Stories by English Authors: Germany Part 2

She pa.s.sed into the salon, where she found a quiet corner for herself, and read some of the newspapers. No one took the slightest notice of her; not a word was spoken to her; but when she relieved the company of her presence her impertinence was commented on.

"I am sorry that she heard what I said," remarked Miss Blake; "but she did not seem to mind. These young women who go out into the world lose the edge of their sensitiveness and femininity. I have always observed that."

"How much they are spared then!" answered some one.

Meanwhile the little girl slept soundly. She had merry dreams, and finally woke up laughing. She hurried over her breakfast, and then stood ready to go for a b.u.t.terfly hunt. She looked thoroughly happy, and evidently had found, and was holding tightly, the key to life's enjoyment.

Oswald Everard was waiting on the balcony, and he reminded her that he intended to go with her.

"Come along then," she answered; "we must not lose a moment."

They caught b.u.t.terflies; they picked flowers; they ran; they lingered by the wayside; they sang; they climbed, and he marvelled at her easy speed. Nothing seemed to tire her, and everything seemed to delight her--the flowers, the birds, the clouds, the gra.s.ses, and the fragrance of the pine woods.

"Is it not good to live?" she cried. "Is it not splendid to take in the scented air? Draw in as many long breaths as you can. Isn't it good?

Don't you feel now as though you were ready to move mountains? I do.

What a dear old nurse Nature is! How she pets us, and gives us the best of her treasures!"

Her happiness invaded Oswald Everard's soul, and he felt like a school-boy once more, rejoicing in a fine day and his liberty, with nothing to spoil the freshness of the air, and nothing to threaten the freedom of the moment.

"Is it not good to live?" he cried. "Yes, indeed it is, if we know how to enjoy."

They had come upon some haymakers, and the little girl hastened up to help them, laughing and talking to the women, and helping them to pile up the hay on the shoulders of a broad-backed man, who then conveyed his burden to a pear-shaped stack. Oswald Everard watched his companion for a moment, and then, quite forgetting his dignity as an amateur tenor singer, he too lent his aid, and did not leave off until his companion sank exhausted on the ground.

"Oh," she laughed, "what delightful work for a very short time! Come along; let us go into that brown chatlet yonder and ask for some milk.

I am simply parched with thirst. Thank you, but I prefer to carry my own flowers."

"What an independent little lady you are!" he said.

"It is quite necessary in our profession, I can a.s.sure you," she said, with a tone of mischief in her voice. "That reminds me that my profession is evidently not looked upon with any favour by the visitors at the hotel. I am heartbroken to think that I have not won the esteem of that lady in the billyc.o.c.k hat. What will she say to you for coming out with me? And what will she say of me for allowing you to come? I wonder whether she will say, 'How unfeminine!' I wish I could hear her!"

"I don't suppose you care," he said. "You seem to be a wild little bird."

"I don't care what a person of that description says," replied his companion.

"What on earth made you contradict the major at dinner last night?" he asked. "I was not at the table, but some one told me of the incident; and I felt very sorry about it. What could you know of Miss Thyra Flowerdew?"

"Well, considering that she is in my profession, of course I know something about her," said the little girl.

"Confound it all!" he said, rather rudely. "Surely there is some difference between the bellows-blower and the organist."

"Absolutely none," she answered; "merely a variation of the original theme!"

As she spoke she knocked at the door of the chalet, and asked the old dame to give them some milk. They sat in the _Stube_, and the little girl looked about, and admired the spinning-wheel and the quaint chairs and the queer old jugs and the pictures on the walls.

"Ah, but you shall see the other room," the old peasant woman said; and she led them into a small apartment which was evidently intended for a study. It bore evidences of unusual taste and care, and one could see that some loving hand had been trying to make it a real sanctum of refinement. There was even a small piano. A carved book-rack was fastened to the wall.

The old dame did not speak at first; she gave her guests time to recover from the astonishment which she felt they must be experiencing; then she pointed proudly to the piano.

"I bought that for my daughters," she said, with a strange mixture of sadness and triumph. "I wanted to keep them at home with me, and I saved and saved, and got enough money to buy the piano. They had always wanted to have one, and I thought they would then stay with me. They liked music and books, and I knew they would be glad to have a room of their own where they might read and play and study; and so I gave them this corner."

"Well, mother," asked the little girl, "and where are they this afternoon?"

"Ah," she answered sadly, "they did not care to stay; but it was natural enough, and I was foolish to grieve. Besides, they come to see me."

"And then they play to you?" asked the little girl, gently.

"They say the piano is out of tune," the old dame said. "I don't know.

Perhaps you can tell."

The little girl sat down to the piano, and struck a few chords.

"Yes," she said; "it is badly out of tune. Give me the tuning-hammer. I am sorry," she added, smiling at Oswald Everard, "but I cannot neglect my duty. Don't wait for me."

"I will wait for you," he said, sullenly; and he went into the balcony and smoked his pipe, and tried to possess his soul in patience.

When she had faithfully done her work she played a few simple melodies, such as she knew the old woman would love and understand; and she turned away when she saw that the listener's eyes were moist.

"Play once again," the old woman whispered. "I am dreaming of beautiful things."

So the little tuner touched the keys again with all the tenderness of an angel.

"Tell your daughters," she said, as she rose to say good-bye, "that the piano is now in good tune. Then they will play to you the next time they come."

"I shall always remember you, mademoiselle," the old woman said; and, almost unconsciously, she took the childish face and kissed it.

Oswald Everard was waiting in the hay-field for his companion; and when she apologised to him for this little professional intermezzo, as she called it, he recovered from his sulkiness and readjusted his nerves, which the noise of the tuning had somewhat disturbed.

"It was very good of you to tune the old dame's piano," he said, looking at her with renewed interest.

"Some one had to do it, of course," she answered, brightly, "and I am glad the chance fell to me. What a comfort it is to think that the next time those daughters come to see her they will play to her and make her very happy! Poor old dear!"

"You puzzle me greatly," he said. "I cannot for the life of me think what made you choose your calling. You must have many gifts; any one who talks with you must see that at once. And you play quite nicely, too."

"I am sorry that my profession sticks in your throat," she answered.

"Do be thankful that I am nothing worse than a tuner. For I might be something worse--a sn.o.b, for instance."

And, so speaking, she dashed after a b.u.t.terfly, and left him to recover from her words. He was conscious of having deserved a reproof; and when at last he overtook her he said as much, and asked for her kind indulgence.

"I forgive you," she said, laughing. "You and I are not looking at things from the same point of view; but we have had a splendid morning together, and I have enjoyed every minute of it. And to-morrow I go on my way."

"And to-morrow you go," he repeated. "Can it not be the day after to-morrow?"

"I am a bird of pa.s.sage," she said, shaking her head. "You must not seek to detain me. I have taken my rest, and off I go to other climes."

They had arrived at the hotel, and Oswald Everard saw no more of his companion until the evening, when she came down rather late for _table d'hote_. She hurried over her dinner and went into the salon. She closed the door, and sat down to the piano, and lingered there without touching the keys; once or twice she raised her hands, and then she let them rest on the notes, and, half unconsciously, they began to move and make sweet music; and then they drifted into Schumann's "Abendlied," and then the little girl played some of his "Kinderscenen," and some of his "Fantasie Stucke," and some of his songs.

Her touch and feeling were exquisite, and her phrasing betrayed the true musician. The strains of music reached the dining-room, and, one by one, the guests came creeping in, moved by the music and anxious to see the musician.