Solomon Crow's Christmas Pockets and Other Tales Part 15

"No, mammy; none of the appurtenances of the homestead are mortgaged. We must sell them. We need money, you know."

"What is de impertinences o' de homestid, baby? You forgits I ain't on'erstan' book words."

"Those things intended for family use, mammy. There are the carriage-horses, the cows, the chickens--"

"Bless goodness fur dat! An' who gwine drive 'em inter de cidy fur us, honey?"

"Oh, mammy, we must sell them all."

Mammy was almost crying. "An' what sort o' entry is we gwine meck inter de cidy, honey--empty-handed, same as po' white trash? D-d-d-don't yer reck'n we b-b-better teck de chickens, baby? Yo' ma thunk a heap o' dem Brahma hens an' dem Clymoth Rockers--dee looks so courageous."

It was hard for Evelyn to refuse. Mammy loved everything on the old place.

"Let us give up all these things now, mammy; and after a while, when I grow rich and famous, I'll buy you all the chickens you want."

At last preparations were over. They were to start on the morrow. Mammy had just returned from a last tour through out-buildings and gardens, and was evidently disturbed.

"Honey," she began, throwing herself on the step at Evelyn's feet, "what yer reck'n? Ole m.u.f.fly is a-sett'n' on fo'teen eggs, down in de cotton-seed. W-w-we can't g'way f'm heah an' leave m.u.f.fly a-sett'n', hit des nach.e.l.ly can't be did. D-d-don't yer reck'n dee'd hol' back de morgans a little, till m.u.f.fly git done sett'n'?"

It was the same old story. Mammy would never be ready to go.

"But our tickets are bought, mammy."

"An' like as not de 'Onerble Mr. Citified 'll shoo ole m.u.f.fly orf de nes' an' spile de whole sett'n'. Tut! tut! tut!" And, groaning in spirit, mammy walked off.

Evelyn had feared, for her father, the actual moment of leaving, and was much relieved when, with his now habitual tranquillity, he smilingly a.s.sisted both her and mammy into the sleeper. Instead of entering himself, however, he hesitated.

"Isn't your mother coming, daughter?" he asked, looking backward.

"Or--oh, I forgot," he added, quickly. "She has gone on before, hasn't she?"

"Yes, dear, she has gone before," Evelyn answered, hardly knowing what she said, the chill of a new terror upon her.

What did this mean? Was it possible that she had read but half the truth? Was her father's mind not only enfeebled, but going?

Mammy had not heard the question, and so Evelyn bore her anxiety alone, and during the day her anxious eyes were often upon her father's face, but he only smiled and kept silent.

They had been travelling all day, when suddenly, above the rumbling of the train, a weak, bird-like chirp was heard, faint but distinct; and presently it came again, a prolonged "p-e-e-p!"

Heads went up, inquiring faces peered up and down the coach, and fell again to paper or book, when the cry came a third time, and again.

Mammy's face was a study. "'Sh--'sh--'sh! don' say nothin', baby," she whispered, in Evelyn's ear; "but dis heah chicken in my bosom is a-ticklin' me so I can't hardly set still."

Evelyn was absolutely speechless with surprise, as mammy continued by s.n.a.t.c.hes her whispered explanation:

"Des 'fo' we lef' I went 'n' lif' up ole m.u.f.fly ter see how de eggs was comin' orn, an' dis heah egg was pipped out, an' de little risindenter look like he eyed me so berseechin' I des nach.e.l.ly couldn't leave 'im.

Look like he knowed he warn't righteously in de morgans, an' 'e crave ter clair out an' trabble. I did hope speech wouldn't come ter 'im tell we got off'n deze heah train kyars."

A halt at a station brought a momentary silence, and right here arose again, clear and shrill, the chicken's cry.

Mammy was equal to the emergency. After glancing inquiringly up and down the coach, she exclaimed, aloud, "Some'h'n' in dis heah kyar soun' des like a vintrilloquer."

"That's just what it is," said an old gentleman opposite, peering around over his spectacles. "And whoever you are, sir, you've been amusing yourself for an hour."

Mammy's ruse had succeeded, and during the rest of the journey, although the chicken developed duly as to vocal powers, the only question asked by the curious was, "Who can the ventriloquist be?"

Evelyn could hardly maintain her self-control, the situation was so utterly absurd.

"I does hope it's a pullet," mammy confided later; "but I doubts it. Hit done struck out wid a mannish movemint a'ready. m.u.f.fly's eggs allus hatches out sech invig'rous chickens. I gwine in the dressin'-room, baby, an' wrop 'im up ag'in. Feel like he done kicked 'isse'f loose."

Though she made several trips to the dressing-room in the interest of her hatchling, mammy's serene face held no betrayal of the disturbing secret of her bosom.

At last the journey was over. The train crept with a tired motion into the noisy depot. Then came a rattling ride over cobble-stones, granite, and unpaved streets; a sudden halt before a low-browed cottage; a smiling old lady stepping out to meet them; a slam of the front door--they were at home in New Orleans.

Madame Le Duc seemed to have forgotten nothing that their comfort required, and in many ways that the creole gentlewoman understands so well she was affectionately and un.o.btrusively kind. And yet, in the life Evelyn was seeking to enter, Madame could give her no aid. About all these new ideas of women--ladies--going out as bread-winners, Madame knew nothing. For twenty years she had gone only to the cathedral, the French Market, the cemetery, and the Chapel of St. Roche. As to all this unconventional American city above Ca.n.a.l Street, it was there and spreading (like the measles and other evils); everybody said so; even her paper, _L'Abeille_, referred to it in French--resentfully. She believed in it historically; but for herself, she "_never travelled_,"

_excepting_, as she quaintly put it, in her "_acquaintances_"--the French streets with which she was familiar.

The house she had selected was a typical old-fashioned French cottage, venerable in scaling plaster and fern-tufted tile roof, but cool and roomy within as uninviting without. A small inland garden surprised the eye as one entered the battened gate at its side, and a dormer-window in the roof looked out upon the rigging of ships at anchor but a stone's-throw away.

Here, to the chamber above, Evelyn led her father. Furnishing this large upper room with familiar objects, and pointing out the novelties of the view from its window, she tried to interpret his new life happily for him, and he smiled, and seemed content.

It was surprising to see how soon mammy fell into line with the changed order of things. The French Market, with its "cuyus fureign folks an'

mixed talk," was a panorama of daily unfolding wonders to her. "But huccome dee calls it French?" she exclaimed, one day. "I been listenin'

good, an' I hear 'em jabber, jabber, jabber all dey fanciful lingoes, but I 'ain't heern nair one say _polly fronsay_, an' yit I know dats de riverend book French." The Indian squaws in the market, sitting flat on the ground, surrounded by their wares, she held in special contempt. "I holds myse'f _clair_ 'bove a Injun," she boasted. "Dee ain't look jinnywine ter me. Dee ain't nuther white folks nur n.i.g.g.e.rs, nair one.

Sett'n' deeselves up fur go-betweens, an' sellin' sech gra.s.s-greens as we lef' berhindt us growin' in de wilderness!"

But one unfailing source of pleasure to mammy was the little chicken, "Blink," who, she declared, "named 'isse'f Blink de day he blinked at me so cunnin' out'n de sh.e.l.l. Blink 'ain't said nothin' wid 'is mouf," she continued, eying him proudly, "'caze he know eye-speech set on a chicken a heap better'n human words, mo' inspecial on a yo'ng half-hatched chicken like Blink was dat day, cramped wid de egg-sh.e.l.l behime an' de morgans starin' 'im in de face befo', an' not knowin' how he gwine come out'n his trouble. He des kep' silence, an' wink all 'is argimints, an'

'e wink to the p'int, too!"

In spite of his unique entrance into the world and his precarious journey, Blink was a vigorous young chicken, with what mammy was pleased to call "a good proud step an' knowin' eyes."

Three months pa.s.sed. The long, dull summer was approaching, and yet Evelyn had found no regular employment. She had not been idle. Sewing for the market folk, decorating palmetto fans and Easter eggs, which mammy peddled in the big houses, she had earned small sums of money from time to time. In her enforced leisure she found opportunity for study, and her picturesque surroundings were as an open book.

Impressions of the quaint old French and Spanish city, with its motley population, were carefully jotted down in her note-book. These first descriptions she afterwards rewrote, discarding weakening detail, elaborating the occasional triviality which seemed to reflect the true local tint--a nice distinction, involving conscientious hard work. How she longed for criticism and advice!

A year ago her father, now usually dozing in his chair while she worked, would have been a most able and affectionate critic; but now--She rejoiced when a day pa.s.sed without his asking for her mother, and wondering why she did not come.

And so it was that in her need of sympathy Evelyn began to read her writings, some of which had grown into stories, to mammy. The very exercise of reading aloud--the sound of it--was helpful. That mammy's criticisms should have proven valuable in themselves was a surprise, but it was even so.

II

"A pusson would know dat was fanciful de way hit reads orf, des like a pusson 'magine some'h'n' what ain't so."

Such was mammy's first criticism of a story which had just come back, returned from an editor. Evelyn had been trying to discover wherein its weakness lay.

Mammy had caught the truth. The story was unreal. The English seemed good, the construction fair, but--it was "_fanciful_."

The criticism set Evelyn to thinking. She laid aside this, and read another ma.n.u.script aloud.