Sons and Lovers Part 30

She began to struggle with herself. Her open eyes watched him, although she could not move. Gradually she was coming to herself He laid her down on the sofa, and ran upstairs for a little whisky, which at last she could sip. The tears were hopping down his face. As he kneeled in front of her he did not cry, but the tears ran down his face quickly. Morel, on the opposite side of the room, sat with his elbows on his knees glaring across.

"What's a-matter with 'er?" he asked.

"Faint!" replied Paul.

"H'm!"

The elderly man began to unlace his boots. He stumbled off to bed. His last fight was fought in that home.

Paul kneeled there, stroking his mother's hand.

"Don't be poorly, mother-don't be poorly!" he said time after time.

"It's nothing, my boy," she murmured.

At last he rose, fetched in a large piece of coal, and raked the fire. Then he cleared the room, put everything straight, laid the things for breakfast, and brought his mother's candle.

"Can you go to bed, mother?"

"Yes, I'll come."

"Sleep with Annie, mother, not with him."

"No. I'll sleep in my own bed."

"Don't sleep with him, mother."

"I'll sleep in my own bed."

She rose, and he turned out the gas, then followed her closely upstairs, carrying her candle. On the landing he kissed her close.

"Good-night, mother."

"Good-night!" she said.

He pressed his face upon the pillow in a fury of misery. And yet, somewhere in his soul, he was at peace because he still loved his mother best. It was the bitter peace of resignation.

The efforts of his father to conciliate him next day were a great humiliation to him.

Everybody tried to forget the scene.

9.

Defeat of Miriam PAUL was dissatisfied with himself and with everything. The deepest of his love belonged to his mother. When he felt he had hurt her, or wounded his love for her, he could not bear it. Now it was spring, and there was battle between him and Miriam. This year he had a good deal against her. She was vaguely aware of it. The old feeling that she was to be a sacrifice to this love, which she had had when she prayed, was mingled in all her emotions. She did not at the bottom believe she ever would have him. She did not believe in herself primarily: doubted whether she could ever be what he would demand of her. Certainly she never saw herself living happily through a lifetime with him. She saw tragedy, sorrow, and sacrifice ahead. And in sacrifice she was proud, in renunciation she was strong, for she did not trust herself to support everyday life. She was prepared for the big things and the deep things, like tragedy. It was the sufficiency of the small day-life she could not trust.

The Easter holidays began happily. Paul was his own frank self. Yet she felt it would go wrong. On the Sunday afternoon she stood at her bedroom window, looking across at the oak-trees of the wood, in whose branches a twilight was tangled, below the bright sky of the afternoon. Grey-green rosettes of honeysuckle leaves hung before the window, some already, she fancied, showing bud. It was spring, which she loved and dreaded. Hearing the clack of the gate she stood in suspense. It was a bright grey day. Paul came into the yard with his bicycle, which glittered as he walked. Usually he rang his bell and laughed towards the house. To-day he walked with shut lips and cold, cruel bearing, that had something of a slouch and a sneer in it. She knew him well by now, and could tell from that keen-looking, aloof young body of his what was happening inside him. There was a cold correctness in the way he put his bicycle in its place, that made her heart sink.

She came downstairs nervously. She was wearing a new net blouse that she thought became her. It had a high collar with a tiny ruff, reminding her of Mary, Queen of Scots, and making her, she thought, look wonderfully a woman, and dignified. At twenty she was full-breasted and luxuriously formed. Her face was still like a soft rich mask, unchangeable. But her eyes, once lifted, were wonderful. She was afraid of him. He would notice her new blouse.

He, being in a hard, ironical mood, was entertaining the family to a description of a service given in the Primitive Methodist Chapel, conducted by one of the well-known preachers of the sect.1 He sat at the head of the table, his mobile face, with the eyes that could be so beautiful, shining with tenderness or dancing with laughter, now taking on one expression and then another, in imitation of various people he was mocking. His mockery always hurt her; it was too near the reality. He was too clever and cruel. She felt that when his eyes were like this, hard with mocking hate, he would spare neither himself nor anybody else. But Mrs. Leivers was wiping her eyes with laughter, and Mr. Leivers, just awake from his Sunday nap, was rubbing his head in amus.e.m.e.nt. The three brothers sat with ruffled, sleepy appearance in their shirt-sleeves, giving a guffaw from time to time. The whole family loved a "take-off" more than anything. He sat at the head of the table, his mobile face, with the eyes that could be so beautiful, shining with tenderness or dancing with laughter, now taking on one expression and then another, in imitation of various people he was mocking. His mockery always hurt her; it was too near the reality. He was too clever and cruel. She felt that when his eyes were like this, hard with mocking hate, he would spare neither himself nor anybody else. But Mrs. Leivers was wiping her eyes with laughter, and Mr. Leivers, just awake from his Sunday nap, was rubbing his head in amus.e.m.e.nt. The three brothers sat with ruffled, sleepy appearance in their shirt-sleeves, giving a guffaw from time to time. The whole family loved a "take-off" more than anything.

He took no notice of Miriam. Later, she saw him remark her new blouse, saw that the artist approved, but it won from him not a spark of warmth. She was nervous, could hardly reach the teacups from the shelves.

When the men went out to milk, she ventured to address him personally.

"You were late," she said.

"Was I?" he answered.

There was silence for a while.

"Was it rough riding?" she asked.

"I didn't notice it."

She continued quickly to lay the table. When she had finished- "Tea won't be for a few minutes. Will you come and look at the daffodils?" she said.

He rose without answering. They went out into the back garden under the budding damson-trees. The hills and the sky were clean and cold. Everything looked washed, rather hard. Miriam glanced at Paul. He was pale and impa.s.sive. It seemed cruel to her that his eyes and brows, which she loved, could look so hurting.

"Has the wind made you tired?" she asked. She detected an underneath feeling of weariness about him.

"No, I think not," he answered.

"It must be rough on the road-the wood moans so."

"You can see by the clouds it's a south-west wind; that helps me here."

"You see, I don't cycle, so I don't understand," she murmured.

"Is there need to cycle to know that!" he said.

She thought his sarcasms were unnecessary. They went forward in silence. Round the wild, tussocky lawn at the back of the house was a thorn hedge, under which daffodils were craning forward from among their sheaves of grey-green blades. The cheeks of the flowers were greenish with cold. But still some had burst, and their gold ruffled and glowed. Miriam went on her knees before one cl.u.s.ter, took a wildlooking daffodil between her hands, turned up its face of gold to her, and bowed down, caressing it with her mouth and cheeks and brow. He stood aside, with his hands in his pockets, watching her. One after another she turned up to him the faces of the yellow, bursten flowers appealingly, fondling them lavishly all the while.

"Aren't they magnificent?" she murmured.

"Magnificent! It's a bit thick-they're pretty!"

She bowed again to her flowers at his censure of her praise. He watched her crouching, sipping the flowers with fervid kisses.

"Why must you always be fondling things?" he said irritably.

"But I love to touch them," she replied, hurt.

"Can you never like things without clutching them as if you wanted to pull the heart out of them? Why don't you have a bit more restraint, or reserve, or something?"

She looked up at him full of pain, then continued slowly to stroke her lips against a ruffled flower. Their scent, as she smelled it, was so much kinder than he; it almost made her cry.

"You wheedle the soul out of things," he said. "I would never wheedle-at any rate, I'd go straight."

He scarcely knew what he was saying. These things came from him mechanically. She looked at him. His body seemed one weapon, firm and hard against her.

"You're always begging things to love you," he said, "as if you were a beggar for love. Even the flowers, you have to fawn on them-"

Rhythmically, Miriam was swaying and stroking the flower with her mouth, inhaling the scent which ever after made her shudder as it came to her nostrils.

"You don't want to love-your eternal and abnormal craving is to be loved. You aren't positive, you're negative. You absorb, absorb, as if you must fill yourself up with love, because you've got a shortage somewhere."

She was stunned by his cruelty, and did not hear. He had not the faintest notion of what he was saying. It was as if his fretted, tortured soul, run hot by thwarted pa.s.sion, jetted off these sayings like sparks from electricity. She did not grasp anything he said. She only sat crouched beneath his cruelty and his hatred of her. She never realised in a flash. Over everything she brooded and brooded.

After tea he stayed with Edgar and the brothers, taking no notice of Miriam. She, extremely unhappy on this looked-for holiday, waited for him. And at last he yielded and came to her. She was determined to track this mood of his to its origin. She counted it not much more than a mood.

"Shall we go through the wood a little way?" she asked him, knowing he never refused a direct request.

They went down to the warren. On the middle path they pa.s.sed a trap, a narrow horseshoe hedge of small fir-boughs, baited with the guts of a rabbit. Paul glanced at it frowning. She caught his eye.

"Isn't it dreadful?" she asked.

"I don't know! Is it worse than a weasel with its teeth in a rabbit's throat? One weasel or many rabbits? One or the other must go!"

He was taking the bitterness of life badly. She was rather sorry for him.

"We will go back to the house," he said. "I don't want to walk out."

They went past the lilac-tree, whose bronze leaf-buds were coming unfastened. Just a fragment remained of the haystack, a monument squared and brown, like a pillar of stone. There was a little bed of hay from the last cutting.

"Let us sit here a minute," said Miriam.

He sat down against his will, resting his back against the hard wall of hay. They faced the amphitheatre of round hills that glowed with sunset, tiny white farms standing out, the meadows golden, the woods dark and yet luminous, tree-tops folded over tree-tops, distinct in the distance. The evening had cleared, and the east was tender with a magenta flush under which the land lay still and rich.

"Isn't it beautiful?" she pleaded.

But he only scowled. He would rather have had it ugly just then.

At that moment a big bull-terrier came rushing up, open-mouthed, pranced his two paws on the youth's shoulders, licking his face. Paul drew back, laughing. Bill was a great relief to him. He pushed the dog aside, but it came leaping back.

"Get out," said the lad, "or I'll doted thee one." thee one."

But the dog was not to be pushed away. So Paul had a little battle with the creature, pitching poor Bill away from him, who, however, only floundered tumultuously back again, wild with joy. The two fought together, the man laughing grudgingly, the dog grinning all over. Miriam watched them. There was something pathetic about the man. He wanted so badly to love, to be tender. The rough way he bowled the dog over was really loving. Bill got up, panting with happiness, his brown eyes rolling in his white face, and lumbered back again. He adored Paul. The lad frowned.

"Bill, I've had enough o' thee," he said.

But the dog only stood with two heavy paws, that quivered with love, upon his thigh, and flickered a red tongue at him. He drew back.

"No," he said-"no-I've had enough."

And in a minute the dog trotted off happily, to vary the fun.

He remained staring miserably across at the hills, whose still beauty he begrudged. He wanted to go and cycle with Edgar. Yet he had not the courage to leave Miriam.

"Why are you sad?" she asked humbly.

"I'm not sad; why should I be," he answered. "I'm only normal."

She wondered why he always claimed to be normal when he was disagreeable.

"But what is the matter?" she pleaded, coaxing him soothingly.

"Nothing!"

"Nay!" she murmured.

He picked up a stick and began to stab the earth with it.

"You'd far better not talk," he said.

"But I wish to know-" she replied.

He laughed resentfully.

"You always do," he said.

"It's not fair to me," she murmured.

He thrust, thrust, thrust at the ground with the pointed stick, digging up little clods of earth as if he were in a fever of irritation. She gently and firmly laid her hand on his wrist.

"Don't!" she said. "Put it away."

He flung the stick into the currant-bushes, and leaned back. Now he was bottled up.

"What is it?" she pleaded softly.

He lay perfectly still, only his eyes alive, and they full of torment.

"You know," he said at length, rather wearily-"you know-we'd better break off."

It was what she dreaded. Swiftly everything seemed to darken before her eyes.

"Why!" she murmured. "What has happened?"

"Nothing has happened. We only realise where we are. It's no good-"

She waited in silence, sadly, patiently. It was no good being impatient with him. At any rate, he would tell her now what ailed him.