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Seven Men Part 3

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I sat there just where I had sat for luncheon. Air came in listlessly through the open door behind me. Now and again Rose or Berthe appeared for a moment. I had told them I would not order any dinner till Mr.

Soames came. A hurdy-gurdy began to play, abruptly drowning the noise of a quarrel between some Frenchmen further up the street. Whenever the tune was changed I heard the quarrel still raging. I had bought another evening paper on my way. I unfolded it. My eyes gazed ever away from it to the clock over the kitchen door....

Five minutes, now, to the hour! I remembered that clocks in restaurants are kept five minutes fast. I concentrated my eyes on the paper. I vowed I would not look away from it again. I held it upright, at its full width, close to my face, so that I had no view of anything but it....

Rather a tremulous sheet? Only because of the draught, I told myself.

My arms gradually became stiff; they ached; but I could not drop them--now. I had a suspicion, I had a certainty. Well, what then?...

What else had I come for? Yet I held tight that barrier of newspaper.

Only the sound of Berthe's brisk footstep from the kitchen enabled me, forced me, to drop it, and to utter:

'What shall we have to eat, Soames?'

'Il est souffrant, ce pauvre Monsieur Soames?' asked Berthe.

'He's only--tired.' I asked her to get some wine--Burgundy--and whatever food might be ready. Soames sat crouched forward against the table, exactly as when last I had seen him. It was as though he had never moved--he who had moved so unimaginably far. Once or twice in the afternoon it had for an instant occurred to me that perhaps his journey was not to be fruitless--that perhaps we had all been wrong in our estimate of the works of Enoch Soames. That we had been horribly right was horribly clear from the look of him. But 'Don't be discouraged,' I falteringly said. 'Perhaps it's only that you--didn't leave enough time.

Two, three centuries hence, perhaps--'

'Yes,' his voice came. 'I've thought of that.'

'And now--now for the more immediate future! Where are you going to hide? How would it be if you caught the Paris express from Charing Cross? Almost an hour to spare. Don't go on to Paris. Stop at Calais.

Live in Calais. He'd never think of looking for you in Calais.'

'It's like my luck,' he said, 'to spend my last hours on earth with an a.s.s.' But I was not offended. 'And a treacherous a.s.s,' he strangely added, tossing across to me a crumpled bit of paper which he had been holding in his hand. I glanced at the writing on it--some sort of gibberish, apparently. I laid it impatiently aside.

'Come, Soames! pull yourself together! This isn't a mere matter of life and death. It's a question of eternal torment, mind you! You don't mean to say you're going to wait limply here till the Devil comes to fetch you?'

'I can't do anything else. I've no choice.'

'Come! This is "trusting and encouraging" with a vengeance! This is Diabolism run mad!' I filled his gla.s.s with wine. 'Surely, now that you've SEEN the brute--'

'It's no good abusing him.'

'You must admit there's nothing Miltonic about him, Soames.'

'I don't say he's not rather different from what I expected.'

'He's a vulgarian, he's a swell-mobsman, he's the sort of man who hangs about the corridors of trains going to the Riviera and steals ladies'

jewel-cases. Imagine eternal torment presided over by HIM!'

'You don't suppose I look forward to it, do you?'

'Then why not slip quietly out of the way?'

Again and again I filled his gla.s.s, and always, mechanically, he emptied it; but the wine kindled no spark of enterprise in him. He did not eat, and I myself ate hardly at all. I did not in my heart believe that any dash for freedom could save him. The chase would be swift, the capture certain. But better anything than this pa.s.sive, meek, miserable waiting.

I told Soames that for the honour of the human race he ought to make some show of resistance. He asked what the human race had ever done for him. 'Besides,' he said, 'can't you understand that I'm in his power?

You saw him touch me, didn't you? There's an end of it. I've no will.

I'm sealed.'

I made a gesture of despair. He went on repeating the word 'sealed.'

I began to realise that the wine had clouded his brain. No wonder!

Foodless he had gone into futurity, foodless he still was. I urged him to eat at any rate some bread. It was maddening to think that he, who had so much to tell, might tell nothing. 'How was it all,' I asked, 'yonder? Come! Tell me your adventures.'

'They'd make first-rate "copy," wouldn't they?'

'I'm awfully sorry for you, Soames, and I make all possible allowances; but what earthly right have you to insinuate that I should make "copy,"

as you call it, out of you?'

The poor fellow pressed his hands to his forehead. 'I don't know,' he said. 'I had some reason, I know.... I'll try to remember.'

'That's right. Try to remember everything. Eat a little more bread. What did the reading-room look like?'

'Much as usual,' he at length muttered.

'Many people there?'

'Usual sort of number.'

'What did they look like?'

Soames tried to visualise them. 'They all,' he presently remembered, 'looked very like one another.'

My mind took a fearsome leap. 'All dressed in Jaeger?'

'Yes. I think so. Greyish-yellowish stuff.'

'A sort of uniform?' He nodded. 'With a number on it, perhaps?--a number on a large disc of metal sewn on to the left sleeve? DKF 78,910--that sort of thing?' It was even so. 'And all of them--men and women alike--looking very well-cared-for? very Utopian? and smelling rather strongly of carbolic? and all of them quite hairless?' I was right every time. Soames was only not sure whether the men and women were hairless or shorn. 'I hadn't time to look at them very closely,' he explained.

'No, of course not. But----'

'They stared at ME, I can tell you. I attracted a great deal of attention.' At last he had done that! 'I think I rather scared them.

They moved away whenever I came near. They followed me about at a distance, wherever I went. The men at the round desk in the middle seemed to have a sort of panic whenever I went to make inquiries.'

'What did you do when you arrived?'

Well, he had gone straight to the catalogue, of course--to the S volumes, and had stood long before SN--SOF, unable to take this volume out of the shelf, because his heart was beating so.... At first, he said, he wasn't disappointed--he only thought there was some new arrangement. He went to the middle desk and asked where the catalogue of TWENTIETH-century books was kept. He gathered that there was still only one catalogue. Again he looked up his name, stared at the three little pasted slips he had known so well. Then he went and sat down for a long time....

'And then,' he droned, 'I looked up the "Dictionary of National Biography" and some encyclopedias.... I went back to the middle desk and asked what was the best modern book on late nineteenth-century literature. They told me Mr. T. K. Nupton's book was considered the best. I looked it up in the catalogue and filled in a form for it. It was brought to me. My name wasn't in the index, but--Yes!' he said with a sudden change of tone. 'That's what I'd forgotten. Where's that bit of paper? Give it me back.'

I, too, had forgotten that cryptic screed. I found it fallen on the floor, and handed it to him.

He smoothed it out, nodding and smiling at me disagreeably. 'I found myself glancing through Nupton's book,' he resumed. 'Not very easy reading. Some sort of phonetic spelling.... All the modern books I saw were phonetic.'

'Then I don't want to hear any more, Soames, please.'

'The proper names seemed all to be spelt in the old way. But for that, I mightn't have noticed my own name.'

'Your own name? Really? Soames, I'm VERY glad.'

'And yours.'

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Seven Men Part 3 summary

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