Sketches in Lavender, Blue and Green Part 1

Sketches in Lavender, Blue and Green.

by Jerome K. Jerome.

REGINALD BLAKE, FINANCIER AND CAD

The advantage of literature over life is that its characters are clearly defined, and act consistently. Nature, always inartistic, takes pleasure in creating the impossible. Reginald Blake was as typical a specimen of the well-bred cad as one could hope to find between Piccadilly Circus and Hyde Park Corner. Vicious without pa.s.sion, and possessing brain without mind, existence presented to him no difficulties, while his pleasures brought him no pains. His morality was bounded by the doctor on the one side, and the magistrate on the other. Careful never to outrage the decrees of either, he was at forty-five still healthy, though stout; and had achieved the not too easy task of ama.s.sing a fortune while avoiding all risk of Holloway. He and his wife, Edith (_nee_ Eppington), were as ill-matched a couple as could be conceived by any dramatist seeking material for a problem play. As they stood before the altar on their wedding morn, they might have been taken as symbolising satyr and saint.

More than twenty years his junior, beautiful with the beauty of a Raphael's Madonna, his every touch of her seemed a sacrilege. Yet once in his life Mr. Blake played the part of a great gentleman; Mrs. Blake, on the same occasion, contenting herself with a singularly mean _role_--mean even for a woman in love.

The affair, of course, had been a marriage of convenience. Blake, to do him justice, had made no pretence to anything beyond admiration and regard. Few things grow monotonous sooner than irregularity. He would tickle his jaded palate with respectability, and try for a change the companionship of a good woman. The girl's face drew him, as the moonlight holds a man who, bored by the noise, turns from a heated room to press his forehead to the window-pane. Accustomed to bid for what he wanted, he offered his price. The Eppington family was poor and numerous. The girl, bred up to the false notions of duty inculcated by a narrow conventionality, and, feminine like, half in love with martyrdom for its own sake, let her father bargain for a higher price, and then sold herself.

To a drama of this description, a lover is necessary, if the complications are to be of interest to the outside world. Harry Sennett, a pleasant-looking enough young fellow, in spite of his receding chin, was possessed, perhaps, of more good intention than sense. Under the influence of Edith's stronger character he was soon persuaded to acquiesce meekly in the proposed arrangement. Both succeeded in convincing themselves that they were acting n.o.bly. The tone of the farewell interview, arranged for the eve of the wedding, would have been fit and proper to the occasion had Edith been a modern Joan of Arc about to sacrifice her own happiness on the altar of a great cause; as the girl was merely selling herself into ease and luxury, for no higher motive than the desire to enable a certain number of more or less worthy relatives to continue living beyond their legitimate means, the sentiment was perhaps exaggerated. Many tears were shed, and many everlasting good- byes spoken, though, seeing that Edith's new home would be only a few streets off, and that of necessity their social set would continue to be the same, more experienced persons might have counselled hope. Three months after the marriage they found themselves side by side at the same dinner-table; and after a little melodramatic fencing with what they were pleased to regard as fate, they accommodated themselves to the customary positions.

Blake was quite aware that Sennett had been Edith's lover. So had half a dozen other men, some younger, some older than himself. He felt no more embarra.s.sment at meeting them than, standing on the pavement outside the Stock Exchange, he would have experienced greeting his brother jobbers after a settling day that had transferred a fortune from their hands into his. Sennett, in particular, he liked and encouraged. Our whole social system, always a mystery to the philosopher, owes its existence to the fact that few men and women possess sufficient intelligence to be interesting to themselves. Blake liked company, but not much company liked Blake. Young Sennett, however, could always be relied upon to break the tediousness of the domestic dialogue. A common love of sport drew the two men together. Most of us improve upon closer knowledge, and so they came to find good in one another.

"That is the man you ought to have married," said Blake one night to his wife, half laughingly, half seriously, as they sat alone, listening to Sennett's departing footsteps echoing upon the deserted pavement. "He's a good fellow--not a mere money-grubbing machine like me."

And a week later Sennett, sitting alone with Edith, suddenly broke out with:

"He's a better man than I am, with all my high-falutin' talk, and, upon my soul, he loves you. Shall I go abroad?"

"If you like," was the answer.

"What would you do?"

"Kill myself," replied the other, with a laugh, "or run away with the first man that asked me."

So Sennett stayed on.

Blake himself had made the path easy to them. There was little need for either fear or caution. Indeed, their safest course lay in recklessness, and they took it. To Sennett the house was always open. It was Blake himself who, when unable to accompany his wife, would suggest Sennett as a subst.i.tute. Club friends shrugged their shoulders. Was the man completely under his wife's thumb; or, tired of her, was he playing some devil's game of his own? To most of his acquaintances the latter explanation seemed the more plausible.

The gossip, in due course, reached the parental home. Mrs. Eppington shook the vials of her wrath over the head of her son-in-law. The father, always a cautious man, felt inclined to blame his child for her want of prudence.

"She'll ruin everything," he said. "Why the devil can't she be careful?"

"I believe the man is deliberately plotting to get rid of her," said Mrs.

Eppington. "I shall tell him plainly what I think."

"You're a fool, Hannah," replied her husband, allowing himself the licence of the domestic hearth. "If you are right, you will only precipitate matters; if you are wrong, you will tell him what there is no need for him to know. Leave the matter to me. I can sound him without giving anything away, and meanwhile you talk to Edith."

So matters were arranged, but the interview between mother and daughter hardly improved the position. Mrs. Eppington was conventionally moral; Edith had been thinking for herself, and thinking in a bad atmosphere.

Mrs. Eppington, grew angry at the girl's callousness.

"Have you no sense of shame?" she cried.

"I had once," was Edith's reply, "before I came to live here. Do you know what this house is for me, with its gilded mirrors, its couches, its soft carpets? Do you know what I am, and have been for two years?"

The elder woman rose, with a frightened pleading look upon her face, and the other stopped and turned away towards the window.

"We all thought it for the best," continued Mrs. Eppington meekly.

The girl spoke wearily without looking round.

"Oh! every silly thing that was ever done, was done for the best. _I_ thought it would be for the best, myself. Everything would be so simple if only we were not alive. Don't let's talk any more. All you can say is quite right."

The silence continued for a while, the Dresden-china clock on the mantelpiece ticking louder and louder as if to say, "I, Time, am here. Do not make your plans forgetting me, little mortals; I change your thoughts and wills. You are but my puppets."

"Then what do you intend to do?" demanded Mrs. Eppington at length.

"Intend! Oh, the right thing of course. We all intend that. I shall send Harry away with a few well-chosen words of farewell, learn to love my husband and settle down to a life of quiet domestic bliss. Oh, it's easy enough to intend!"

The girl's face wrinkled with a laugh that aged her. In that moment it was a hard, evil face, and with a pang the elder woman thought of that other face, so like, yet so unlike--the sweet pure face of a girl that had given to a sordid home its one touch of n.o.bility. As under the lightning's flash we see the whole arc of the horizon, so Mrs. Eppington looked and saw her child's life. The gilded, over-furnished room vanished. She and a big-eyed, fair-haired child, the only one of her children she had ever understood, were playing wonderful games in the twilight among the shadows of a tiny attic. Now she was the wolf, devouring Edith, who was Red Riding Hood, with kisses. Now Cinderella's prince, now both her wicked sisters. But in the favourite game of all, Mrs. Eppington was a beautiful princess, bewitched by a wicked dragon, so that she seemed to be an old, worn woman. But curly-headed Edith fought the dragon, represented by the three-legged rocking-horse, and slew him with much shouting and the toasting-fork. Then Mrs. Eppington became again a beautiful princess, and went away with Edith back to her own people.

In this twilight hour the misbehaviour of the "General," the importunity of the family butcher, and the airs a.s.sumed by cousin Jane, who kept two servants, were forgotten.

The games ended. The little curly head would be laid against her breast "for five minutes' love," while the restless little brain framed the endless question that children are for ever asking in all its thousand forms, "What is life, mother? I am very little, and I think, and think, until I grow frightened. Oh, mother, tell me, what is life?"

Had she dealt with these questions wisely? Might it not have been better to have treated them more seriously? Could life after all be ruled by maxims learned from copy-books? She had answered as she had been answered in her own far-back days of questioning. Might it not have been better had she thought for herself?

Suddenly Edith was kneeling on the floor beside her.

"I will try to be good, mother."

It was the old baby cry, the cry of us all, children that we are, till mother Nature kisses us and bids us go to sleep.

Their arms were round each other now, and so they sat, mother and child once more. And the twilight of the old attic, creeping westward from the east, found them again.

The masculine duet had more result, but was not conducted with the _finesse_ that Mr. Eppington, who prided himself on his diplomacy, had intended. Indeed, so evidently ill at ease was that gentleman, when the moment came for talk, and so palpably were his pointless remarks mere efforts to delay an unpleasant subject, that Blake, always direct bluntly though not ill-naturedly asked him, "How much?"

Mr. Eppington was disconcerted.

"It's not that--at least that's not what I have come about," he answered confusedly.

"What have you come about?"

Inwardly Mr. Eppington cursed himself for a fool, for the which he was perhaps not altogether without excuse. He had meant to act the part of a clever counsel, acquiring information while giving none; by a blunder, he found himself in the witness-box.

"Oh, nothing, nothing," was the feeble response, "merely looked in to see how Edith was."

"Much the same as at dinner last night, when you were here," answered Blake. "Come, out with it."

It seemed the best course now, and Mr. Eppington took the plunge.

"Don't you think," he said, unconsciously glancing round the room to be sure they were alone, "that young Sennett is a little too much about the house?"

Blake stared at him.

"Of course, we know it is all right--as nice a young fellow as ever lived--and Edith--and all that. Of course, it's absurd, but--"