Sketches in Lavender, Blue and Green Part 29

And that G.o.d's anger is not everlasting, and that the evil that there is in men shall be blotted out, he who doubts may also learn from the wisdom of the simple fisher-folk, who dwell about the borders of the marsh-land; for they will tell him that on stormy nights there speaks a deep voice from the sea, calling the dead monks to rise from their forgotten graves, and chant a ma.s.s for the souls of the men of the town of seven towers.

Clothed in long glittering white, they move with slowly pacing feet around the Abbey's gra.s.s-grown aisles, and the music of their prayers is heard above the screaming of the storm. And to this I also can bear witness, for I have seen the pa.s.sing of their shrouded forms behind the blackness of the shattered shafts; I have heard their sweet, sad singing above the wailing of the wind.

Thus for many ages have the dead monks prayed that the men of the town of seven towers may be forgiven. Thus, for many ages yet shall they so pray, till the day come when of their once fair Abbey not a single stone shall stand upon its fellow; and in that day it shall be known that the anger of G.o.d against the men of the town of seven towers has pa.s.sed away; and in that day the feet of the waters shall move back, and the town of seven towers shall stand again upon the dry land.

There be some, I know, who say that this is but a legend; who will tell you that the shadowy shapes that you may see with your own eyes on stormy nights, waving their gleaming arms behind the ruined b.u.t.tresses are but of phosph.o.r.escent foam, tossed by the raging waves above the cliffs; and that the sweet, sad harmony cleaving the trouble of the night is but the aeolian music of the wind.

But such are of the blind, who see only with their eyes. For myself I see the white-robed monks, and hear the chanting of their ma.s.s for the souls of the sinful men of the town of seven towers. For it has been said that when an evil deed is done, a prayer is born to follow it through time into eternity, and plead for it. Thus is the whole world clasped around with folded hands both of the dead and of the living, as with a shield, lest the shafts of G.o.d's anger should consume it.

Therefore, I know that the good monks of this nameless Abbey are still praying that the sin of those they love may be forgiven.

G.o.d grant good men may say a ma.s.s for us.

DRIFTWOOD

CHARACTERS

MR. TRAVERS.

MRS. TRAVERS.

MARION [their daughter].

DAN [a gentleman of no position].

SCENE: A room opening upon a garden. The shadows creep from their corners, driving before them the fading twilight.

MRS. TRAVERS sits in a wickerwork easy chair. MR. TRAVERS, smoking a cigar, sits the other side of the room. MARION stands by the open French window, looking out.

MR. TRAVERS. Nice little place Harry's got down here.

MRS. TRAVERS. Yes; I should keep this on if I were you, Marion. You'll find it very handy. One can entertain so cheaply up the river; one is not expected to make much of a show. [She turns to her husband.] Your poor cousin Emily used to work off quite half her list that way--relations and Americans, and those sort of people, you know--at that little place of theirs at Goring. You remember it--a poky hole I always thought it, but it had a lot of green stuff over the door--looked very pretty from the other side of the river. She always used to have cold meat and pickles for lunch--called it a picnic. People said it was so homely and simple.

MR. TRAVERS. They didn't stop long, I remember.

MRS. TRAVERS. And there was a special champagne she always kept for the river--only twenty-five shillings a dozen, I think she told me she paid for it, and very good it was too, for the price. That old Indian major--what was his name?--said it suited him better than anything else he had ever tried. He always used to drink a tumblerful before breakfast; such a funny thing to do. I've often wondered where she got it.

MR. TRAVERS. So did most people who tasted it. Marion wants to forget those lessons, not learn them. She is going to marry a rich man who will be able to entertain his guests decently.

MRS. TRAVERS. Oh, well, James, I don't know. None of us can afford to live up to the income we want people to think we've got. One must economise somewhere. A pretty figure we should cut in the county if I didn't know how to make fivepence look like a shilling. And, besides, there are certain people that one has to be civil to, that, at the same time, one doesn't want to introduce into one's regular circle. If you take my advice, Marion, you won't encourage those sisters of Harry's more than you can help. They're dear sweet girls, and you can be very nice to them; but don't have them too much about. Their manners are terribly old- fashioned, and they've no notion how to dress, and those sort of people let down the tone of a house.

MARION. I'm not likely to have many "dear sweet girls" on my visiting list. [With a laugh.] There will hardly be enough in common to make the company desired, on either side.

MRS. TRAVERS. Well, I only want you to be careful, my dear. So much depends on how you begin, and with prudence there's really no reason why you shouldn't do very well. I suppose there's no doubt about Harry's income. He won't object to a few inquiries?

MARION. I think you may trust me to see to that, mamma. It would be a bad bargain for me, if even the cash were not certain.

MR. TRAVERS [jumping up]. Oh, I do wish you women wouldn't discuss the matter in that horribly business-like way. One would think the girl was selling herself.

MRS. TRAVERS. Oh, don't be foolish, James. One must look at the practical side of these things. Marriage is a matter of sentiment to a man--very proper that it should be. A woman has to remember that she's fixing her position for life.

MARION. You see, papa dear, it's her one venture. If she doesn't sell herself to advantage then, she doesn't get another opportunity--very easily.

MR. TRAVERS. Umph! When I was a young man, girls talked more about love and less about income.

MARION. Perhaps they had not our educational advantages.

[DAN enters from the garden. He is a man of a little over forty, his linen somewhat frayed about the edges.]

MRS. TRAVERS. Ah! We were just wondering where all you people had got to.

DAN. We've been out sailing. I've been sent up to fetch you. It's delightful on the river. The moon is just rising.

MRS. TRAVERS. But it's so cold.

MR. TRAVERS. Oh, never mind the cold. It's many a long year since you and I looked at the moon together. It will do us good.

MRS. TRAVERS. Ah, dear. Boys will be boys. Give me my wrap then.

[DAN places it about her. They move towards the window, where they stand talking. MARION has slipped out and returns with her father's cap. He takes her face between his hands and looks at her.]

MR. TRAVERS. Do you really care for Harry, Marion?

MARION. As much as one can care for a man with five thousand a year.

Perhaps he will make it ten one day--then I shall care for him twice as much. [Laughs.]

MR. TRAVERS. And are you content with this marriage?

MARION. Quite.

[He shakes his head gravely at her.]

MRS. TRAVERS. Aren't you coming, Marion?

MARION. No. I'm feeling tired.

[MR. and MRS. TRAVERS go out.]

DAN. Are you going to leave Harry alone with two pairs of lovers?

MARION [with a laugh]. Yes--let him see how ridiculous they look. I hate the night--it follows you and asks questions. Shut it out. Come and talk to me. Amuse me.