Search The Dark Part 24

She moved convulsively, her hand on his arm showing him as clearly as if she stood in full daylight, what emotions were pa.s.sing through her body.

"Ah, yes. I thought we might come to that as well. Betty was very pretty," she said. "But that wasn't the reason. Simon was sending her to London, to Elizabeth. I thought-I thought she would be used by Elizabeth to drive a wedge. As Margaret would have been, later. An excuse to call Simon and say 'About Betty ... I should like to know what you think about her wages-her behavior-her future.' It was such a small excuse. But it was an excuse!" But it was an excuse!"

When he said nothing, she went on in a low, trembling voice. "I am not the woman you think I am, Ian Rutledge. I cannot be endowed with virtues I never possessed. I'm French, I think differently, I feel differently. I am a murderess, and I have lied to you from the start."

He couldn't see her face, he couldn't watch her eyes, and the telltale hand had been withdrawn. But he knew beyond doubt that he had to accept her confession now.

He had no choice but to arrest her for two murders and let the courts decide for him whether she was guilty or not. The hat in his hand was proof enough, and if the suitcase had been burned, it didn't matter. Confession, evidence ...

"What did you do with the murder weapon?"

"It was a smooth stone from the car. I kept it there to put under a tire on a hill. I saw a lorry in France roll down a hill into a crowded wagon, full of refugees. It killed so many of them. I carry the stone to prevent such a thing from happening again. It is still in the car. If you look, you will find it below the rear seat. I daresay it still has Margaret Tarlton's blood on it."

He stood there, listening, hearing the ring of truth, hearing too the deep grief behind it. Hearing the ragged breathing.

Aurore knew too many of the details. She had brought him the hat, she had given him the murder weapon, she had given him what-to many women-would seem a reasonable motive for two deaths.

And yet-and yet his instinct told him she was a consummate liar, not a murdereress. He knew now who she was shielding-though not yet why. What was it she knew that drove her to this confession? What had given Simon away, in her eyes? The hat, perhaps lying forgotten in the back of the car? Coming out of the barn that afternoon to find the car was not there, where she'd left it? Simon's insistence that she had taken Margaret to the train, when he knew she had not? How long had it taken her to put the facts together? A bit at a time? Or one terrible blow she hadn't expected?

Yet Rutledge found himself thinking that Simon had been too obsessed with his museum to plot so clever a murder, so clever a way of convicting his wife. Or had that been another lie? Diabolical and cruel ...

There was another possibility-that someone else had seen to it that the finger of guilt pointed at Aurore, and Simon was unwittingly suffering the same agonies of doubt and fear as she was. Had the first attempt to be rid of Aurore-killing Betty Cooper-misfired when the girl's body was not discovered? And Margaret Tarlton, the next sacrifice, had nearly backfired too, when Mowbray took the blame for her death. Until Elizabeth Napier came to Charlbury and set Hildebrand straight ... but could any of that be proved?

Rutledge said, "Very well. I'm arresting you, Aurore Wyatt, for the death by murder of Margaret Tarlton and Betty Cooper." It was, after all, what she wanted. And it would forestall Hildebrand.

He could feel the tension drain out of her, a smothered sob of relief.

"I'm so very glad it's over," she said quietly. "You don't know how hard it has been to live a lie."

But he did-he lived one every day, he told himself as he took her arm and started for the car. His lie was that he was a competent policeman, an experienced and capable officer of Scotland Yard.

Hamish was reminding him of it with vitriolic pleasure.

26.

They had gotten no farther than the edge of the trees when a cry, cut short, rang through the night. Aurore stopped still, listening, her head turned toward the church. "I think it came from there!" she said anxiously.

"Wait here!" Rutledge ordered, already moving.

"No! I'm coming with you!" She was at his heels as he ran toward the front of the church. There were lights coming on in the nearer houses and a light moving down the path from the rectory.

But when they reached the church porch, all they found was Elizabeth Napier in a crumpled heap by the steps, her head buried in her arms. In the blackness of the night she seemed terribly small and vulnerable.

Aurore went quickly to her, touched her shoulder, said, "Help is here, what has happened?"

Elizabeth looked up, the whites of her eyes like half-moons in her pale face. She said roughly, her voice breaking on the words, "I was attacked-"

The lantern bobbing up the walk from the rectory reached them, and Joanna Daulton said with brisk calm, "What's wrong? Can I help?"

Her lamplight fell on Elizabeth, on the dark hair spilling down in waves over her shoulders and the torn collar of her dress. There were red marks like bruises on her throat. Elizabeth put up her hand against the invasion of the light and said, "Oh, G.o.d, I was so frightened!"

Rutledge said, "Who was it? Did you see?"

Elizabeth shook her head a little. "No-one minute he was there, startling me, his hands on me, and when I screamed, he reached for my throat, and I could feel his breath on my face-" She shuddered, her body beginning to shake with reaction. Aurore, after the slightest hesitation, knelt to put her arms around Elizabeth, cradling her head against her breast.

"It's all right, you're safe now, don't think about it," she was saying over and over in a low, soothing voice that seemed to touch all of them.

Rutledge said, "I'll have a look around-"

"No!" Elizabeth cried. "No, don't leave me!"

"Mrs. Daulton and Mrs. Wyatt will stay with you. I must go after him now. There may still be time to-"

"No, please, take me back. I-I don't want to be alone," she pleaded.

He thought it was more than that and remembered suddenly that Simon hadn't been in the museum. That very likely Simon hadn't been in the house.

He left the thought there and helped Elizabeth to her feet. As he did, he realized that neither he nor Aurore had Margaret's hat. He swore under his breath. An attack-or a diversion? If it was a diversion, it had been successful.

Rutledge gave Elizabeth his arm and they moved silently down the church walk and across the road. As they reached the Wyatt gates, Mrs. Daulton said something about rea.s.suring the neighbors, and he saw her go on to intercept the men hurrying in their direction. Aurore opened the house door for them.

Rutledge deposited Elizabeth on a sofa in the parlor, getting his first real look at her. Her pale face was drawn with fear and shock, but her mind was working clearly. She said huskily as she made an awkward attempt to bind up her hair again, "I don't want to wake Simon, please don't bother him with this! It will only add to his distress."

Aurore's eyes met Rutledge's over Elizabeth's head. She said only, "No, we won't disturb Simon. It's best"

Rutledge, using the excuse of fetching water, went down the hall and began a swift, methodical search of the house.

The connecting door to the museum was still latched, and he walked next into the garden. But it was dark, given over to the sounds of the night.

Instinct told him-instinct honed by night marches and night attacks-that the gardens were empty. Even Hamish felt nothing there.

Wherever Simon was, it wasn't in the house or on the grounds.

Had he been walking again, had he been at the church? Had he seen the hat in Aurore's hands, there among the trees?

Or was Elizabeth trying to play her own games?

There was always the chance that Daniel Shaw had attacked her, wanting answers he hadn't gotten at the Wyatt door earlier. At least, Rutledge told himself, this couldn't be laid at Aurore's door; she'd been with him.

But something about the first glimpse he'd had of Elizabeth in the light of Mrs. Daulton's lamp had set off alarm bells. In one odd, inexplicable, fleeting instant she had reminded him of Betty Cooper lying in her tidy grave. And yet it was something people had said, he thought, not what he'd seen. He could hear the echo of it, but not the words. Not yet ...

He turned and went back into the house, filling a gla.s.s with water and carrying it to the parlor. Simon Wyatt's grandfather was staring down at them from his frame above the hearth, as if the difficult silence between the two women met with his disapproval.

Elizabeth had succeeded in putting up her hair and was lying with her head against the back of the sofa, her eyes closed. Aurore, sitting stiffly in a chair, her face still, looked up as he came in. He shook his head but made no other explanation for the time it had taken to fill one gla.s.s with water. He thought she must have guessed that Simon was nowhere to be found.

He gave the gla.s.s to Elizabeth, who drank it slowly with her eyes closed. The red, bruised marks on her throat were very clear now. They looked very real as well. Studying them, he couldn't see how she could have made them herself.

She said, returning the gla.s.s to him, "Thank you." She coughed and swallowed again, as if her throat were painful. "I have never been so terrified! I thought-for an instant I thought I was going to die!"

"It was a man?" Rutledge asked.

"Oh, yes. He was tall, strong. It was horrible!" The distaste in her face was real as well. "I thought I was going to die!" she said again, unable to stop herself from thinking it "It was Shaw, it must have been! The man is mad, he ought to be put in jail. I won't go back to the Wyatt Arms tonight, I won't!"

"I'll look for him," Rutledge said. And added to Aurore, "Please lock the door when I leave. You'll be safe enough."

"You'll come back?" she asked.

"Yes." He knew why she was asking. Come back to arrest her.

"That's all I need to know." She went with him to the door, and as he stepped out onto the walk, she said, "Please-Simon-"

"Aurore. I must find the hat. That's why I'm going."

She seemed startled, remembered it, and said, "Yes, of course!" as she shut the door firmly.

The townspeople had gone back to their beds, rea.s.sured by Mrs. Daulton. He could see her lantern bobbing up to the rectory again. It occurred to him that she was a very courageous woman. But then she was no longer young or pretty. As Margaret Tarlton and Betty Cooper were said to have been. As Elizabeth Napier was. Perhaps that was why she had felt safe. Or perhaps it was in her nature to take risks for the sake of others. Some women did. He had seen them nursing the worst influenza cases, working with septic wounds, braving weather that would have given a strong man pause.

As he walked toward the church, his mind was busy. What was it Mrs. Prescott had said about Margaret Tarlton, and Truit had told him about Betty Cooper? "She had such lovely hair." Mrs. Prescott's voice came back to him, admiring, envious. And Truit had said "-sleek as a cat sunning itself in a window," or words to that effect.

They weren't merely pretty women. They were both quite sure of their attractions ... not flaunting them, just sure sure of them.... Tantalizing. Tempting. of them.... Tantalizing. Tempting.

But that still left Shaw out of the equation. He'd been in love with Margaret. At least he'd claimed he was.

If it had started with Betty Cooper-and Rutledge was now almost certain it had-then love had a great deal to do with the murders. But there wasn't time to go into that now.

With Hamish alive in his mind, Rutledge was already scanning the shadows, looking for Wyatt, looking for Shaw. The hat was nowhere to be found, although he searched carefully. The small case that Aurore had left leaning against the trunk of a tree was still there. He walked up to the church, on guard, wary.

But there was nothing there. The stand of trees, the graveyard beyond, the shadows by the heavy walls, were empty of life. He went around the church itself twice, moving cautiously, slowly, taking care to be sure. Then he tried the door on the porch.

It opened under his hand, swinging with a deep groan across the stone paving. In an island of darkness, there were candles ahead, burning on the stone altar, casting strange, flickering shadows across the aisles, the Norman pillars, the high arched roof. There was a golden warmth to the light, and the man sitting in one of the chairs in the nave turned to look at him, his own face golden in its reflection.

It was Henry Daulton. "I've looked everywhere. There's no sign of anyone. I stepped in here instead of going back to the house. It's quiet here. I thought Simon might come back. I don't like to hear a woman scream, it tears at my nerves."

"Yes. It's very quiet," Rutledge answered, his voice echoing and his footsteps rebounding from the stone paving as he walked down the aisle toward Henry. "Did you see what happened?"

"I was out looking for Simon Wyatt. He was walking again, Shaw told me. He'd seen him and then lost him. A few minutes later Elizabeth asked me to help her find him. She was worried about him. I told her it was all right, that he'd come home on his own, but she insisted."

"You knew he walked?"

"I don't sleep well sometimes. Once or twice I've seen him go out on the lawn and stand like a statue for a quarter of an hour or more. Another time I met him coming down the shortcut from the farm-it ends over by the churchyard. My mother's concerned about him, she says he's on the edge of collapse. But he isn't. He's worried about money and Aurore and the museum. He doesn't see how it's going to work out, and that's what makes him black out. To stop thinking."

Which was an oddly penetrating observation.

"About tonight-" Rutledge reminded him.

"He was in the church earlier. Standing there in front of the altar, lighting candles. Praying, I thought at first. Then he took one of them and started in the direction of the crypt. I don't think he was walking then."

"What would interest him in the crypt?" He remembered something Henry had confided to him when he first came to Charlbury. "There are hiding places in the church, aren't there? Does Simon know about them?"

"I don't know. He probably does. I didn't stay very long. But later he came out with a suitcase. I'd seen it before, someone had left it under that stone altar down in the crypt. The old altar, from the Saxon church. n.o.body ever uses it, but there's an altar cloth on it. My mother ironed it every week when my father was alive and kept fresh flowers on it. My father always said it was useless work, but she took pride in it. It's keeping to tradition, she'd say. I'd hide under its skirts whenever I didn't want to be found. I think I told Simon about that, but I can't be sure. I don't always remember things now."

"Henry. He knew the suitcase was there-or looked and found it there?"

"Well, he came out carrying it. And don't ask me where he went with it, I can't tell you because I don't know. But I don't think he wanted to be seen. And almost in the next instant Elizabeth Napier was coming up the church walk again. And you were there under the trees talking quietly to Mrs. Wyatt. I thought it best to go home then."

If Simon had collected the suitcase, where would he have taken it?

Rutledge thought he knew. The farm-And the police were going to search there in the morning. d.a.m.ning evidence against Aurore, if it was found there!

He said to Henry, "I've got work to do still. Will you be at the rectory or here?" He hadn't finished with Henry, but there wasn't time to ask him any more now. It could wait. Simon couldn't.

"Here, probably. When I can't sleep, I come here to think. My father had always hoped I'd be rector, just as Simon's father had expected him to stand for Parliament. But the war put paid to such hopes, didn't it? I suppose that's why I can't sleep. Guilt that I'm not the man I might have been."

It was a poignant remark, but Henry seemed to accept his circ.u.mstances stoically, whether his mother did or not. As if he knew, and shielded her as best he could from the truth. Her insistence that he was making steady, observable improvement must have hurt him many times. The scar was very deep. It had healed. But not the brain behind it.

Rutledge nodded and left, his footsteps echoing again in the stillness. From the nave, Henry called, "If Simon is wandering, don't startle him. Let him finish whatever it is he wants to do first. Will you be careful about that?"

"Yes. I'll remember." But he didn't believe Simon was anything but very much himself, well aware of what he was doing.

He went out to his car, started the motor, and drove with haste to the farm. It was dark, dark as the night. He left the car by the gate and walked swiftly up the murky blackness that was the rutted lane, swearing as he missed his footing several times in the deeper patches. A man could break an ankle here with ease, he thought. And who would know? Jimson wouldn't hear any calls for help!

When he reached the house, he walked carefully around it, staying in the shadows as much as possible. But he couldn't see any lights, he couldn't pick out any sign of Simon Wyatt's presence. Inside the house or out. Hamish was alert in his mind, wary, watchful.

Rutledge moved on, into the barn, and saw at once that the horses had been taken out. Even the barn cat wasn't anywhere to be seen. He strode swiftly, silently, down the empty, dusty pa.s.sage to the back doors and discovered that the cows, usually penned for the night behind the barn, had been loosed in the fields. He could just see them, ghostly white patches against the darkness of the pasture. As he came back, he realized that the door of the chicken coop stood open and that the chickens had scattered, roosting on the tops of overturned wagons or the roofs of sheds.

He had nearly reached the front of the barn, his mind occupied with myriad possibilities-Hamish was already warning him about the most likely of them.

And then, among the loose piles of hay in the loft, a yellow ball of fire, bright as the sun, began to blossom into roaring life with frightening intensity.

Simon had set the barn alight!

Rutledge ran, his steps m.u.f.fled by the packed earth, echoed by the paving stones, his eyes sweeping the stalls, the tack room, the loft. Searching every corner, even as time ran out. He began to cough from the heavy, swirling smoke, and then he felt the heat on his back as the flames took hold behind him. He found himself stumbling for the nearest door, and then turned around as something caught his eye at the foot of one of the great oak beams that supported the loft and the roof. It was in the shadow of the beam, nearly invisible, black against black, but the fire was dancing on the silver catches that locked the suitcase. It had been left where the fire would burn the hottest, around that beam, consuming it fully-melting even the metal in the end.

Whatever Hildebrand might suspect tomorrow, there would be no proof. proof. And suspicion would still fall heavily on Aurore. Had Simon intended to save his wife-or d.a.m.n her? And suspicion would still fall heavily on Aurore. Had Simon intended to save his wife-or d.a.m.n her?

Although Hamish was calling to him to leave it, Rutledge dashed back into the smoke, palling and black, and reached down to grip the handle, his other arm raised to shield his eyes. Was the hat here too? He groped for it, along the floor, and in an instant lost his bearing. He was blinded, disoriented, unable to tell in the thickening air which way he had come from. There was a curtain closing in on him, choking and smothering, cutting him off. Suffocating him in a claustrophobic cloak, sucking at his will. Hamish was a roar in his mind, louder than the roar of the fire, hammering at him to go! go!

"Simon?" Rutledge shouted, realizing all at once that a fire could destroy a man as well as a barn and a suitcase, and felt the rawness in his throat. "Simon! "Simon!"

But there was no answer and time was down to seconds before he himself was trapped. He could hear Hamish screaming at him now. Sparks were setting every wisp of straw to burning. He ran again, this time blindly, his face seared by flames as he pa.s.sed within their sphere. And then he was through them, blundering first into a wall, feeling the draft of air that was feeding the blaze, and stumbling finally out the door. Still coughing hard, he ran on, to pound heavily on the back door of the farmhouse. Once the blaze was at its height, there would be no saving the house either.

He came through the door shouting for Jimson, checking the dark, empty ground-floor rooms already reflecting the dawnlike brightness from the barn, and ran up the stairs, searching there as well. The old gla.s.s of the windows on the back of the house mirrored the flames against the wall in shimmering images, lighting his way. In the front it was stygian darkness still, and he quartered each room carefully, making absolutely sure. But Jimson was not here. Nor was Simon. Wherever they were, they weren't in danger of burning to death.