Short Stories Old and New Part 1

Short Stories Old and New.

Selected and Edited by C. Alphonso Smith.

INTRODUCTION

Every short story has three parts, which may be called Setting or Background, Plot or Plan, and Characters or Character. If you are going to write a short story, as I hope you are, you will find it necessary to think through these three parts so as to relate them interestingly and naturally one to the other; and if you want to a.s.similate the best that is in the following stories, you will do well to approach them by the same three routes.

The Setting or Background gives us the time and the place of the story with such details of custom, scenery, and dialect as time and place imply. It answers the questions _When? Where?_ The Plot tells us what happened. It gives us the incidents and events, the haps or mishaps, that are interwoven to make up the warp and woof of the story. Sometimes there is hardly any interweaving; just a plain plan or simple outline is followed, as in "The Christmas Carol" or "The Great Stone Face." We may still call the core of these two stories the Plot, if we want to, but Plan would be the more accurate. This part of the story answers the question _What_? Under the heading Characters or Character we study the personalities of the men and women who move through the story and give it unity and coherence. Sometimes, as in "The Christmas Carol" or "Markheim," one character so dominates the others that they are mere spokes in his hub or incidents in his career. But in "The Gift of the Magi," though more s.p.a.ce is given to Della, she and Jim act from the same motive and contribute equally to the development of the story. In one of our stories the main character is a dog, but he is so human that we may still say that the chief question to be answered under this heading is _Who?_

Many books have been written about these three parts of a short story, but the great lesson to be learned is that the excellence of a story, long or short, consists not in the separate excellence of the Setting or of the Plot or of the Characters but in the perfect blending of the three to produce a single effect or to impress a single truth. If the Setting does not fit the Plot, if the Plot does not rise gracefully from the Setting, if the Characters do not move naturally and self-revealingly through both, the story is a failure. Emerson might well have had our three parts of the short story in mind when he wrote,

All are needed by each one; Nothing is fair or good alone.

SHORT STORIES

I. ESTHER[*]

[* From the Old Testament, Authorized Version.]

AUTHOR UNKNOWN

[_Setting_. The events take place in Susa, the capital of Persia, in the reign of Ahasuerus, or Xerxes (485-465 B.C.). This foreign locale intensifies the splendid Jewish patriotism that breathes through the story from beginning to end. If the setting had been in Jerusalem, Esther could not have preached the n.o.ble doctrine, "When in Rome, don't do as Rome does, but be true to the old ideals of home and race."

_Plot_. "Esther" seems to me the best-told story in the Bible. Observe how the note of empty Persian bigness versus simple Jewish faith is struck at the very beginning and is echoed to the end. Thus, Ahasuerus ruled over one hundred and twenty-seven provinces, the opening banquet lasted one hundred and eighty-seven days, the king's bulletins were as unalterable as the tides, the gallows erected was eighty-three feet high, the beds were of gold and silver upon a pavement of red and blue and white and black marble, the money wrested from the Jews was to be eighteen million dollars, etc. The word "banquet" occurs twenty times in this short story and only twenty times in all the remaining thirty-eight books of the Old Testament. In other words, Ahasuerus and his trencher-mates ate and drank as much in five days as had been eaten and drunk by all the other Old Testament characters from "Genesis" to "Malachi."

Note also the contrast between the two queens, the two prime ministers, the two edicts, and the two later banquets. The most masterly part of the plot is the handling of events between these banquets. Read again from chapter v, beginning at verse 9, through chapter vi, and note how skillfully the pen is held. In motivation as well as in symmetry and naturalness the story is without a peer. There is humor, too, in the solemn deliberations over Vashti's "No" (chapter i, verses 12-22) and in the strange procession led by pedestrian Haman (chapter vi, verses 6-11).

The purpose of the story was to encourage the feast of Purim (chapter ix, verses 20-32) and to promote national solidarity. It may be compared to "A Christmas Carol," which was written to restore the waning celebration of Christmas, and to our Declaration of Independence, which is re-read on every Fourth of July to quicken our sense of national fellowship. But "Esther" is more than an inst.i.tution. It is the old story of two conflicting civilizations, one representing bigness, the other greatness; one standing for materialism, the other for idealism; one enthroning the body, the other the spirit.

_Characters_. These are finely individualized, though each seems to me a type. Ahasuerus is a tank that runs blood or wine according to the hand that turns the spigot. He was used for good but deserves and receives no credit for it. No man ever missed a greater opportunity. He was brought face to face with the two greatest world-civilizations of history; but, understanding neither, he remains only a muddy place in the road along which Greek and Hebrew pa.s.sed to world-conquest. Haman, a blend of vanity and cruelty and cowardice but not without some power of initiative, was a fit minister for his king. He lives in history as one who, better than in Hamlet's ill.u.s.tration, was "hoist with his own petard," the petard in his case being a gallows. He typifies also the just fate of the man who, spurred by the hate of one, includes in his scheme of extermination a whole people. Collective vengeance never received a better ill.u.s.tration nor a more exemplary punishment. Mordecai is altogether admirable in refusing to kowtow to Haman and in his unselfish devotion to his fair cousin, Esther. The n.o.blest sentiment in the book--"Who knoweth whether thou art come to the kingdom for such a time as this?"--comes from Mordecai.

But the leading character is Esther, not because she was "fair and beautiful" but because she was hospitable to the great thought suggested by Mordecai. None but a Jew could have asked, "Who knoweth whether thou art come to the kingdom for such a time as this?" and none but a Jew could have answered as Esther answered. The question implied a sense of personal responsibility and of divine guidance far beyond the reach of Persian or Mede or Greek of that time. It calls up many a quiet hour when Esther and Mordecai talked together of their strange lot in this heathen land and wondered if the time would ever come when they could interpret their trials in terms of national service rather than of meaningless fate. Imagine the blank and bovine expression that Ahasuerus or Haman would have turned upon you if you had put such a question to either of them. But in the case of Esther, Mordecai's appeal unlocked an unused reservoir of power that has made her one of the world's heroines.

She had her faults, or rather her limitations, but since her time men have gone to the stake, have built up and torn down princ.i.p.alities and powers, on the dynamic conviction that they had been sent to the kingdom "for such a time as this."]

CHAPTER I

THE STORY OF VASHTI

1. Now it came to pa.s.s in the days of Ahasuerus, (this is Ahasuerus which reigned from India even unto Ethiopia, over a hundred and seven and twenty provinces,)

2. That in those days, when the king Ahasuerus sat on the throne of his kingdom, which was in Shushan the palace,

3. In the third year of his reign, he made a feast unto all his princes and his servants; the power of Persia and Media, the n.o.bles and princes of the provinces, being before him:

4. When he shewed the riches of his glorious kingdom and the honour of his excellent majesty many days, even a hundred and fourscore days.

5. And when these days were expired, the king made a feast unto all the people that were present in Shushan the palace, both unto great and small, seven days, in the court of the garden of the king's palace.

6. Where were white, green, and blue hangings, fastened with cords of fine linen and purple to silver rings and pillars of marble: the beds were of gold and silver, upon a pavement of red, and blue, and white, and black marble.

7. And they gave them drink in vessels of gold, (the vessels being diverse one from another,) and royal wine in abundance, according to the state of the king.

8. And the drinking was according to the law; none did compel: for so the king had appointed to all the officers of his house, that they should do according to every man's pleasure.

9. Also Vashti the queen made a feast for the women in the royal house which belonged to king Ahasuerus.

10. On the seventh day, when the heart of the king was merry with wine, he commanded Mehuman, Biztha, Harbona, Bigtha, and Abagtha, Zethar, and Carcas, the seven chamberlains that served in the presence of Ahasuerus the king,

11. To bring Vashti the queen before the king with the crown royal, to shew the people and the princes her beauty: for she was fair to look on.

12. But the queen Vashti refused to come at the king's commandment by his chamberlains: therefore was the king very wroth, and his anger burned in him.

13. Then the king said to the wise men, which knew the times, (for so was the king's manner toward all that knew law and judgment:

14. And the next unto him was Carshena, Shethar, Admatha, Tarshish, Meres, Ma.r.s.ena, and Memucan, the seven princes of Persia and Media, which saw the king's face, and which sat the first in the kingdom,)

15. What shall we do unto the queen Vashti according to law, because she hath not performed the commandment of the king Ahasuerus by the chamberlains?

16. And Memucan answered before the king and the princes, Vashti the queen hath not done wrong to the king only, but also to all the princes, and to all the people that are in all the provinces of the king Ahasuerus.

17. For this deed of the queen shall come abroad unto all women, so that they shall despise their husbands in their eyes, when it shall be reported, The king Ahasuerus commanded Vashti the queen to be brought in before him, but she came not.

18. Likewise shall the ladies of Persia and Media say this day unto all the king's princes, which have heard of the deed of the queen. Thus shall there arise too much contempt and wrath.

19. If it please the king, let there go a royal commandment from him, and let it be written among the laws of the Persians and the Medes, that it be not altered, That Vashti come no more before king Ahasuerus; and let the king give her royal estate unto another that is better than she.

20. And when the king's decree, which he shall make, shall be published throughout all his empire, (for it is great,) all the wives shall give to their husbands honour, both to great and small.

21. And the saying pleased the king and the princes; and the king did according to the word of Memucan:

22. For he sent letters into all the king's provinces, into every province according to the writing thereof, and to every people after their language, that every man should bear rule in his own house, and that it should be published according to the language of every people.

CHAPTER II

ESTHER MADE QUEEN

1. After these things, when the wrath of king Ahasuerus was appeased, he remembered Vashti, and what she had done, and what was decreed against her.