Shadows of Flames Part 47

"Then you'll have to put off your villa-hunt with Mrs. Chesney," he said. He said this very naturally, p.r.o.nouncing the name without the least self-consciousness. The Marchesa felt that her task was going to be very difficult indeed. She, too, lapsed into silence, now watching the lovely sky, now glancing at her son's dark, nervous hands as they turned the little wheel slightly from time to time. Pa.s.sionate hands they were. The Marchesa had been a pa.s.sionate nature herself. She could feel with Marco as well as for him.

Le Vigne, or the Castello Amaldi, as it was sometimes called, lay on the Lombard sh.o.r.e of the Lake not far from Angera. It had been one of the old hunting lodges of the Amaldi, in more sumptuous days. It was really no more a castle than the Castello di Frino, on the hills above the village of Ghiffa; though it had, what Frino had not, a ma.s.sive reconnoitring tower at one corner of the quadrangle of buildings that formed a court behind the house itself. It made a delightful summer home, standing close to the lake sh.o.r.e and surrounded by a farm of some two thousand acres. It was of white stucco with thick, ancient walls. A terrace along the front led by long, shallow steps to the lawns and gardens, which reached to the water. Behind, in the buildings enclosing the court, were kitchens, laundry, carpenter shop, stables, _et cetera_. Big arched ways led from the cortile into the kitchen garden and the open country beyond.

When the Marchesa had come to Le Vigne as a bride forty years ago, she had regretted that it did not lie in the mountainous portion of the Lake. Now she had grown to love this wistful, reedy sh.o.r.e more than any other part of Lago Maggiore.

She stepped out in the big _da.r.s.ena_ with a sigh of pleasure, and walked across the lawn, stopping to put a spray of white oleander in her belt.

Marco and his mother dined on the terrace, at a little table set with old Lodi ware. There was a bowl of white oleander--the Marchesa's favourite flower--in the centre. Its fragile blossoms gave off a perfume strangely heady and spiritual at the same time--a faint, sweet perfume as of blossomed peach-kernels.

The dusk came on gradually, spangled with stars and fireflies. All the clouds had melted from the sky. It spread above them like an endless expanse of violet smoke, glittering with vari-coloured sparks.

"No rain for to-morrow, _caro mio_," said the Marchesa, as she and Amaldi sat smoking companionably after dinner, each in a long willow chair. "I can go villa-hunting with your charming friend to-morrow, beyond a doubt."

"Yes. That's good," said Amaldi.

The Marchesa glanced at him. He was smoking contentedly, with a very tranquil expression on his face. It was still light enough to see even the colours of flowers quite plainly. The Marchesa put her own cigarette back between her lips. Then she took it out and looked at it, smiling.

"You haven't noticed my new _splendore_, Marco," she said, waving the gold-tipped cigarette towards him.

"Eh?" he said, as though rousing suddenly.

"These 'gilded luxuries,'" said his mother, indicating the cigarette between her big, handsome fingers.

"Why, Baldi! What swagger!" he laughed, taking in the cigarette. This name of "Baldi," by which both her sons sometimes addressed her, had arisen from the fact that as a bride she had arrived in Italy with a severe cold in her head, and had p.r.o.nounced her new name "Abaldi." Her husband had begun to call her "Baldi" for fun, in the honeymoon days.

Later on the children had taken it up. She a.s.sociated it more with her boys than with her husband, and liked them to call her so. Only when very serious did they say "Maman."

"Yes. Don't you wonder how I came by such gorgeousness?" she now asked.

"I do indeed. I thought you scorned such vanities."

"I do, as a rule, but that dear thing pressed them on me so prettily that I hadn't the heart to refuse. Mrs. Chesney I mean. She _is_ a dear thing, Marco."

Her son's voice at once became on guard.

"Yes. I thought you would like her," he said. "You know I told you so."

"You didn't tell me half, my dear. She is a very unusual woman indeed--girl, I feel like saying. Really she seems amazingly girlish to have been through such bitter experiences. That terrible dinner you told me of----"

"Yes. That does strike one."

The Marchesa smoked for a few moments.

"Does she seem very _eprise_ with her husband?" she asked at last.

"I haven't seen them together more than twice--I couldn't say. I haven't seen much of Mrs. Chesney herself, you know."

"I didn't know," reflected the Marchesa; but matters seemed to her all the more serious because of that statement. If she, his mother, could see in a few hours the strong influence that Sophy had upon him, and if this influence had resulted from such a slight acquaintance, then it was more necessary than ever that she should speak.

She threw away her cigarette, and leaned back.

"_Caro Marco_," she said, "I'm going to do a thing that I've rarely done. I'm going to do it because I think I ought to, though I dislike doing it very much. And I want you to be indulgent to Baldi--eh? Will you?"

Now Amaldi was more than ever on guard. Something seemed actually to click in his breast. It was the lock of his heart snapping home. It is a way that some heart-locks have of doing at the least touch.

His voice was very gentle and courteous as he said:

"Dear Baldi, you know very well that you can speak to me in any way whatever that you wish."

"_Aie!_" thought the Marchesa. "He's gone under the boat like a sulking _lusc_ (pike). What a dear, fine, provoking boy to be sure!

"Well, then, Marco, I'll come to the point at once," she said in a frank, practical voice. "But first I must ask you if you don't really think that I've trespa.s.sed very little on private ground with you, since you've been grown? Even when your marriage was in question, I said nothing after giving you my honest opinion, when you asked for it. Isn't this so?"

"Yes, Maman; it is perfectly true," said Amaldi.

This "Maman" fixed the Marchesa in her opinion that Marco was going to make things as difficult as possible for her. She was no longer his intimate "Baldi," she was the revered "Maman."

"_Ebbene, Caro_, I'm glad you admit that so frankly," she continued, taking her courage in both hands; "because it makes me feel that you will be lenient if what I'm about to say jars on you very much. It's this, _figlio mio_-- I want you to be very, very careful about your att.i.tude towards this lovely, unhappy woman. I see real danger for you there, Marco--unless you are on your guard every moment of the time you are with her. A woman feels such things intuitively--and intuition is a very sure force, no matter what sceptics may say of it. I want you to open your 'mind's eye' wide, my dear boy, and look this possibility squarely in the face. Will you?"

Amaldi sat perfectly still. The only sign that he was moved in any way was the cigarette which went out between his fingers, and which he put to his lips now and then as if unaware that it was out. His mother waited, rather nervous. Then he said quietly:

"I was just trying to see exactly what you meant, Maman. Do you mean that you fear I may compromise Mrs. Chesney by undue attentions?"

The Marchesa felt discouraged, but her will upheld her.

"Not that alone, Marco," she said firmly, "though that might be one of the consequences of what I fear for you. What I meant, in plain language, since you force me to it, is that you may come to care too much for her. There would be no issue to such a thing, Marco. You must see that for yourself. I do you the honour," she added quickly, "of supposing that your feeling for such a woman would be a serious one."

"_Grazie_," said Amaldi. His tone was perfectly respectful, but there was a crisp note in it that hurt his mother. He was in truth deeply indignant, not with her, but with himself, at the idea that his love for Sophy was so transparently evident to observing eyes, when he had thought it hidden in the utmost depths of his being. It was excruciatingly painful and mortifying to him that even his mother should touch on such a subject.

The Marchesa, in the meanwhile, was thinking very hard indeed. She was years in advance of her day in many respects. For instance, she believed that a serious union between a man and woman devotedly loving each other, and determined to be true to that love, is as sacred and worthy a thing, as really and wholly a "marriage," as any union made by priest or law. The law of one's highest being she considered the highest law of all. To the marriage of true hearts and bodies, as well as that of true minds, she would not admit impediment. But--she realised that for the man and woman of her day to enter upon such a marriage was also to enter upon a _Via Crucis_. The ma.s.sive, sometimes crushing, weight of such a yoke was not to be accepted in any light, joyous spirit of newly kindled pa.s.sion. Over the gateway of that stern temple of love was written the implacable, well-nigh impossible mandate of the Delphian Oracle, "Know thyself."

Moreover, in her view of the question, the man and woman who would enter on such an engagement must be quite free from certain ties--pre-eminently the tie binding a mother to her children. The Marchesa admitted the forsaking of all in the world for a great love--except the child that a woman had borne into the world.

Marco, despite his luckless marriage, from which as an Italian he could not with dignity escape--(both he and she scorned the idea of his becoming naturalised in another country in order to obtain a divorce there)--Marco she considered free to form a new and serious relationship if he so desired. Therefore, it was not the question of the possible irregularity of his future relations with Sophy that dismayed her; it was that she did not consider Sophy free. She had her son. Never would she receive as Marco's wife the woman who had deserted her child for him. But then, merely glimpsing Sophy as she had done, she felt instinctively that she was incapable of such an act.

Remained then only the possibility of a dark tragedy of unavailing love, and the odious quagmire of scandal.

And thinking as she did, and knowing that her son was well aware of her opinions, this "_Grazie_" ("Thanks") of Marco's hurt her deeply. It seemed to say: "I am glad that at least you do me that much justice."

It was she, however, who broke the silence that followed.

"I shall not allude to this subject again," she said, rising. "This once I felt that I had to speak--no matter how much I hurt or offended you--only this once----"

"_Prego, prego, Maman!_" he murmured in a colourless voice.

"Yes, that I had to do," continued his mother firmly; "for, as I said, there is no issue. Mrs. Chesney has her son. Should you ever care for her--should she ever care for you--her son stands between you. If she were to desert her boy for you--she would not deserve your love. If you wanted her to desert him--you would not deserve hers----"

"_Maman! Te ne scongiuro!_" cried Amaldi, springing to his feet. She could see his face white as silver in the heavy dusk. His brows made a straight line across it.