Search The Dark Part 26

"That very much depends on why it was put here, as well as by whom."

Henry came down the last of the steps and moved across the crypt, the candle flames dancing with his pa.s.sage. "It would have been safer over here," he said, coming to a stop in front of one of the tombs there. "The suitcase."

The low rectangular stone vault was small, plain. The top was engraved with a name, date, and a few lines of scripture. But no figures at the sides supported it, and no designs ran like filigree either across the top or down the corners. It seemed to squat on the floor, out of place among its more ornate brethren, as if unfinished.

"The end stone here isn't sealed. The tomb's actually empty, did you know? It belonged to the wife of another Simon Wyatt, some three hundred years ago. The next wife didn't want her to lie here in Charlbury and had the body sent to Ess.e.x. It's one of the family skeletons, in a manner of speaking."

He stooped by the tomb and pushed one side of the stone that marked the foot. It sc.r.a.ped across the floor but moved with fair ease. "You wouldn't have needed much of a s.p.a.ce, to slip a suitcase in there. But most people can't tell it's free. I knew. Even my father didn't."

Rutledge said quietly, "You couldn't have moved that as boys. It was too heavy. Would it be too heavy for a woman?" He was thinking of Aurore.

"Probably not. If she knew about it. The old s.e.xton showed it to me when I was six or seven. He had a ghoulish nature; he said I'd wind up here if I misbehaved in church. Rather a cruel thing to tell a child, wasn't it?"

"Yes. It was." To one side of Rutledge, Aurore stood with that stillness of hers that he so admired.

Henry frowned, thinking. "I must have told Simon about these hiding places. That's how he could find the suitcase, when he came looking tonight. I asked him what he was searching for, and he said it was a suitcase no one else wanted. He said Aurore had put it here, but she hadn't"

Aurore, turning to Rutledge, opened her mouth to speak and stopped.

"No, I don't believe she had put it here either." Rutledge said, his voice attuned to Henry's mood. "Who did? Do you know?"

Henry shook his head. "It was in the attic for a time."

"Whose attic? Simon's?"

"No, of course not. It came from my mother's."

"How did she come to have it? It didn't belong to her. Did you give it to her?"

"She brought it home one day. I asked her where it came from, and she said it was better if I didn't worry about it. There was another one too, but she put that one on a train from Kingston Lacey to Norfolk. I expect she wanted to put this one on a train too but hadn't had time."

Where do you hide a suitcase? Where there are other suitcases....

Aurore was staring at Henry. She said, "How did Simon know that the suitcase was here?"

"I don't believe he did. He'd searched the farmhouse. And the barn. After the inspector here had gone this afternoon. Then he came here, to search the church. I don't think he was very pleased to find it."

"No," Rutledge said. "I shouldn't have thought he was at all pleased. It proved something he didn't want to believe. I think-Henry, it's time we found your mother."

"Why?"

"Mrs. Wyatt needs her."

Henry said, "I like Mrs. Wyatt. She doesn't know it, but I've watched her often. I like pretty hair. Hers is very pretty."

Rutledge, standing very still, said softly, "Aurore, will you trust me? Let your hair down. Slowly. Give me the candle."

After an instant's hesitation, she handed it to him and slowly began to unpin her hair, collecting the pins in her teeth. The knot at the back of her neck loosened and unwound. As she took the pins in her left hand her hair spilled in long gleaming waves, falling over her shoulders nearly to her waist. She looked at Rutledge, frowning but unafraid. Her hair was not pretty-it was beautiful.

Henry, mesmerized, sucked in his breath and walked toward her, his eyes shining in the light. His hand moved, reaching, then drew back. "You won't scream if I touch it?" he said to Aurore. And to Rutledge he said, "I like to touch it. But it always makes them scream, and I hate that part."

"No," Rutledge said firmly, "you can't touch it tonight." Henry stopped where he was, uncertain. Rutledge pa.s.sed one of his candles to Aurore, her face white and stark now, and stepped into Henry's path. "Mrs. Wyatt, would you mind fetching Mrs. Daulton for me? You should find her at your house, with Elizabeth. Ask her to come here, but don't come back with her, do you understand?"

"Ian-" she began, moving toward the stairs.

"There's no need, I'm here," Joanna Daulton said, coming down the crypt steps. Dressed now, composed, she stood there, blocking the only exit from the low-ceilinged, cold stone undercroft of the old church, another candle in her hand, and Rutledge felt himself succ.u.mbing to the numbing fear of being shut in, cut off from the outside air. Hamish was urgently telling him to pay heed- In Mrs. Daulton's left hand, half hidden by her skirts and the shadows, was the straw hat that had belonged to Margaret Tarlton.

Aurore was moving closer to Rutledge, one hand fumbling at her hair, gathering it together. But Joanna Daulton said, "You needn't be afraid, my dear. Henry never hurts anyone. He just has a fascination about seeing a woman's hair flowing down her back. I don't think he even understands why this compulsion is there. The physical implications. Nor does he understand that respectable women don't care for such attentions. He only wants to touch, and to him that's hot-wrong. Like a child wanting to touch something very pretty, he sometimes can't stop himself." The last words seemed to be wrenched from her.

"He tries to choke them when they scream," Rutledge said.

"Yes, it frightens him, he tries to shut them up. If they stood still, he'd stop at once. But that's as far as it ever goes. He never does any harm."

"He tried, tonight, to choke Elizabeth Napier."

"Yes." She turned tiredly toward Aurore. "I wouldn't have had Simon die for anything in the world," she said, her voice heavy with sorrow. "I mean that, Aurore. I never intended for any such thing to happen."

"I shall have to take Henry in for questioning," Rutledge said. "Will he understand what I'm doing and why?"

"Of course he will," Joanna said sharply. "He's not a fool. But it won't be necessary. He didn't kill those women. I did."

He looked at her, infinite pity in his eyes. To protect her son ...

"How many have there been?"

"It started in London. I'd taken rooms near the hospital while Henry was there recovering, and they'd let him out of hospital, in my care, with a nurse to come three days a week. He tried once to unpin her hair, and she screamed, and he choked her. She was very angry, she threatened to tell the doctors, to have Henry put away. I gave her a great deal of money and bought her pa.s.sage on a ship leaving for New Zealand. And that was that. Afterward, I watched him very carefully. But when Betty came to the house, to tell me that Simon was giving her an introduction to the Napiers, Henry was alone with her in the parlor. I was finishing the washing up. I didn't know, I thought he was out. I didn't know until I heard her scream. I offered her what money I had and told her she'd be better off going to London with a small fortune in her pocket than settling for being a maid to the Napiers. And she went. But the money didn't last. She came back, demanding more."

Joanna Daulton shuddered. "I couldn't give her any more. I didn't have any more to give. But she was a greedy little b.i.t.c.h, she threatened to have Henry put away, and in the end I had no choice but to kill her. It was horrible. I hated myself, I hated her, I hated having to connive and lie and live with such a thing on my conscience. I told myself, in future I shall never let him out of my sight again, I'll watch even more closely. It won't happen again, I could see he was showing great improvement-"

"But he wasn't, was he?" Rutledge asked gently. "He has never fully recovered. He never will."

"No." The word seemed stark and anguished, matching her eyes. "And I shan't be there to care for him. He will have to go back to hospital now whether I want him to or not."

"The next woman he was alone with was Margaret Tarlton, looking for someone to drive her to the train."

She sighed. "I hate to say this about the dead, but Margaret Tarlton was worse than Betty. I knew, from something Richard Wyatt told me once, when he and Margaret had a stormy affair in 1913, that she had a way of getting whatever she wanted. I think she'd have married Richard, if he'd had enough money to satisfy her. And now she had the power of the Napiers behind her. She was hard, and very angry, very unforgiving. I didn't have any money to offer her. She said she didn't care what happened to Henry. She said it was what he deserved." Joanna Daulton turned to Aurore. "I told her, You aren't a mother, or you'd understand. But she said it doesn't matter, he belongs behind bars, he isn't stable. We argued again outside Singleton Magna. I was driving your car, Aurore, there wasn't enough petrol in mine. I'd walked over to the farm and borrowed it, and all the way to the train Margaret Tarlton was insisting on going to the authorities in Singleton Magna. I couldn't persuade, I couldn't bribe-she made me stop the car and put her out. That's when, G.o.d help me, I took that stone you keep in the back of your car and I killed her! And that poor man Mowbray took the blame, because to save him, I'd have had to destroy my own son! son!" Her voice twisted in anguish.

Aurore said, "Don't-for G.o.d's sake, don't!"

Mrs. Daulton said, "I'm glad it's over. I thought when I heard Elizabeth scream tonight, it will go on and on and on, until one day I can't bear it anymore. But I love him, you see. I really wanted him to be whole again. I told myself that Simon was recovering-Henry could recover too. I told myself a hundred lies. I told myself that I could make Henry well myself, if I had time enough and peace enough. It was all so terrible. But I couldn't harm Elizabeth. Elizabeth. I've known her almost all her life. It was hard enough with people I barely knew. With Elizabeth-" She shook her head. "I couldn't kill her, Aurore. I couldn't do it. But I killed Simon, didn't I? Inadvertently. I'd have liked to kill myself, but I haven't that kind of courage. I suppose women generally don't." She smiled across the room at her son. "Henry, darling, I don't think you've understood a word of what I've been saying, and just as well. Come along, let me put you to bed. And then I must go with the inspector for a while. It will be all right, you'll see. You liked hospital, didn't you ...?" I've known her almost all her life. It was hard enough with people I barely knew. With Elizabeth-" She shook her head. "I couldn't kill her, Aurore. I couldn't do it. But I killed Simon, didn't I? Inadvertently. I'd have liked to kill myself, but I haven't that kind of courage. I suppose women generally don't." She smiled across the room at her son. "Henry, darling, I don't think you've understood a word of what I've been saying, and just as well. Come along, let me put you to bed. And then I must go with the inspector for a while. It will be all right, you'll see. You liked hospital, didn't you ...?"

Her voice trailed off as she held out her hand, dropping Margaret Tarlton's hat on the steps. Henry came to take her cold fingers in his, and Rutledge watched, letting it happen. Henry looked across at Rutledge, and there was a strained smile on his face. He understood far more than his mother wanted to believe.

Mrs. Daulton turned and led her son up the steps. Aurore said quickly to Rutledge, "I don't think she should go alone!"

"It's all right. She won't harm him. She won't harm herself. I'll take you home and then go to the rectory. By the time Henry is settled, Hildebrand will be here."

"You believed her?" She followed him across the crypt, her candle flame shaking because her hand was shaking badly.

"Yes. I've been half certain, since that d.a.m.ned hat went missing tonight." They had all made a connection between Henry and the dead women, and dismissed it. Shaw had more anger in him than Henry had ever shown. But Shaw had had no reason to kill Betty Cooper ... while Simon or Aurore might have. Or Elizabeth Napier- At the stairs, as he bent to retrieve the hat, Rutledge said, "I saw Henry once with a small bird in his hands. It was oddly childlike. He may have tried to stop these women from screaming and frightened them badly. Himself as well. But he wouldn't have beaten them, on and on until they were dead. As his mother had had to do, to silence them. He's not mad. It's just that much of his mind is gone. Whatever abilities and skills he once had, he's lost them."

He took her arm to help her up the steep, crumbling steps. Her scent was strong in the cool air, a sign of her distress. He said, "Will you tell me now where you found this hat?"

"I took the shortcut to the farm the day after Margaret left. It was in the bushes there; Joanna must have dropped it. But I thought Simon had. And someone had started the car while I was in the barn-I heard it leave and come back. I was sure Simon had taken Margaret to Singleton Magna." Her breath seemed to catch in her throat. "He was desperate for money. I thought-I had so little faith left in him! I had seen his father's letter. About the house in Chelsea. And he had insisted on hiring Margaret ..."

There was no comfort he could offer.

She said as they reached the aisle and he blew out their candles, "If only Simon had waited for the morning!" There was infinite sorrow in her voice.

"I know," Rutledge said quietly, but the stone took his words and gave them a haunting echo. "He was a good man, Aurore. He just lost his way. A lot of us did, in the war. And we weren't all wearing visible wounds. That was the worst part of it. No one could look at us and say, 'See what the war has done....' "

"I loved him so much," she said, tears coming at last. "I thought he didn't love me."

After a moment he said, "What will you do?"

She said, into the echo of his words, "I shall open the museum, if I can. And make it work. And after that, I shall go far away from here. We have all died, in a way-myself, and Simon, Henry and his mother, Mowbray, those poor women. I can't bear to think about it."

They had reached the door of the church. He handed her the key to the museum. She turned to him and said, "I shall go from here alone. Do you understand?"

"Yes."

"Whoever she is, this woman you have loved, she is not worth your grief, do you know that? Find a love of your own, and don't lose it as I did!"

And she was gone, hurrying down the path toward her house, where he could hear cars arriving and voices raised in alarm. In the bright sky behind him, the barn and the house still burned out of control, flames leaping high, garishly, into the night.

He felt very tired, and very much alone.

Hamish said, "You're a better policeman than you think you are."

"Am I? I'd have saved him if I could...."

"Aye. But he'd no' have thanked you. He died for her; it gave his death a meaning. It was what he was after, and it was far better than dying a coward."

Rutledge walked out of the shadows of the trees. He could see Aurore standing in the doorway of the museum, unlocking it. He braced himself and called to Hildebrand, stopping that surge of people toward the house long enough for Aurore to remove the note from Simon's dead hand. There was no reason to cause pain where it wasn't needful.

She paused as the museum door swung open and looked blindly back toward the church. But Rutledge was already standing among the policemen from Singleton Magna, handing the hat to Hildebrand, swiftly and clearly telling the staring faces what had happened. As he finished, a number of them went on to the museum; the others, led by Hildebrand, went toward the rectory.

Shaw, by the gate, stood waiting until they'd gone. He looked at Rutledge and said, "Is it true? What you just told that lot? Or a pack of lies? About Mrs. Daulton?"

"It's true."

Shaw rubbed his face, drawn and exhausted. "I wanted someone I could kill. I wanted it to be Napier. Or Simon. Or even Henry. I can't touch that poor woman, even for Margaret's sake. Hanging will be a blessing for her!"

"It will be an end, but not a blessing."

Rutledge turned the crank, got into his car, and said, "Can I give you a lift as far as the inn?"

Shaw shook his head. "I need to walk awhile."

Rutledge drew away and in the night watched his two headlamps plow gaudy furrows down the dark road. He felt empty, drained. But Mowbray was still in his cell. The man deserved compa.s.sion, and help. Rutledge would see to it.

Hamish said, "You could na' let Mowbray hang for murder. He never touched a soul. She'll fare well enough. You must na' fret." It wasn't clear whether he was speaking of Aurore or Joanna Daulton.

Rutledge said, "No." But he knew he would remember Aurore's face and her stillness, and the French way she had of shrugging, whenever he thought of Jean. They were inextricably linked, because he and Simon were linked. He could still see the pistol beside the chair, he could smell the powder and the blood.

There but for the grace of G.o.d go I....

But Hamish said into the roar of the engine and the sound of the wind whispering through the open car, "Not now. Not yet."

ALSO BY CHARLES TODD.

A Test of Wills

Wings of Fire

Search the Dark

Watchers of Time

Legacy of the Dead

A Fear some Doubt

The Murder Stone

A Cold Treachery