Strange Pages from Family Papers Part 3

At last, by chance, they were thrown together, when the active service in which James was employed had given his fine manly form an appearance which was at once imposing and captivating. Matilda, too, was improved in every eye, and never had James seen so lovely a maid as his former playmate. Their youthful hearts were disengaged, and they soon resolved to render their attachment as binding and as permanent as it was pure and undivided. The period had arrived, also, when James must again go to sea, and leave Matilda to have her fidelity tried by other suitors. Both, therefore, were willing to bind themselves by some solemn pledge to live but for each other. For this purpose they repaired, on the evening before James's departure, to the ruins of Furness Abbey. It was a fine autumnal evening; the sun had set in the greatest beauty, and the moon was hastening up the eastern sky; and in the roofless choir they knelt, near where the altar formerly stood, and repeated, in the presence of Heaven, their vows of deathless love.

They parted. But the fate of the betrothed lovers was a melancholy one. James returned to his ship for foreign service, and was killed by the first broadside of a French privateer, with which the captain had injudiciously ventured to engage. As for Matilda, she regularly went to the abbey to visit the spot where she had knelt with her lover; and there, it is said, "she would stand for hours, with clasped hands, gazing on that heaven which alone had been witness to their mutual vows."

Another momentous vow, but one of a terribly tragic nature, relates to Samlesbury Hall, which stands about midway between Preston and Blackburn, and has long been famous for its apparition of "The Lady in White." The story generally told is that one of the daughters of Sir John Southworth, a former owner, formed an attachment with the heir of a neighbouring house, and nothing was wanting to complete their happiness except the consent of the lady's father. Sir John was accordingly consulted by the youthful couple, but the tale of their love for each other only increased his rage, and he dismissed them with the most bitter denunciations.

"No daughter of his should ever be united to the son of a family which had deserted its ancestral faith," he solemnly vowed, and to intensify his disapproval of the whole affair, he forbade the young man his presence for ever. Difficulty, however, only served to increase the ardour of the lovers, and, after many secret interviews among the wooded slopes of the Ribble, an elopement was arranged, in the hope that time would eventually bring her father's forgiveness.

But the day and place were unfortunately overheard by the lady's brother, who had hidden himself in a thicket close by, determined, if possible, to prevent what he considered to be his sister's disgrace.

On the evening agreed upon both parties met at the appointed hour, and, as the young knight moved away with his betrothed, her brother rushed from his hiding-place, and, in pursuance of a vow he had made, slew him. After this tragic occurrence, Lady Dorothy was sent abroad to a convent, where she was kept under strict surveillance; but her mind at last gave way--the name of her murdered sweetheart was ever on her lips--and she died a raving maniac. It is said that on certain clear, still evenings, a lady in white can be seen pa.s.sing along the gallery and the corridors, and then from the hall into the grounds, where she meets a handsome knight, who receives her on his bended knees, and he then accompanies her along the walks. On arriving at a certain spot, in all probability the lover's grave, both the phantoms stand still, and as they seem to utter soft wailings of despair, they embrace each other, and then their forms rise slowly from the earth and melt away into the clear blue of the surrounding sky.[14]

A strange and romantic story is told of Blenkinsopp Castle, which, too, has long been haunted by a "white lady." It seems that its owner, Bryan de Blenkinsopp, despite many good qualities, had an inordinate love of wealth which ultimately wrecked his fortune. At the marriage feast of a brother warrior with a lady of high rank and fortune, the health was drunk of Bryan de Blenkinsopp and his "lady love." But to the surprise of all present Bryan made a vow that "never shall that be until I meet with a lady possessed of a chest of gold heavier than ten of my strongest men can carry into my Castle." Soon afterwards he went abroad, and after an absence of twelve years returned, not only with a wife, but possessed of a box of gold that took three of the strongest men to convey it to the Castle. A grand banquet was given in honour of his return, and, after several days feasting and rejoicing, vague rumours were spread of dissensions between the lord and his lady. One day the young husband disappeared, and never returned to Blenkinsopp, nothing more being heard of him. But the traditionary account of this mystery a.s.serts that his young wife, filled with remorse at her undutiful conduct towards him, cannot rest in her grave, but must wander about the old castle, and mourn over the chest of gold--the cursed cause of all their misery--of which it is supposed she, with the a.s.sistance of others, had deprived her husband. It is generally admitted that the cause of Bryan de Blenkinsopp's future unhappiness was the rash vow he uttered at that fatal banquet.

a.s.sociated with this curious romance there are current in the neighbourhood many tales of a more or less legendary character, but there has long been a firm belief that treasure lies buried beneath the crumbling ruins. According to one story given in Richardson's "Table Book of Traditions" some years ago, two of the more habitable apartments of Blenkinsopp Castle were utilized by a labourer of the estate and his family. But one night, the parents were aroused by screams from the adjoining room, and rushing in they found their little son sitting up in bed, terribly frightened. "What was the matter?"

"The White Lady! The White Lady!" cried the boy.

"What lady," asked the bewildered parents; "there is no lady here!"

"She is gone," replied the boy, "and she looked so angry because I would not go with her. She was a fine lady--and she sat down on my bedside and wrung her hands and cried sore; then she kissed me and asked me to go with her, and she would make me a rich man, as she had buried a large box of gold, many hundred years since, down in a vault, and she would give it me, as she could not rest so long as it was there. When I told her I durst not go, she said she would carry me, and was lifting me up when I cried out and frightened her away."

When the boy grew up he invariably persisted in the truth of his statement, and at forty years of age could recall the scene so vividly as "to make him shudder, as if still he felt her cold lips press his cheeks and the death-like embrace of her wan arms."

Equally curious is the old tradition told of Lynton Castle, of which not a stone remains, although, once upon a time, it was as stately a stronghold as ever echoed to the clash of knightly arms. One evening there came to its gates a monk, who in the name of the Holy Virgin asked alms, but the lady of the Castle liked not his gloomy brow, and bade him begone. Resenting such treatment, the monk drew up his well-knit frame, and vowed:--"All that is thine shall be mine, until in the porch of the holy church, a lady and a child shall stand and beckon."

Little heed was taken of these ominous words, and as years pa.s.sed by a baron succeeded to the Lynton estates, whose greed was such that he dared to lay his sacrilegious hand even upon holy treasures. But as he sate among his gold, the black monk entered, and summoned him to his fearful audit; and his servants, aroused by his screams, found only a lifeless corpse. This was considered retribution for his sins of the past, and his son, taking warning, girded on his sword, and in Palestine did doughty deeds against the Saracen. By his side was constantly seen the mysterious Black Monk--his friend and guide--but "at length the wine-cup and the smiles of lewd women lured him from the path of right." After a time the knight returned to Devonshire, "and lo, on the happy Sabbath morning, the chimes of the church-bells flung out their silver music on the air, and the memories of an innocent childhood woke up instantly in his sorrowing heart." In vain the Black Monk sought to beguile him from the holy fane, and whispered to him of bright eyes and a distant bower. He paused only for a moment. In the shadow of the porch stood the luminous forms of his mother and sister, who lifted up their spirit hands, and beckoned. The knight tore himself from the Black Monk's grasp and rushed towards them, exclaiming, "I come! I come! Mother, sister, I am saved! O, Heaven, have pity on me!" The story adds that the three were borne up in a radiant cloud, but "the Black Monk leapt headlong into the depths of the abyss beneath, and the castle fell to pieces with a sudden crash, and where its towers had soared statelily into the sunlit air was now outspread the very desolation--the valley of the rocks--" and thus the vow was accomplished, all that remains nowadays to remind the visitor of that stately castle and its surroundings being a lonely glen in the valley of rocks where a party of marauders, it is said, were once overtaken and slaughtered.

In some cases churches have been built in performance of vows, and at the Tichborne Trial one of the witnesses deposed how Sir Edward Doughty made a vow, when his son was ill, that if the child recovered he would build a church at Poole. Contrary to all expectation, the child "did recover most miraculously, for it had been ill beyond all hope, and Sir Edward built a church at Poole, and there it stands until this day." There are numerous stories of the same kind, and the peculiar position of the old church of St. Antony, in Kirrier, Cornwall, is accounted for by the following tradition: It is said that, soon after the Conquest, as some Normans of rank were crossing from Normandy into England, they were driven by a terrific storm on the Cornish coast, where they were in imminent danger of destruction.

In their peril and distress they called on St. Antony, and made a vow that if he would preserve them from shipwreck they would build a church in his honour on the spot where they first landed. The vessel was wafted into the Durra Creek, and there the pious Normans, as soon as possible, fulfilled their vow. A similar tradition is told of Gunwalloe Parish Church, which, a local legend says, was erected as a votive offering by one who here escaped from shipwreck, for, "when he had miraculously escaped from the fury of the waves, he vowed that he would build a chapel in which the sounds of prayer and praise to G.o.d should blend with the never-ceasing voice of those waves from which he had but narrowly escaped. So near to the sea is the church, that at times it is reached by the waves, which have frequently washed away the walls of the churchyard." But vows of a similar nature have been connected with sacred buildings in most countries, and Vienna owes the church of St. Charles to a vow made by the Emperor Charles the Sixth during an epidemic. The silver ship, given by the Queen of St. Louis, was made in accordance with a vow. According to Joinville, the queen "said she wanted the king, to beg he would make some vows to G.o.d and the Saints, for the sailors around her were in the greatest danger of being drowned."

"'Madam,' I replied, 'vow to make a pilgrimage to my lord St. Nicholas at Varengeville, and I promise you that G.o.d will restore you in safety to France. At least, then, Madam, promise him that if G.o.d shall restore you in safety to France, you will give him a silver ship of the value of five ma.s.ses; and if you shall do this, I a.s.sure you that, at the entreaty of St. Nicholas, G.o.d will grant you a successful voyage.' Upon this, she made a vow of a silver ship to St. Nicholas."

Similarly, there was a statue at Venice said to have performed great miracles. A merchant vowed perpetual gifts of wax candles in grat.i.tude for being saved by the light of a candle on a dark night, reminding us of Byron's description of a storm at sea, in 'Don Juan' (Canto II.):

"Some went to prayers again and made vows Of candles to their saints."

Numerous vows of this kind are recorded, and it may be remembered how a certain Empress promised a golden lamp to the church of Notre Dame des Victoires, in the event of her husband coming safely out of the doctor's hands; and, as recently as the year 1867, attired in the garb of a pilgrim of the olden time, walked, in fulfilment of a vow, from Madrid to Rome when she fancied herself at death's door.

Many card-players and gamesters, unable to bear reverse, have made vows which they lacked the moral courage to keep. Dr. Norman Macleod tells a curious anecdote of a well-known character who lived in the parish of Sedgley, near Wolverhampton, and who, having lost a considerable sum of money by a match at c.o.c.k-fighting--to which practice he was notoriously addicted--made a vow that he would never fight another c.o.c.k as long as he lived, "frequently calling upon G.o.d to d.a.m.n his soul to all eternity if he did, and, with dreadful imprecations, wishing the devil might fetch him if he ever made another bet."

For a time he adhered to his vow, but two years afterwards he was inspired with a violent desire to attend a c.o.c.k-fight at Wolverhampton, and accordingly visited the place for that purpose. On reaching the scene he soon disregarded his vow, and cried: "I hold four to three on such a c.o.c.k!"

"Four what?" said one of his companions.

"Four shillings," replied he.

"I'll lay," said the other, upon which they confirmed the wager, and, as his custom was, he threw down his hat and put his hand in his pocket for the money, when he instantly fell down dead. Terrified at the sight, "some who were present for ever after desisted from this infamous sport; but others proceeded in the barbarous diversion as soon as the dead body was removed from the spot."

Another inveterate gambler was Colonel Edgeworth, who on one occasion, having lost all his ready cash at the card tables, actually borrowed his wife's diamond earrings, and staking them had a fortunate turn of luck, rising a winner; whereupon he solemnly vowed never to touch cards or dice again. And yet, it is said, before the week was out, he was pulling straws from a rick, and betting upon which should prove the longest. On the other hand, Tate Wilkinson relates an interesting anecdote of John Wesley who in early life was very fond of a game of whist, and every Sat.u.r.day was one of a constant party at a rubber, not only for the afternoon, but also for the evening. But the last Sat.u.r.day that he ever played at cards the rubber at whist was longer than he expected, and, "on observing the tediousness of the game he pulled out his watch, and to his shame he found it was some minutes past eight, which was beyond the time he had appointed for the Lord.

He thought the devil had certainly tempted him beyond his hour, he suddenly therefore gave up his cards to a gentleman near him to finish the game," and left the room, making a vow never to play with "the devil's pages," as he called them, again. That vow he never broke.

Political vows, as is well known, have a curious history, and an interesting incident is told in connection with one of the ancestors of Sir Walter Scott. It appears that Walter Scott, the first of Raeburn, by Ann Isabel, his wife, daughter of William Macdougall, had two sons, William, direct ancestor of the Lairds of Raeburn, and Walter, progenitor of the Scotts of Abbotsford. The younger, who was generally known by the curious appellation of "Bearded Watt," from a vow which he had made to leave his beard unshaven until the restoration of the Stuarts, reminds us of those Servian patriots who during the bombardment of Belgrade thirty years ago, made a vow that they would never allow a razor to touch their faces until the thing could be done in the fortress itself. Five years afterwards, in 1867, the Servians marched through the streets of Belgrade, with enormous beards, preceded by the barbers, each with razor in hand, and entered the fortresses to have the last office of the vow performed on them.

FOOTNOTES:

[12] Agnes Strickland, "Lives of the Queens of England," 1884, iii., 454-5.

[13] See Sir Walter Scott's notes to the "Bride of Lammermoor."

[14] Harland's "Lancashire Legends," 1882, p. 263-4.

CHAPTER IV.

STRANGE BANQUETS.

"O'Rourke's n.o.ble feast will ne'er be forgot By those who were there--or those who were not."

In the above words the Dean of St. Patrick has immortalised an Irish festival of the eighteenth century; and some such memory will long cling to many a family or historic banquet, which--like the tragic one depicted in "Macbeth," where the ghost of the murdered Banquo makes its uncanny appearance, or that remarkable feast described by Lord Lytton, where Zanoni drinks with impunity the poisoned cup, remarking to the Prince, "I pledge you even in this wine"--has been the scene of some unusual, or extraordinary occurrence.

At one time or another, the wedding feast has witnessed many a strange and truly romantic occurrence, in some instances the result of unrequited love, or faithless pledges, as happened at the marriage feast of the second Viscount Cullen. At the early age of sixteen he had been betrothed to Elizabeth Trentham, a great heiress; but in the course of his travels abroad he formed a strong attachment to an Italian lady of rank, whom he afterwards deserted for his first betrothed. In due time arrangements were made for their marriage; but on the eventful day, while the wedding party were feasting in the great hall at Rushton, a strange carriage, drawn by six horses, drew up, and forth stepped a dark lady, who, at once entering the hall and, seizing a goblet--"to punish his falsehood and pride"--to the astonishment of all present, drank perdition to the bridegroom, and, having uttered a curse upon his bride, to the effect that she would live in wretchedness and die in want, promptly disappeared to be traced no further.

No small consternation was caused by this unlooked-for _contretemps_; but the young Viscount made light of it to his fair bride, dispelling her alarm by explanations which satisfied her natural curiosity. But, it is said, in after days, this unpleasant episode created an unfavourable impression in her mind, and at times made her give way to feelings of a despondent character. As events turned out, the curse of her marriage day was in a great measure fulfilled. It is true she became a prominent beauty of the Court of Charles II., and was painted with less than his usual amount of drapery by Sir Peter Lely. It is recorded also, that she twice gave an asylum to Monmouth, in the room at Rushton, still known as the "Duke's Room"; but, living unhappily with her husband, she died, notwithstanding her enormous fortune, in comparative penury, at Kettering, at a great age, as recently as the year 1713.

A curious tale of love and deception is told of Bulgaden Hall, once--according to Ferrers, in his "History of Limerick"--the most magnificent seat in the South of Ireland--erected by the Right Hon.

George Evans, who was created Baron Carbery, County of Cork, on the 9th of May, 1715. A family tradition proclaims him to have been noted for great personal attractions, so much so, that Queen Anne, struck by his appearance, took a ring from her finger at one of her levees, and presented it to him--a ring preserved as a heir-loom at Laxton Hall, Northamptonshire. In 1741, he married Grace, the daughter, and eventually heiress of Sir Ralph Freke, of Castle Freke, in the County of Cork, by whom he had four sons and the same number of daughters; and it was George Evans, the eldest son and heir, who became the chief personage in the following extraordinary marriage fraud.

It appears that at an early age he fell in love with the beautiful daughter of his host, Colonel Stamer, who was only too ready to sanction such an alliance. But, despite the brilliant prospects which this contemplated marriage opened to the young lady, she turned a deaf ear to any mention of it, for she loved another. As far as her parents could judge she seemed inexorable, and they could only allay the suspense of the expectant lover by a.s.suring him that their daughter's "natural timidity alone prevented an immediate answer to his suit."

But what their feelings of surprise were on the following day can be imagined, when Miss Stamer announced to her parents her willingness to marry George Evans. It was decided that there should be no delay, and the marriage day was at once fixed. At this period of our social life, the wedding banquet was generally devoted to wine and feasting, while the marriage itself did not take place till the evening. And, according to custom, sobriety at these bridal feasts was, we are told, "a positive violation of all good breeding, and the guests would have thought themselves highly dishonoured had the bridegroom escaped scathless from the wedding banquet."

Accordingly, half unconscious of pa.s.sing events, George Evans was conducted to the altar, where the marriage knot was indissolubly tied.

But, as soon as he had recovered from the effects of the bridal feast, he discovered, to his intense horror and dismay, that the bride he had taken was not the woman of his choice--in short, he was the victim of a cheat. Indignant at this cruel imposture, he ascertained that the plot emanated from the woman who, till then, had been the ideal of his soul, and that she had subst.i.tuted her veiled sister Anne for herself at the altar. The remainder of this strange affair is briefly told:--George Evans had one, and only one, interview with his wife, and thus addressed her in the following words: "Madam, you have attained your end. I need not say how you bear my name; and, for the sake of your family, I acknowledge you as my wife. You shall receive an income from me suitable to your situation. This, probably, is all you cared for with regard to me, and you and I shall meet no more in this world."

[Ill.u.s.tration: "MADAM, YOU HAVE ATTAINED YOUR END. YOU AND I SHALL MEET NO MORE IN THIS WORLD."]

He would allow no explanation, and almost immediately left his home and country, never to meet again the woman who had so basely betrayed him. The glory of Bulgaden Hall was gone. Its young master, in order to quench his sorrow and bury his disgust, gave way to every kind of dissipation, and died its victim in 1769. And, writes Sir Bernard Burke, "from the period of its desertion by its luckless master, Bulgaden Hall gradually sank into ruin; and to mark its site nought remains but the foundation walls and a solitary stone, bearing the family arms."

A strange incident, of which, it is said, no satisfactory explanation has ever yet been forthcoming, happened during the wedding banquet of Alexander III. at Jedburgh Castle, a weird and gruesome episode which Edgar Poe expanded into his "Masque of the Red Death." The story goes that in the midst of the festivities, a mysterious figure glided amongst the astonished guests--tall and gaunt, and shrouded from head to foot in the habiliments of the grave, the mask which concealed the visage resembling the countenance of a stiffened corpse.

"Who dares," demands the royal host, "to insult us with this blasphemous mockery? Seize him and unmask him, that we may know whom we have to hang at sunrise from the battlements."

But when the awe-struck revellers took courage and grasped the figure, "they gasped in unutterable horror on finding the grave cerements and corpse-like mask, which they handled with so violent a rudeness, untenanted by any tangible form, vanishing as suddenly as it had appeared." All sorts of theories have been suggested to account for this mysterious figure, but no satisfactory solution has been forthcoming, an incident of which, it may be remembered, Heywood has given a graphic picture:

In the mid-revels, the first ominous night Of their espousals, when the room shone bright With lighted tapers--the king and queen leading The curious measures, lords and ladies treading The self-same strains--the king looks back by chance And spies a strange intruder fill the dance, Namely, a mere anatomy, quite bare, His naked limbs both without flesh and hair (As he deciphers Death), who stalks about, Keeping true measure till the dance be out.

Inexplicable, however, as the presence of this unearthly, mysterious personage was felt to be by all engaged in the marriage revels, it was regarded as the forerunner of some approaching catastrophe.

Prophets and seers lost no time in turning the affair to their own interest, and amongst them Thomas the Rhymer predicted that the 16th of March would be "the stormiest day that ever was witnessed in Scotland." But when the supposed ill-fated day arrived, it was the very reverse of stormy, being still and mild, and public opinion began to ridicule the prophetic utterance of Thomas the Rhymer, when, to the amazement and consternation of all, there came the appalling news, "The king is dead," whereupon Thomas the Rhymer e.j.a.c.u.l.a.t.ed, "That is the storm which I meant, and there was never tempest which will bring to Scotland more ill-luck."