Speaks The Nightbird Part 39

When Matthew reached the barn, he lifted the locking timber and pulled the door open just enough for him to squeeze through. The two horses within rumbled uneasily at his presence as he followed the glow of his lantern. He went directly to the area where he remembered finding the sack, put the lamp down on the ground, and then started searching through the straw. Nothing there but straw and more straw. Of course Hazelton had moved the sack, had dragged it to some other location either inside the barn or perhaps inside his house. Matthew stood up, went to another pile of straw on his right, and searched there, but again there was nothing. He continued his explorations to the very back of the barn, where the straw was piled up in copious mounds along with an ample supply of horse apples. Matthew thrust his hands into the malodorous piles, his fingers questing for the rough burlap without success.

At last he realized it was time to go, as he'd already been here longer than was sensible. The sack, if indeed it remained in the straw, was not to be found this night. So much for his opportunity of discovery!

He stood up from his knees, picked up the lantern, and started for the door. As he reached it, something-an instinct of caution perhaps, or a stirring of the hairs on the back of his neck-made him pause to blow down the lantern's chimney and extinguish the candle since he no longer needed the incriminating light.

Which turned out to be a blessing of fortune, because as Matthew prepared to leave the barn he saw a staggering figure approaching, so close he feared Hazelton would see him, roar with rage, and attack him with the jug. Matthew hung in the doorway, not knowing whether to run for it or retreat. He had only a few seconds to make his decision. Hazelton was coming right at him, the blacksmith's head lowered and his legs loose at the knees.

Matthew retreated. He went all the way to the rear of the barn, where he sprawled flat and frantically dug both himself and the lantern into a mound of straw. But before he could do half a good job, the door was pulled open wider and there entered Hazelton's hulking dark figure.

"Who's in here?" Hazelton growled drunkenly. "d.a.m.n your eyes, I'll kill you!" Matthew stopped his digging and lay very still, the breath catching in his lungs. "I know you're in here! I closed that d.a.m.n door!" Matthew dared not move, though a piece of straw was fiercely tickling his upper lip.

"I closed it!" Hazelton said. "I know I did!" He lifted the jug and Matthew heard him gulp a swallow. Then he wiped his mouth with his sleeve and said, "I did close it, didn't I, Lucy?"

Matthew realized he was addressing one of the horses. "I think I did. John s.h.i.ta.s.s, I think I'm drunk too!" He gave a harsh laugh. "Drunk as a d.a.m.ned lord, that's what I am! What d'ya think of that, Lucy?" He staggered toward one of the horses in the dark, and Matthew heard him patting the animal's hindquarters.

"My sweet girl. Love you, yes I do."

The noise of Hazelton's hand on horseflesh ceased. The blacksmith was silent, possibly listening for any sound of an intruder hiding in the bam. "Anybody in here?" he asked, but the tone of his voice was uncertain. "If you're here, you'd best get out 'fore I take a f.u.c.kin' axe to you!" Hazelton staggered back into Matthew's field of vision and stood at the center of the barn, his head c.o.c.ked to one side and the jug hanging loosely. "I'll let you go!" he announced. "Go on, get out!"

Matthew was tempted, but he feared that even drunk and unsteady the blacksmith would seize him before he reached the door. Better to just lie right here and wait for the man to leave.

Hazelton said nothing and did not move for what seemed a full minute. Finally the blacksmith lifted the jug to his lips and drank, and then upon reaching the bottom he reared back and flung the jug against the wall nearly square above Matthew's head. The jug whacked into the boards and fell, broken into five or six pieces, and the startled horses whinnied and jumped in their stalls.

"The h.e.l.l with it!" Hazelton shouted. He turned around and made his way out of the barn, leaving the door open.

Now Matthew was faced with a dangerous choice: should he get out while he could, risking the fact that Hazelton might be waiting for him out there just beyond the doorway, or should he lie just as he was? He decided it was best to remain in his p.r.o.ne position for a while longer, and indeed he took the opportunity to bury himself more completely in the straw.

Within a minute or two, Hazelton returned carrying a lighted lantern, though the gla.s.s was so dirty it hardly counted as illumination. The lantern was not so fearsome to Matthew as the short-handled hatchet Hazelton gripped in his right hand.

Matthew took a deep breath and let it out, trying to flatten himself even further under his covering of straw and horse apples. Hazelton started staggering around the barn, probing with the dim light, the hatchet held ready for a brain-cleaving blow. He gave the nearest strawpile a kick that might have broken Matthew's ribs. Then, muttering and cursing, Hazelton stomped the straw for good measure. He paused and lifted the lantern. Through the mask of hay that covered his face, Matthew saw the blacksmith's eyes glitter in the foul light and knew Hazelton was looking directly at his hiding place.

Don't move! Matthew cautioned himself. For G.o.d's sake, be still!

And the sake of his own skull, he might have added.

Hazelton came toward Matthew's refuge, his heavy boots crushing down. Matthew realized with a start of terror that the man was going to step on him momentarily, and he braced himself to burst out of the straw. If he came up hollering and shrieking, he reasoned he might scare Hazelton into a retreat or at least might cause him to miss with the first swing of the hatchet.

He was ready. Two more steps, and the blacksmith would be upon him.

Then: crack!

Hazelton stopped his advance, the straw up around his knees. He reached down with his free hand, searching. Matthew knew what the noise had been. The lantern's gla.s.s had broken, the lantern lying perhaps eight inches from the fingertips of Matthew's right hand. Reflexively, Matthew closed his hand into a fist.

The blacksmith discovered what he'd stepped on. He held the lamp by its handle, lifting it up for inspection. There was a long, dreadful silence. Matthew clenched his teeth and waited, his endurance stretched to its boundary.

At last Hazelton grunted. "Lucy, I found that d.a.m.n lantern!" he said. "Was a good one, too! h.e.l.l's sufferin' bells!" He tossed it aside with a contemptuous gesture, and Matthew realized the man thought in his tipsied state that it was a lamp he had previously misplaced. If he'd been coherent enough to touch the pieces of broken gla.s.s, Hazelton might have found they were still warm. But the blacksmith thereafter turned and crunched back through the straw to the barn's bare earth, leaving Matthew to contemplate how near he'd come to disaster.

But-as was said-a miss was as good as a mile. Matthew began breathing easier, though he would not take a full breath until Hazelton had gone. Then another thought struck him, and it might well have been a hatchet to the head: if Hazelton went out and locked the door, he'd be trapped in here. It might be sunrise or later before Hazelton came to the barn again, and then Matthew would be forced to face him anyway! Better run for it while he was able, Matthew decided. But there was the problem of the straw. That which protected him would also hinder his flight.

Now, however, his attention was drawn to the blacksmith once more. Hazelton had hung the lantern up on a wallpeg beside the far stall, and he was speaking to the horse he seemed to favor. "My fine Lucy!" he said, his voice slurred. "My fine, beautiful girl! You love me, don't you? Yes, I know you do!" The blacksmith began to murmur and whisper to his horse, and though Matthew couldn't hear the words he was beginning to think this affection was rather more than that of a man for his mount.

Hazelton came back into sight. He thunked the hatchet's blade into the wall next to the door, and then he pulled the door shut. When he turned again, moisture glistened on his face; and his eyes-directed toward Lucy-seemed to have sunken into dark purple hollows.

"My good lady, " Hazelton said, with a smile that could only be described as lecherous. A cold chill crept up Matthew's spine. He had an inkling now of what the blacksmith intended to do.

Hazelton went into Lucy's stall. "Good Lucy, " he said. "My good and lovely Lucy. Come on! Easy, easy!"

Carefully, Matthew lifted his head to follow the blacksmith's movements. The light was dim and his view was restricted, but he could make out Hazelton turning the horse around in her stall so her hindquarters faced the door. Then Hazelton, still speaking " quietly though drunkenly to Lucy, eased her forward and guided her head and neck into a wooden collar-like apparatus that was meant to hold horses still as they were being shod. He latched the collar shut, and thus the horse was securely held. "Good girl, " he said. "That's my lovely lady!" He went to a corner of the stall and began to dig into a pile of hay provided for Lucy to eat. Matthew saw him reach down for something and pull it out. Whether it was the grainsack or not, Matthew couldn't tell, but he presumed it was at least what might have been secreted inside the sack.

Hazelton came out of the stall carrying what appeared to be an elaborate harness made out of smoothed cow's hide. The blacksmith staggered and almost fell under its bulk, but it seemed that his fevered intent had given him strength. The harness had iron rings attached to both ends: the two circles Matthew had felt through the burlap. Hazelton fixed one of the rings around a peg on the wall, and the second ring was fixed to a peg on a nearby beam so that the harness was stretched to its full width at the entrance to Lucy's stall.

Matthew realized what Hazelton had devised. He recalled Gwinett Linch saying about the smithy: He's an inventor, once he puts his mind to a task. It was not Hazelton's mind, however, that was about to be put to work.

At the center of the harness-like creation was a seat formed of leather lattice. The pegs had been placed so the iron rings could stretch the harness and lift the seat up until whoever sat in it would be several feet off the ground and positioned just under Lucy's tail.

"Good Lucy, " Hazelton crooned, as he dropped his breeches and pulled them off over his boots. "My good and beautiful girl." His b.u.m naked and his spike raised, Hazelton brought over a small barrel that appeared to be empty, from the ease with which he handled it. He stepped up onto the barrel, swung his behind into the leather seat and lifted the horse's tail, which had begun flopping back and forth in what might have been eager antic.i.p.ation.

"Ahhhhh!" Hazelton had eased his member into Lucy's channel. "There's a sweet girl!" His fleshy hips began to buck back and forth, his eyes closed and his face florid.

Matthew remembered something Mrs. Nettles had said, concerning the blacksmith's deceased wife: I happ'n to know that he treated Sophie like a three-legged horse 'fore she died. It was very clear, from the noises of pa.s.sion he was making, that Hazelton much preferred horses of the four-legged variety.

Matthew also knew now why Hazelton had so desired this apparatus of strange pleasure not to be discovered. In most of the colonies the sodomizing of animals was punishable by hanging; in a few, it was punishable by being drawn and quartered. It was a rare crime, but quite morally heinous. In fact, two years ago Woodward had sentenced to hanging a laborer who had committed b.u.g.g.e.ry with a chicken, a pig, and a mare. By law, the animals were also put to death and buried in the same grave with their human offender.

Matthew ceased watching this loathsome spectacle and stared instead at the ground beneath him. He could not, however, voluntarily cease from hearing Hazelton's exhortations of pa.s.sion for his equine paramour.

At last-an interminable time-the barnyard lothario groaned and shuddered, indicating the climax of his copulation. Lucy, too, gave a snort but hers seemed to be more relief that her stud was done. Hazelton lay forward against the horse's hind and began to speak to Lucy with such lover's familiarity that Matthew blushed to the roots of his hair. Such speech would be indecent between a man and his maid, but was absolutely shameless between a man and his mare. Obviously, the blacksmith had banged one too many horseshoes over a red-hot forge.

Hazelton didn't try to remove himself from the harness. His voice was becoming quieter and more slurred. Shortly thereafter, he stopped speaking entirely and began to offer a snore and whistle to his object of affection.

Just as Matthew had recognized an opportunity to enter the barn, now he recognized an opportunity to depart it. He began to slowly push himself out of the straw, mindful that he not suffer a cut from the lantern's broken gla.s.s. Hazelton's snoring continued at its regularity and volume, and Lucy seemed content to stand there with her master in repose against her hindquarters. Matthew eased up to a crouch, and then to a standing position. It occurred to him that even if Hazelton awakened and saw him, he couldn't free himself at once from the harness and would be quite reluctant to give chase. But Matthew wasn't above giving Hazelton something to think about, so he picked up the man's dirty breeches and took them with him when he walked unhurriedly to the door, pushed it open, and left the site of such immoral crime. In this case, he pitied not Hazelton but poor Lucy.

Matthew saw that the flames over on Truth Street had died down. He reckoned he'd entered the barn an hour or so ago, and thus most of the schoolhouse had by now been consumed. There would be much conjecture tomorrow about Satan's fiery hand. Matthew didn't doubt that daylight would see another wagon or two leaving Fount Royal.

He laid Hazelton's breeches out in the middle of Industry Street, after which he was glad to rinse his hands in a nearby horse trough. Then he set off on the walk to Bidwell's mansion, his curiosity concerning the hidden grainsack well and truly quenched.

As the hour was so late and the excitement of the fire worn off, the streets were deserted. Matthew saw a couple of houses where the lanterns were still lit-probably illuminating talk between husband and wife of when to quit the Satan-burnt town- but otherwise Fount Royal had settled again to sleep. He saw one elderly man sitting on a doorstep smoking a long clay pipe, a white dog sprawled beside him, and as Matthew neared him the old man said simply, "Weather's breakin'."

"Yes, sir, " Matthew answered, keeping his stride. He looked up at the vast expanse of sky and saw now that the clouds had further dwindled, exposing a mult.i.tude of sparkling stars. The scythe of a pumpkin-colored moon had appeared. The air was still damp and cool, but the soft breeze carried the odor of pinewoods rather than stagnant swamp. Matthew thought that if the weather broke and held, the magistrate's health would surely benefit.

He'd decided not to inform Woodward of the blacksmith's activities. It might be his duty to report such a crime-which would surely lead to Hazelton's dance on the gallows-but the magistrate didn't need any further complications. Besides, the loss of a blacksmith would be a hard blow to Fount Royal. Matthew thought that sooner or later someone might discover Hazelton's bizarre interest and make an issue of it, but for his part he would keep his mouth shut.

Before he proceeded to the mansion and therefore to bed, Matthew approached the spring and stood beside an oak tree on its gra.s.sy bank. A chorus of frogs thrummed in the darkness, and a number of somethings-turtles, he presumed-plopped into the water off to his right. He saw the reflection of stars and moon on the surface, over which spread slow ripples.

How was it that turtles had Spanish gold and silver coins-as well as silverware and pottery shards-in their bellies? Matthew sat down on his haunches, plucked up some gra.s.s, and stared out across the ebon pond.

I have a gift for thee, Satan had said in his dream. have a gift for thee, Satan had said in his dream.

He thought of the coins spilling from the turtle's guts. He thought of Goode showing him what he'd found, and saying, It's a thing needs answerin'.

It surely is, Matthew told himself. From where might the turtles have gotten such coins? They'd swallowed them, of course. Most likely the limit of their world was this spring, and so...

Oh, Matthew thought. Oh!

The suspicion went off like a cannon blast inside his head. He realized he should have heard such a blast as soon as Goode had shown him the coins, but there had been too many other questions crowding his mind. Now, though, here in the quiet dark, the idea was thunderous in its impact.

Goode had found Spanish gold and silver coins within the bellies of turtles that lived in the spring... because there were Spanish gold and silver coins within the spring.

Abruptly, Matthew stood up. He placed a hand on the trunk of the oak tree beside him, if only to steady his thoughts. This suspicion-like the tearing open of a turtle in his dream-was full of glittering possibilities.

One gold and one silver piece, one pottery shard, and one silver spoon did not make a treasure h.o.a.rd... but who might say what was lying down in the mud at the very bottom of Fount Royal's center of existence?

He recalled with a jolt of the senses something that Nicholas Paine had said, back at Shawcombe's tavern, upon viewing the original gold piece: No black-flagger in his right mind would bury his loot in redskin wilderness. They hide their gold where they can easily get to it, but it would be a poor pirate whose winnings could be found and unearthed by savages.

Unearthed? But what about sunken to the bottom of a freshwater spring?

His brain had caught fire. Bidwell had decided to build Fount Royal around the spring, as it would be-among other considerations-convenient as a source of fresh water for merchant ships arriving from the Indies.

But what was fresh water for merchants was also fresh water for those flying a blacker flag, was it not? And was it not possible that the spring had been discovered and used for such a purpose long before Bidwell had even set eyes on it? If that were true, the spring would make an excellent vault in which to deposit-as Paine had put it-"winnings."

This was all, however, the wildest possible conjecture. Still... how else to explain the coins in the turtles' bellies? The turtles, searching for food down at the bottom of the spring, may have scooped up the coins from the mud or else been attracted by their shine. The same might be true of the spoon and the pottery shard. The question remained: what else could be down there, secreted away for safekeeping?

But how to explain an Indian's possession of Spanish gold? If indeed there had been pirate treasure in the spring, had the Indians found and raised it before Fount Royal was born? If so, they'd missed a few trinkets. He would have to sleep on these questions, and pursue them-quietly-in the morning. Bidwell might know something, but he would have to be carefully approached.

Matthew paused a little longer, staring out at the pond that seemed now to contain a further enigma. Nothing could be answered tonight, so it was time to get to bed though sleep might be nigh impossible.

He continued on his way along Peace Street toward the mansion, which was dark. He had no idea what the hour was, though it must be long past midnight. And with the next step he took he suddenly stopped and froze, looking straight ahead.

A figure in a tricorn hat and dark cloak was striding briskly past the mansion, in the direction of the slaves' quarters. It took no more than five or six seconds for the figure to disappear from view. Matthew hadn't seen if the man was carrying an unlit lantern or not, but he knew who it was. The fox was on the prowl, he thought. Going to what destination, and for what purpose?

This indeed was a night of opportunities, though this one Matthew realized might be far more treacherous than the blacksmith's hatchet.

His mouth was dry, his blood racing. He looked around but saw no other person out on the street. The embers of the school house still glowed a faint red, and the breeze blew a whirl of sparks into the sky.

He would have to go. He knew it. But he would have to hurry, to find the fox before he got away into the swamp. The fox would be wary around the watchman's tower, and so too would Matthew have to be because he couldn't depend on the fact that the watchman was asleep.

A little dagger of fear stabbed Matthew in the chest. Whoever that midnight prowler was, he was likely to be dangerous if he realized he was being followed. There was the chance that, out in the swamp, anything could happen, and all of it bad.

But there was no time for dawdling. Fear would have to be conquered. The fox was moving fast, and so must Matthew.

Twenty-Four.

Matthew could hear the tempestuous sound of the sea. Breakers were hitting islands or exposed sandbars some distance away from the swamp that he was now negotiating with great difficulty. Ahead of him and almost at the limit of his perception was the midnight traveler-a dark, moving blotch within further darkness-who would have been totally lost to him had it not been for the faint orange moonlight, and even that meager illumination was jealously guarded by the streams of moving clouds.

The man had come this way before, that was a certainty. And more than once. His pace was swift and sure-footed, even without benefit of a lantern. Matthew was up to the task of following through the waist-high gra.s.ses and across the muck that pulled at his shoes, but it was a tough and laborious journey.

They had left Fount Royal far behind. Matthew estimated the distance at least a quarter mile from the watchman's tower, which had been easily circ.u.mvented by cutting through the pinewoods. If the watchman had been awake-and this Matthew seriously doubted-he'd been looking out to sea. Who would expect anyone in their right mind to venture out into this mora.s.s in the dead of night?

The midnight traveler had a definite purpose, one that gave speed to his step. Matthew heard something rustle off in the gra.s.s to his right; it sounded large and quite sinister, therefore he found a little extra speed himself. He discovered in the next moment, however, that his worst enemy was the swamp itself, as he walked into a shallow pond that closed about his knees and almost sent him sprawling. The mud at the pond's bottom seized his shoes and it was only with extreme tenacity that Matthew worked his way to freedom. Once out of the water he realized he could no longer detect his quarry's movement. He scanned from right to left and back again, but the darkness had truly dropped its curtain.

Still, he knew the man must be going in this general direction. He started off again, more mindful of where he was stepping. The swamp was indeed a treacherous place. The midnight traveler must surely have come out here many times to be able to navigate these dangers. Indeed, Matthew thought the man may have made a map of his route and consigned it to memory.

After three or four minutes, Matthew was yet unable to spy any movement in the darkness. He glanced back and saw that his course had taken him around a headland. A black line of pines and swamp oaks stood between his current position and the watchman's tower, which was probably the greater part of a mile behind. Beyond him was only more swamp. He debated whether to turn back or forge on. Everything out here was only greater and lesser shades of dark, so what was the point? He did continue on a few paces, though, and again paused to scan the horizon. Mosquitoes hummed about his ears, hungry for blood. Frogs croaked in the rushes. Of another human, however, there was not a sign.

What was there to bring a person out here? This was wild desolation, hardly a civilized soul standing between his footprints and the city of Charles Town. So what did the midnight traveler seek to accomplish?

Matthew looked up at the banners of stars. The sky was so huge and the horizon so wide that it was fearsome. The sea, too, was a dark continent. Standing on this coast with the unknown world at his back, he felt more than a little distress, as if his equilibrium and very place on earth were challenged by such immensity. He understood at that moment the need for men to build towns and cities and surround them with walls-not only to keep out the threat of Indians and wild beasts, but to maintain the illusion of control in a world that was too large to be tamed.

His contemplation was suddenly broken. Out at sea, two lights blinked in quick succession.

Matthew had been about to turn his face toward Fount Royal again, but now he stood motionless. A few seconds went by. Then, once again, the two lights blinked.

What followed next gave his heart a jolt. Not fifty yards from where Matthew was standing, a lighted lantern appeared and was uplifted. The lantern swung back and forth, and then disappeared-concealed, Matthew suspected, by the midnight traveler's cloak. The man must have either crouched down to strike a match and flame the candle, or done it within the cloak's folds. Whatever and however, a signal had been answered.

Matthew lowered himself into the protection of the marsh gra.s.s, so that just his eyes were above it. He desired a closer view, and began to move quietly and carefully toward where the lantern had been revealed. It came to mind that if he stepped on a venomous reptile in his present posture, its fangs would strike a most valuable area. He got to within thirty feet of the dark-cloaked man and was forced to stop when the cover of the high gra.s.s ended. The man was standing on a stretch of hard-packed sand, just a few yards short of the Atlantic's foamy waves. He was waiting, his face aimed toward the ocean and his lantern hidden in the cloak.

Matthew also waited. Presently, after the pa.s.sage of perhaps ten minutes during which the man paced back and forth but never left his station, Matthew was aware of a shape emerging from the darkness of the sea. Only when it was about to make landfall did Matthew make out an oarboat, painted either black or dark blue. There were three men aboard, all of whom also wore night-hued clothing. Two of the men jumped out into the surf and pulled the oarboat to sh.o.r.e.

Matthew realized the boat must have come from a larger vessel some distance away. His thought was: I I have found the Spanish spy. have found the Spanish spy.

"Greetin's!" the man who had remained in the oarboat called, his accent as far from being Spanish as Gravesend was from Valencia. He stepped down onto the sand. "How goes it?"

The midnight traveler answered, but his voice was so low Matthew heard only a murmur.

"Seven this trip, " the oarboater said. "That oughta do you. Get 'em out!" He had delivered this command to the other two men, who began to unload what appeared to be wooden buckets. "Same place?" he asked the midnight traveler, who answered with a nod. "You're a man of habit, ain't you?"

The midnight traveler raised his lantern from the folds of his cloak and by its yellow glow Matthew saw his face in profile. "A man of good habit, " Edward Winston said sternly. "Cease this prattle, bury them, and be done with it!" He dropped the lantern, which had been used to show the other man that he was in no mood for dawdling.

"All right, all right!" The oarboater reached into the bottom of his craft and brought up two shovels, and then he walked up the beach to the edge of the high gra.s.s. His path brought him within fifteen feet of Matthew's concealment. He stopped at a thatch of spiny palmettos. "This where you want 'em?"

"It will do, " Winston said, following.

"Bring 'em on!" the man ordered his crew. "Hurry it, we ain't got all night!" The buckets, which appeared to be sealed, were carried to the designated place. The oarboater handed the two shovels to the other men, who began to dig into the sand.

"You know where a third shovel is, " Winston said. "You MIGHT MIGHT employ it, Mr. Rawlings." employ it, Mr. Rawlings."

"I ain't no d.a.m.n Injun!" Rawlings replied tartly. "I'm a thief!"

"I beg to differ. You are an Indian, and your chief is Mr. Dan-forth. I suggest you earn the coin he's paying you."

"Very little coin, sir! Very little, for this night work!"

"The faster they're buried, the sooner you may go."