Shadows of Flames Part 77

"'Reasons'!" said she. "Aren't facts enough for you? Isn't a love-sick boy of twenty-six who marries a woman years older pretty well smashing things up for himself?"

"Sophy Chesney is only thirty, Eleanor."

"Oh, what a hair-splitter you are, Grace! Four years' difference on the wrong side--the woman's side, is a big chasm ... say what you will."

"There have been very happy marriages of that sort, Eleanor, and with far greater difference in age. There was Miss Thackeray's marriage with Mr. Ritchie----"

"Oh, do go on!" said Mrs. Horton, with an outward snuffing of contemptuous breath. "Give us some more specimens from literature--George Eliot and Mr. Cross for example."

Mrs. Loring put up her _face-a-main_ again and looked curiously at her sister.

"Why are you so vexed, Eleanor?" she asked mildly. "After all, it's a brilliant marriage for Morris in a way--Sophy Chesney is a very distinguished woman. Had you ... er ... plans for Morris?"

Mrs. Horton blushed. She _had_ thought that Morris might marry her step-daughter Belinda some day, but she had never admitted this even to herself. Grace's random shot hit home. She retorted rather gruffly:

"Can't a woman take an interest in her own nephew, without being accused of scheming?"

"Oh ... 'scheming'.... My _dear_ Eleanor!" protested her sister.

"The fact is," pursued Mrs. Horton, "I take the common-sense view of the case and you the sentimental one. Linda!... What on earth have you been doing to look so hot?"

This last sentence was addressed to her step-daughter, Belinda Horton, who came racing up the verandah steps, her blowze of red-brown hair blowing out behind her, and a tennis racquet in her hand. Belinda was a triumphantly beautiful hoyden of sixteen, despite a slight powdering of freckles and a tiny silvery scar through one raven black eyebrow, the result of trying to equal a boy cousin on the trapeze when she was nine years old. Her great, rich, challenging red-brown eyes, and her defiant yet sweet-tempered mouth, the up-curve of her round chin, the tilt of her nose, the way her head sat on her shoulders as though some artist-G.o.d had flung it there with careless mastery, like a flower--her lovely, long, still-growing body which had never known the "awkward age"--all these things made even the most collected gasp a little when Belinda first rushed upon their sight.

She now dropped upon the steps, near Mrs. Loring, pushed the sleeves of her blouse still higher on her cream-white arms, and flourishing the racquet at her step-mother, said in the rich, throaty voice of a pigeon in the sun:

"What do I _look_ as if I'd been doing? Playing the organ?"

"Linda! _Don't_ talk in that slangy way."

Belinda showed her teeth, beautifully white if a trifle too large, in the frankest grin.

"'Playing the organ' isn't slang, Mater."

Mrs. Horton returned her look severely.

"It's the way you say things that make them sound like slang--isn't it, Grace?" she ended, appealing to her sister.

Mrs. Loring smiled very kindly.

"It's the fashion to be slangy nowadays, Eleanor."

Belinda's eyes shot garnet sparkles at her mother. She patted Mrs.

Loring's blue batiste skirt approvingly with her racquet.

"That's one for you, Mater!" she cried joyously, then to Mrs. Loring, "You're always perfectly bully to me, Aunty Grace!"

The idea of applying the term "bully" to that over-refined, softly majestic figure in its cane chair would have abashed any one less daring than Belinda. But Mrs. Loring seemed not to mind in the least. She knew that Belinda was "bad form." Belinda knew it herself. "Some people are born 'bad form,'" she used to say with her wide, lovely grin. "That's me."

In tapping her aunt's skirt with her racquet, she had dislodged Morris's letter. It slipped to the floor beside her, and lifting it to hand it back, she recognised his writing.

"Hullo!" she cried. "What's Morry writing such a screed about? He hates writing long letters like the devil."

"_Belinda!_" from Mrs. Horton.

"All right, Mater--not till next time."

Then she turned again to her aunt, frankly curious.

"What _is_ he writing about, Aunt Grace? Not in a sc.r.a.pe, I hope--the admirable Morry!"

"He wrote to announce his engagement, Belinda," said Mrs. Loring.

Belinda sat stock still for a moment. Then she said:

"Who is it?"

"A Mrs. Chesney--a very unusual woman. She wrote a remarkable book once under her maiden name, Sophy Taliaferro."

Belinda sprung to her feet.

"Why, I've read some poems by a Sophy Taliaferro," she exclaimed.

"Red-hot stuff they were, too!"

"Linda! I forbid you to speak in that way," said her mother.

"All right, Mater--but they _were_ red-h--.... All right, I won't then.

But, Aunt Grace, it couldn't be _that_ Sophy Taliaferro--she must be a hundred!"

"No--only thirty," said Mrs. Loring, smiling again.

"My _Gawd_!" cried Belinda, p.r.o.nouncing the sacred name grotesquely so as to take off the edge of her irreverence. She dropped back upon the steps, and sat staring open-mouthed at her aunt. "He's gone nutty!" she added, closing her lips with a snap. Then she sprang up again and stamped her foot.

"You've got to save him!" she cried, tears of rage in her eyes. "It isn't fair!-- She's roped him in!-- Morry is just at the age to do such rotten foolishness!-- Thank G.o.d, this is a Land of Divorce!----"

"Belinda!"

"Yes--thank G.o.d for it!-- And I wish trial marriage was here, too!"

"Belinda!"

"Oh, stuff, Mater! Haven't you read Ellen Key--she'd make you sit up!"

Mrs. Horton got up, went to the girl, and grasped her firmly by the shoulder. She was a determined little woman when roused and Belinda recognised the expression in her eyes. She looked up at her, sulky but silent for the moment.

"Listen to me," said her step-mother. "I will not have you talking in this manner. How dare you read Ellen Key, and--and poems that I've never given you?"

Belinda's radiant grin shone out again in spite of her.