said I inexorably.

His former expression, a mingling of cupidity and hostility, returned, remained ten seconds, and vanished.

"Boss," he said, "fifty cents is right; but I _needs_ two dollars, suh; I'm _obleeged_ to have two dollars. I ain't _demandin'_ it now, suh; after I know whar you's from; I'm jus' sayin' that I _has_ to have two dollars to-night, and business is mighty po'."

Peace and confidence settled upon his heavy features. He had been luckier than he had hoped. Instead of having picked up a greenhorn, ignorant of rates, he had come upon an inheritance.

"You confounded old rascal," I said, reaching down to my pocket, "you ought to be turned over to the police."

For the first time I saw him smile. He knew; _he knew_. HE KNEW.

I gave him two one-dollar bills. As I handed them over I noticed that one of them had seen parlous times. Its upper right-hand corner was missing, and it had been torn through the middle, but joined again. A strip of blue tissue paper, pasted over the split, preserved its negotiability.

Enough of the African bandit for the present: I left him happy, lifted the rope and opened a creaky gate.

The house, as I said, was a sh.e.l.l. A paint brush had not touched it in twenty years. I could not see why a strong wind should not have bowled it over like a house of cards until I looked again at the trees that hugged it close--the trees that saw the battle of Nashville and still drew their protecting branches around it against storm and enemy and cold.

Azalea Adair, fifty years old, white-haired, a descendant of the cavaliers, as thin and frail as the house she lived in, robed in the cheapest and cleanest dress I ever saw, with an air as simple as a queen's, received me.

The reception room seemed a mile square, because there was nothing in it except some rows of books, on unpainted white-pine bookshelves, a cracked marble-top table, a rag rug, a hairless horsehair sofa and two or three chairs. Yes, there was a picture on the wall, a colored crayon drawing of a cl.u.s.ter of pansies. I looked around for the portrait of Andrew Jackson and the pinecone hanging basket but they were not there.

Azalea Adair and I had conversation, a little of which will be repeated to you. She was a product of the old South, gently nurtured in the sheltered life. Her learning was not broad, but was deep and of splendid originality in its somewhat narrow scope. She had been educated at home, and her knowledge of the world was derived from inference and by inspiration. Of such is the precious, small group of essayists made. While she talked to me I kept brushing my fingers, trying, unconsciously, to rid them guiltily of the absent dust from the half-calf backs of Lamb, Chaucer, Hazlitt, Marcus Aurelius, Montaigne and Hood. She was exquisite, she was a valuable discovery. Nearly everybody nowadays knows too much--oh, so much too much--of real life.

I could perceive clearly that Azalea Adair was very poor. A house and a dress she had, not much else, I fancied. So, divided between my duty to the magazine and my loyalty to the poets and essayists who fought Thomas in the valley of the c.u.mberland, I listened to her voice, which was like a harpsichord's, and found that I could not speak of contracts. In the presence of the nine Muses and the three Graces one hesitated to lower the topic to two cents. There would have to be another colloquy after I had regained my commercialism. But I spoke of my mission, and three o'clock of the next afternoon was set for the discussion of the business proposition.

"Your town," I said, as I began to make ready to depart (which is the time for smooth generalities), "seems to be a quiet, sedate place. A home town, I should say, where few things out of the ordinary ever happen."

It carries on an extensive trade in stoves and hollow ware with the West and South, and its flouring mills have a daily capacity of more than 2,000 barrels.

Azalea Adair seemed to reflect.

"I have never thought of it that way," she said, with a kind of sincere intensity that seemed to belong to her. "Isn't it in the still, quiet places that things do happen? I fancy that when G.o.d began to create the earth on the first Monday morning one could have leaned out one's window and heard the drops of mud splashing from His trowel as He built up the everlasting hills. What did the noisiest project in the world--I mean the building of the Tower of Babel--result in finally? A page and a half of Esperanto in the _North American Review_."

"Of course," said I plat.i.tudinously, "human nature is the same everywhere; but there is more color--er--more drama and movement and--er--romance in some cities than in others."

"On the surface," said Azalea Adair. "I have traveled many times around the world in a golden airship wafted on two wings--print and dreams. I have seen (on one of my imaginary tours) the Sultan of Turkey bowstring with his own hands one of his wives who had uncovered her face in public. I have seen a man in Nashville tear up his theatre tickets because his wife was going out with her face covered--with rice powder.

In San Francisco's Chinatown I saw the slave girl Sing Yee dipped slowly, inch by inch, in boiling almond oil to make her swear she would never see her American lover again. She gave in when the boiling oil had reached three inches above her knee. At a euchre party in East Nashville the other night I saw Kitty Morgan cut dead by seven of her schoolmates and lifelong friends because she had married a house painter. The boiling oil was sizzling as high as her heart; but I wish you could have seen the fine little smile that she carried from table to table. Oh, yes, it is a humdrum town. Just a few miles of red brick houses and mud and lumber yards."

Some one knocked hollowly at the back of the house. Azalea Adair breathed a soft apology and went to investigate the sound. She came back in three minutes with brightened eyes, a faint flush on her cheeks, and ten years lifted from her shoulders.