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So, instead of a sharp command, he asked, "What is it?" in surprise, and stared at them wondering. He could not or would not comprehend, even though he saw that those in the front rank were pushing back and those behind were urging them forward. The muzzles of their carbines were directed at every point, and on their faces fear and hate and cowardice were written in varying likenesses.
"What does this mean?" Stuart demanded, sharply. "What are you waiting for?"
Clay had just reached the top of the stairs. He saw Madame Alvarez and Hope coming toward him, and at the sight of Hope he gave an exclamation of relief.
Then his eyes turned and fell on the tableau below, on Stuart's back, as he stood confronting the men, and on their scowling upturned faces and half-lifted carbines. Clay had lived for a longer time among Spanish-Americans than had the English subaltern, or else he was the quicker of the two to believe in evil and ingrat.i.tude, for he gave a cry of warning, and motioned the women away.
"Stuart!" he cried. "Come away; for G.o.d's sake, what are you doing?
Come back!"
The Englishman started at the sound of his friend's voice, but he did not turn his head. He began to descend the stairs slowly, a step at a time, staring at the mob so fiercely that they shrank back before the look of wounded pride and anger in his eyes. Those in the rear raised and levelled their rifles. Without taking his eyes from theirs, Stuart drew his revolver, and with his sword swinging from its wrist-strap, pointed his weapon at the ma.s.s below him.
"What does this mean?" he demanded. "Is this mutiny?"
A voice from the rear of the crowd of men shrieked: "Death to the Spanish woman. Death to all traitors. Long live Mendoza," and the others echoed the cry in chorus.
Clay sprang down the broad stairs calling, "Come to me;" but before he could reach Stuart, a woman's voice rang out, in a long terrible cry of terror, a cry that was neither a prayer nor an imprecation, but which held the agony of both. Stuart started, and looked up to where Madame Alvarez had thrown herself toward him across the broad bal.u.s.trade of the stairway. She was silent with fear, and her hand clutched at the air, as she beckoned wildly to him. Stuart stared at her with a troubled smile and waved his empty hand to rea.s.sure her. The movement was final, for the men below, freed from the reproach of his eyes, flung up their carbines and fired, some wildly, without placing their guns at rest, and others steadily and aiming straight at his heart.
As the volley rang out and the smoke drifted up the great staircase, the subaltern's hands tossed high above his head, his body sank into itself and toppled backward, and, like a tired child falling to sleep, the defeated soldier of fortune dropped back into the outstretched arms of his friend.
Clay lifted him upon his knee, and crushed him closer against his breast with one arm, while he tore with his free hand at the stock about the throat and pushed his fingers in between the b.u.t.tons of the tunic. They came forth again wet and colored crimson.
"Stuart!" Clay gasped. "Stuart, speak to me, look at me!" He shook the body in his arms with fierce roughness, peering into the face that rested on his shoulder, as though he could command the eyes back again to light and life. "Don't leave me!" he said. "For G.o.d's sake, old man, don't leave me!"
But the head on his shoulder only sank the closer and the body stiffened in his arms. Clay raised his eyes and saw the soldiers still standing, irresolute and appalled at what they had done, and awe-struck at the sight of the grief before them.
Clay gave a cry as terrible as the cry of a woman who has seen her child mangled before her eyes, and lowering the body quickly to the steps, he ran at the scattering ma.s.s below him. As he came they fled down the corridor, shrieking and calling to their friends to throw open the gates and begging them to admit the mob. When they reached the outer porch they turned, encouraged by the touch of numbers, and halted to fire at the man who still followed them.
Clay stopped, with a look in his eyes which no one who knew them had ever seen there, and smiled with pleasure in knowing himself a master in what he had to do. And at each report of his revolver one of Stuart's a.s.sa.s.sins stumbled and pitched heavily forward on his face.
Then he turned and walked slowly back up the hall to the stairway like a man moving in his sleep. He neither saw nor heard the bullets that bit spitefully at the walls about him and rattled among the gla.s.s pendants of the great chandeliers above his head. When he came to the step on which the body lay he stooped and picked it up gently, and holding it across his breast, strode on up the stairs. MacWilliams and Langham were coming toward him, and saw the helpless figure in his arms.
"What is it?" they cried; "is he wounded, is he hurt?"
"He is dead," Clay answered, pa.s.sing on with his burden. "Get Hope away."
Madame Alvarez stood with the girl's arms about her, her eyes closed and her figure trembling.
"Let me be!" she moaned. "Don't touch me; let me die. My G.o.d, what have I to live for now?" She shook off Hope's supporting arm, and stood before them, all her former courage gone, trembling and shivering in agony. "I do not care what they do to me!" she cried. She tore her lace mantilla from her shoulders and threw it on the floor. "I shall not leave this place. He is dead. Why should I go? He is dead. They have murdered him; he is dead."
"She is fainting," said Hope. Her voice was strained and hard.
To her brother she seemed to have grown suddenly much older, and he looked to her to tell him what to do.
"Take hold of her," she said. "She will fall." The woman sank back into the arms of the men, trembling and moaning feebly.
"Now carry her to the carriage," said Hope. "She has fainted; it is better; she does not know what has happened."
Clay, still bearing the body in his arms, pushed open the first door that stood ajar before him with his foot. It opened into the great banqueting hall of the palace, but he could not choose.
He had to consider now the safety of the living, whose lives were still in jeopardy.
The long table in the centre of the hall was laid with places for many people, for it had been prepared for the President and the President's guests, who were to have joined with him in celebrating the successful conclusion of the review. From outside the light of the sun, which was just sinking behind the mountains, shone dimly upon the silver on the board, on the gla.s.s and napery, and the ma.s.sive gilt centre-pieces filled with great cl.u.s.ters of fresh flowers. It looked as though the servants had but just left the room. Even the candles had been lit in readiness, and as their flames wavered and smoked in the evening breeze they cast uncertain shadows on the walls and showed the stern faces of the soldier presidents frowning down on the crowded table from their gilded frames.
There was a great leather lounge stretching along one side of the hall, and Clay moved toward this quickly and laid his burden down. He was conscious that Hope was still following him. He straightened the limbs of the body and folded the arms across the breast and pressed his hand for an instant on the cold hands of his friend, and then whispering something between his lips, turned and walked hurriedly away.
Hope confronted him in the doorway. She was sobbing silently. "Must we leave him," she pleaded, "must we leave him--like this?"
From the garden there came the sound of hammers ringing on the iron hinges, and a great crash of noises as the gate fell back from its fastenings, and the mob rushed over the obstacles upon which it had fallen. It seemed as if their yells of exultation and anger must reach even the ears of the dead man.
"They are calling Mendoza," Clay whispered, "he must be with them.
Come, we will have to run for our lives now."
But before he could guess what Hope was about to do, or could prevent her, she had slipped past him and picked up Stuart's sword that had fallen from his wrist to the floor, and laid it on the soldier's body, and closed his hands upon its hilt. She glanced quickly about her as though looking for something, and then with a sob of relief ran to the table, and sweeping it of an armful of its flowers, stepped swiftly back again to the lounge and heaped them upon it.
"Come, for G.o.d's sake, come!" Clay called to her in a whisper from the door.
Hope stood for an instant staring at the young Englishman as the candle-light flickered over his white face, and then, dropping on her knees, she pushed back the curly hair from about the boy's forehead and kissed him. Then, without turning to look again, she placed her hand in Clay's and he ran with her, dragging her behind him down the length of the hall, just as the mob entered it on the floor below them and filled the palace with their shouts of triumph.
As the sun sank lower its light fell more dimly on the lonely figure in the vast dining-hall, and as the gloom deepened there, the candles burned with greater brilliancy, and the faces of the portraits shone more clearly.
They seemed to be staring down less sternly now upon the white mortal face of the brother-in-arms who had just joined them.
One who had known him among his own people would have seen in the att.i.tude and in the profile of the English soldier a likeness to his ancestors of the Crusades who lay carved in stone in the village church, with their faces turned to the sky, their faithful hounds waiting at their feet, and their hands pressed upward in prayer.
And when, a moment later, the half-crazed mob of men and boys swept into the great room, with Mendoza at their head, something of the pathos of the young Englishman's death in his foreign place of exile must have touched them, for they stopped appalled and startled, and pressed back upon their fellows, with eager whispers. The Spanish-American General strode boldly forward, but his eyes lowered before the calm, white face, and either because the lighted candles and the flowers awoke in him some memory of the great Church that had nursed him, or because the jagged holes in the soldier's tunic appealed to what was bravest in him, he crossed himself quickly, and then raising his hands slowly to his visor, lifted his hat and pointed with it to the door. And the mob, without once looking back at the rich treasure of silver on the table, pushed out before him, stepping softly, as though they had intruded on a shrine.
XIII
The President's travelling carriage was a double-seated diligence covered with heavy hoods and with places on the box for two men. Only one of the coachmen, the same man who had driven the State carriage from the review, had remained at the stables. As he knew the roads to Los Bocos, Clay ordered him up to the driver's seat, and MacWilliams climbed into the place beside him after first storing three rifles under the lap-robe.
Hope pulled open the leather curtains of the carriage and found Madame Alvarez where the men had laid her upon the cushions, weak and hysterical. The girl crept in beside her, and lifting her in her arms, rested the older woman's head against her shoulder, and soothed and comforted her with tenderness and sympathy.
Clay stopped with his foot in the stirrup and looked up anxiously at Langham who was already in the saddle.
"Is there no possible way of getting Hope out of this and back to the Palms?" he asked.
"No, it's too late. This is the only way now." Hope opened the leather curtains and looking out shook her head impatiently at Clay.
"I wouldn't go now if there were another way," she said. "I couldn't leave her like this."
"You're delaying the game, Clay," cried Langham, warningly, as he stuck his spurs into his pony's side.
The people in the diligence lurched forward as the horses felt the lash of the whip and strained against the harness, and then plunged ahead at a gallop on their long race to the sea. As they sped through the gardens, the stables and the trees hid them from the sight of those in the palace, and the turf, upon which the driver had turned the horses for greater safety, deadened the sound of their flight.
They found the gates of the botanical gardens already opened, and Clay, in the street outside, beckoning them on. Without waiting for the others the two outriders galloped ahead to the first cross street, looked up and down its length, and then, in evident concern at what they saw in the distance, motioned the driver to greater speed, and crossing the street signalled him to follow them. At the next corner Clay flung himself off his pony, and throwing the bridle to Langham, ran ahead into the cross street on foot, and after a quick glance pointed down its length away from the heart of the city to the mountains.
The driver turned as Clay directed him, and when the man found that his face was fairly set toward the goal he lashed his horses recklessly through the narrow street, so that the murmur of the mob behind them grew perceptibly fainter at each leap forward.