Strange Pages from Family Papers Part 5

The hiding place in which the King was hidden is situated in the squire's bedroom. It appears there was formerly a sliding panel in the wainscot, near the fireplace, which, when opened, gave access to a closet, the false floor of which still admits of a person taking up his position in this secret nook. The wainscoting, too, which concealed the movable panel in the bedroom was originally covered with tapestry, with which the room was hung. A curious story is told of Street Place, an old house, a mile and a half north of Plumpton, in the neighbourhood of Lewes, which dates from the time of James I., and was the seat of the Dobells. Behind the great chimney-piece of the hall was a deep recess, used for purposes of concealment; and it is said that one day a cavalier horseman, hotly pursued by some troopers, broke into the hall, spurred his horse into the recess, and disappeared for ever.

Bistmorton Court, an old moated manor house in the Malvern district, has a cunningly contrived secret room, which is opened by means of a spring, and this hidden nook is commonly reported to have played an important part in the War of the Roses, when numerous persons were concealed there at this troublous period. And a curious discovery was made some years ago at Danby Hall, in Wensleydale, Yorkshire, when, on a small secret room being brought to light, it was found to contain arms and saddlery for a troop of forty or fifty horse. It is generally supposed that these weapons had been hidden away in readiness for the Jacobite rising of 1715 or 1745.

In certain cases it would appear that, for some reason or other, the hiding place has been specially kept a secret among members of the family. In the north of England there is Netherall, near Maryport, c.u.mberland, the seat of the old family of Senhouse. In this old mansion there is said to be a veritable secret room, its exact position in the house being known but to two persons--the heir-at-law and the family solicitor. It is affirmed that never has the secret of this hidden room been revealed to more than two living persons at a time. This mysterious room has no window, and, despite every endeavour to discover it, has successfully defied the ingenuity of even visitors staying in the house. This Netherall tradition is very similar to the celebrated one connected with Glamis Castle, the seat of Lord Strathmore, only in the latter case the secret room possesses a window, which, nevertheless, has not led to its identification. It is known as the "secret room" of the castle, and, although every other part of the castle has been satisfactorily explored, the search for this famous room has been in vain. None are supposed to be acquainted with its locality save Lord Strathmore, his heir, and the factor of the estate, who are bound not to reveal it unless to their successors in the secret. Many weird stories have cl.u.s.tered round this remarkable room; one legend connected with which has been thus described:

The castle now again behold, Then mark yon lofty turret bold, Which frowns above the western wing, Its grim walls darkly shadowing.

There is a room within that tower No mortal dare approach; the power Of an avenging G.o.d is there.

Dread--awfully display'd--beware!

And enter not that dreadful room, Else yours may be a fearful doom.

According to one legendary romance--founded on an incident which is said to have occurred during one of the carousals of the Earl of Crawford, otherwise styled "Earl Beardie" or the "Tiger Earl"--there was many years ago a grand "meet" at Glamis, as the result of which many a n.o.ble deer lay dead upon the hill, and many a grizzly boar dyed with his heart's blood the rivers of the plain. As the day drew to its close, "the wearied huntsmen, with their fair attendants, returned, 'midst the sounds of martial music and the low whispered roundelays of the ladies, victorious to the castle." In the old baronial dining hall was spread a sumptuous and savoury feast, at which "venison and reeking game, rich smoked ham and savoury roe, flanked by the wild boar's head, and viands and pasties without name, blent profusely on the hospitable board, while jewelled and capacious goblets, filled with ruby wine, were lavishly handed round to the admiring guests."

At the completion of the banquet, the minstrel strung his ancient harp, and soon the company tripped lightly on the oaken floor, till the rafters rang with the merry sounds of their midnight revelry. For three days and nights the hunt and the feast continued, and as, at last, the revelries drew to a close, still four dark chieftains remained in the inner chamber of the castle, "and sang, and drank, and shouted, right merrilie. The day broke, yet louder rang the wa.s.sail roar; the goblets were over and over again replenished, and the terrible oaths and ribald songs continued, and the dice rattled, and the revelry became louder still, till the many walls of the old castle shook and reverberated with the awful sounds of debauchery, blasphemy, and crime."

"At length their wild, ungovernable frenzy reached its climax. They had drunk until their eyes had grown dim, and their hands could scarcely hold the h.e.l.lish dice, when, driven by expiring fury, with fiendish glee, they defiantly gnashed their teeth and cursed the G.o.d of heaven! Then, with returning strength, and exhausting its last and fitful energies in still louder imprecations and more fearful yells, they deliberately and with unanimous voice consigned their guilty souls to the nethermost h.e.l.l! Fatal words! In a bright, broad sheet of lurid and sulphurous flame the Prince of Darkness appeared in their midst, and struck--not the shaft of death, but the vitality of eternal life--and there to this day in that dreaded room they sit, transfixed in all their hideous expression of ghastly terror and dismay--doomed to drink the wine cup and throw the dice till the dawning of the Great Judgment Day."[21]

Another explanation of the mystery is that during one of the feuds between the Lindsays and the Ogilvies, a number of the latter Clan, flying from their enemies, came to Glamis Castle, and begged hospitality of the owner. He admitted them, and on the plea of hiding them, he secured them all in this room, and then left them to starve.

Their bones, it is averred, lie there to this day, the sight of which, it has been stated, so appalled the late Lord Strathmore on entering the room, that he had it walled up. Some a.s.sert that, owing to some hereditary curse, like those described in a previous chapter, at certain intervals a kind of vampire is born into the family of the Strathmore Lyons, and that as no one would like to destroy this monstrosity, it is kept concealed till its term of life is run. But, whatever the mystery may be, such rooms, like the locked chamber of Blue Beard, are not open to vulgar gaze, a circ.u.mstance which has naturally perpetuated the curiosity attached to them. The reputation, too, which Glamis Castle has long had for possessing so strange a room has led to a host of the most gruesome stories being circulated in connection with it, many of which from time to time have appeared in print. According to one account,[22] "a lady, very well known in London society, an artistic and social celebrity, went to stay at Glamis Castle for the first time. She was allotted very handsome apartments just on the point of junction between the new buildings--perhaps a hundred or two hundred years old--and the very ancient part of the castle. The rooms were handsomely furnished; no grim tapestry swung to and fro, all was smooth, easy, and modern, and the guest retired to bed without a thought of the mysteries of Glamis.

In the morning she appeared at the breakfast table cheerful and self-possessed, and, to the inquiry how she had slept, replied, "Well, thanks, very well, up to four o'clock in the morning. But your Scottish carpenters seem to come to work very early. I suppose they are putting up their scaffolding quickly, though, for they are quiet now."

Her remarks were followed by a dead silence, and, to her surprise, she noticed that the faces of the family party were very pale. But, she was asked, as she valued the friendship of all there, never to speak on that subject again, there had been no carpenters at Glamis for months past. The lady, it seems, had not the remotest idea that the hammering she had heard was connected with any story, and had no notion of there being some mystery connected with the noise until enlightened on the matter at the breakfast table.

At Rushen Castle, Isle of Man, there is said to be a room which has never been opened in the memory of man. Various explanations have been a.s.signed to account for this circ.u.mstance, one being that the old place was once inhabited by giants, who were dislodged by Merlin, and such as were not driven away remain spellbound beneath the castle.

Waldron, in his "Description of the Isle of Man," has given a curious tradition respecting this strange room, in which the supernatural element holds a prominent place, and which is a good sample of other stories of the same kind: "They say there are a great many fine apartments underground, exceeding in magnificence any of the upper rooms. Several men, of more than ordinary courage have, in former times, ventured down to explore the secrets of this subterranean dwelling-place, but as none of them ever returned to give an account of what they saw, the pa.s.sages to it were kept continually shut that no more might suffer by their temerity. But about fifty years since, a person of uncommon courage obtained permission to explore the dark abode. He went down, and returned by the help of a clue of packthread, and made this report: 'That after having pa.s.sed through a great number of vaults he came into a long narrow place, along which having travelled, as far as he could guess, for the s.p.a.ce of a mile, he saw a little gleam of light. Reaching at last the end of this lane of darkness, he perceived a very large and magnificent house, illuminated with a great many candles, whence proceeded the light just mentioned.

After knocking at the door three times, it was opened by a servant, who asked him what he wanted. "I would go as far as I can," he replied; "be so kind as to direct me, for I see no pa.s.sage but the dark cavern through which I came hither." The servant directed him to go through the house, and led him through a long entrance pa.s.sage and out at the back door. After walking a considerable distance, he saw another house, more magnificent than the former, where he saw through the open windows lamps burning in every room. He was about to knock, but looking in at the window of a low parlour, he saw in the middle of the room a large table of black marble, on which lay extended a monster of at least fourteen feet long, and ten round the body, with a sword beside him. He therefore deemed it prudent to make his way back to the first house where the servant reconducted him, and informed him that if he had knocked at the second door he never would have returned. He then took his leave, and once more ascended to the light of the sun.'"

But, leaving rooms of this supernatural kind, we may allude to those which have acquired a strange notoriety from certain peculiarities of a somewhat gruesome character; and, with tales of horror attached to their guilty walls, it is not surprising that many rooms in our old country houses have long been said to be troubled with mysterious noises, and to have an uncanny aspect. Wye Coller Hall, near Colne, which was long the seat of the Cunliffes of Billington, had a room which the timid long avoided. Once a year, it is said, a spectre horseman visits this house and makes his way up the broad oaken staircase into a certain room, from whence "dreadful screams, as from a woman, are heard, which soon subside into groans." The story goes that one of the Cunliffes murdered his wife in that room, and that the spectre horseman is the ghost of the murderer, who is doomed to pay an annual visit to the house of his victim, who is said to have predicted the extinction of the family, which has literally been fulfilled. This strange visitor is always attired in the costume of the early Stuart period, and the trappings of his horse are of a most uncouth description; the evening of his arrival being generally wild and tempestuous.

At Creslow Manor House, Buckinghamshire, there is another mysterious room which, although furnished as a bedroom, is very rarely used, for it cannot be entered, even in the daytime, without trepidation and awe. According to common report, this room, which is situated in the most ancient portion of the building, is haunted by the restless spirit of a lady, long since deceased. What the antecedent history of this uncomfortable room really is no one seems to know, although it is generally agreed that in the distant past it must have been the silent witness of some tragic occurrence.

But Littlecote House, the ancient seat of the Darrells, is renowned, writes Lord Macaulay, "not more on account of its venerable architecture and furniture, than on account of a horrible and mysterious crime which was perpetrated there in the days of the Tudors." One of the bedchambers, which is said to have been the scene of a terrible murder, contains a bedstead with blue furniture, which time has made dingy and threadbare. In the bottom of one of the bed curtains is shown a strange place where a small piece has been cut out and sewn in again--a circ.u.mstance which served to identify the scene of a remarkable story, in connection with which, however, there are several discrepancies. According to one account, when Littlecote was in possession of its founders--the Darrells--a midwife of high repute dwelt in the neighbourhood, who, on returning home from a professional visit at a late hour of the night, had gone to rest only to be disturbed by one who desired to have her immediate help, little antic.i.p.ating the terrible night's adventure in store for her, and which shall be told in her own words:

"As soon as she had unfastened the door, a hand was thrust in which struck down the candle, and at the same time pulled her into the road.

The person who had used these abrupt means desired her to tie a handkerchief over her head and not wait for a hat, and, leading her to a stile where there was a horse saddled, with a pillion on its back, he desired her to seat herself, and then, mounting, they set off at a brisk trot. After travelling for an hour and a half, they entered a paved court, or yard, and her conductor, lifting her off her horse, led her into the house, and thus addressed her: 'You must now suffer me to put this cap and bandage over your eyes, which will allow you to breathe and speak, but not to see. Keep up your presence of mind; it will be wanted. No harm will happen to you.' Then, taking her into a chamber, he added, 'Now you are in a room with a lady in labour.

Perform your office well, and you shall be amply rewarded; but if you attempt to remove the bandage from your eyes, take the reward of your rashness."

Shortly afterwards a male child was born, and as soon as this crisis was over the woman received a gla.s.s of wine, and was told to prepare to return home, but in the interval she contrived to cut off a small piece of the bed curtain--an act which was supposed sufficient evidence to fix the mysterious transaction as having happened at Littlecote. According to Sir Walter Scott, the bandage was first put over the woman's eyes on her leaving her own house that she might be unable to tell which way she travelled, and was only removed when she was led into the mysterious bedchamber, where, besides the lady in labour, there was a man of a "haughty and ferocious" aspect. As soon as the child was born, adds Scott, he demanded the midwife to give it him, and, hurrying across the room, threw it on the back of a fire that was blazing in the chimney, in spite of the piteous entreaties of the mother. Suspicion eventually fell on Darrell, whose house was identified by the midwife, and he was tried for murder at Salisbury, "but, by corrupting his judge, Sir John Popham, he escaped the sentence of the law, only to die a violent death by a fall from his horse." This tale of horror, it may be added, has been carefully examined, and there is little doubt but that in its main and most prominent features it is true, the bedstead with a piece of the curtain cut out identifying the spot as the scene of the tragic act.[23]

With this strange story Sir Walter Scott compares a similar one which was current at Edinburgh during his childhood. About the beginning of the eighteenth century, when "the large castles of the Scottish n.o.bles, and even the secluded hotels, like those of the French _n.o.blesse_, which they possessed in Edinburgh, were sometimes the scenes of mysterious transactions, a divine of singular sanct.i.ty was called up at midnight to pray with a person at the point of death." He was put into a sedan chair, and after being transported to a remote part of the town, he was blindfolded--an act which was enforced by a c.o.c.ked pistol. After many turns and windings the chair was carried upstairs into a lodging, where his eyes were uncovered, and he was introduced into a bedroom, where he found a lady, newly delivered of an infant.

He was commanded by his attendants to say such prayers by her bedside as were suitable for a dying person. On remonstrating, and observing that her safe delivery warranted better hopes, he was sternly commanded to do as he had been ordered, and with difficulty he collected his thoughts sufficiently to perform the task imposed on him. He was then again hurried into the chair, but as they conducted him downstairs he heard the report of a pistol. He was safely conducted home, a purse of gold was found upon him, but he was warned that the least allusion to this transaction would cost him his life.

He betook himself to rest, and after a deep sleep he was awakened by his servant, with the dismal news that a fire of uncommon fury had broken out in the house of ****, near the head of the Canongate, and that it was totally consumed, with the shocking addition that the daughter of the proprietor, a young lady eminent for beauty and accomplishments had perished in the flames.

The clergyman had his suspicions; he was timid; the family was of the first distinction; above all, the deed was done, and could not be amended. Time wore away, but he became unhappy at being the solitary depository of this fearful mystery, and, mentioning it to some of his brethren, the anecdote acquired a sort of publicity. The divine, however, had long been dead, and the story in some degree forgotten, when a fire broke out again on the very same spot where the house of **** had formerly stood, and which was now occupied by buildings of an inferior description. When the flames were at their height, the tumult was suddenly suspended by an unexpected apparition. A beautiful female, in a nightdress, extremely rich, but at least half a century old, appeared in the very midst of the fire, and uttered these words in her vernacular idiom: "Anes burned, twice burned; the third time I'll scare you all." The belief in this apparition was formerly so strong that on a fire breaking out and seeming to approach the fatal spot, there was a good deal of anxiety manifested lest the apparition should make good her denunciation.

But family romance contains many such tales of horror, and one told of Sir Richard Baker, surnamed "b.l.o.o.d.y Baker," is a match even for Blue Beard's locked chamber. After spending some years abroad in consequence of a duel, he returned to his old home at Cranbrook, in Kent; he only brought with him a foreign servant, and these two lived alone. Very soon strange stories began to be whispered of unearthly shrieks having been frequently heard at nightfall to issue from his house, and of persons who were missed and never heard of again. But it never occurred to anyone to connect incidents of this kind with Sir Richard Baker, until, one day, he formed an apparent attachment to a young lady in the neighbourhood, who always wore a great number of jewels. He had often pressed her to call and see his house, and, happening to be near it, she determined to surprise him with a visit.

Her companion tried to dissuade her from doing so, but she would not be turned from her purpose. They knocked at the door, but receiving no answer determined to enter. At the head of the staircase hung a parrot, which, on their pa.s.sing, cried out:

"Peapot, pretty lady, be not too bold, Or your red blood will soon run cold."

And the blood of the adventurous women did "run cold" when on opening one of the room doors they found it nearly full of the bodies of murdered persons, chiefly women. And when, too, on looking out of the window they saw "b.l.o.o.d.y Baker" and his servant bringing in the body of a lady, paralysed with fear they concealed themselves in a recess under the staircase, and, as the murderers with their ghastly burden pa.s.sed by, the hand of the murdered lady hung in the bal.u.s.ter of the stairs, which, on Baker chopping it off with an oath, fell into the lap of one of the concealed ladies. They quickly made their escape with the dead hand, on one of the fingers of which was a ring.

Reaching home, they told the story, and in proof of it displayed the ring. Families in the neighbourhood who had lost friends or relatives mysteriously were told of this "blood chamber of horrors," and it was arranged to ask Baker to a party, apparently in a friendly manner, but to have constables concealed ready to take him into custody. He accepted the invitation, and then the lady, pretending it was a dream, told him all she had seen.

"Fair lady," said he, "dreams are nothing; they are but fables."

"They may be fables," she replied, "but is this a fable?" And she produced the hand and ring, upon which the constables appeared on the scene, and took Baker into custody. The tradition adds that he was found guilty, and was burnt, notwithstanding that Queen Mary tried to save him on account of his holding the Roman Catholic religion.[24]

This tradition, of course, must not be taken too seriously; the red hand in the armorial bearings having led, it has been suggested, to the supposition of some sanguinary business in the records of the family. Among the monuments in Cranbrook Church, Kent, there is one erected to Sir Richard Baker--the gauntlet, red gloves, helmet, and spurs, having been suspended over the tomb. On one occasion, a visitor being attracted by the colour of the gloves, was accosted by an old woman, who remarked, "Aye, Miss, those are b.l.o.o.d.y Baker's gloves; their red colour comes from the blood he shed." But the red hand is only the Ulster badge of baronetcy, and there is scarcely a family bearing it of which some tale of murder and punishment has not been told.

FOOTNOTES:

[19] Andrew's "History of Great Britain," 1794-5.

[20] Oxford, 1857.

[21] "Scenes and Legends of the Vale of Strathmore." J. Cargill Guthrie, 1875.

[22] "All the Year Round," 1880.

[23] See "Wilts Archaeological Magazine," vols. i.-x.

[24] See "Notes and Queries," 1st S., I., p. 67.

CHAPTER VI.

INDELIBLE BLOOD STAINS.

"Will all great Neptune's ocean wash this blood Clean from my hand? No; this my hand will rather The mult.i.tudinous seas incarnardine, Making the green one red."--MACBETH.

It was a popular suggestion in olden times that when a person had died a violent death, the blood stains could not be washed away, to which Macbeth alludes, as above, after murdering Duncan. This belief was in a great measure founded on the early tradition that the wounds of a murdered man were supposed to bleed afresh at the approach or touch of the murderer. To such an extent was this notion carried, that "by the side of the bier, if the slightest change were observable in the eyes, the mouth, feet, or hands of the corpse, the murderer was conjectured to be present, and many an innocent spectator must have suffered death. This practice forms a rich pasture in the imagination of our old writers; and their histories and ballads are laboured into pathos by dwelling on this phenomenon."[25] At Blackwell, near Darlington, the murder of one Christopher Simpson is described in a pretty local ballad known as "The Baydayle Banks Tragedy." A suspected person was committed, because when he touched the body at the inquest, "upon his handlinge and movinge, the body did bleed at the mouth, nose, and ears," and he turned out to be the murderer. Similarly Macbeth (Act III., sc. 4), speaking of the ghost, says:--

"It will have blood; they say blood will have blood; Stones have been known to move and trees to speak, Auguries and understood relations have By magot pies and choughs and rooks brought forth The secret'st man of blood."

Shakespeare here, in all probability, alludes to some story in which the stones covering the corpse of a murdered man were said to have moved of themselves, and so revealed the secret. In the same way, it was said that where blood had been shed, the marks could not be obliterated, but would continually reappear until justice for the crime had been obtained. On one occasion, Nathaniel Hawthorne enjoyed the hospitality of Smith.e.l.ls Hall, Lancashire, and was so impressed with the well-known legend of "The b.l.o.o.d.y Footstep" that he, in three separate instances, founded fictions upon it. In his romance of "Septimius" he gives this graphic account of what he saw: "On the threshold of one of the doors of Smith.e.l.ls Hall there is a b.l.o.o.d.y footstep impressed into the doorstep, and ruddy as if the b.l.o.o.d.y foot had just trodden there, and it is averred that on a certain night of the year, and at a certain hour of the night, if you go and look at the doorstep, you will see the mark wet with fresh blood. Some have pretended to say that this is but dew, but can dew redden a cambric handkerchief? And this is what the b.l.o.o.d.y footstep will surely do when the appointed night and hour come round." A local tradition says that the stone bearing the imprint of the mysterious footprint was once removed and cast into a neighbouring wood, but in a short time it had to be restored to its original position owing to the alarming noises which troubled the neighbourhood. This strange footprint is traditionally said to have been caused by George Marsh, the martyr, stamping his foot to confirm his testimony, and has been ever since shewn as the miraculous memorial of the holy man. The story is that "being provoked by the taunts and persecutions of his examiner, he stamped with his foot upon a stone, and, looking up to heaven, appealed to G.o.d for the justice of his cause, and prayed that there might remain in that place a constant memorial of the wickedness and injustice of his enemies." It is also stated that in 1732 a guest sleeping alone in the Green Chamber at Smith.e.l.ls Hall saw an apparition, in the dress of a minister with bands, and a book in his hand. The ghost of Marsh, for so it was p.r.o.nounced to be, disappeared through the doorway, and on the owner of Smith.e.l.ls hearing the story, he directed that divine service--long discontinued--should be resumed at the hall chapel every Sunday.[26]

Then there are the blood stains on the floor at the outer door of the Queen's apartments in Holyrood Palace, where Rizzio was murdered. Sir Walter Scott has made these blood marks the subject of a jocular pa.s.sage in his introduction to the "Chronicles of the Canongate,"

where a c.o.c.kney traveller is represented as trying to efface them with the patent scouring drops which it was his mission to introduce into use in Scotland. In another of his novels--"The Abbot"--Sir Walter Scott alludes to the Rizzio blood stains, and in his "Tales of a Grandfather" he deliberately states that the floor at the head of the stair still bears visible marks of the blood of the unhappy victim. In support of these blood stains, it has been urged that "the floor is very ancient, manifestly much more so than the late floor of the neighbouring gallery, which dated from the reign of Charles II. It is in all likelihood the very floor upon which Mary and her courtiers trod. The stain has been shown there since a time long antecedent to that extreme modern curiosity regarding historical matters which might have induced an imposture, for it is alluded to by the son of Evelyn as being exhibited in the year 1722."[27]

At Condover Hall, Shropshire, there is supposed to be a blood stain which has been there since the time of Henry VIII., and cannot be effaced. According to a local tradition, which has long been current in the neighbourhood, it is the blood of Lord Knevett--the owner of the hall and estate at this period--who was treacherously slain by his son. But unfortunately this piece of romance, which is utterly at variance with facts bearing on the history of Condover and its owners in years gone by, must be cla.s.sed among the legendary tales of the locality. One room in Clayton Old Hall, Lancashire, has for years past been knicknamed "The b.l.o.o.d.y Chamber," from some supposed stains of human gore on the oaken floor planks. Numerous stories have, at different times, been started to account for these blood-tokens, which have gained all the more importance from the mansion having, from time immemorial, been the favourite haunt of a mischievious boggart until laid by the parson, and now--

Whilst ivy climbs and holly is green Clayton Hall boggart shall no more be seen.

In Lincoln Cathedral there are two fine rose windows, one made by a master workman, and the other by his apprentice, out of the pieces of stained gla.s.s the former had thrown aside. The apprentice's window was declared to be the more magnificent, when the master, in a fit of chagrin, threw himself from the gallery beneath his boasted _chef d'oeuvre_, and was killed upon the spot. But his blood-stains on the floor are declared to be indelible. At Cothele, a mansion on the banks of the Tamar, the marks are still visible of the blood spilt by the lord of the manor when, for supposed treachery, he slew the warder of the drawbridge; but these are only to be seen on a wet day.