Selected Writings of Guy De Maupassant Part 11

"The next day, on seeing me, she approached me eagerly, holding out her hand; and we became firm friends immediately.

"She was a brave creature, with an elastic sort of a soul, which became enthusiastic at a bound. She lacked equilibrium, like all women who are spinsters at the age of fifty. She seemed to be pickled in vinegary innocence, though her heart still retained something of youth and of girlish effervescence. She loved both nature and animals with a fervent ardor, a love like old wine, mellow through age, with a sensual love that she had never bestowed on men.

"One thing is certain: a mare roaming in a meadow with a foal at its side, a bird's nest full of young ones, squeaking, with their open mouths and enormous heads, made her quiver with the most violent emotion.

"Poor solitary beings! Sad wanderers from table d'hote to table d'hote, poor beings, ridiculous and lamentable, I love you ever since I became acquainted with Miss Harriet!

"I soon discovered that she had something she would like to tell me, but dared not, and I was amused at her timidity. When I started out in the morning with my box on my back, she would accompany me as far as the end of the village, silent, but evidently struggling inwardly to find words with which to begin a conversation. Then she would leave me abruptly, and, with jaunty step, walk away quickly.

"One day, however, she plucked up courage:

"'I would like to see how you paint pictures? Will you show me? I have been very curious.'

"And she colored up as though she had given utterance to words extremely audacious.

"I conducted her to the bottom of the Pet.i.t-Val, where I had commenced a large picture.

"She remained standing near me, following all my gestures with concentrated attention. Then, suddenly, fearing, perhaps, that she was disturbing me, she said to me: 'Thank you,' and walked away.

"But in a short time she became more familiar, and accompanied me every day, her countenance exhibiting visible pleasure. She carried her folding stool under her arm; would not consent to my carrying it, and she sat always by my side. She would remain there for hours immovable and mute, following with her eye the point of my brush in its every movement. When I would obtain, by a large splatch of color spread on with a knife, a striking and unexpected effect, she would, in spite of herself, give vent to a half-suppressed 'Oh!' of astonishment, of joy, of admiration. She had the most tender respect for my canvases, an almost religious respect for that human reproduction of a part of nature's work divine. My studies appeared to her to be pictures of sanct.i.ty, and sometimes she spoke to me of G.o.d, with the idea of converting me.

"Oh! He was a queer good-natured being, this G.o.d of hers. He was a sort of village philosopher without any great resources, and without great power; for she always figured him to herself as a being quivering over injustices committed under his eyes, and helpless to prevent them.

"She was, however, on excellent terms with him, affecting even to be the confidant of his secrets and of his whims. She said:

"'G.o.d wills, or G.o.d does not will,' just like a sergeant announcing to a recruit: 'The colonel has commanded.'

"At the bottom of her heart she deplored my ignorance of the intentions of the Eternal, which she strove, nay, felt herself compelled, to impart to me.

"Almost every day, I found in my pockets, in my hat when I lifted it from the ground, in my box of colors, in my polished shoes, standing in the mornings in front of my door, those little pious brochures, which she, no doubt, received directly from Paradise.

"I treated her as one would an old friend, with unaffected cordiality.

But I soon perceived that she had changed somewhat in her manner; but, for a while, I paid little attention to it.

"When I walked about, whether to the bottom of the valley, or through some country lanes, I would see her suddenly appear, as though she were returning from a rapid walk. She would then sit down abruptly, out of breath, as though she had been running or overcome by some profound emotion. Her face would be red, that English red which is denied to the people of all other countries; then, without any reason, she would grow pale, become the color of the ground, and seem ready to faint away.

Gradually, however, I would see her regain her ordinary color, whereupon she would begin to speak.

"Then, without warning, she would break off in the middle of a sentence, spring up from her seat, and march off so rapidly and so strangely, that it would, sometimes, put me to my wits' end to try and discover whether I had done or said anything to displease or offend her.

"I finally came to the conclusion that this arose from her early habits and training, somewhat modified, no doubt, in honor of me, since the first days of our acquaintanceship.

"When she returned to the farm, after walking for hours on the wind-beaten coast, her long curled hair would be shaken out and hanging loose, as though it had broken away from its bearings. It was seldom that this gave her any concern; though sometimes she looked as though she had been dining sans ceremonie; her locks having become disheveled by the breezes.

"She would then go up to her room in order to adjust what I called her gla.s.s lamps. When I would say to her, in familiar gallantry, which, however, always offended her:

"'You are as beautiful as a planet to-day, Miss Harriet,' a little blood would immediately mount into her cheeks, the blood of a young maiden, the blood of sweet fifteen.

"Then she would become abruptly savage and cease coming to watch me paint. But I always thought:

"'This is only a fit of temper she is pa.s.sing through.'

"But it did not always pa.s.s away. When I spoke to her sometimes, she would answer me, either with an air of affected indifference, or in sullen anger; and she became by turns rude, impatient, and nervous. For a time I never saw her except at meals, and we spoke but little. I concluded, at length, that I must have offended her in something: and, accordingly, I said to her one evening:

"'Miss Harriet, why is it that you do not act toward me as formerly?

What have I done to displease you? You are causing me much pain!'

"She responded, in an angry tone, in a manner altogether sui generis:

"'I am always with you the same as formerly. It is not true, not true,'

and she ran upstairs and shut herself up in her room.

"At times she would look upon me with strange eyes. Since that time I have often said to myself that those condemned to death must look thus when informed that their last day has come. In her eye there lurked a species of folly, a folly at once mysterious and violent--even more, a fever, an exasperated desire, impatient, at once incapable of being realized and unrealizable!

"Nay, it seemed to me that there was also going on within her a combat, in which her heart struggled against an unknown force that she wished to overcome--perhaps, even, something else. But what could I know? What could I know?"

III.

"This was indeed a singular revelation.

"For some time I had commenced to work, as soon as daylight appeared, on a picture, the subject of which was as follows:

"A deep ravine, steep banks dominated by two declivities, lined with brambles and long rows of trees, hidden, drowned in milky vapor, clad in that misty robe which sometimes floats over valleys at break of day.

At the extreme end of that thick and transparent fog, you see coming, or rather already come, a human couple, a stripling and a maiden embraced, interlaced, she, with head leaning on him, he; inclined toward hers and lip to lip.

"A ray of the sun, glistening through the branches, has traversed the fog of dawn and illuminated it with a rosy reflection, just behind the rustic lovers, whose vague shadows are reflected on it in clear silver.

It was well done, yes, indeed, well done.

"I was working on the declivity which led to the Val d'Etretat. This particular morning, I had, by chance, the sort of floating vapor which was necessary for my purpose. Suddenly, an object appeared in front of me, a kind of phantom; it was Miss Harriet. On seeing me, she took to flight. But I called after her saying: 'Come here, come here, Mademoiselle, I have a nice little picture for you.'

"She came forward, though with seeming reluctance. I handed her my sketch. She said nothing, but stood for a long time motionless, looking at it. Suddenly she burst into tears. She wept spasmodically, like men who have been struggling hard against shedding tears, but who can do so no longer, and abandon themselves to grief, though unwillingly. I got up, trembling, moved myself by the sight of a sorrow I did not comprehend, and I took her by the hand with a gesture of brusque affection, a true French impulse which impels one quicker than one thinks.

"She let her hands rest in mine for a few seconds, and I felt them quiver, as if her whole nervous system was twisting and turning. Then she withdrew her hands abruptly, or, rather, tore them out of mine.

"I recognized that shiver as soon as I had felt it: I was deceived in nothing. Ah! the love shudder of a woman, whether she is fifteen or fifty years of age, whether she is one of the people or one of the monde, goes so straight to my heart that I never had any difficulty in understanding it!

"Her whole frail being trembled, vibrated, yielded. I knew it. She walked away before I had time to say a word, leaving me as surprised as if I had witnessed a miracle, and as troubled as if I had committed a crime.

"I did not go in to breakfast. I took a walk on the banks of the Falaise, feeling that I could just as soon weep as laugh, looking on the adventure as both comic and deplorable, and my position as ridiculous, fain to believe that I had lost my head.

"I asked myself what I ought to do. I debated whether I ought not to take my leave of the place and almost immediately my resolution was formed.

"Somewhat sad and perplexed, I wandered about until dinner time, and entered the farmhouse just when the soup had been served up.

"I sat down at the table, as usual. Miss Harriet was there, munching away solemnly, without speaking to anyone, without even lifting her eyes. She wore, however, her usual expression, both of countenance and manner.

"I waited, patiently, till the meal had been finished. Then, turning toward the landlady, I said: 'Madame Lecacheur, it will not be long now before I shall have to take my leave of you.'