Stories from Hans Andersen Part 6

It sang the same tune three and thirty times over, and yet it was not tired; people would willingly have heard it from the beginning again, but the emperor said that the real one must have a turn now--but where was it? No one had noticed that it had flown out of the open window, back to its own green woods.

'But what is the meaning of this?' said the emperor.

All the courtiers railed at it, and said it was a most ungrateful bird.

'We have got the best bird though,' said they, and then the artificial bird had to sing again, and this was the thirty-fourth time that they heard the same tune, but they did not know it thoroughly even yet, because it was so difficult.

The music-master praised the bird tremendously, and insisted that it was much better than the real nightingale, not only as regarded the outside with all the diamonds, but the inside too.

'Because you see, my ladies and gentlemen, and the emperor before all, in the real nightingale you never know what you will hear, but in the artificial one everything is decided beforehand! So it is, and so it must remain, it can't be otherwise. You can account for things, you can open it and show the human ingenuity in arranging the waltzes, how they go, and how one note follows upon another!'

'Those are exactly my opinions,' they all said, and the music-master got leave to show the bird to the public next Sunday. They were also to hear it sing, said the emperor. So they heard it, and all became as enthusiastic over it as if they had drunk themselves merry on tea, because that is a thoroughly Chinese habit.

Then they all said 'Oh,' and stuck their forefingers in the air and nodded their heads; but the poor fishermen who had heard the real nightingale said, 'It sounds very nice, and it is very like the real one, but there is something wanting, we don't know what.' The real nightingale was banished from the kingdom.

The artificial bird had its place on a silken cushion, close to the emperor's bed: all the presents it had received of gold and precious jewels were scattered round it. Its t.i.tle had risen to be 'Chief Imperial Singer of the Bed-Chamber,' in rank number one, on the left side; for the emperor reckoned that side the important one, where the heart was seated. And even an emperor's heart is on the left side. The music-master wrote five-and-twenty volumes about the artificial bird; the treatise was very long and written in all the most difficult Chinese characters. Everybody said they had read and understood it, for otherwise they would have been reckoned stupid, and then their bodies would have been trampled upon.

[Ill.u.s.tration: _The music-master wrote five-and-twenty volumes about the artificial bird; the treatise was very long and written in all the most difficult Chinese characters._]

Things went on in this way for a whole year. The emperor, the court, and all the other Chinamen knew every little gurgle in the song of the artificial bird by heart; but they liked it all the better for this, and they could all join in the song themselves. Even the street boys sang 'zizizi' and 'cluck, cluck, cluck,' and the emperor sang it too.

But one evening when the bird was singing its best, and the emperor was lying in bed listening to it, something gave way inside the bird with a 'whizz.' Then a spring burst, 'whirr' went all the wheels, and the music stopped. The emperor jumped out of bed and sent for his private physicians, but what good could they do? Then they sent for the watchmaker, and after a good deal of talk and examination he got the works to go again somehow; but he said it would have to be saved as much as possible, because it was so worn out, and he could not renew the works so as to be sure of the tune. This was a great blow! They only dared to let the artificial bird sing once a year, and hardly that; but then the music-master made a little speech, using all the most difficult words. He said it was just as good as ever, and his saying it made it so.

Five years now pa.s.sed, and then a great grief came upon the nation, for they were all very fond of their emperor, and he was ill and could not live, it was said. A new emperor was already chosen, and people stood about in the street, and asked the gentleman-in-waiting how their emperor was going on.

'P,' answered he, shaking his head.

The emperor lay pale and cold in his gorgeous bed, the courtiers thought he was dead, and they all went off to pay their respects to their new emperor. The lackeys ran off to talk matters over, and the chambermaids gave a great coffee-party. Cloth had been laid down in all the rooms and corridors so as to deaden the sound of footsteps, so it was very, very quiet. But the emperor was not dead yet. He lay stiff and pale in the gorgeous bed with its velvet hangings and heavy golden ta.s.sels. There was an open window high above him, and the moon streamed in upon the emperor, and the artificial bird beside him.

The poor emperor could hardly breathe, he seemed to have a weight on his chest, he opened his eyes, and then he saw that it was Death sitting upon his chest, wearing his golden crown. In one hand he held the emperor's golden sword, and in the other his imperial banner. Round about, from among the folds of the velvet hangings peered many curious faces: some were hideous, others gentle and pleasant. They were all the emperor's good and bad deeds, which now looked him in the face when Death was weighing him down.

'Do you remember that?' whispered one after the other; 'Do you remember this?' and they told him so many things that the perspiration poured down his face.

'I never knew that,' said the emperor. 'Music, music, sound the great Chinese drums!' he cried, 'that I may not hear what they are saying.'

But they went on and on, and Death sat nodding his head, just like a Chinaman, at everything that was said.

'Music, music!' shrieked the emperor. 'You precious little golden bird, sing, sing! I have loaded you with precious stones, and even hung my own golden slipper round your neck; sing, I tell you, sing!'

But the bird stood silent; there was n.o.body to wind it up, so of course it could not go. Death continued to fix the great empty sockets of his eyes upon him, and all was silent, so terribly silent.

Suddenly, close to the window, there was a burst of lovely song; it was the living nightingale, perched on a branch outside. It had heard of the emperor's need, and had come to bring comfort and hope to him. As it sang the faces round became fainter and fainter, and the blood coursed with fresh vigour in the emperor's veins and through his feeble limbs.

Even Death himself listened to the song and said, 'Go on, little nightingale, go on!'

'Yes, if you give me the gorgeous golden sword; yes, if you give me the imperial banner; yes, if you give me the emperor's crown.'

And Death gave back each of these treasures for a song, and the nightingale went on singing. It sang about the quiet churchyard, when the roses bloom, where the elder flower scents the air, and where the fresh gra.s.s is ever moistened anew by the tears of the mourner. This song brought to Death a longing for his own garden, and, like a cold grey mist, he pa.s.sed out of the window.

'Thanks, thanks!' said the emperor; 'you heavenly little bird, I know you! I banished you from my kingdom, and yet you have charmed the evil visions away from my bed by your song, and even Death away from my heart! How can I ever repay you?'

'You have rewarded me,' said the nightingale. 'I brought the tears to your eyes, the very first time I ever sang to you, and I shall never forget it! Those are the jewels which gladden the heart of a singer;--but sleep now, and wake up fresh and strong! I will sing to you!'

Then it sang again, and the emperor fell into a sweet refreshing sleep.

The sun shone in at his window, when he woke refreshed and well; none of his attendants had yet come back to him, for they thought he was dead, but the nightingale still sat there singing.

'You must always stay with me!' said the emperor. 'You shall only sing when you like, and I will break the artificial bird into a thousand pieces!'

[Ill.u.s.tration: _Even Death himself listened to the song and said, 'Go on, little nightingale, go on!'_]

'Don't do that!' said the nightingale, 'it did all the good it could!

keep it as you have always done! I can't build my nest and live in this palace, but let me come whenever I like, then I will sit on the branch in the evening, and sing to you. I will sing to cheer you and to make you thoughtful too; I will sing to you of the happy ones, and of those that suffer too. I will sing about the good and the evil, which are kept hidden from you. The little singing bird flies far and wide, to the poor fisherman, and the peasant's home, to numbers who are far from you and your court. I love your heart more than your crown, and yet there is an odour of sanct.i.ty round the crown too!--I will come, and I will sing to you!--But you must promise me one thing!--

'Everything!' said the emperor, who stood there in his imperial robes which he had just put on, and he held the sword heavy with gold upon his heart.

'One thing I ask you! Tell no one that you have a little bird who tells you everything; it will be better so!'

Then the nightingale flew away. The attendants came in to see after their dead emperor, and there he stood, bidding them 'Good morning!'

THE REAL PRINCESS

There was once a prince, and he wanted a princess, but then she must be a _real_ Princess. He travelled right round the world to find one, but there was always something wrong. There were plenty of princesses, but whether they were real princesses he had great difficulty in discovering; there was always something which was not quite right about them. So at last he had to come home again, and he was very sad because he wanted a real princess so badly.

One evening there was a terrible storm; it thundered and lightened and the rain poured down in torrents; indeed it was a fearful night.

In the middle of the storm somebody knocked at the town gate, and the old King himself went to open it.

It was a princess who stood outside, but she was in a terrible state from the rain and the storm. The water streamed out of her hair and her clothes; it ran in at the top of her shoes and out at the heel, but she said that she was a real princess.

'Well we shall soon see if that is true,' thought the old Queen, but she said nothing. She went into the bedroom, took all the bedclothes off and laid a pea on the bedstead: then she took twenty mattresses and piled them on the top of the pea, and then twenty feather beds on the top of the mattresses. This was where the princess was to sleep that night. In the morning they asked her how she had slept.

'Oh terribly badly!' said the princess. 'I have hardly closed my eyes the whole night! Heaven knows what was in the bed. I seemed to be lying upon some hard thing, and my whole body is black and blue this morning.

It is terrible!'

They saw at once that she must be a real princess when she had felt the pea through twenty mattresses and twenty feather beds. n.o.body but a real princess could have such a delicate skin.

So the prince took her to be his wife, for now he was sure that he had found a real princess, and the pea was put into the Museum, where it may still be seen if no one has stolen it.

Now this is a true story.

THE GARDEN OF PARADISE

There was once a king's son; n.o.body had so many or such beautiful books as he had. He could read about everything which had ever happened in this world, and see it all represented in the most beautiful pictures.