Stories by American Authors Volume VII Part 10

He sat with her awhile longer, then went away, and thought of her all night, and went back to her in the morning.

Loramer made him a visit soon after that. They sat up late together.

When they were separating at Loramer's door, he laid his arm across Enfield's shoulder, and they looked into each other's eyes.

"Are you going to marry Cora Brainard, Lawrence?" he asked.

"Yes."

They continued to look at each other for a long breath.

"Are my eyes sound?" asked Enfield, but neither smiled.

"Yes, sound and true," answered Loramer, "but too deep for me."

The wedding came off a month later. Enfield had insisted upon Loramer standing up with him. "This must make no difference between you and me, Harry," he had said. Cora looked very pretty, and bore herself with a demure dignity which Loramer could not but admire. He got an idea of her then which he found hard to reconcile with his recollections. Enfield himself discovered an unsuspected capacity for enjoyment in her.

They came back from the wedding-journey, and she took command of his house. And as they settled into the routine of home life and occupations, Enfield began to think of carrying out certain plans which he had had in mind.

Two or three months before his return to Cora, he had met a young lady whom he had known slightly for some years, named Stella Grayland. She was not strikingly beautiful, but of very pleasing appearance, fresh, rosy, and intelligent. But the charm Enfield found in her was her manner and what it suggested. Though entirely simple, her walking, standing, sitting, speaking, were perfectly poised. In all her motions and att.i.tudes she made you think of some smooth and balanced mechanism which, however it turned, or went, or stopped, was still in no danger of going awry. She could stand still and sit still, and to see her do either was good for the eyes. She was not fluent in speech, but when she began you might be sure she would get to the end of what she set out to say and stop when she got to the end. The simplest things took a rhythmical quality in her mouth, and clung to the memory with an agreeable tenacity.

Happy, thoughtful, modest, steadfast Stella Grayland had struck Enfield as the reverse of Cora Brainard, and he found the secret of the salient difference in the fact that Stella had had a thorough training in one direction. Her father was a musician, and his daughter had inherited his faculty and cultivated it by a.s.siduous study at home and abroad. Coming away from her, Enfield had reflected how any enn.o.bling pursuit broadens and deepens the whole character, as a journey up the lat.i.tudes on any side of the world gives one the main features of all, and makes the rest intelligible.

If Cora had had the guidance of some strong, wise hand to set her right at the start, and lead her along the arduous beginning of some such path, until her feet found their strength and the growing joy of walking, and her eyes learned the delight of the ever-widening and brightening prospect!--the thought of what might have been filled him with strong regret and pity. She had only had the training of sordid care and uncongenial tasks and a.s.sociations. He was estranged from her then, and had been thinking hardly of her; but when he heard of her in trouble at her father's death, the pitiful yearning swept away all unkindness, and brought him back to her side. And that night, after she had appealed to him in such an abandoned humor, she seemed to him quite the child still and fit to learn of one who understood her, and had her confidence and the right to be with her a great deal. Who was there that knew her or could help her but he? It was in no proud spirit that he had answered. He wandered under the stars, and was humble enough and lonely enough, G.o.d knew. He went back through the years, and gathered all the forgotten tenderness and trust between them. He felt again the purifying stimulus of his thought of her, and perceived how it had fostered all of him that was brave and of good report. Whether or not he had deceived himself; whether she were truly the girl he had seen or not, the fact remained that he owed her, or his thought of her, a great deal. What was truth? Are there not as many worlds as eyes that see them? Are we sure there is any world outside the eye? Does not truth consist in standing by what one's eyes report? What better proof could there be of a thing's reality than that it had held you long, shaped and lifted and led you? Cora Brainard had been the most powerful modifying circ.u.mstance of his life.

It seemed to him that night that G.o.d had set before him a solemn trust, and that there was every reason why he should a.s.sume it. And slowly and reverently he took it up.

And now that she was his wife, he was anxious to begin the course he had determined to pursue. Cora had received the ordinary schooling of girls, but had somehow missed the true education. Her acquirements were a surface gloss merely, Enfield knew. She had never been touched by the sacred fire. She could not tell a good book from a poor one, he had said to Loramer. But he had taken her, and his heart yearned toward the companion of his choice. Yet there could be no true companionship where there was no common view or interest. It seemed to him that she had never learned the right use of her eyes, that the few and little things close to her shut out the sight of the great and innumerable company beyond, as if one reared among city streets should never see either the earth or the sky. He would teach her to use them, would show her the awe and beauty of the world. They would read together; he would find a new charm and inspiration in his loved books; she would catch his enthusiasm and insensibly learn the delight and true cultivation of all that is great and good.

He found no chance to begin for a long time. She was very busy and seemed very happy. There was the house to set in order, his friends and hers to entertain; she was learning to ride. But by and by came winter and shut them in more alone. He got out his books and proposed their reading together, and was pleased to find she welcomed the plan.

She read with a clear intonation and a careful regard for pointing and p.r.o.nunciation; but somehow as he listened to her the strength and flavor of his favorite authors escaped between the words. Her idea of reading poetry seemed to be that it should sound exactly like prose.

She had apparently no conception of anything like rhythm, and seemed to think it a special grace to avoid any slightest pause at the end of a line when it could be done; so that the mind was kept on a strain to catch at the rhyme and measure. He said nothing, but one night took the book himself. He read things to her that had made his heart throb and dimmed his eyes, or filled him with delightful laughter, and they wearied or puzzled her, and seemed cold and sterile to himself. He began to lose courage, but he persevered. One night he read to her in Ruskin's eloquent prose, and came to that powerful and impa.s.sioned, if somewhat mystical, interpretation of the Laureate's n.o.ble song:

"Come into the garden, Maud, For the black bat, night, has flown, Come into the garden, Maud, I am here at the gate alone; And the woodbine spices are wafted abroad, And the musk of the rose is blown."

He read on to the end. When he stopped he hoped she would not speak; he felt by antic.i.p.ation the jar of her clear cold voice. But she did not speak. Her face was in the shadow, but he could see without turning his head that her bosom heaved and heaved. She was touched,--she understood. With a rush came a thought that the splendid song symbolized their relation. It was he who stood at the gate, alone, and called her out from "the dancers dancing in tune." He had almost wearied of calling, but she heard,--at last she heard!

"There has fallen a splendid tear From the pa.s.sion-flower at the gate.

She is coming, my dove, my dear; She is coming, my life, my fate; The red rose cries, 'She is near, She is near,'

And the white rose weeps, 'She is late;'

The larkspur listens, 'I hear, I hear;'

And the lily whispers, 'I wait!'"

There was silence a while in the room; then he moved very gently and looked in her face. There was a smile on her lips, and her eyes were closed. She was asleep.

He left her there and went out. It was cold and still; the stars glittered, the earth was white. He walked far on the frozen snow, with a feeling as hard and cold as the bitter air. Some impish sprite seemed to mock him with the closing strain of the song:

"She is coming, my own, my sweet; Were it ever so airy a tread, My heart would hear her and beat, Were it earth in an earthy bed; My dust would hear her and beat, Had I lain for a century dead; Would start and tremble under her feet, And blossom in purple and red."

All the charm had gone out of the words. Were such pa.s.sionate yearnings actual, or at best more than empty delusions? He had yearned so toward her; she had been "his life, his fate." His fate, truly, but was she not rather his death? What kind of creature was it that words like those could not move? She cast a blight upon the n.o.blest things, made him doubt and disbelieve where before he had walked with firm feet. And she was his fate; he was bound to her by his own hand. She sat there now by his table, and there she would sit and sit. The picture made his house seem a prison. He must go back there by and by.

The thought of living at variance was very bitter to him, yet how could they prevent it who had nothing in common, whose instincts drew opposite ways. He was unequally yoked with an unbeliever.

The village clock recalled him from that dismal reverie. He had a call to make at the Marlakes'; the children were all three sick. Kate Marlake had been a Grayland, and her sister Stella was recently come to stay with her through that trying time. Lawrence gave one of the children a soothing potion, and said he would wait to see the effect.

He went down-stairs, and Kate sent Stella to keep him company.

She asked him about the children, and he explained to her the "self-limited" character of the disease and the necessity that they should grow worse before they could be better, but a.s.sured her there was no present cause for alarm. And while he thus rea.s.sured her, she was unconsciously exerting a more powerful influence upon him. Her steady, balanced carriage, her quiet, straight, brief questions, her direct glance, her strong but controlled interest, the simple grace with which she sat afterward, altogether affected him with a great tenderness, mingled with despair. Why could not Cora be like that? Was it so hard to be simple, gracious, modestly satisfied? It seemed very easy in Stella's presence. She did not say much; her words were fit and sincere, to be sure, but simple and few, and as like as not to end with a depreciating, low, lapsing laugh. But somehow she made all brave and gentle and generous things seem easy and very desirable.

Lawrence looked up from his abstraction and found her watching him.

"Don't you miss your music?" he asked.

"Well," she answered, with her low laugh, "it would hardly be gracious to say I do, when Kate needs me so badly,--and hardly true to say no."

Lawrence recalled a remark of Dr. Kane's;--how when, on one of his voyages, in their ice-girt winter quarters, the whole ship's company, save himself, were prostrate below decks, and he with incredible strength and fort.i.tude was literally doing everything, not even omitting to register regular observations of the instruments;--in the midst of that unsurpa.s.sable heroism among the polar solitudes, he felt at night a dissatisfaction with the day as having been spent to little purpose worthy of his powers.

Stella listened, and was still a moment before she answered:

"Yes, I can understand that."

That was it. She could understand. She knew what he was talking about; she knew and cared. He had always remarked her peculiarly melodious, low voice; he thought now he had never heard one so expressive. It was never either loud or faint, but exquisitely modulated, like all her motions. He could say things to her; when he began to talk to Cora, his words came back upon him as in an echoing hall, and smothered him with the sound of his own voice. Stella Grayland, sitting composedly, saying little, stirred him like n.o.ble music,--made him strong and fervid.

They talked of many things, the dark background of his thought giving a sombre undertone to his part. They came back to music.

"You enjoy it as much as ever?" he asked.

"Oh, yes," she answered; "I think it grows constantly upon you. One's deficiencies become painfully clearer, and bad music seems to increase and become more of a trial. But it is a satisfaction to feel that one grows a little, taking the years together; and it is very pleasant to know that there will always be plenty to learn and enjoy."

She ended with a little sigh.

He was looking at her, but he only said:

"Yes."

Her words exactly expressed his feeling for literature. He felt as if they two had been climbing the same hill by different paths, and stood side by side for a moment looking up to the heights beyond that rose one above another,--where over the dark pine forests the glittering snow-peaks pierced the sky and the rivers of ice shone gloriously.

Kate came to tell them that Jenny was asleep, and they went up softly.

Lawrence wrote out his directions for the night and came down, Stella accompanying him. At the door he paused a moment abstractedly.

"Don't you think it's a great loss for a person to miss the pleasure and appreciation of a n.o.ble art?" he asked, seriously.

She looked at him questioningly, but replied:

"Yes, it makes me very sorry sometimes; it is a great loss. But I reflect that there are a great many people who get on without it, and they seem quite contented and happy. I think those who have the advantage of the finer influences and delights should be very good and try to prevent the younger ones from growing up without caring for such things."

"Yes, that is true," he replied, and he went on with suppressed agitation: "But suppose one should grow up blind to all art and yet not contented or happy, without any true knowledge, or faith, or cultivation but the outward seeming, unsettled, unsatisfied, hungering for one knows not what, despising all that one has?"

He leaned back, and neither spoke for a moment. She turned either way with a shuddering movement.

"That would be terrible," she answered. "But do you think there are any so unfortunate?"

"Yes, there are some," he returned; "I hope indeed not many."